Tag: 3 out of 4

Reviewing films when they come out on DVD isn’t bad, it is expected for at least a third of all releases!

But like usual, the movie I am reviewing way later is a comedy. Keanu. Why did I not see it in theaters? I dunno, probably just lazy at that point. I also have never watched the sketch show Key and Peele, just random scenes on YouTube, so I wasn’t interested in some strange cat movie sketch.

I also didn’t even know if the cat talked. I think it does. Or did I get it confused with Nine Lives? Also, maybe both are talking cats? This one with Keanu Reeves as the voice, right?

Yeah, he has those rascally Reeves eyes, that’s for sure.

Clarence Goobril (Keegan-Michael Key) and Rell Williams (Jordan Peele) are two boring, regular, dudes. Clarence is married, wife (Nia Long) and kids, drives a minivan. Rell is heartbroken, because he was just dumped. But then he finds a kitten. Not just any kitten, the cutest kitten in the world.

Now, later, Rell is back to work, inspired, and Clarence is about to have some days to himself. Tim for some bro time! That means watching a movie! However, when they get back home, Rell’s house was broken into, smashed up, and Keanu the kitten was stolen! They find out from the local drug dealer (Will Forte) that it was most likely Chedder (Method Man) and his gang, looking for his house. Shit.

So it is simple. They have to get the cat back, and they have to infiltrate his club. They just have pretend to be thugs, pretend to be tough and just try and buy the kitten back. That way no one gets hurt, especially them. But then they get confused with some real badass people from Allentown and have to instead help the crew sell some drugs to earn the kitten. Can’t be too hard, non educated people do it all the time!

Starring Tiffany Haddish, Darrel Britt-Gibson, Jason Mitchell, Jamar Malachi Neighbors, Luis Guzman, Rob Huebel, and Anna Faris.

Running and shooting at the same time in plaid is the first skill a gangster learns.

I honestly didn’t care about Keanu when it came out. And yes, I was surprised at how much I enjoyed it.

Peele and Key do awkward right. They wear that uncomfortable atmosphere on their face and run with it. This is full of overacting on their parts, but it also fits their characters just trying not to die, while also believing themselves to be larger than life individuals.

The movie opened up slow, but once they were in the club it really hit its stride. The voices, the backstory, the names, all gold. The obsession with George Michael and his songs filling the soundtrack were a comedic plus. Back flips, gun shots, celebrity deaths and more. I was just surprised all around.

I also wasn’t a giant fan of the ending. After everything had finished, it petered off a bit too long and the twists weren’t worth it. But Keanu is still full of laughs and a really decent time waster. I might watch even more random clips on YouTube, right now.

The world is changing. No longer does a films success rely on success in the US. A film could bomb in the US but be loved throughout the world and studios now realize the full potential of that. China is now one of the most important box office countries, as they have a shit ton of people, and love very easy to make films. No offense, China.

So when a film breaks Chinese box office records, it damn well should be paid attention to. Especially if that film isn’t even from America, but China itself!

The Mermaid broke a few box office records in China. It had the biggest opening day, best second day, third, etc up to its best seventh day. Hell, as expected, it has the best opening week and is the highest grossing film ever in China. What this really tells me is that China really loves Stephen Chow (the director), or at least, really loves Mermaids. One of the two has to be true, if not both!

This was all early in the year, but now it is out in America. Not our theaters, but Red Box. Close enough.

Who wouldn’t love something so exotic and beautiful?

Liu Xuan (Chao Deng) is a super rich, young, famous, sex addicted fool. He loves his money and he loves his women. And he has just spent a shit ton of movie dollars to purchase Green Gulf, which currently is a wildlife reserve. It is a stupid investment, because he can’t really make money out of it. They can’t turn it into housing. But he buys it because he cares about the animals and wants to make it prosperous.

