Tag: 3 out of 4

There are a few “indisputable facts” to comedy.

1) Women aren’t funny. It must be true. Just last year there was a documentary called Women Aren’t Funny, so I assume its title/conclusion was found to be true, right?

2) The life of a comic is hard. Making people laugh all the time and not getting to laugh yourself can be a lonely life. Which leads to.

3) Misery loves comedy. It must be true. I am reviewing a documentary called Misery Loves Comedy, so I assume its title/conclusion was found to be true. After all, no one goes to see a comic who is happily married, with kids, talking about how wonderful life is. We want the guy who has to masturbate in his basement like a troll.

So the documentary heads decide to interview 50 or more comedians to find out the truth! And you know, hear their experiences and hear their stories.

I have never seen a more miserable group of people in my life.
And yes I am including Mr. Tom Hanks.

The documentary doesn’t jump straight into the misery portion. No, that would be boring and probably a bit sad. Instead, we start with where the comedians got their influences. For the most part, every single person said it was from their father (Rule 1???). How they then grew up, realized people thought they were funny and they could put on an act. And how comedy became sort of an addiction, better than drugs!

Another common theme amongst the comics was their need to be loved, how they would all bond over terrible bombs on stage, when they first got paid to make people laugh, hanging with other comics and doing it for a living.

Then we tackle the miserable question. After you get to here dozens upon dozens of stories of growing up, all through amusing anecdotes!

It is hopefully not a surprise that the reason this documentary was even made was due to the tragic suicide of Robin Williams. It made people wonder why someone who laughed all the time could be so sad. So if we can understand where they are coming from, we can laugh but also maybe…help?

Nah, probably not help, but at least we won’t be surprised should something happen like that again.

But let’s talk about the people. There are a lot of comics here, and some of them are surprising stand outs. Like Freddie Prinze, Jr., who I guess was in comedy, sure, but one guy I never really considered to be a comedian. He was awesome in this documentary and his stories were heartfelt. Martin Short talked about one of his breakdowns. I learned far more about Samm Levine than I ever thought possible.

The only real issue with this documentary, which is again wonderful and full of stories, is that it feels like not enough A list talent was interviewed. Where are our biggest stand up comics right now, all of them too busy?

Still a good use of 90 minutes of your time, and I bet there was tons of unused footage that would make an good movie on its own.

reddie Prince, Jr.

Danny Collins is a movie that sort of just sneaked into theaters. It wasn’t heavily advertised, it didn’t have more than 1 screening, and I honestly had never heard of it.

I might have even watched it when it came out, if it didn’t come out against Insurgent. Come on. Teen high school dystopian dramas > everything, am I right?

My biggest concern for this movie is actually Al Pacino, once a great actor, now a guy in a lot of bad movies, like Jack and Jill and Stand Up Guys. He is becoming a bit of a box office turn off for me, just like Robert De Niro. For the most part, they seem to be just showing up to do their scenes and not putting any heart to it, getting their easy pay checks. That is the one thing I will mostly look for in this film. Can Pacino try harder?

This guy fucks.

Danny Collins (Pacino) used to be a big star. He was wildly famous in the 70s, with lyrics that compared to John Lennon and he was on top of the world. Now, 40 years later, he is still rich and famous and touring, but playing all of his old hits to old fans and kind of just going with the motions and never giving it his all. Huh, sounds a lot like something I talked about not to long ago.

Either way, his long time manager Frank (Christopher Plummer) let’s him know for his birthday that he found a 40 year old letter, written to him by John Lennon that never made it to him. A letter that basically would have changed his life and told him that money and fame aren’t everything. Well fuck, now he is old and feels useless. But there is still a chance. He should just leave his young cheating wife (Katarina Cas), check himself into a hotel and no longer worry about music but instead worry about his life.

So he is going to live in a Hilton hotel, to constantly hit on their manager (Annette Bening), and try to hook up the main receptionist (Melissa Benoist, who is in everything now) and the main valet (Josh Peck). But that isn’t his main goal, no of course not! He actually has a son, Tom (Bobby Cannavale, who is in everything now), whom he has a rocky relationship with. So he wants to fix that up real soon before someone dies and ruins it all. This means he also will have to befriend his wife (Jennifer Garner) and finally meet his granddaughter (Giselle Eisenberg).

