Gorgon Reviews

Finally, I am getting into some obscure titles that a lot of people probably have missed out on. Oh, I skipped a lot of non-obscure titles to get here, but those were at my home, this was on my phone in a parking lot.

Deidra & Laney Rob A Train is not too long of a movie, going for an audience that is not an adult male who criticizes films. The perfect thing to watch and write about.

This is another Netflix original, just not one they advertised. Again, a different demographic, gotta make money somehow, and gotta do it by making content that appeals to every different sect they can imagine.

Stoop Kids are afraid to leave their stoop!

The sect that this film was made for was teenage girls or families who don’t want to think about what they are watching.

Deidra (Ashleigh Murray) is a senior in high school and she has worked her whole life to be in a good position for college. She is the top of her class, she has dreams and aspirations of getting out of her small town or whatever life, far away and become someone great. She has a younger sister, Laney (Rachel Crow), who is somewhere in the high school age range, and Jet (Lance Gray) who is probably middle school aged but treated like a 3 year old.

Their dad (David Sullivan) is out of the picture, because he had a drug and criminal past, but he lives nearby. Their mom (Danielle Nicolet), has been working hard to give them some level of existence, but she has gone surprisingly berserk at her job, breaking TVs and gets arrested. Arrested?! Yes, arrested.

For whatever reason, CPS is totally cool with the kids living on their own (Deidra is 18), as long as an adult is at home with kids at all time and they have food and pay the bills. Long story short, shit is hard, it affects their school, and eventually decide to start robbing items from the local trains that come through their town. They make some money, pay some bills, work on bail, and work on saving through college.

Ah, to now live a stress free lifestyle. Featuring Tim Blake Nelson as a railroad cop, Sasheer Zamata as a guidance counselor, Arturo Castro as a cop, and Missi Pyle, Brooke Markham, and Kinna McInroe.

I couldn’t find a picture to cram even more side characters in one shot.

Deidra & Laney Rob A Train, looks, feels, sounds, and smells like a made for TV ABC Family (Or FreeForm, whatever the fuck that is) movie. Somehow even the camera work seems specific to that channel. And I am not speaking entirely out of my ass, I have reviewed made for TV movies on ABC Family. With that mantle, it delivers exactly as I would have expected: safe, bubbly, yawns.

D&L is just a bore. We have a single interesting character, Deidra, who has to make hard decisions. However the details on her life in this film are really weird. The Guidance Counselor talks about how most of the kids at the school suck and don’t achieve, because it is an inner city school. Yet they show it as a small rural town, and straight up everyone in it outside of our leads are super white, upper middle class to upper class looking kids.

It also has a very strange subplot about a Miss Idaho teen pageant that Laney gets involved with. It appears she is in an actual class at her school to prepare her for this pageant, and honestly, the plot barely goes anywhere and is just a distraction to get the running time up.

Nelson is just a cartoon villain in this movie. There are no real consequences for our characters, and even the one sob scene moment just doesn’t really seem to connect. It explains why the mom goes berserk, but it does not fix the problems that are still caused by the acts. And again, robbing trains is totally the right and best choice by the time the movie ends.

Sigh, to be young and pointless, like this movie.

Holy shit, it is finally here, the Universal Monsters Movie Franchise! Or Dark Universe, as it is going to be called. And this is for real!

Yeah yeah, you heard it was going to start so long ago, but with less buzz, with The Wolfman, But nope. And you were super seriously sure it was starting with Dracula Untold (because they said so), but apparently they changed their mind. They changed their mind DESPITE the ending taking place in modern day, clearly being ready for the Dark Universe.

So this time it is real. They have a name for the franchise. They have photos with actors in it. They have bigger names.

And you thought my intro to The Mummy would just be talking about the last Mummy Franchise? Well, you’re also right. I really enjoyed The Mummy and The Mummy Returns. The third one sucked, besides some yetis. The Scorpion King was fine, its sequels are bad. And I expect this movie to be NOTHING like the previous iteration, so I won’t really compare them.

The main difference is wanting to make this Mummy sexier.

Nick Morton (Tom Cruise) is in the military, or some subset of their intelligence. But he is a bit of a rebel. He has taken his underling, Chris Vail (Jake Johnson), to a completely different area of Iraq where he believes there is some sweet buried treasure that they can sell on the black market. They are supposed to be 100 miles away on a basic scouting mission, so they kind of are really big jerks here.