Just kidding. In fact, his company as introduced these strange sonar items to the sea. They can be set to specific frequencies to annoy the crap out of the type of animal living there. Namely dolphins! It can drive them out of the area and make them never want to return, or you know, kill them. And once the dolphins are gone, he can build some resorts, and make a shit ton more money.

But guess what. Mermaids also live in the area! And this is hurting their tribe physically and forced them to live in a half sunken ship off the coast. They have derived a plan. They have slightly modified the tail of Shan (Yun Lin) and taught her how to walk and get around. She is the prettiest of the mermaids. They are sending her out to the real world, to meet Xuan, seduce him, to bring him back to the tribe, so they can murder him and get their revenge.

Good, clean, mermaid family fun.

Also featuring Show Luo as an Octopus Mermaid (which doesn’t have an official name) and Yuqi Zhang as Xuan’s business partner.

Tentacles, weapons, and a million ways to die.

Foreign films have had a very specific theme for me lately. Weird. Weird weird weird. And not just because I am an American and think non-American thinks are silly. But they are just very strange comedic films, heavy in a theme and going balls to the walls with their story.

It did take a good while into the story before I really understood what the hell was going on. It was at least entertaining up to that point, being goofy with over acting characters. And it remained goofy, full of exagerration, and silly situations. A strange sort of slapstick romance.

Is it actually the best movie of the year? Far from it. But it did have a few twists and turns and laugh out loud moments.

The Mermaid won’t be for everyone. But if you watch the trailer, think it is amusing, then hey, it is a pretty easy way to waste a couple of hours.

It is actually really hard to find documentaries on subjects that truly interest you. There are just so many waves of documentaries on subjects you already have heard before, celebrities and nature that it is hard to find something not talked about so often. Something new.

I watched The Mask You Live In because just days before I found out about the documentary, I was briefly discussing with my wife the culture of masculinity. How many studies had been conducted on what forced masculinity by parents and peers does to a boy and how to fix those sorts of issues. I went to a seminar in college (of course) on the topic, found it interesting, but didn’t remember a lot about it. I remember they were giving away free non-alcoholic beer (because it was about masculinity) and that is it. Mostly because I never had alcoholic beer so I thought it’d be funny, and sure enough, it tasted terrible.

The Mask You Live in description basically talked about our narrow definition of masculinity, how it hurts men, boys growing up, and thus, society, and what we can do to change it. That is topical, especially with all of the recent mass shootings in America, which of course were all basically committed by men. Clearly there are issues here and any outlet that is willing to discuss it should be heard, so I wanted to learn from the documentary myself and pass on any important messages I could gather.

And you know, review it fairly. Just because it is important subject matter doesn’t mean it is well done.

We’re just saying this is an important conversation. Man to man. Mono y mono. Dude bro to dude bro.

The actual line of thought it somewhat hard to follow in this documentary. It does flow from related subject to related subject, but it doesn’t always do a good job during the transition. You are talking about video games and then suddenly porn the next second and it felt jarring each time.

In addition to that complaint, there isn’t really like one narrator or guiding voice throughout the documentary. We hear literally dozens of people talking, from kids to prisoners to teachers to people who have received doctorates in various subjects. But outside of the Doctors it is unclear of who any of these people are or why they have a part in the documentary. For the most part it is just to tell their own personal stories, about growing up or abuse or hiding their insecurities, but still it hops around through so many people without focusing on a specific message that it is easy to get lost.

All of that being said, the messages in this documentary are very important. You might not be able to really get all of it, but the parts that are easy to understand and are emphasized can hopefully stick with you. A documentary for the most part SHOULD feel important in some way, to some people. And thankfully, The Mask You Live In is something that can affect every male viewer and most of the female viewers as well.

I looked up the director, a woman!, Jennifer Siebel Newsom, who is mostly a small part actress. This is her second directed documentary, the first being Miss Representation in 2011. It deals with the opposite-ish problem, about women not being represented well in media or positions of power and how it can damage a young girls mind. It sounds fantastic and it is quickly moving up my must see in the near future list.

