Tag: 3 out of 4

Documentaries about telephones are in right now. Just look at the Oscars from earlier in the year. The Phone Call won Best Live Action Short and Crisis Hotline: Veterans Press 1 won Best Documentary Short Subject. That doesn’t explain Hotline, however, which came to fruition thanks to Kickstarter.

And honestly, if it was nominated for Best Documentary, we might have had a very strange trifecta of victors if Citizenfour wasn’t so dang good.

It wanted to just examine the lives of many people who work at a hotline. All the hotlines too. Not just the sexy sex ones, although it definitely talks to two people in the field. No, we get LBGT based hot lines, suicide watch, homework hotlines, lonely based hotlines, and of course psychic hotlines. And they don’t just go completely for randos. No, we get some big named interviews with people about how they got in the business, stories, and more. And they also got the biggest name from all of this.

OH MY GOD MISS CLEO I LOVE YOU I CAN’T BELIEVE IT OHMIGOOOD

That’s right, Miss Cleo is in this documentary. She tells her whole story, how she got big, how the company abused her image, and how she got out of any lawsuits. And she is still doing her thing and doesn’t seem super scammy, so that is good.

We also get Jeff The Lonely Guy. I have heard he was famous for being a one guy friendly dude who just wanted to talk to people and be friendly, no strings attached. I never knew about him, he seems like a cool dude.

And really, this documentary is just a bunch of stories about people who answer phones for free or for cash, and their life. For whatever reason, that subject was actually a lot more fascinating than I figured it would be, and not just because of the star power of this documentary. It is pretty dang simple too. But sometimes simple things end up being kind of great.

FAST FAST FAST.

Nope. Too slow. Now you are just Furious 7. Look down. Look up again. You are Vin Diesel upset that Chuck Norris stole all of your internet jokes. Look at my hand. It is full of movies. THINK AGAIN. Just odd numbered Fast and Furious movies!

Blah blah blah. I have said before. I think the even numbered movies are either shit (2 and 4) or just okay (Fast and Furious 6). Some are well known to be bad, I went against the grain for the last one. Tokyo Drift has a good story though, which is why I like it and the first and fifth are entertaining. I was super stoked to watch Furious 7, before the death of Paul Walker, because I wanted the continuation from Tokyo Drift! I was ready for it all. And you know, 7 is an odd number.

And hey, Vin said this movie was amazing. Tears would flow and it should win Best picture awards. In that case I expect also hard hitting dialogue, some true events maybe, a new look at a modern topic, and maybe some death.

I don’t expect too much butt though.

JUST WHEN YOU THOUGHT ALL OF OUR FRIENDS COULD RETIRE AND JUST ENJOY LIFE. Just right then. Deckard Shaw (Jason Statham) shows up and starts killin’ people. He is the brother of the Shaw dude from the last movie and he wants revenge. Deadly revenge.

Well that is great, they have to deal with this asshole who has money, power, and explosives, and he will follow them around the world just to get his sweet deadly revenge.

Thankfully (?), a covert ops team lead by Mr. Nobody (Kurt Russell) wants to use Dom’s (Diesel) team to track down a computer program(er) (Nathalie Emmanuel) and a terrorist (Djimon Hounsou). If he stops the terrorist, they can use the special facilities to take out Deckard as well. Deckard of course will continually interfere with each step of that operation before he can be fully dealt with. Dom wants his crew though for the job. So he gets the leftover parts of the crew (Walker, Tyrese Gibson, Michelle Rodriguez, Ludacris).

Action, cars, people being mad. Dwayne Johnson is back in his role, Jordana Brewster is still Walker’s wife, Lucas Black reprises his role kind of, and Ronda Rousey is in this movie because modern action films secretly hate us.

Furious 7 is making shit tons of money. It is also is breaking records while doing it. Why? Is it because of its extremely diverse cast? (which is by the way, ridiculously diverse. Look at that group shot and tons more not featured). No, probably not.

