Tag: 2 out of 4

This is my fourth movie this year reviewing with Anna Kendrick in it, and it hasn’t been a great year. Mike and Dave Need Wedding Dates was on top, above Mr. Right and Get A Job, all very mediocre to poor. Sorry, I haven’t hit The Accountant yet and The Hollars looks good too, but that is still six movies this year.

After the year she had been having, I wasn’t super surprised to see her starring in Trolls as well. Trolls is probably one of the most least anticipated animated movies of the year for me, after Sing.

I mean, I get it. Getting rights to old toys to make new movies for is in right now. The Smurfs movies did okay, why not create a world about Trolls? Gotta get that merchandising money back somehow right? Fuck new risks!

Sorry, I almost complained about films these days. Trolls just seems like a lazy cash grab, and they have been hyping it since Timberlake released that song like, six months ago at least. I am trolled out already and I haven’t even been forced to see a real advertisement for it.

One of those trolls is a fucking giraffe what is going on here?

The Bergens are large, basically ogre like entities that are disgusting and sad, lives devoid of happiness. The Trolls are tiny creatures full of color who are always partying and full of happy. The Bergens hate them and are jealous of them and also found out that when they eat Trolls, they get to feel happiness inside of them and it is kind of a big deal. So they captured all of the trolls and every Bergen eats one on a holiday called Trollstice.

Except this year they have escaped underground, thanks to King Peppy (Jeffrey Tambor), saving every last troll, including his baby daughter Peppy (Anna Kendrick). This gets the Bergen Chef (Christine Baranski) into quite a big trouble, because King Gristle (John Cleese) cannot feed his baby, Prince Gristle (Christopher Mintz-Plasse). So the Chef gets banished from the kingdom. The Trolls find a new place to live and they party for ever after.

Until twenty years later. Princess Poppy is throwing a huge party to celebrate being free of the Bergens. Everyone is going to be there, everyone but Branch (Justin Timberlake). The weird troll who is grey, doesn’t sing, doesn’t dance, doesn’t HUG. He warns them not to do the party like that or else the Bergens will come. And sure enough, the Chef Bergen finds them and takes all of Poppy’s friends. All of them, even the spiritual one (Russell Brand). So Poppy decides to get the rest of the Trolls into hiding and trick Branch into coming along with her to rescue them!

Back at Bergen Town, the Chef is getting back into business with the handful of trolls she captured. The king is dead, so the new king is that poor Gristle Jr. who never got a Troll before and he decides to restore Trollstice to make his kingdom happy! There is also a small maid, Bridget (Zooey Deschenal), who likes the king. This plays a part in the plot.

So yeah, get into the town, save the friends, and you know, survive. Whoa re the friends? Well, a lot of them are played by famous people, but if you asked me their character names I would have no fucking clue, as they kept them kind of hard to figure out and match. But we have Gwen Stefani, James Corden, Ron Fuches, Aino Jawo, Caroline Hjelt, Kunal Nayyar, Quevenzhane Wallis, Walt Dohrn, and Rhys Darby! Oh okay, fine, I could figure out who Guy Diamond was based off of his name.

They live in a scary place where literally everything has a mouth and eats something.

Oh hey, Trolls. Of course it was a Jukebox Musical in some regards, and I hoped to see something creative. Instead, for the most part, the songs were bad mash ups with a loosely related theme and just choruses to get the little kids moving their feet. I don’t hate Jukebox Musicals, I just hate bad music ones. It was overall a lesser Happy Feet in that regard, but better than Strange Magic.

Overall there were two really good musical moments, one was the song Get Back Up Again which is technically the only original song in the musical (Does the JT one count as original?), and another song near the end that captured the emotions of the moment extremely well. It might have made me cry, but crying does not mean I give the film a passing grade. There was also a very awkward song moment with Deschanel’s character. She gave a unique voice for Bridget, but when Bridget sang it was uncomfortable as the voice did not transition at all into the song.