I don’t agree with everything said in The Mask You Live In. And like all documentaries with research, I wish it would include the source of the statistics it shows and there are a lot of statistics showed. But it is clearly presented in a mostly non-biased light. Full of personal anecdotes and science to back it up.

I tried to go into The Infiltrator blind, like a perfect critic, but I ended up reading the IMDB page for both a brief plot analysis and actors. I’m sorry, I failed, I’m not perfect.

The film is directed by Brad Furman, who did Runner Runner and The Lincoln Lawyer, both vary different films in terms of quality and subject matter. Given the cast involved, I certainly hope this is more of a Lincoln Lawyer than a Runner Runner.

Shit, why is this movie not an alliterative title? He could have a thing going. I, Infiltrator would work. Or Informative Infiltrator, that would be fun. But we couldn’t do Informant + Infiltrator, that is too close to just The Informant.

Just looking at the image makes me feel 10 monies more worth.

Robert Mazur (Bryan Cranston), totally a real dude, was a U.S. customs agent who worked in Tampa, Florida in the 1980s. He was one of those guys trying to get Pablo Escobar, to stop so much cocaine from getting in to the US, because Reagan said so. He is getting old and could retire, but he finally has a good idea to “Get these guys!” for good. Despite what his wife (Juliet Aubrey) wants.

He is going to follow the money. Which sure, seems obvious now, but apparently his idea was cutting edge. He got approval from the boss (Amy Ryan) and has to team up with Emir Abreu (John Leguizamo), a kind of crummy agent but who currently has an undercover role in the organization to get him in.

Robert just has to pretend to be a money launderer. Once he gets in the ground level of the business, like with the Gonzalos (Rubén Ochandiano, Simón Andreu), he can then get to Javier Ospina (Yul Vazquez), then a big name like Roberto Alcaino (Benjamin Bratt) and his wife (Elena Anaya)! Speaking of wives, Robert said he only had a fiance, so they had to bring in an agent (Diane Kruger) to pretend to be that as well in order to keep his story straight.

Another agent is played by Tom Vaughan-Lawlor, some corrupt bankers by Art Malik, Saïd Taghmaoui, and Tim Dutton. Olympia Dukakis is his aunt, Joseph Gilgun his actual bad guy body guard, and Michael Paré with a smaller role.

I was just wondering why that “guy from Miss Congeniality” didn’t have a bigger career. Now look at him, drug lord!

Halfway through the movie I still wasn’t sure what I thought about it. My mind was going everywhere. The acting was good from Cranston, Leguizamo, Bratt, and Kruger, yes. But the story felt like it was full of annoying cliches that kept getting on my nerves.

Of course, given that this is a “True Story” I don’t know how many of the cliches ended up being real or not. But one that really bugs me is that since The Sopranos, it seems that every drama story needs to have extreme marital tension or drama, potentially up to divorce. From the text at the end of the movie, it looked like all of that was completely added in for shitty tension and it gets old.

We had silly lines like the wife needing a promise that this would be the last mission (of course, because he is old and we need the movie) and Cranston becoming someone completely different (despite going undercover a lot). There was a terrible scene involving a wedding cake that just was cringe inducing and took me out of the film, it just seemed so silly to drive a simple point home.

Dumb cliches and scenes aside, the ending really drove this movie home into something better. The event where they were able to get a lot of the criminals under one roof was very emotional. They turned these “bad guys” into real people, with families, reason for working with drugs and more. And they all got busted equally. It didn’t drive home the point enough that the War on Drugs in itself is a complete failure, but it makes sense that Robert Mazur wouldn’t mention that in a book where he is the hero.

Pretty good acting and a strong ending. Maybe the film is a bit too long with some cringey moments, but overall it was really enjoyable and a good couple of hours.

Despite my many claims to be in love with Richard Linklater (damn the Before trilogy, making me melt like butter), I actually haven’t seen a lot of his work. Meaning for the most part, his older work has evaded me.