The thing is, this franchise always made a lot of money. Six made almost 800 million, so the fact that this one already hit a billion isn’t a surprise. Because let’s face it, regardless of how good or bad it is, people wanted to go see it because of Paul Walker’s death. Just like The Dark Knight.

Now, sure, I might have had a tear near the end. My emotions are easy to manipulate in a movie. But I am still disappointed with their choice. I think a much stronger movie could have been made if they went real crazy and intense with it. I even knew I wouldn’t get the more intense and tear inducing finale to Walker’s character, because they announced what would happen to his character months ago. A literal ride into the sunset. Kind of disappointing, but I get it. I do.

Either way, some of the stunts in this film were insane. Most of them just involve literally the cars flying through the air and surviving big crashes. They are thankfully in vehicles a lot, so it keeps up with the theme, despite only one (and a half maybe) street races. And it didn’t feature an incredibly stupid ending like the last film. And the characters, all of which were still decently over the top, didn’t feel like superheroes which was another complaint I had.

But also, this one featured The Rock in a great scene involving a cast. That scene made the movie for me. I just really hope they don’t make another one. End up on top. Please no more. Don’t piss off Paul Walker’s ghost.

The Voices is a movie that came out in early February that I really wanted to see as soon as I heard the plot. But I am not talking about the plot right now, I am talking about Ryan Reynolds.

He had a relatively quiet year in 2014, but that is because he was working so hard to make 2015 a full year for himself. First with this movie, we have at least three other movies where he is the star or a main star coming out this year, across all genres. Family drama, dark comedy, action, sci-fi-drama. How diverse, Ryan! You really want to get away from the stoner comedies! And let’s not forget that next year he gets to be a Superhero and an animated voice again. Jeez.

Maybe it is just that he got himself a better agent. Or maybe ScarJo was holding him back and Blake Lively is actually good at something?

…Yeah, you’re right. Probably the agent.

All he really wanted was to dance more in his movies. The Sam Rockwell clause, if you will.

Jerry (Ryan Reynolds) is just you average loner guy. He doesn’t have a lot of skills, working as a worker in a factory that makes toilets. Like, lifting and boxing. Very minimal skills. He lives alone with his two pets, a cat, Mr. Whiskers (Ryan Reynolds) and a dog, Bosco (Ryan Reynolds). No, don’t worry, he isn’t dressed up as his pets. He is just their voices, because they totally can talk!

Well, only to him. No one else can hear them. Did I mention Jerry had an abusive child hood, where some seriously fucked up shit went down? Yeah. He is taking pills for his head voices, from his therapist Dr. Warren (Jacki Weaver). But the pills make the world a much sadder place and make everyone seem mean. No, he is happier without the pills.

After all, there is a cutie at work Fiona (Gemma Arterton) who gave him notice and danced with him at the holiday party! So he likes her back. But maybe she didn’t like him too much and she was just friendly. Oh well, either way, they should date.

Unfortunately, he doesn’t have many people to ask advice too, because he doesn’t have any real friends. Guess his pets will have to do. And his cat his a straight up dick. Also featuring Anna Kendrick and Ella Smith as the rest of the accounting department at his work!

In retrospect, maybe he should have played has the animals in costumes as well. It worked for Wilfred!

Yeah, we get to see Ryan Reynolds play a serial killer and make some pet voices too. Hooray! The first thing I noticed while watching this movie is that it was carefully crafted visually. Someone knew exactly what they wanted to show and how to show it. And the visuals again, were great. The use of color, the difference between his life on and off pills, how other people perceive him, all great. The next thing I really enjoyed was…Ryan Reynolds!

Hey, that is pretty good, because he is the star/main character of this movie. But he actually acts. He isn’t the douche bag role, or a simpleton nice guy. He is a full character and it was kind of impressive. Not sure if because I don’t expect that much from Ryan or what, but I really enjoyed it. Sure, his voices were fun too.