Good. A man with a mission. A man who might go back to money fame drugs and playing for old people if he can’t fix his real life before it is too late. Also featuring Brian Smith as a booty call, and Nick Offerman, who has like, a minute of screen time only at the start, but looks cool enough to mention in this review.

At least the casting department got something right. Cannavale could totally be Pacino’s son.

There you go Al Pacino! If you play a part that in some way mirrors your own career for the last five years, you might put some effort into it!

From Pacino I saw passion and I saw an actor who cared about playing his character. Great! And his own enthusiasm made me enjoy the performance and overall, enjoy the movie.

I thought the relationship aspects between Collins and his family felt realistic and avoided tons of cliches. The most unfortunate part about the family was Jennifer Garner though, who had a character that didn’t do a whole lot in the film, so it felt odd for someone of her talent to be used in such a way. This happens a lot with the mom role in films, for whatever reason, but since they had her, one would guess her role would be more substantial.

I was also very impressed with Bening, playing a hotel manager or something. She was able to pull off the professional/dealing with a huge celebrity/not caring about said celebrity really well. And of course, Cannavale was great for many reasons as well.

Danny Collins, a movie that I was afraid would be a bad VH1 made for TV movie, ended up having quite a few strong characters and a unique enough plot to really enjoy. Based loosely off of a real story, but I don’t care about that story, so I didn’t feel like talking about it.

Sometimes when I like to pretend that I am cool, I use words like Dope and Chill. I will admit, when I first saw the screening listing for Dope, I honestly got it confused with the Straight Outta Compton movie coming out, figuring they renamed it for some reason. (How White am I? I spelled that first “Straight Out Of Compton” because I really didn’t know).

I mean, could there really be two movies about black youth in California, despite being very very different topics, in the same summer? It is strange to say but it is actually hard to believe that.

But I am excited. I am all for diversity in my movie watching. And since I know absolutely nothing about Dope going into it, I feel kind of excited at what it might be about. Hopefully the references aren’t too hip for me.

The trio is basically a themed gang from The Warriors.

When the movie started, I knew I was immediately wrong with any preconceptions I had. I honestly thought it would be set in the early 90’s on the poster alone, but it is actually a modern day movie about some kids who just really liked the 90’s music scene.

Malcolm (Shameik Moore), Jib (Tony Revolori, of The Grand Budapest Hotel fame) and Diggy (Kiersey Clemons) are loaner geeks who have banded together to form a friendship. They are from a generally poor neighborhood and don’t really want to become gang bangers selling dope and going to jail. So they start a punk band and avoid getting into trouble to get into college!

That is until the night of Dom’s party (Rakim Mayers aka A$ap Rocky (I don’t know what to call him?)). Sure it may seem strange for them to go to a party of a thug dope dealer, but they want to live a little bit during their senior years before it is too late. Plus, Nakia (Zoe Kravitz) promised to dance with Malcolm if he showed up.

I don’t know what they expected, but the party of course was full of drugs, booze, and hot tunes (I could rap, probably). They have a pretty awesome night! Until the cops show up, raid the place, and the next thing Malcolm knows, his bag is full of drugs and a gun that he doesn’t notice until the next day at school. Yeah boyyy. Now he has to deal with this dope, not knowing who to trust with the information. Sketchy phone guys? Some mysterious AJ? Sell it on his own? Shit, he has Harvard to try and get into. And he doesn’t want to go to jail so dang close to getting out of the hood!

Also featuring the talents of Chanel Iman, Quincy Brown, Roger Guenveur Smith, Blake Anderson, and some narration by Forest Whitaker.

Please be a punk song about donuts. Please be a punk song about donuts.

Dope is the first movie I have seen from director Rick Famuyiwa, who also was the only writer of the movie, and if his past films are of any comparable quality then I should probably check some of them out. It should also be noted that the main producers was also our narrator, Whitaker, and an executive producer was Pharrell Williams. So despite its relatively unknown cast, it had some star power behind it. Although it should be noted, the narration was only at the beginning and felt quite excessive and unnecessary. Didn’t match the rest of the film.