Yes, that includes Dazed and Confused. I know, I know. I such. And yes, it is free on Amazon Prime right now. I still haven’t gotten around to it. The only reason I bring it up is that I heard this film, Everybody Wants Some!! is a spiritual successor to Dazed and Confused. It has none of the same characters, but it is set in the 1980’s instead of the 70’s, and college instead of high school.

See! That’s all that matters right? I am totally ready for a movie that is confident enough to have two exclamation points in its title, with neither of them representing musical status. (Yes, I understand the Van Halen song title connection too, I’m hip guys!).

I’m so hip I want to point out the man nipples on the left. You’re welcome.

Summer is over, it is 1980, and it is time for college. Our main character is Jake (Blake Jenner), a hot shot pitcher from his high school team. He picked this made up Texas college because they are amazing at baseball, and he wants to win and join the MLB. In fact, the team lives together in a couple houses off campus, perfect for partying and beers. His roommate Billy (Will Brittain) is obsessed with his girlfriend at home, constantly on the phone, also a freshman pitcher.

It should be noted there are no baseball games here. This is the fall, baseball is played in spring. Hell, there is barely baseball practice yet. In this film we get like, one practice and that is it.

This film is about athletic dudes, being in college, being bros, and having fun. And a shit ton of hazing, mini-competitions, partying, looking for girls, general house issues and so on and so on.

And of course it features a huge cast. We have smooth talking Finnegan (Glen Powell), philosophizing Willoughby (Wyatt Russell), ultra competitive McReynolds (Tyler Hoechlin), Roper (Ryan Guzman), and Dale (J. Quinton Johnson). Also a few ladies, Zoey Deutch and Dora Madison.

But also a lot more dudes. Like Tanner Kalina, Austin Amelio, Temple Baker, Juston Street, and Forrest Vickery. And more, but I am tired of linking them.

Several sweet stashes exist in every scene, seriously.

It is really dang hard to talk about just what in the hell Everybody Wants Some!! is about. Thankfully, it isn’t that hard to talk about why the movie is good.

First up, the guys had a lot of personality. Everyone was different, but everyone felt real. I was excited to see Powell and Jenner as major roles as well. Powell played Chad in Scream Queens season 1 and was arguably the best character ever made. Jenner was the winner of season 2 of The Glee Project, which was a reality show to get on Glee, became a main character and apparently is in fucking movies now. Crazy. Jenner did a fine job, Powell was fantastic. Russell also played a wonderful character with an amusing plot line.

The film itself is also decently funny. Again, it is almost entirely just shenanigans between teammates. Hanging out, shooing the shit, hitting the bong, whatever you wanna call it. Just people existing.

It can be a sports movie without really any sports it turns out. It can be a good film despite having no reason to even exist. This is a definition of a “fun” movie for me. Not exploding action blockbusters, which have tons of problems and a bad plot. But a film like this where it is just about fun. And Everybody Wants to have Fun. (Sure, also it can be pretty sexist, but it is going for accuracy of the time, not a statement of how people should behave).

Since the dawn of time, Man has grown to be a species that wants to be the very best. Like no one ever was.

Best at what? Well, anything really. Best eaters, best sleepers, best non-sleepers, best money makers. There are competitions everywhere about anything. But then the video arcade machine was developed, and the youth of America had way to spend their quarters. Games meant to be tough, meant to be quarter thieves, meant to be unbeatable. But then people “beat them” and smashed records.

The King of Kong: A Fistful of Quarters came out almost a decade ago, highlighting the competitve arcade movement from the 1980’s and how goals were still being achieved today. We learned about Twin Galaxies, the official world record keeper of arcade games and number one host of tournaments.

From the tiny town of Ottumwa, Iowa, legends were born. And with Man vs Snake: The Long and Twister Tale of Nibbler, a new legend (old?) legend will be highlighted ad so will his return for the quest of glory.