If I had any issues with it, I would just say I didn’t like the ending as much. Things started to unravel, everything went crazy, Jerry was losing it, which all makes sense. But the actual ending just felt a bit of a let down. I was expecting something more, and it just didn’t keep up the momentum that was building. Now the credits were great though. Hell yes to those credits.

Overall, still, a very interesting an enjoyable film. After all, it is pretty weird, and I fucking love weird.

I wouldn’t be lying if I didn’t say I was excited to see this documentary. I heard about it months ago, and my body was super ready. It just was ready too early, and then I forgot about it for a month or so…

But hey! Now it is out and watchable. An HBO documentary, so you know they could put money towards it.

Going Clear: Scientology and the Prison of Belief is a powerful title already pulling no punches. Obviously, this 2 hour documentary is about Scientology, like, the whole thing. From its founder, L. Ron Hubbard, to its start, to its current people in charge. And of course, their shady practices.

Shit, did I just describe the whole thing? Man, this was a quick review.

But I forgot to talk about celebrities!

In a way, it looks like this documentary was made and put together specifically for one person. John Travolta. When you think of Scientology, you think of two celebrities, him and Tom Cruise. Travolta used to be their poster child, now Cruise is. Cruise apparently is way too deep right now to be touched and is much newer in the group comparatively. But Travolta has had friends and close companions in Scientology who have now left and speak out in this documentary, about the travesties of the group, and what had to be done to keep the message from spreading.

So if he could hear it and believe, he would have a strong enough voice to help change a lot of people away from the cult and make a difference. But he has already said no thanks to that and defended it some more. Oh well, must have a lot of blackmail on him and Cruise.

Instead our biggest celebrity is Jason Beghe. And the documentary doesn’t get into the super hardcore rumors that you hear about. I guess that is because they didn’t want to get sued. So at the same time, while this documentary is super informative, if you saw the South Park episode on the same topic, you would know a lot of it already.

One word, relatively new, much fear.

Unfriended. How could someone be so cruel? Don’t you know they’re human too? …I’m gonna watch it anyways.

Sure, one could look at the title of the movie and the plot and think, “Yep, just another shitty modern horror.”

But for some odd reason I found it drawing. I thought it could have been made for me. But then again, I enjoyed the movie Smiley, which was also about modern tech things and a killer. Unfriended is already such a cold term, I can’t wait to see how they make fun of it.

And if you hate the title, you have to admit that it is better than the original name for the movie: Cybernatural.

Who would have thought the new face of evil was previously a sign of laziness?

Laura Barns (Heather Sossaman) killed herself. She was a pretty, relatively popular high school girl. But then she got super drunk one night at a party as a junior. Someone posted a video of her drunk, including the embarrassing after math and suggested she kill herself. Sure enough, she did it.

But that is old news. That is the past. That was a year ago today.

We should instead talk about sex. Because what is the point of skype if not helping take your long distance relationship to the next level? Or close distance relationship with over protective parents. Blaire Lilly (Shelley Hennig) and Mitch Roussel (Moses Jacob Storm) are teasing each other when they get forced into a giant Skype call with all of their friends. Fatass Ken (Jacob Wysocki), prep looking Adam (Will Peltz), and party girl Jess (Renee Olstead).

But hey, there is some glitchy other user in their chat. Some billie person. It can’t get kicked out, it stays when they restart the call, and it has no profile picture. Oh well, must be a glitch.

What is not a glitch is Laura randomly messaging a few people. Someone must have hacked her account and is trying to scare her friends. That’s not cool. Unless of course, it is a spirit doing all of this, and wanting to possess the group of friends into committing suicide. But that’d be awkward. Also there is Val (Courtney Halverson), as the random stuck up bitch other popular girl.

Sexting is so middle school.

Did I mention this entire movie takes place on Blaire’s computer screen? She has a mac of course, a nice laptop. Has the Spotify, the Skypes, the iMessage, the Facebooks, the ChatRoulette. She has it all. And the entire film, again, is through the screen. You might be thinking one of two things: Modern Family did it first. And that sounds terrible.