The colors are bright and kid friendly, but the animation style on its own felt quite dull. It felt too fuzzy and well, doll like. Again, their intentions I am sure to sell toys, but it wasn’t too visually pleasing.

The world they created was an incredibly scary place, as there is a recurring joke of how almost everything eats something else. It frightened me and not in a sexy way.

Plot wise, about 20-30 minutes in it was pretty easy to figure out how the whole thing would end. And yeah, it was true. The love plot between Bridget and the King, although arguably necessary, felt like it was taking too much time from the rescue plot. There are not a lot of surprises in this film, nor intellectual humor. They have a character who farts glitter, and another character who shits cupcakes. Yay butt humor.

Overall Trolls is just okay, which is better than I expected. There are only a few more cartoon movies to go this year and the only place this one will make an impact in the awards is nominations for Best Song, I imagine. It is unfortunately also really dated. They decided to make the Trolls super modern, so they are saying YOLO, OMG and more terms to connect to the youth of today, meaning no one will give a crap about it in ten years.

No Way. No way at all. This can’t be the theme of every big movie I watch since I’ve had a kid.

But it feels like it is true. Every film is about a guy trying to protect his family and his daughter while everything crumbles apart. Why do films just want to make me feel sad, those bastard films?

American Pastoral of course based on a book that people love, but I never heard of it before it became a movie because I suck. The films with this theme seem to come out every other week, specifically targeting to try and make me cry and think about potentially painful events in the future.

Oh no, what does this dinner scene mean? Where is the daughter? DOES SOMETHING BAD HAPPEN?

It begins from the point of view from some old people at a reunion and the narrator (David Strathairn) finding out that his old hero “Swede” (Ewan McGregor) had just died. He always looked up to Swede, an athletic star, went to the war in WW2, married a beauty queen (Jennifer Connelly) and became a success in the community. He took over his father’s (Peter Riegert) glove factory in Newark, New Jersey, but still chose to live in the country side for his wife to become a small time rancher. That is where they would raise their little daughter and have the best of lives.

After the narrator moved away though, that is when things started to turn and Swede’s life began to crumble. And the whole thing centers around his daughter, Merry (Dakota Fanning), a simple girl with a big heart.

A big heart and a big stutter. Her psychologist (Molly Parker) believes the stutter is a way of forcing herself to have a disability, as her parents are perfect and she could never live up to them. Molly has a big heart though, such a big heart that she just wants to love everything and have peace. This love is so strong that eventually in her teenage years she now seems to hate everything. It is Vietnam and no one seems to care about the lives being lost. They need a revolution and her parents are just living their lives like people aren’t dying all over the world, what the fuck!

She wants anarchy, she wants protests, then people will be safe. That is what her New York City friends are teaching her. Eventually a terrorist attack on a post office in their small town puts their already hectic life into pieces. As explosions tend to do.

Also featuring Rupert Evans as the Swede’s brother, Uzo Aduba as the main assistant at the glove factory, Valorie Curry as a mysterious NYC friend, and Mark Hidreth as an FBI agent on the case.

You can cut the teenage angst here with a knife, and honestly, the teenager would probably like that.

American Pastoral in its heart has a deep and moving story and at points a slightly scary one as well. I had no idea where it was going, except that it would end with heartbreak and fill me will feels.

Despite that, it also felt almost superficial. The cameras were strong and the sets well created, it also felt fake. Despite good acting, the story felt disjointed. The events were important, but they felt like they were lacking some sort of real cohesion to tell the full story.

McGregor did a fine job as a first time director that is for sure. He took what I have been told is a great book and turned it into a probably faithful adaptation. But despite not reading the book it is extremely apparent that it is a situation where the book has to be leagues better because of how much depth is missing from the film. It is obvious that depth is out there somewhere and just not showing itself on the screen.
A decent film, but one that just feels a bit lacking.

I am horrified by this film and yet, underwhelmed.