But let’s go back to that cast. I was personally happy to not recognize any of the main characters (outside of the Lobby Boy). For our lead, the only movie or show I would have seen him in was Joyful Noise, where his character name was “Our Lady of Perpetual Tears Choir Master”, so I can’t even tell you if he had a speaking role. Moore blew me away, in all honesty. Everything about him felt sincere and real. Moore conveyed so much throughout the film through facial expressions alone, which is especially helpful since he didn’t play a smooth talking confident character for the most part. He was relatable and he was awesome.

The film was also surprisingly up to date with current technologies and they do a good job of introducing concepts that not a lot of people know about. Dark web stuff. It makes a lot of sense that this is the first movie that is allowing tickets to be bought via bitcoins.

Favorite part about the film would be just how realistic the portrayal of modern hood life is like. It isn’t just gangs, just drugs, just poverty. There is a lot of hope and a lot of people just trying to fit in. None of the characters were extreme stereotypes, providing some slightly thought provoking conversations despite the urban language throughout.

Overall, Dope is a surprisingly funny, realistic and a feel good movie that came up out of nowhere. I am not going to listen to MC Hammer today out of respect for that.

Happy Valley is the place to be! Football is the life for me! Penn State all going to hide! Watch out for lawsuits, keep your boys inside!

I hope you read that in the tune of the green acres theme song. I tried my best to keep it PG.

Happy Valley is a documentary that takes us on a journey to State College, Pennsylvania, where Penn State lives. Yes, you are allowed to be disappointed that it isn’t actually called Happy Valley on any maps.

If you haven’t heard about Penn State lately, then you don’t remember the end of 2011 when Jerry Sandusky, a guy who was the defensive coordinator for their football team, was arrested for being a little boy toucher. Over a 15 year span he was accused of over 50 sexual abuses to little boys. Even worse, he did it through a program called The Second Mile that he founded to help at risk and underprivileged youth. There are a lot of words you can say about an individual like Jerry, but I will just settle on being pretty fucked up.

But then there is Joe. Joe Paterno. Head coach for the team for about 45 years, where before that he was the assistant coach for 15 years! A man who basically lived his whole life with Penn State football, a man who was basically a modern day saint who could do no wrong and was heavily worshiped throughout the state.

Did he…did he know about all of this?

WE ARE! LOCKED GATE!

Unfortunately yes. And he admitted to it a little bit too. He knew of an incident in 2001/02 about Sandusky and a boy in the shower. He even told his direct supervisor when he found out. The issue with Joe is that is all he did. Nothing came out of it for Jerry until 10 years later. But a lot of people are concerned about Joe not doing anything more than just passing the news along. After all, Jerry wasn’t even a coach anymore at the time and still had access to their facilities for the next 10 years. Did he not care? Did he try to protect a fan?

Even more unfortunately, we don’t really get to know. Not long after Paterno was let go after this scandal went global, he developed cancer and died literally a month or so later. His story went with him. Was he a saint? We he a dark man? It is hard to say.

What we do know is that the people and students at Penn State did not like this issue one bet, rioting, still worshiping Joe as a hero and not letting the media throw their city under the bus. And with this documentary, you get to hear from Joe’s son, Jerry’s adopted son, students and citizens of State College, PA, people on both sides of the debate. Happy Valley explores how deep tradition plays into mindset of the individuals there and the extremes they will go to, to protect the ones they worship.

I thought the documentary did a good job of showcasing just how spirited people can be about college matters and how much their judgement can be clouded through repetition. There is no way Joe could have been a bad guy, right? They have been told that their whole lives that he is better than sliced bread. I don’t think there are any other people in modern times who have been so loved to quickly despised in such a well documented amount. This is the only documentary out there where you will get to see how perceptions change, or stay the same, despite the facts.

There is no Deus here, no, we just got the Ex Machina.