Technically, the Modern Family episode came out before this one, but this film was released a long time ago in film festivals. So who knows if Modern Family even knew that. As for the other fact, no, it is totally entertaining. Mostly thanks to the directors incredible attention to detail.

First of all, the movie is set in real time. The clock in the top right corner moves every minute, and by golly, it matches a real minute. The computer screen is incredibly realistic, as are Blaire’s typing speed, cursor movements, and literally just tabs open/search history. Everything. It feels realistic as fuck. Shit, there are even a couple hidden jokes I found in it.

At the same time, some of the attention to detail seems to be a bit lazy. For instance, previous messages randomly disappearing despite tabs never actually getting closed. There was one moment when Blaire had to share her screen in the Skype, which I guess is doable. Cool. But she never unshared it then did some awkward things after the fact, but it had closed by that point and that didn’t become a plot point for her being dumb. Long amounts of time with no one talking on Skype while Blaire does something else. Maybe she takes off her headphones during these moments, I don’t know. Things like that. The details are both infuriating at times and almost awe-inspiring. A lot of them they can just blame on computer ghost/hacker shit though, I guess.

Oh yeah, and this movie would have scared the poop out of me if I didn’t already poop four times that day. A huge part of it is the noise I would say. So many scares come from sudden noises. Incoming messages, Skype calls, wall posts, typing noises. All of it. Ahh. I never really want to hear a Skype call noise ever again, so I hope I can change it. I had to sit with my hands over my face so many times thanks to knowing that something fucked up was about to happen and I didn’t think my body could handle it.

Unfriended is new and modern, it has a unique enough twist, it is perfect at its 80something minute length, it is scary and tense, and it is overall a frightening time. Now excuse me while I burn the laptop that I wrote this review on.

I can say I was definitely not looking forward to seeing Paddington. When I first heard about it, sure, maybe. I vaguely remember child stories about the bear.

But then the film had drama. Colin Firth was supposed to be the voice of the bear, but then he left the project. They literally had movie posters with his name attached for a Christmas release at this point. But Firth left the project, mid production. Oh no. That can’t be good!

So I had a negative perception of the film. Turns out Firth left on his own because he just didn’t think his voice fit the bear at all. He was just too old. The bear had a youthful look and he didn’t feel right for the job. That’s fair I guess. Well, I saw it now damn it. And it is a 2015 movie instead of a 2014. And it is still very, very British.

Fuzzy Wuzzy was a bear…

The titular bear, Paddington (Ben Whishaw) didn’t always go by that name. No, he used to have (bearsound) as an identifier. Also he can talk. He was found by a geographer with the rest of his family. The bear family was unusually smart, so he taught them English. They also really seemed to like marmalade.

Eventually, disaster strikes their home, and Paddington is forced to flee the jungles. He decides to head to London, as long ago, the geographer told him he would always be welcome in the Greatest Britain. So he makes it to London, but no one immediately takes him in, like he thought would happen. But then eventually the Browns walk by. Henry (Hugh Bonneville) is against taking in a bear, but his wife, Mary (Sally Hawkins) insists upon helping him out. So they take him in for just one night. Well, he is a clumsy bear who knows nothing about human stuff, so a lot of shenanigans occur.

Eventually they find out he is slightly truthful in his tale of the geographer, so they let him stay. Yay a pseudo-home! Too bad he is also being… hunted! That’s right. A crazy taxidermist (Nicole Kidman) has found out about his existence and really wants to stuff him. Not a euphemism. She gets the help of one of the Brown’s neighbors, a crockety old man Mr. Curry (Peter Capaldi) to help her get that bear!

Also featuring the kids of Madeleine Harris and Samuel Joslin, and Jim Broadbent. Because Jim Broadbent is the most British man I can imagine.

Who has two toothbrushes and is DTF? This bear!

Now, I’m not racist, but that bear had way more pizzazz than I thought a bear could have. Hooray for pizzazz!