I am sad. People die all the time, but now this is my third review post Anton Yelchin death, watching a movie with him in it. And sure, in this one he isn’t the lead. He is a major player, but a relatively minor part with only a few scenes to probably excel in.

Still though, he isn’t the captain.

But going into Star Trek Beyond, I am going in very weary. The last one was interesting, some cool scenes, but overall fell flat as a film. Star Trek Into Darkness was not trying hard enough to be its own movie, relying too heavily on being am unannounced remake.

So I am sad that the Star Trek movies are beginning to feel generic. Sad that Yelchin won’t be in future movies after this one. And sad that this one has unnecessary controversy relating to what George Takei does or does not give his blessing for.

Although if the film gives me a dance number, I might reconsider the generic comment.

Hey look! The USS Enterprise is still in action, still doing their normal things. Captain Kirk (Chris Pine) is still captain-y, Spock (Zachary Quinto) is still Vulcan-y, Scotty (Simon Pegg), Checkov (Yelchin), Sulu (John Cho), Bones (Karl Urban), and Uhura (Zoe Saldana) are all their names-y. Especially Bones.

Except there are some boredom pains. Kirk is worried he no longer cares about exploring and is just running with the motions. He is thinking bout switching up to a higher position and getting off the ship. Spock is also worried about his future. He just figured out that Future Spock has died (Fuck, I also forgot Leonard Nemoy had died since the last movie. Fuck fuck fuck). With the Vulcans a dying race, he feels he should get off the ship, help be an ambassador and start a purely Vulcan family.

But first, let’s do one more mission. They have to go into a Nebula to look for a missing space craft because only the Enterprise is built well enough to handle it. Everything is going okay, and hey, a surprise attack! Now the Enterprise is crashed on a planet, the crew separated, and a scary race of aliens who want to take down the Federation for some reason.

One last mission always does this, doesn’t it? Starring Idris Elba as the bad guy, Joe Taslim as the bad guy in second command, and Sofia Boutella as Jaylah, mysterious awesome alien lady.

And Jaylah is like Jesus, in that she is a savior of the film.

My main thought during the film and after it was over was how much better the title Into Darkness would have fit for this film than the previous film. It was definitely a darker in tone film. The crew was split up, the Enterprise fucked up, many people captured and some red shirts killed. They went into a very dark and scary Nebula to get to the plot. They went INTO DARKNESS.

But sure, a lot of the film is on a bright planet during the day, but still, that title change would be great.

The film itself is silly and full of meh moments. I honestly found myself shaking my head. Elements that were going to explain everything felt short. Action scenes might not have made a lot of sense. There was a very clusterfucky scene involving the enterprise mostly empty on the planet in the middle of the night, was written for explosions and not for anything else to make sense.

Without a few characters I would have been bored out of my mind and given this a pretty failing grade. But Urban as Bones was really on his game in this film and always brought a smile to my face. Boutella as Jaylah was a breath of fresh air, in terms of humor, action, and the whole package. Jaylah rocks, we need more Jaylah.

In fact, that is the only reason I want more Star Trek movies. Let Jaylah star in all of these movies and not get reduced down to a small bit character and I got something interesting to finally watch.

Yelchin has better movies out this year, go watch them instead. There are better action and Sci-Fi movies this year, and obviously better comedies. But if you just want filler, then there are worse ways to go.

Ohhhhhhhh Kevin Smith. A man who has embraced the Cartman Whatever, I Do What I Want mentality that so many kids eventually grow into and hopefully out of.

I like Kevin Smith, I do, but almost every time I see his name in the news I cringe. It is generally a rant about something in pop culture and an article is made about that. Kevin Smith doesn’t know everything about everything, as a fan and a person, I understand that. So I’d rather just see articles about upcoming films and work and casting like a normal director.

His films are getting weirder and more specific. They used to speak for a generation and now, backed up by his own words, they kind of just speak for him. He wants to make films for him and him only, the critics be damned. Except I really liked Tusk. I was very worried about Yoga Hosers, given a trailer I saw, but damn did I like Tusk.