It all started in the summer of 1983 for Tim McVey, no, not the terrorist. He walked into Twin Galaxies, saw Tom Asaki (current World Champ at Nibbler), playing a really long session of the game, and noted that he could beat whatever score Tom got. Of course, Tim was just being a shit head. He had never played Nibbler before. But he decided to put a quarter where his mouth was. And by January of 1984, Tim had completed the first ever 1 Billion point score for Nibbler, all at the age of sixteen.

But people who game change over time, it is said.

Nibbler was awesome in that it was the first video arcade machine to even have 9 digits, just teasing people that they could reach a billion. But to do so requires a marathoning session, of about 35-36 hours. Nibbler is also great in that you can earn lives for playing good. So once a player gets over 100 lives or so, they can just walk away from the machine, grab some food, use the bathroom, etc and let their lives go down. It isn’t as unforgiving as Donkey Kong.

What Tim never knew is that later in 1984, Enrico Zanetti, a kid in Italy, allegedly broke his high score, but it was never really counted in the American scoreboard thanks to a lack of publicity as he did it.

But now, in the mid 2000’s, Tim finding out about the score and how he kind of really didn’t have the record for the last 20-30 years, wants to prove he still has what it takes. But he is old now. He has a wife, a dog, a 40 hour a week job. He has gotten out of shape, and honestly, you need to be in some amount of shape to stay away for a day and a half.

He also now has competition. A video arcade expert out of Canada, Dwayne Richard, is challenging him to a marathon, where they would push each other’s limits and aim for the billion again. But as it is real life, problems occur, goals are failed, and shit happens.

The documentary is about Tim wanting to prove he is still the best, even if it is just for a little bit.

“One day, I am going to Nibble out the competition in Nibbler. And nibble that score down point by point. An nibble this here cookie.”

I loved Man Vs Snake, surprisingly a lot. I wasn’t super fond of King of Kong. The whole thing felt a bit unbelievable, the “bad guys” felt cartoony or like they were intentionally edited that way. In a way, Billy Mitchell (mullet gamer) and Robert Mruczek (ref guy) from King of Kong seem like completely different people in this documentary, like it was also made to help redeem them and their organization as non-shady people.

But in Man vs Snake, it isn’t about a guy going up against a whole organization of people, or just a particular shady player (although there are some slight hints in the documentary). No, it is about Tim really playing against himself. Proving that he is still worth something (in his eyes) today like he was a kid. After all, he already broke a billion. He was the first to do it in the world! So who cares if he does it again and adds a couple million to the score.

And also, in a way, this documentary is about love. Both from your spouse and your friends, encouraging your loved ones to reach their goals. A sort of good will spirit towards your fellow man. There aren’t bad people in this documentary. Just people who want everyone around them to give it their all and break some god damn records.

Man Vs Snake, definitely watch it when you can. It is a bit of a roller coaster ride, but in my eyes, better than The King of Kong.

I first watched Raiders of the Lost Ark when I was in 9th grade. Given that I was born in 1989, that is actually a long ass time after the movie came out. And by watched the movie, I mean only watched like half of it because it was in a class. And by Raiders, apparently I meant one of the other two Indiana Jones movies. Because a few days ago I figured I should re-watch the entire movie before checking out this documentary, and hey, I was surprised that I totally never saw Raiders before.

Now now, I know what happened in the movie. Almost from beginning to end. So much of the film has become parodied, redone, and referenced that I could tell you most of the major plot points like a basic wikipedia article. I just never sat down and saw the dang thing until two days ago.

So why the hell am I watching Raiders!: The Story of the Greatest Fan Film Ever Made? Good question. It’s because I am a movie reviewer and I want to watch everything, damn it. If I only watched films I had a history in some way with, this would be called Gorgon Biased Views instead.

Yes, that last joke and this picture are brought to you by teenage levels of humor.