I actually found the movie quite enjoyable. It was jolly good fun. Did you see the bear in the bathtub? Hilarity, my good sirs! Hilarity!

This movie was obviously British, but it was also super British. The only thing missing was the Queen herself. There might have even been a Constable.

Kidman’s character felt maybe too ridiculous for my tastes, but the filmmakers were going for a cartoon feel so it all made sense. The family versus the bear dynamic worked really good as well, and I am happy to say the bear never raged out and killed a baby or anything. Overall, it is a decently enjoyable way to waste an hour and a half with the family. I bear no regrets.

Ah-ha! The elusive Song of the Sea! I have found it at last.

I tried to get all five of the animated picture movies ahead of the Aademy Awards, but I only reached four. Damn foreign flicks. And the only reason I got to see it finally was because of its DVD release. I can’t feel the least bit special about this, outside of completing them all.c

I don’t think I have ever seen a movie from Ireland/Wales. So this is a big first one for me! Outside of the ones with the fancy footwork. This means I am a bit excited to see what I assume will be fancy footwork in animated form.

Unless the Leprechaun movies count. Then I have seen too many from Ireland/Wales. They should stop having movies at this point.

“You guys have Rapunzel? Fuck your Rapunzel. We got /this/ guy!”

This film, like any good animated film, starts with the death of a parent. Parents! Who needs ’em!

Ben (David Rawle) lives in a lighthouse, with his dog, Co, his father (Brendan Gleeson), and his mother (Lisa Hannigan). The mom is pregnant, and they want to finish the painting of the selkie, a Celtic myth.

PLOT TWIST. Pregnancy is a bit bad. Comes early. Mom dies. Saoirse (Lucy O’Connell) is born. And it is not pronounced the way it looks. Six years later, Saoirse still can’t talk. She just doesn’t like it. And after a few close calls with the ocean, their granny (Fionnula Flanagan) takes them back to the city to live away from the sea and their life and their dog.

Well, Ben says fuck that. He is going to run away and escape back to his dog and his life. Screw the city. And I guess his sister can come too, as long as she listens to him. Oh yeah, she also found a magical cloak that can turn her into a seal. Totes cool. And a magical conch shell. And like, fairies and owls and other crazy shit.

…

I am trying to say Saoirse is a selke.

Also featuring Colm O’Snodaigh, Liam Hourican, and Kevin Swierszcz, which is the hardest last name I’ve ever had to type. I am in no way confident it is spelled right.
in

Lord of the Dance prepared me zero for this shapechanging shenanigans.

Well, first of all, I am happy to announce that the pictures above do not do this film justice. This film is pretty. Prettier than a cat in a shark costume. Was it prettier than Big Hero 6, The Tale of Princess Kaguya, How To Train Your Dragon 2, or The Boxtrolls? Well, maybe one of them. I won’t say too. Because basically everything was pretty in their own unique way. And it has its charm and simplicity that goes along with it.

Also, the main characters were cute as well. Going on their adventure, solving problems. Sure, the girl is a selke, so she has a huge important role. But Ben does his fair share of problem solving along with Saoirse. They are pretty equal. And of course the Dog.

There is only like one song, but it is decently catchy. Wish there was more.

But if I had any problem with it, it seemed to move too slowly at times. If you could imagine a person telling a story, and that person keeps getting distracted and rambling every once in awhile? That is what it felt like watching this movie. Just every once in awhile. Kind of just hoped it would hurry up and move on. Not losing complete interest, just a little bit.

I can see why this one was nominated, but also, I definitely don’t think it was the best overall.

Drugs! Have I tackled any documentaries about drugs in any way on my website yet? Looks like I haven’t.

Me and drugs have an interesting relationship. Or at least a lack of one. I don’t understand them, have no desire to do them, yet also, don’t care if other people do them. I know the basic things. Like pot. Pot is definitely less dangerous than smoking and alcohol, and I support people’s right to do those things. I am the kind of guy who thinks people should be able to do whatever they want, for the most part, as long as it doesn’t endanger others.