I don’t care what he does with his free time (and I acknowledge his films have gotten weaker since he discovered marijuana). I just eventually want to see Hit Somebody, Clerks 3, and MallBrats, damn it.

I did not ask for Smith dressed up as a German sausage, but I can see where he got confused.

Set a year or so after the events of Tusk, we return to our small town and our clerk employees who are now sort of famous. That’s right, because Colleen McKenzie (Harley Quinn Smith) and Colleen Collette (Lily-Rose Depp) helped lead the authorities to finding the missing American turned Walrus, they were in the paper once and their lives are just as uneventful.

Like, you know? They are just sophomores in high school, working a crummy job that Colleen C’s Dad (Tony Hale) got them. And his new girlfriend (Natasha Lyonne) is now their manager, ew yuck. They just care about their instagrams, their yoga (with a private instructor played by Justin Long), their band, and cute guys.

You know like Hunter Calloway (Austin Butler), a senior! And he has invited the Colleen’s to a senior party on a night they are not supposed to work, omg! As long as life doesn’t throw a hockey stick in their plans at least.

The Colleens just want to be normal girls, doing normal things. But un-normal Nazi related things are brewing in their neighborhood and it might just be up to them and their yoga to put a stop to it.

Also starring Jennifer Schwalbach Smith, of course, Adam Brody as a creepy drummer, Harley Morenstein as toilet paper man, Tyler Posey as annoying senior guy, Jason Mewes, Ralph Garman, Haley Joel Osment, and Johnny Depp returning as Guy Lapointe.

They weren’t even supposed to be here today.

When I say critics be damned, I really mean that. Smith refused to screen this film for critics. No pre-screeners for the press, no press copies online or in the mail, nothing. Just people who wanted to give him some money. And there is a reason behind that besides the obvious. At two points in the film, including a major part of the climax, are anti-critic. They go decently hard into and its the reason for the bad events in the film.

And, I dunno, am I supposed to care? This isn’t the first time there have been jokes about something that has represented me in a film. If a film makes fun of men, or white people, or nerds, or teachers, or geologists, I don’t rail against it and call it trash. If it is done in a funny way, I will find it funny, laugh and move on.

They were done in okay ways, but given the director’s actual statements, it makes it just come out as childish.

Related, the film is entirely childish. It doesn’t mean there aren’t amusing parts. Oh no, I laughed at a few. And I laughed at some small bit parts just for a quick joke. But the film is also all over the place. The trailer that turned me off so long ago? It was one part of the movie and that part took a long time to get to. The ending included a cool creation, but its demise wasn’t worth the time invested to get there.

But you know what? Johnny Depp as Guy Lapointe is still one of my favorite things ever. I will watch 10 more of these Canadian Smith films just to go on his adventures. Lapointe is Depp’s best work in years and that is why Yoga Hosers is worth a watch. Too bad it is out of all theaters by the time this review comes out.

I didn’t know The Wild Life was coming out this year. I didn’t know it even really existed, to be honest. The Wild Life is a Belgian animated film, that has now been given some English voice actors and slapped down to America.

But this film had no advertising. I never saw a trailer, I barely saw the poster, and I would have never really known it was released today if it wasn’t for the fact that they sent me an invite to a screening.

Here is my guess. I just assume that this involves a group of 4-5 animals, who talk and go on wacky adventures together. You know, stuff from the first decade of the millennium.

Shit, there is at least six animals in this picture already, so I am already wrong.

This movie starts off with a group of pirates led by Long John Silver (Dennis O’Connor), seeing a signal fire on an island, taking the one man to their boat to find out his story. But screw that, the parrot, Mac (David Howard) has the better story.