Raiders of the Lost Ark came out in the summer of 1981 and changed many lives. In particular, it changed the lives of Chris Strompolos, Eric Zala, and Jayson Lamb. Chris knew after watching it that he had to recreate the movie. He found Eric, who was a year older, another Raider fan and asked him to join in. He became the director and story board guy. He basically drew out the entire storyboard from the movie after just one viewing. And then they found Jayson, who ended up being key to all of their special effects and production team.

And then from 1981 to 1989, over summer and winter vacations and Holiday weekends they began to recreate Raiders of the Lost Arc. They didn’t film it in order, so scenes show them grow up and descend in age at random. Most of their first two years of shots were bad and had to be redone. They had to close down sets for fire issues and falling outs between friends. They basically used every Christmas and Birthday present to get more prop work done to authenticate the movie. But damn it, in 1989 they finished it, showed it to their town, and moved on with their lives.

Pictured: Not Harrison Ford and Not Steven Spielberg.

Moved on with their lives, for a short time period. They didn’t actually recreate the entire film. They could not do the “plane” scene near the end, with all the explosions, blood, fights, and planes. So they just never tried to because they’d be too disappointed. But their movie got famous again by 2002. It was seen by people throughout the film industry, passing around bad copies of a VHS tape. Eli Roth found it, yes that Eli Roth, loved it, showed it at a Butt-A-Numb-A-Thon run by Harry Knowles and the crowd went bananas.

This got them re-famous. This got them on tours. This got them to meet their idols. And so of course, with all this behind them, they set out to finally film that one last scene. With Kickstarter backers and real cameras and everything. And of course, their life stories, the film, and trying to film the last scene is really what this documentary is about.

As a reminder, I did not grow up with Indiana Jones being a major player in my life. Blame my parents, they showed me what they wanted to when I was young. Despite not having an emotional connection to the film, I had an emotional connection to these kids and their adult final forms as well. It is incredibly inspiring. It is about overcoming all the odds, showing what kids and people can do with limited resources and a whole lot of heart.

It made me long for my own childhood of freedom and time, making me a bit jealous I didn’t do more with it like these kids. I regret not going to the double screening of this documentary with the final cut of their film, but hopefully I will now see it one day in the future. And uhh, probably those other Indiana Jones movies as well.

Anton Yelchin has passed away at 27 thanks to a freak accident at his home. This is terribly sad and tragic news. A young death is always hard to wrap your mind around and I don’t think I will really understand he is gone for a few years. He has five films on his IMDB, at the time of this writing, is five films, so he will still be gracing us with his presence for months to come.

I always try to quickly review a film of a recently deceased actor, if possible, as soon as I can as a sort of tribute to them. This review is actually up on the site just two days after the passing, my quickest turn around. Yelchin has been in a ton of films I haven’t seen so there was plenty to choose from. Thankfully, for the films I have seen, he has consistently given his best and never been part of a film I absolutely hated. From Star Trek, to Green Room, to Like Crazy, to Fright Night, to Charlie Bartlett, to fucking Odd Thomas, his range of characters is pretty great.

And it sucks that with his early passing the world has lost such a great acting potential. Who knows where he might have taken his acting? Would he have an Oscar? Does complaining about the loss of talent make me an asshole? Who knows.

But now I am reviewing a film, 5 to 7, recommended by another critic last year. And I will probably go back and watch a lot of recent films from him because I probably should have watched them before. But now I’m rambling, woo new movies!

I’m not crying, it’s just been raining…on my face.

Brian (Anton Yelchin) is a typical New Yorker. He is living as a writer, but nothing he writes is getting published. It is okay, because his parents (Glenn Close, Frank Langella) have money and he doesn’t have to rush to a job. They want him to go to Law School, but they will let him try writing for now.

Then Brian meets Arielle (Bérénice Marlohe). He sees her smoking a cigarette, so he walks across the street to join her. Suave as fuck. She finds him charming so she invites him back to smoke next week, and since he shows up, she invites him on a date later on from 5 to 7 that night. A very specific time because it has cultural meaning.