The Culture High is about that, but at the same time, way way way more.

Like. Literally everything. The documentary is at 2 hours length, and it has so much dang information in it. It isn’t just about marijuana, and its health benefits or lack thereof. No, it is about the entire drug industry, pharmaceutical to the war on drugs. It is about for profit prisons and incarceration rates. It even touched on the Kids for Cash thing. It is about lobbying groups and bribing politicians to follow corporate interests. It is about how sweet the Internet is and how the government would rather it be controlled.

I mean. Shit. It is probably secretly about your mother as well.

It is apparently also about my fifth grade science project.

Did I mention this was about everything? Because holy shit, it got around and I really want to emphasize this point. I can’t even begin to talk about all the people they had talking. From news correspondents, to people who have earned PhDs, to Joe Rogan, to everyone in between.

Despite all the great info, most of which I have seen before in documentaries focused solely to one topic, it felt like the documentary overall seemed to lack focus because of it. The flow was off. I kind of forgot every once in awhile that this was about marijuana legality in America!

This is the type of documentary that would be good for someone’s first ever documentary if they had no idea some of the shady shit that went down in America. But for me, it could have had a stronger focus. I technically don’t care if pot gets legalized or not. Like I already said, I am all for rights.

But my main con is that it just smells super damn terrible. Makes me almost vomit.

Febreeze yourself, please.

I don’t think you want to know what I do in the shadows. Usually it involves lurking, dodging sunlight, or cooling off.

Now that I think about that, two of those three descriptions are very vampire-like. Hey, what a perfect title. What We Do In The Shadows is, after all, about a few dudes sharing a flat in New Zealand.

And they are vampires.

And this is a true story. You know, because this story was definitely made, truly.

And they started the hippest band in New Zealand too!

Vampires! They sometimes need roommates. We have Viago (Taika Waititi) who set up this documentary, I guess. They all had to sign waivers to not eat the camera crew, but it should work out. He is only 317 years, so a bit of a late middle ages vampire. They have Deacon (Jonathan Brugh), 183 years old, a baby, and the most brash of these vampires and more of a pseudo ladies man. Let’s not forget Vladislav (Jemaine Clement), aged 862. He used to be a much bigger deal, but his age is getting to him and he is losing a lot more of his powers. He doesn’t impale people people as much.

And don’t forget about Petyr (Ben Fransham). He is about 8,000 years old. He has basically lost it, looks super un-human, very savage. He freaks everyone out but he has basically earned it.

And this is their life! They still drink human blood, they have some human groupies who help them do certain tasks, but they are incredibly behind times in terms of technology.

We learn of past loves, why they prefer virgins, their interactions with other supernaturals (zombies, werewolves, witches).

Also featuring Cori Gonzalez-Macuer, Stuart Rutherford, and Rhys Darby, because of course Rhys Darby.

“Oh. My. GODDDD! I LOOVVVEEEEE Rhys Darby!”

New Zealand and Flight of the Conchords. Although it looks like Bret McKenzie had nothing to do with this movie, it is easier to describe as vampires meet FotC. Because that type of awkward uncomfortable humor is very prevalent throughout the whole movie. This movie had a ridiculously low budget, I am sure most of the guys being friends working for next to nothing and splitting the profits. It is a great business model for them too, as with kickstarter and word of mouth, it has spread slowly throughout America for people to see.

Blah blah blah. You don’t care. Is it funny? Heck yes it is funny. I personally would have liked a lot more of Petyr, thought he was underused, but I guess you can’t tell an 8,000 year old vampire what to do.

I am also glad that with the different types of Vampires that Twilight didn’t make the cut. At first I thought I wanted it, but realized how quickly it would have just fallen into a a one trick pony to be referenced occasionally, and not had any real characterization or goals behind it.

Also, this movie has a lot of great quotes associated with it. I don’t remember a lot of them, but I do remember laughing.

Either way, if this movie comes to your area, give it a chance. You will probably have an enjoyable uncomfortable night.