In case you didn’t know, Deus Ex Machina (god from the machine) is a plot device where some outside force just kind of appears, fixes the issue, and leaves. It is usually a badly written plot device, Greece/Roman plays are full of these types of things where literally the gods came down and did some stuff.

And just to reiterate, this movie is the phrase without the god part. So just “From the Machine”. A movie about robots.

Maybe even robots kind of just appearing, fixing the issue, and leaving. That’d be swell.

I don’t think I can bore up this intro anymore so I should just get right to it!

Put on your thinking face and get to movie watching.

To err is human. To compute is robot.

Humans and robots don’t really interact nowadays on any level that isn’t a slave/owner relationship. Right now, robots have it rough.

Related, Caleb (Domhnall Gleeson) totally just won a prize. He is a coder for Bluebook, the Google of this movie, and he has won a week to spend with their reclusive CEO on his giant resort island thing. Nathan (Oscar Isaac), the CEO, has turned his home into a secret underground facility, to test out new technologies and prepare for the next big technical revolution and he is very secretive.

Nathan wants Caleb to perform the Turing test on something he is working on. In the test, a human asks a robot questions, without knowing whether they are talking to a human or a robot. And if the human cannot determine what it is, the robot/AI passes the test! But err, knowing you are doing that kind of ruins the point you would think. Hell, being introduce to Ava (Alicia Vikander), and seeing her in a robot body also probably puts a hamper on the basics for the test.

Maybe. JUST MAYBE. There is more going on in this facility that Nathan isn’t telling Caleb. Maybe things are more than just the Turing test. Maybe! Who knows? That Asian maid, Kyoko (Sonoya Mizuno) who doesn’t know English and is the only other person in the whole facility? Yeah, probably. Bet she has seen some shit.

If you thought the elevator scene from Captain America was bad ass, wait til you see this action fest!

I think Ex Machina is the type of movie you just want to watch with someone else. There are a lot of themes present, and since I watch the majority of my movies alone, the only people I can talk about those themes with are you guys.

But then I’d be a silly spoil sport.

Instead, let me instead make sure you realize this is a sci-fi drama. That means we are going to have a lot of talking and not a lot of action, and I wouldn’t want you to go into this thinking otherwise (like a dumb ass).

The discussions and the twists that went into the film were pretty enjoyable. I went in assuming I would be able to see everything coming a mile away and I think that most of my predictions did not end up coming true. So it is great to see it not go down the obvious path.

The three main actors involved all did an excellent job. It is now expected of Isaac to provide quality, but Gleeson is still not super tested and Vikander of course is out of nowhere (in comparison). The story the film tells can be interpreted in several different ways, depending on who is watching the film, which will provide excellent discussions.

At the end, I felt as though it was still a bit too slow and not as grandiose as I had expected. That is of course my fault, not the films. Ex Machina is a wonderful addition to the Sci-Fi genre and one loves of that and drama should definitely seek out.

You could say that the Russians are kind of good at hockey.

Not Canada good, but really high up there. In fact, during the Cold War, their national hockey team was the pride of their country. It helped that they had a literal national school to foster players into the team, to practice all the time and become the very best. Like no one ever was. And to beat them in 1980 was our greatest test. Freedom was our cause.

Okay, no more pokemon references.

Either way, they were a dominant team and often seen as a villain of the hockey world, mostly due to the fact that we leave in America and they were communists and communists were/are bad.

But what history fails to teach over and over again is that on the other side, there are also people. People who are playing for their country, for their families, for the joy of the game. And in the Red Army documentary, we get to hear from those players their stories and how everything went down.

Here are the original Russian Five and boy, are they FABULOUUUUUS!

For the most part, the stories told are told by Slava Fetisov, famed young defensemen for the Red Army, who later became the captain of the National team, outscoring most of the forwards and leading them to a couple of gold cup medals. He has also had a bit of a tragic life trying to get OUT of the Soviet Union, where coaches and government officials promised he could go to the NHL and you know, changing their minds.

The plight of their hockey players mirrors the plight of a lot of their citizens in the last 10-20 years of the Cold War before Russia became Russia again.

And it felt kind of awesome hearing their side of the story. The other half of the coin is usually fascinating, and frankly one sided history is boring.