The 5 to 7 time in French culture at least is a more open time for couples, where they can be off doing anything and it not really be suspicious or weird. And it has grown to mean a time when you can hang out with your paramour. Brian didn’t know about this, so he was very surprised to find that Arielle had a husband (Lambert Wilson). But he is aware of Arielle dating Brian, and hell, he has a side woman as well (Olivia Thirlby). They are just an open couple who know they need companionship outside of their marriage and their family. Yep, kids too.

Brian is young, 24 or so, but he really likes Arielle and cannot stop thinking about her, so he gives it a shot. He has to realize that he is the side bitch and can only see her romantically a couple hours a day. No romantic weekend getaways. No late night parties. Just a little bit of intimacy. And that is a weird thing to get used to.

Shit, if I had them as parents, I would probably just write all day too.

I was a bit worried going into this movie. It felt like a romantic comedy. I knew it wouldn’t be typical, but I have seen a lot and it is hard to make something feel unique and different. Hell, when they introduced the dad’s mistress, I was worried this would turn into a What Maisie Knew situation. Without going into too many spoilers, it flirted with that specific scenario, but thankfully still surprised me.

The best part about 5 to 7 is that it felt real. Brian was a young and inexperienced kid and not the best flirter, so their first interaction was awkward. I almost judged Yelchin and thought it was just bad acting, until I realized it was supposed to look pathetic and made perfect sense. Brian wasn’t perfect, Arielle wasn’t perfect, everyone in this movie had flaws and felt realistic. Hell, the parents bickered and argued, but you could tell there was love there and understanding.

So thankfully 5 to 7 featured fantastic acting from all the major players involved. And the story is pretty unique despite dealing with a subject matter in films before.

If you want a realistic movie about extramarital affairs, that are parts of open relationships, and how it affects the lives of everyone involved, 5 to 7 is a pretty good choice. If you want to just see a well acted film, 5 to 7 is still a good choice. At times amusing, other times sad, 5 to 7 is probably the whole package for a film.

I first was going to give it a 4 out of 4, but I am sure that is just my emotions taking over. The reality is the film was sad, but I never was able to fully connect with it emotionally still. I didn’t cry and really, how great can it be if I don’t cry?!

Welcome to documentary review day, or foreign film day, depending on what I feel like doing and feeling. Today, I don’t look at just any documentary. I look at a documentary that is really local to my current location. I am looking at an award winning documentary, technically

I am looking at The Last Man on the Moon. Now that it has made it onto Netflix I finally had a way to watch it. It is actually a winner of the Texas Independent Film Award, given out by the Houston Film Critic Society. I mean it went up against such classics like…Results. And uhh, other films I haven’t seen.

Just because the competition was weak doesn’t mean the movie didn’t deserve an award though. Just remember that!

And in The Last Man on the Moon, we look at the space program, astronaut Gene Cernan, and how he has the honor of being the last man to ever walk on the moon. Not typically an honor one thinks about. When one thinks the moon and people on it, they think of the first two names and kind of gloss over the rest.

But damn it, after Apollo 11, there were six other missions that went to the moon! And since Cernan left, no one else has graced it with their feet. Well, no one that isn’t a robot.

Yeah, Science bitches!

This documentary is actually about more than the moon landings though. This is basically a sort of bio on Cernan’s life. How he grew up, when he joined the Navy Air Force, his days as a pilot, his first wife and first daughter, his second wife and many new kids, how he first heard about the space program, got drafted and tested and picked over dozens of individuals, and his not one, not two, but three trips into Outer Space.

Shit, I just talked about the entire documentary!

I think it is important to show that astronauts didn’t just go out into space and to the moon once, they had multiple trips. His first trip was part of the Gemini missions which had a lot of failed aspects. He was part of Apollo 10, the last mission before they finally let people go to the moon. And of course he was part of Apollo 17, how he scraped in barely to the final trip the US would fund for testing.