I have written many times about how disappointing DreamWorks has been in the animation department. The TL;DR is that all of their movies are terrible, bad, or average, unless they involve Training Dragons or Fighting Pandas. They have two good series right now, but everything else has been pretty bunt or miss. I liked Shrek too, sure, but not really anything post Shrek in that series.

Going in to see Home, I was already biased. Mostly because DreamWorks made a short called Almost Home that wasn’t too exciting. It premiered last year, and was kind of shitty. They showed it before at least two of their movies too, so I had to see it a second time and go “Yep, still don’t like it.” So when I found out it was a tiny prologue to a movie coming out this year, I of course was not excited.

I definitely wasn’t excited when I found out about the voice casting. Well, one person was exciting. The rest seemed to be the now standard big names for big names sake in order to make money.

Seriously. This movie has almost nothing going for it ahead of time.

Can’t even give me a full mustache to be excited about.

The Boovs are known for only a few things: Their color changing based on mood, their tentacles, and their ability to run away. They are great runners. They run from any threat and go based on probability. If something has less than a 50% chance of a success, the run. Captain Smeck (Steve Martin) is their leader because he is the smartest and best at running away. He was even able to get them to run away from the Grok (Grog? I really don’t remember) alien race. But now they are running from this big bad enemy, and they think they have finally found a place to hide.

Earth!

So they put all the Humans in one big colony in Australia, leaving the rest of the planet for themselves! Unlikeable Oh (Jim Parsons) isn’t the same as all the Boov. He likes other things so he is weird and makes many mistakes. Including inviting the entire galaxy to his new apartment warming party. Including the evil alien race by accident. Whoops. So he is now on the run, having a big bad mistake.

And while on the run, he runs into Tip (Rihanna), short for Gratuity. Yeah. Apparently they were able to get every human except for one little (old? hard to tell) girl. She says middle school, but her voice screams 20 year old. She wants to find her mom (Jennifer Lopez), he just wants to escape and make things better.

So they work together! Traveling with a slushie based car hover craft and running away from everyone else, who also wants to run away. Especially when the big baddies come along too.

Jeez. What a mess they have made. Also there is Kyle (Matt Jones). Fuck you, Kyle.

Tip was named as such after her friends gave her a helpful hint on living life to the fullest.

Yeesh. So Rihanna didn’t fit that character at all. DreamWorks tends to have that issue though. The Croods was 100% awkward because of Voice Choices. So Rihanna made her girl sound way too old. Jim Parsons worked as our main character. It was pretty great. Jennifer Lopez was pointless as crap. She had very few lines, overall maybe three scenes technically. No reason to have a big name in such a pointless role. (Or, maybe that is the best place for a big role?). Martin did pretty good at his Captain, reminding me a bit of Sgt. Bilko, but more shitty of a character. And I am actually happy for Matt Jones, getting to be top listed as the only other character with any significant lines.

It is quite obvious why they brought in Rihanna though. She made a whole damn CD for this movie. Half the songs were song by her, J-Lo threw in one as well. And they all sounded kind of the same as a result. It became accidentally funny by the end, hearing the same different song, one after another.

And finally, I got really annoyed by some minor inconsistencies. They had some poor plot decisions to make the movie move forward, their reason for Tip not getting taken was silly, and then other small things like, taking all the pointless toilets away from the area, and then still having houses with toilets. Just minor, rookie movies at the end.

But guess what. This movie was actually still entertaining. It was funny on numerous occasions, and you really do grow to like Oh and Tip by the end. Odd voices aside, Tip is great in that she is a strong independent black woman who don’t need no Boov in her life, for the most part.

The animation was also spectacular at times. Dreamworks has always tended to make some pretty movies, and this one is no exception.

I am able to see through all the poor choices that this movie made in production and with the plot. The movie itself, as an experience, visually and character wise, is much better than the cover would make you seem. Yay for a movie changing my mind! Well done DreamWorks. Now I don’t feel so bad about having to wait so long to see Inside Out.