I was a bit confused at first that they had multiple different interviews with Fetisov, so he was wearing different outfits and not having glasses, made me think it was a different player a few times.

But more importantly, the film also touched on the Russian Five 2.0, which played for the Red Wings, the best organization in all of professional sports. It got me pumped about the team despite their playoff loss, and also didn’t get me all sad about the car crash following the cup victory. They didn’t mention it at all!

Go hockey, hockey, the greatest game in the land.

Fuck. Yes. Entourage.

When the TV Show ended four years ago with its shorter season there were rumors aplenty that the gang would all come back for a movie. We thought it would happen sooner than four years, but hey, whatever.

Did the TV Show need more? Honestly, I don’t remember. The show is extremely easy to binge watch due to both season length and show length. I remember doing the first four seasons in only 2-3 days when I decided to start the show. I remember actually very little about the show in terms of where any of the characters are at the end. I remember Matt Damon was there, and Toto too!

Well, let’s just say that if this movie ends up being any amount of good, I will have to rewatch the show.

This is their last hurrah to make me think Piven can actually act again.

The boys are back, as this movie takes place literally 9 or so days after the end of the TV show. So hope you remember what is going on.

Vince (Adrian Grenier) is already divorced, Johnny Drama’s (Kevin Dillon) show is cancelled, Turtle (Jerry Ferrara) made some ungodly amounts of money from his tequila business, and E (Kevin Connolly) is still…an agent or whatever.

But not everything is the same. Ari Gold (Jeremy Piven) did what everyone expected of him. He came out of retirement and took the job. And he has a new movie for Vince. The only issue is, Vince wants his next project to be something special. He wants a part in it for his brother of course. But he also wants to direct it.

So now, months later, Vince is directing and starring in a very expensive futuristic movie. It is Ari’s first potential groundbreaking moment as a head of a company. It is Drama’s chance at an…Oscar? Only way anything good happens is if they can actually finish the dang thing with budget and time constraints. But you know the gang. They got this, just like they got Medellin.

But it isn’t just about them. We have new comers! Like Billy Bob Thornton playing a Texan financier of movies and his young asshole son played by Haley Joel Osment. And and we have Ronda Rousey and Emily Ratajkowski, both playing themselves. So this is probably an improvement for Ronda’s past roles.

Of course we have a slew of returning cast members. Rhys Coiro, Alan Dale, Emmanuelle Chriqui, Perrey Reeves, Debi Mazar, and of course, Rex Lee. And more! But half the fun is finding out, isn’t it?

First Tusk, now this? Call the Facial Hair Police, we got a repeat offender!

The Entourage movie feels like it is an extension of the TV show. Same level of quality, same style of jokes, same characters. If I had to describe it differently, because you asked, I would say it is like a 4 episode mini season, smashed together so you don’t have to wait 3 weeks to watch it all. And frankly, that can be considered a good and a bad. Because if it doesn’t feel like a movie, why make it a movie? Why not actually just give us a new season? Because it is already a pretty raunchy HBO show, it isn’t like there is more they can do in a movie that they couldn’t do in the TV show. I doubt the budget was that different for this movie either.

So, why the movie? I don’t know. Probably because why not.

All of the characters are the same, including the mostly useless Turtle, whose arc in this film is pretty significant. No, this is about the other 3 members of the Entourage and Ari Gold. And also about how amusing Haley Joel Osment is playing a Texan with an accent and an attitude. He made me giggle like a school girl.

Basically, I would say this movie is worth it just so you can get even more Ari Gold time, clearly one of the greatest television characters ever made. And maybe a little bit of Johnny Drama redemption.

Overall, this has been a lot of words about something you already figured out. If you liked the TV show, you are going to like the movie and probably like that too. If you watched the TV show and didn’t like it, you probably won’t like the movie. And if you never watched the TV show, you have no reason to watch the movie.

Anyways. Fuck. I think I have to go rewatch the show now.

Get out of the way, motherfuckers. We got a GEOLOGY MOVIE to talk about. YEAHHH.