It is actually a really informative documentary, looking at early aspects of NASA that isn’t super common knowledge. I loved his story about his first interview to be an astronaut, the tests involved, the secrecy, and how no one knew really what the hell was even going on. It made science feel sexy again. And everyone knows that science was the sexiest in the 1960’s during the Cold War.

The Last Man on the Moon was a better documentary than I imagined. And it was about a man who did a lot who doesn’t get a lot of recognition. I wouldn’t say I am biased, but I heard his acceptance speech when it won the TIFA, and it made me cry a bit. A speech about reaching for your dreams and achieving what you love in life, never giving up, and making every minute count.

Shit. Astronauts are the coolest American heroes. Space Cowboys and what not.

If I looked at all of the anime films I have reviewed, the total number would be closer to 0 than to 10 I imagine, and that is sad. There are a lot of anime films, and I watch a lot of animated films. But I believe the only ones I have reviewed in the last 4-5 years have been the ones out of Studio Ghibli and that is it. Much like there are other black films made by people other than Tyler Perry, there are other anime films made by studios outside of Ghibli, and damn it, I need to start giving them a chance.

Or you know, say I will on this review and then wait a year before my next anime film. Whatever happens.

The only reason I knew about The Boy and the Beast was from seeing a trailer before some other movie and hey, this one looked interesting. The trailer didn’t really say much, but the visuals were cool, and of course then someone recommended it.

Boom, sold, let’s get this anime train rolling.

I am so excited to write this, that I didn’t even notice I was using a PROMO art picture.

Ren (Aoi Miyazaki, Shôta Sometani) is a 9 year old kid, whose mom has died with a dad out of the picture from a divorce years earlier. He is going to be sent to live with another family, but he wants to live with his dad, he wants his mom back, and he hates everything else. So he runs into the streets of the town to live on his own. While out there, a cloaked beast man, Kumatetsu (Kôji Yakusho) runs into him, mentioning needing a disciple, even if it just a weak human. Ren having nothing better to do, follows Kumatetsu and finds himself in another world where animals walk upright and talk and have personalities.

Now in this world, humans aren’t actually allowed due to the darkness that can be in their hearts. Ren finds out that no one actually likes Kumatetsu, a brash and arrogant fighter, but he is one of two fighters vying to be the next Grandmaster of the area. The other is Iozen (Kazuhiro Yamaji), someone loved by all, many disciples, and two kids, Ichirohiko (Haru Kuroki, Mamoru Miyano) and Jiromaru (Momoka Ono, Kappei Yamaguchi).

Now obviously Ren doesn’t want to be yelled at, but he feels bad for Kumatetsu for having no one on his side. So he agrees to be his disciple, to make himself a stronger person, to have a place to belong to.

And this story is not about a master and disciple coming close together, becoming strong, and doing the thing you think they will do. No, that is just the first hour. Then directions change, things get weird, and they stay weird.

Also featuring voice work from Suzu Hirose and Yô Ôizumi.

The only time in the movie where the boy’s mouth is bigger than the beast’s.

I will just go straight into it. Like I just said, only the first half follows the general plot line that I laid out. That is what I expected the whole movie to do. You know, to give me a classic Karate Kid like story, where the master and the disciple grow and learn together, and then they both achieve their dreams and do good and be good and fuck the bad guys.

But it is a lot more complicated than that. The plot never goes away, but more things start to happen that change the primary motives for some of our characters. As they age, their priorities change, and holy shit, they are like real people. I mean that in comparison to cartoon characters, not the fact that 90% of the cast are beast things.

Great, a story with character growth. But what else? Well, the animation is nice to look at. The fights are decent enough. And the comedy/drama is balanced.

Now again, things get a little bit weird near the end. The plot doesn’t get hard to follow, but the character actions do get a little bit muddled. Hell, Ichirohiko is a big part of this thing. If it was supposed to be a surprise what happened, then the surprise was bad. I also thought the character was a woman based on the voice actor as a kid and was very confused to see the deeper voice when they grew up.

The Boy and the Beast! Something different, that’s for sure.