Mac was living on a small island, bored out of his mind. He was friends with everyone on the island. Suspiciously, the entire island only had one of every animal only, except for bugs and fish. There is Rosie the Tapir (Laila Berzins), Epi the Echidna (Sandy Fox), Scrubby the Blind Goat (Joey Camen), Carmello the Chameleon (Colin Metzger), Pango the Pangolin (Jeff Doucette), and Kiki a blue bird thing (Marieve Herington).

Mac believes there is a world outside of the island, and when a ship crashes onto the island he finally has proof! And what is on that ship? Well, a dog (Doug Stone), some cats (I don’t know most of their names, but Kyle Hebert did one of them), and a man named Robinson Crusoe (Yuri Lowenthal). There they learn to live in harmony and trust, build sweet stuff and have good memories.

Oh and the cats are the jerk bad guys, because cats are assholes as we all know.

Yep, that dude is totally about to join an animal orgy.

I did not know I was watching a secret Robinson Crusoe movie. If I did, I might have been even more reluctant to go, and yes, I am comparing that to generic diverse talking animal adventure film. But it was called Robinson Crusoe in its original release and went for a cooler title, but one that really doesn’t describe the film at all now.

And technically this really has fuck all to do with the book. We have the character and a shipwreck, but everything is just a unique story at this point.

I ended up enjoying the animation style, the animals were all very detailed with their own basic personalities. I very much appreciated that the animals were basically given real names and not just called Goat-y and Tapira or shit like that (Pango aside). And even more exciting was that these characters were all voiced by non celebrities. Some of them are real voice work artists, some of them have only one IMDB actor credit, but none of them are big actors just to sell the movie, regardless of voice work talent. That is a nice change of pace.

The issues with the film are that the story is simple. Like, beyond simple. Survival wasn’t a real issue in the movie. Pirates barely mattered. No, it was all hunky-dory. The main issue was mean cats trying to survive off more than bugs, so you know, eventually they try to kill everyone. I fell asleep early on because it took so long to really get to the point. The decision to make 95% of the movie as a flashback is a poor tool, why not just start in the damn beginning.

And yes, I do get annoyed that this small island apparently has the most fruit food ever. And that it is never addressed why these six or so animals live here and none of them have mates or a real way to have gotten to that island. All of the nitpicking really boils down to is that they just didn’t really think this whole thing through or care about the holes that might exist.

The Wild Life will probably not be successful, because it isn’t Pixar and Disney. The animation was cool, the voice work was nice, but the story was too basic and not exciting enough to see again.

Not surprising, what first drew me to this film was the title.

I Am Not A Serial Killer? What are you, an S-Mart Employee?

Of course this movie was based on a book of the same title, and of course, I have never heard of it either. And now we are all on the same page.

You shouldn’t have to glare to hard. Page one, dick!

John Wayne Cleaver (Max Records), yes, has a good name, but don’t worry he is not a serial killer. No, he is a weird kid, sure. His family owns the small town morgue, sure. He helps preserve corpses with his mom (Laura Fraser), of course. And yeah, he is a psychopath, but he is not a serial killer!

Don’t worry, everyone knows it. He is seeing a therapist (Karl Geary), it is official, we are all working just to keep him in check. He has rules to keep himself from lashing out, ways to force himself to be nice. Despite the fact that sure, yeah, he doesn’t care about anyone in their small town.

Well, old Mr. Crowley (Christopher Lloyd) is a weird guy. Really loves his wife. And he might have killed someone?

There is actually a serial killer in their town! Right now! And John is almost certain that Crowley is the one doing it. But he is all over the place. Sometimes he hides the bodies, sometimes he does not. And he steals organs. Huh. Erm. Okay that is weird.

Maybe Crowley isn’t just another sociopath. Maybe he is something other worldly. John is going to find out, because telling people secrets is lame.

I mean otherworldly like alien, not like Jesus.

A Minnesota Murder spree? Oh, like Fargo! I love Fargo!

Not so fast, assholes. This is nothing like Fargo. The show or the movie. Actually, well, with some supernatural elements, I guess part of it is similar to season 2.