Sure, as a professional (in the case that I make fat stacks of cash), geo-scientists, I could use these movies to bemoan the lack of good science in film and to talk about everything that they got wrong. But in reality, Geologists don’t give a fuck and love the shitty geoscience movies. (Honestly, this could be true for most scientists, but I am not them so I don’t know). We haven’t had a decent CGI science fest in awhile though, mostly stuck with crappy intentionally bad movies which aren’t as fun.

BUT EARTHQUAKES ARE CLEARLY MUCH COOLER. So in San Andreas we should get shit breaking apart, people freaking out, presumably parts of California drifting off to sea. I can only hope. This is a geo-nightmare! One I am fully ready to embrace.

And if you came in here expecting a GTA movie, then get the fuck out of here right now.

We don’t have time for any more wise cracks.

In California, if your life is in danger, there is only one man you want to save your life. Ray (Dwayne Johnson) and his helicopter crew met and flew together in Afghanistan and now work for the LA Fire Department and rescue people everywhere all the time like the polished rocks they are.

But not everything is smooth in his life. No, cracks are forming in his personal life. His wife, Emma (Carla Gugino) wants a divorce. Their lives haven’t been the same since they lost a daughter in a drowning accident. At least they still have one more, their family bubble not completely eroded, in Blake (Alexandra Daddario). Emma is about to move in with Daniel (Ioan Gruffudd) who has a much more solid foundation. A famous architecht, rich.

But fuck all that. Earthquakes. The team at CalTech, lead by of course seismologist Dr. Lawrence (Paul Giamatti) and Dr. Kim Park (Will Yun Lee) have been testing out a hypothesis that will allow them to predict earthquakes. Thankfully in Nevada there has been a series of miniquakes to hopefully test their theory out and hey, it works! Just in time, or not just in time, because it looks like all of their recent work stress is about to be tested when the earth’s stress gets released. All along the San Anreas fault. Through small towns, close to LA and right smack dab through San Francisco .

Also featuring a few British folks from up the river. Namely, Hugo Johnstone-Burt as an engineer looking for a job, Art Parkinson his younger brother, and KYLIE MINOGUE as a small role that totally wouldn’t normally be noted but it is Kylie Minogue people.

Hide! Kylie doesn’t like it when you call her roles small!

It has been awhile since there has been an earthquake movie released. The last two I can remember are Aftershock and Aftershock. And when I compare all three, I would put this a step below Aftershock, but one step above Aftershock.

That’s right. I liked a disaster movie. And I will only briefly talk about the science.

From my knowledge, the whole magnetic pulse to predict earthquakes thing is a solid hypothesis running around the community and relatively new. So that is fine. I think they made up a big fault that doesn’t exist as part of the main San Andreas fault having it go through Nevada, but honestly, I don’t know. But my biggest complaint science wise is the Tsunami. Part of the climax involves a tsunami post all the big earthquakes hitting the city. Buuuuuut, that seems silly. Do giant ass earthquakes cause giant ass Tsunamis? Sure! But not at the same place the earthquake hit. See, the giant displacement event would cause the water to shift away from the epicenter, not towards. A giant ass tsunami would totally head towards Asia/Australia, but it didn’t make sense for it to hit San Francisco.

Back to the earthquakes! I cried. I legit cried near the end of this movie. Because overall, this is a story about a man trying to save his family. A man who tries to save everyone but couldn’t save his daughter those years ago. A man who is a rock in real life, facing a force that literally breaks rocks.

I was surprised at the amount of action this movie provided. They went high with their Earhtquake and aftershock count and had the damage affect at least 3 cities separately, plus tsunami, so there was tons of near death (and death?!) scenarios. Shit, the body count on this movie is so incredibly high. Millions and millions of people die thanks to tall buildings falling over and streets ripping apart. It’d be a bloodbath if it was just rated R and we could show all the bodies in the flood.

There was also disappointment when douche looking Ioan Gruffudd ended up being exactly that, a douche. I was really hoping he would be a good guy, despite being the “new rich man” in their lives, and make it a bit more complicated of a love dynamic. But alas, if it looks like a douche…

San Andreas has everything I’d want in a disaster movie. Some extremely ridiculous scenes of survival. Some crazy deaths. Trillions of dollars of damage done to infrastructure. Ample cleavage because you have to have that in movies about geology for pun reasons. Not completely terrible CGI. Some actual factual science. Some extreme cringe worthy dialogue (including the most obvious ending dialogue to end the movie. Much cliche). And of course, last but not least, Paul Giamatti’s face representing my literal profession.

Buy it now from Amazon now on Blu-Ray or DVD.

Do you love me? You don’t have to say you love me. Love me tender, love me do, will you love me tomorrow?

Love me for a reason, love me again, love me like you do.

That is the best my google-fu can do for now about hit songs in the past with Love Me in the title. But it is enough to prove the point, people really want to love and be loved in return.

But what happens if you’ve got so much love to give and can’t find anyone to take your love? Well, you either become a criminal and a despised human being, or you can look outside of America, and potentially become a despised human being. That’s right. I’m talking mail order brides.

The men come in flavors other than stereotype, thankfully.

The documentary is about several gentlemen who are looking for love in Eastern Europe. I have been told that Ukraine has a large female population, more so than the male population. According to one girl, they also are all heavy drinkers, and a lot of ladies would like to get out of there to meet a nice man and raise a family. You know. Without being with an alcoholic. So these international dating sites are big business, both for the lonely men in the USA and the lonely women over there.

And just to be clear, this isn’t actually spending like, $15,000 for a woman to fly over and marry you. It is a dating site, that you have to pay to message (because they will translate for you). The ensure that that women are real, and even do international trips where they bring guys over to set parties, that end up with 70-80 women and only 10-20 guys at. Pretty crazy.

Love Me was entertaining in many ways. For instance, I learned a lot about the industry and how these types of sites are set up / how they make money. I learned that the women aren’t forced into anything crazy. I learned that it can also be incredibly sad. They told a few stories over time, 3 months, 6 months, and more later. Some ended in happy marriages where they moved to America and got pregnant. Some had marriages that didn’t end well, and some only got to the engagement step or worse. Some people get led on, and others find true love.

And shit. Seriously, it got really sad and awkward at times, but I guess that is just how normal relationships go.

Love Me is on Netflix, and totally worth the discomfort.

It has taken me awhile to watch Twenty Feet From Stardom, which is silly. It has kind of been sitting on my “reserve list” on Netflix for when I really had no idea what to do for a review that week. I had no reason to delay watching it either, given that it totally won Best Documentary Academy Award for 2014. Pretty fucking baller.

But hey, I am glad I did wait. Because everyone knows for the most part that backup singers are women. Yes, men are backup singers are men too. Sure. But the most famous ones, the most influential ones, they are women. Why not honor them with a spot in my Yay Women Week, I say? Yay women who can sing and don’t always get the spotlight!

This documentary talks to several women who are in the industry. Women who were there when the idea of a backup singer started with rock and roll music. We have women who are back up singers now. We have women who wanted to just stand behind the stars and those who tried to make it big on their own. And we get to hear all of their stories.

And the colored girls say, “Doo do doo do doo do do doo…”

Darlene Love is probably the main focus of this movie. She is a pretty well known name, started as a backup singer, released some albums with some success, got screwed over by contracts. But in 2011 she got put in the Rock and Roll Hall of Fame, so people knew about her talents and her abilities. That is the good thing.

Twenty Feet From Stardom refers to two things in this documentary. Literally, like standing on a stage, pretty dang close to the stars topping the charts. And of course referring to a few of these women’s journey as they usually get very close to their goal of being a super star, but landing right outside of it in the backup singer spot.

I basically explained everything that happens in this already and the types of stories we get. And most of them are sad. But they all have hope and it is pretty inspirational.

What I liked more is that in this documentary it is constantly playing music. All of which feature the background singers of course, either the recorded version or live concert versions with video of them going to town. It made the entire documentary just fly by as I got to jam to the music. And it had new performances from the background singers singing together even though a few of them are quite old.

A few touching moments as well, although this one didn’t make me cry personally. I liked the stories told and the music and it is an easy way to pass the time overall.