All of it is from the point of view of our teenage psychopath, so there is a lot we don’t get to see. We don’t get to see people talking about him behind closed doors, we don’t have those heartfelt discussions about people trying to fix him. Just a kid on a mystery that is a bit bigger than life.

And it is decent. It is. It has some scares, sure. Lloyd is like, super super old now (since he was old as Doc Brown 30 years ago) but he gave a great and creepy performance.

If anything, one can say the film is unique. The ending gets a bit more crazy and the tone doesn’t match the previous 80 or so minutes, but I did love the build up towards the climax.

I am not a Serial Killer. I am just a movie reviewer. And I would say watch this if it is on Netflix one day in the future, maybe. I don’t care, I won’t kill you over it.

A24 has decided that they want to take risks. That they want to deliver amazing content, or at least weird and unique content. And sometimes both, like when it comes to Swiss Army Man!

But with also The Witch and The Lobster, they have been having a pretty good 2016 so far and are looking hard into award season.

That is why I decided to give Morris From America a chance. A movie that might deal with racism but in a very non-American light. A movie that might have strong comedic or dramatic performances. And a movie that could give me a patriotism boner.

Eating ice cream and owning the sidewalk? Yeah, those are Americans.

Morris Gentry (Markees Christmas) is from America, but now he lives in Heidelberg, Germany with his single dad (Craig Robinson). His dad has a job working for a Futbol team, which is why they now live here. He had a mom, but she died.

Needless to say, Morris is having problems fitting in. Right now it is the summer time, he has no friends and only small amounts of German. So he has a tutor (Carla Juri) to help him with the language and just getting him to open up. But she suggests he goes to a local youth center, to meet people his age and make some friends.

Well, of course, everyone there is super white and super German. And most of them are a bit racist. Some of it comes from just not seeing black people before. Some of it is curiosity. Morris sees a girl, Katrin (Lina Keller) and actually gets a crush on her, so he decides to give this youth center a shot, despite the overwhelming weird feelings.

And well, those weird feelings are real. He gets blamed for things he didn’t do, pressured and bullied and more. But hey, he just wants to be able to free style and express himself, and they are just giving him more material to work with.

Also featuring Patrick Güldenberg and Levin Henning.

That face is right, Morris. This looks like a trap.

Morris From America is one part coming of age story and one part fish in a foreign pond. I am not sure if that last part is a saying, but right now I am running with it. The idea makes a lot of sense too. There are tons of films about an American going to a new place and learning customs and the language, whether it be a drama or full of laughs. But for whatever reason it is always a white person. Why not have a black guy do the same thing?

This is not a zany movie by any means. All of the spare humor moments just come from normal human interaction, mostly father and son. I tend to feel bad for Morris when he is interacting with the German teenagers, basically 95% of time.

The movie drives home some points, but they aren’t too powerful. Apparently Germany is still super white and not the best towards people who look different. But hey, what society really isn’t like that? It is a hard balance to break.

Some of his situations are uncomfortable, some are slight, but overall, not a lot happens over the journey of the film. This is just a snapshot of his life, a small experience over a small amount of time. And well, it is just okay in that regard.

Don’t Breath. Don’t Even Breath. Breath and you’re dead. Wait, no, the opposite of all of that. Modifying a Doctor Who quote doesn’t really work in this context.

This is another film that I was almost happy to announce I knew nothing about going into it. But then I went and saw a regular movie in the theater and caught the last 20-30 seconds of the trailer. Damn, I was so close to not even having the slimmest plot outline.

But since that cat is out of the bag, the director of the film is Fede Alvarez who before now has only directed one feature film, the recent Evil Dead. Hey! That also had the same star as this one. And hey! Evil Dead was kind of awesome in a gory, never want to watch ever again way.

So paint me a little bit tickled, as I practice holding my breath like I am riding in a car through a tunnel, thinking I will get a wish out of it.

Holding your breath as an old man walks by is a sure way to get your wish of not smelling him.

Detroit kind of sucks. Not the sports teams, they are awesome of course. But the area is terrible, many properties are abandoned, and people just want to get out of there. Just watch the documentary Detropia, I reviewed it last week.

People like Rocky (Jane Levy) want to leave, but they are poor and in terrible abusive situations. That is why she turned to robbery. With her boyfriend, Money (Daniel Zovatto) and best friend Alex (Dylan Minnette) they break into rich people houses and take only items to sell to dealers on the streets. If they take too much money, it is a bigger crime and they want to be prepared if they get caught. It is easy for them, because Alex’s dad works for a security company, so Alex is able to break into his desk to steal house specific keys to deactivate the alarms.

Well, Money gets a hot tip from one of his guys on the street. There is an old man (Stephen Lang) who lives along, on a street that everyone has abandoned. No police presence, no nosy neighbors, just him and a dog. He was an Iraq war vet (The first one) and injured while there, but more importantly, he made bank when his daughter was killed in a car accident from some rich kid. So he is sitting on six figures and he potentially keeps it in his house. Oh and he is blind.

So yeah, Rocky, Alex, Money are pretty much assholes. They are going to steal from a lonely old man, blind, war vet. They are going to take that money and move out of the state, somewhere like California and make something with their lives. They just, you know, have to be the worst people ever.

I said worst people ever, not biggest pupils ever.

Alvarez has created something unique, yet familiar, scary, and morally out the window. At the same time, he created a movie that has 88 minute run time including credits and still feels incredibly too long.

And that is incredibly annoying because I was totally digging the story. Now, I hated the three young characters. Each one, regardless of their reasons for being in the house. They are all asshats for deciding to try and steal from him. But at the same time, they don’t make the Old Man to be a nice fellow either. It isn’t rooting for the bad guy, it is rooting for mutually assured destruction. I just wanted everyone to punish and get what is coming to them, while at the same time, mad the situation is even occurring in the first place. So yes, it toyed with my emotions and messed with my perception of right and wrong.

That added together could be a reason I just hated the ending. I can’t tell you exactly how long, but there was a shift about 10-15 minutes left in the film that I just wish didn’t exist in anyway. Too much is revealed, a side is chosen to be the “champion” of the film, and then it just drags on and on. There were two very appropriate places it could have ended before it got too full of itself. But it continued. Then characters continued to make terrible decisions. It became repetitive and I couldn’t wait for the end.

The cinematography was lovely, including a nice long house one take from the inside, the pitch dark scenes were wonderful, complete with large pupils, and Lang knocked it out of the park as the old man. The rest of the acting was pretty average.

This is about three fourths of a decently entertaining movie that doesn’t hold your hand and make things easy to watch. But at some point the filmmakers decide that they are bored with that and turn it into a more standard film with an almost goddamn happy ending, despite the many unhappy circumstances involved.

George Clooney, you little vixen you. That little grinning face of his, I cannot help but swoon.

But I also can’t help but note he has been in a lot of meh lately. Tomorrowland, The Monuments Men, and A Very Murray Christmas, ugh. I actually enjoyed Hail, Caesar! but it had very mixed reviews.

So now I am looking to George to try and fix this ship. Give me something good. I did end up seeing the trailer for Money Monster before some movie and hey, it interested me. I tend to love hostage situations (in film), and I am definitely interested in people angry about financial crashes, thanks to The Big Short.

Give me something to cheer for, Mr. Clooney.

Oooh guns. I love cheering for guns!

Lee Gates (George Clooney) is basically Jim Cramer from Mad Money, that is your main introduction to him. But he also can dance! He has been on the air for a long time, his director/control room person is Patty Fenn (Julia Roberts), and she too is good at her job.

The stock of the company IBIS crashed in a big way the day before and the CEO Walt Camby (Dominic West) was supposed to be show up for an interview but was somewhere else around the world, so they couldn’t explain it. Instead, a PR lady (Caitriona Balfe) was going to badly explain the situation, but hey, a gunman (Jack O’Connell) showed up!

With a gun!

And he is pissed. He lost all of his money thanks to the IBIS crashed, which Lee Gates promised was the best stock ever. Sure, he only lost $60,000, and some people lost way more, but he has a pregnant girlfriend (Emily Meade). And he is depressed. And he wants answers.

Also starring Aaron Yoo as mysterious Asian man, Dennis Boutsikaris as angry executive at IBIS, Giancarlo Esposito as a police captain, and Lenny Venito as the world’s most dedicated camera man.

And let’s not forget how much money this hostage situation will make the channel.

Guns and Money, Celebrities and Scandals, Money Monster is potentially one of the most American movies ever. It is directed by Jodie Foster, who hasn’t directed a film since the wonderful The Beaver. The Beaver was weird, unique, and touching. Money Monster is none of those things, but at times, it is a bit interesting.

I think the beginning and middle of Money Monster are the more interesting elements. The ending just starts to get weird once they leave the studio and decide to walk down NYC, straight to the source. Not weird in the good way, just awkward.

Clooney, Roberts, O’Connell were all fine in their parts, but no one in particular really stood out and seemed exceptional. The message is one that has been hounded before in many better films. And, overall, the ending is a bit uninspired.

I didn’t really get my big cry moment like I do in a lot of hostage films. Or the large amounts of witty banter, or really anything.

Movie watchers will not get anything new out of Money Monster. But hey, it got a little close at some points, so it could have been a lot worse.

I didn’t want to watch Detropia. I wanted to watch a different documentary that sounded depressing and sad and anger inducing, but it wasn’t available. So Detropia was my number two documentary choice, because based on the subject, sure, it is a bit depressing. Fingers crossed I get the other documentary by the end of this year.

Detropia is a Detroit + Dystopia (or Utopia, both work, but let’s go with the D theme). That is because Detroit got royally fucked. With the economic crash (which you can learn a lot more with the movie The Big Short), in 2007 and 2008, a lot of shit started to hit the fan. One of those fan hits came from the auto industry which was a big part of the Detroit economy. But don’t worry! Much like the bank industries, a bailout was received from the company to save the auto industry and the economy.

Except there was a few stipulations. Like, changing the minimum wage for upcoming hires despite the union and laying off a lot of workers. And when a lot of people become unemployed, a lot of bills go unpaid. When a lot of mortgages go unpaid (also part of this crisis), people move and leave areas. Detroit lost a lot of people, off the top of my head, maybe half of their populations.

Buildings were abandoned and the city became bankrupt. And shit, things just got worse.

Apparently these asshats from The Purge movies showed up.

The documentary ends up examining just a few different lives. A guy who owns a struggling night club hang out spot, just down the road from an auto plant. A guy who is the local president of the auto workers union. And a girl who is a video blogger or something. We also get highlights of a few performance artists, and people who moved to the city just to do bigger art projects. There are also some town hall meetings and discussion about what to do about the failing city, struggling neighborhoods and lack of funds.

And you know what else? There is no narrator. There are no flashes to experts to explain details. There is the occasional text on the screen, but other than that, the story of Detropia is just about people. People telling their real stories and showing their real struggles.

It is definitely a fascinating and current subject to highlight, but at the same time, I wanted more. I want to know a lot more people affected, those people struggling to survive, those who had to leave, those in the government, who knows.

The documentary highlights a shitty thing happening, but it doesn’t try to provide answers, predict the future or anything. It just seems like an incomplete film. (Yes, Detroit is still in shambles so that part isn’t conclusive. And no, documentaries do not have to fix their issues). It just seemed like a strange ending and didn’t leave me with a lot to take from it.

At most, this could serve as a stepping off point for those who literally know nothing about Detroit’s current struggles. But it doesn’t go over all of the cities struggles. For instance, the Detroit Red Wings were unable to sign Stamkos, will they ever get an elite goal scorer ever again?