And sure enough, there is a goddamn hidden pit/tomb thing here, Egyptian made, despite Iraq being decently far away from Egypt. Jenny Halsey (Annabelle Wallis), an Egyptian Archaeologist, believes that there was a Pharaoh princess written out of the records due to shenanigans and this might be her resting place.

Speaking of this princess, Ahmanet (Sofia Boutella) lived a long time ago. She was going to be the new Pharaoh when her dad died, and then despite her older, ready age, he went and had another child, a boy. And there went her hopes and dreams. So she made a deal with Set, got all demonic, killed them all and was about to bring Set into the world when she was mummified while alive (kind of BS) and you know, imprisoned far away and for ever.

Ah yes, the plot of the movie. This sounds like a lot, but honestly, this is all the beginning of the movie. What follows including death, destruction, magic shit, mummy curses, the dead rising, jokes, and a whole lot of other mysterious allusions to monsters. All in two hours!

Starring Courtney B. Vance as a general, Marwan Kenzari as a bodyguard, and Russell Crowe as a mysterious doctor dude and sometimes narrator.

This may look like a romantic moment, but that bitch is about to get sucked out of a plane OMG

I have FAR MORE to talk about with this movie than I had possibly imagined before viewing. There is a lot going on, possibly to its own detriment, certainly that is a negative a lot of people are pointing out. Because it is the first film in this universe (Of which Dark Universe was given its own big logo right after Universal) it has to give a complete film and tease out the future. All without an after credit scene to help them either.

A lot of the film can be described as messy. It jumps across genres in a bad way, it decides to describe the entire mummy backstory through exposition out of nowhere. A poor decision. We also get a bit TOO much teasing of the future. Another character that is relevant to the films appears and does a bit more appearing than I wanted. I wished they teased him more out and didn’t go full on monster so early in this franchise.

And the ending? Well, it puts the film and the universe in an interesting place. But at that point it didn’t go strong enough and didn’t seem to match really what was being built.

But despite all this, I still had a lot of fun. It had a real adventurous feel throughout it. The Mummy was straight up scary at points, raising her own undead army to get some shit done. It wasn’t campy throughout, but there was still some camp. Some of the stunts from Cruise were of course amazing, and just, I am excited for more. I really am.

Oh, less Jake Johnson would have been nice. They really don’t need him in future films. Alas.

Every year, the world is seemingly blown away by a new art-house horror film that really drives into our subconcious. Every year there are arguments about this new art-house film actually being a horror film, or some sort of thriller drama instead. And every year, I write a review of one of these films, and have to talk about the films of the previous years that fit that bill.

But I will save you some time. Last year we had The Witch and I LOVED The Witch. It felt evil to the core, it felt authentic, and it drove the genre to new places.

And now, It Comes At Night is hoping to be the new art-house horror that everyone is talking about. So what do you think? Do you think it will truly be a horror, or more of a dramatic thriller? Do you think it will have a lot of critical acclaim but no one will watch it? Will the meaning behind the whole thing cause internet debates for a long time?

Yeah, probably.

Ah cool, a mask man and some duct tape. Horror staples, for sure.

Set in a year that is like our own, in the future or the past, lives a family, on the edge of disaster. The world is different now, there isn’t any technology that is not battery powered. And the family is about to bury the grandfather (David Pendleton). Paul (Joel Edgerton), his wife Sarah (Carmen Ejogo), and their 17 year old son Travis (Kelvin Harrison Jr.) are survivors in a world with not a lot of people. Their grandfather has the disease, so he has to be put down, burned, and buried to protect their lives.

They live in a boarded up house in the woods with a lot of strict rules, and their dog, Stanley. But soon after the death, a stranger comes to their door in the middle of the night. His name is Will (Christopher Abbott), who claims he was only doing it thinking the home was abandoned. He needs water for his wife (Riley Keough) and child (Griffin Robert Faulkner), who are many miles away, waiting for his return. And Will says they have food, animals for eggs and milk, to trade for water.

Or it is all a lie, and he wants to kill them. Who knows.

Sarah wants to bring the family to their house, have more people to defend the place, live in harmony. It is a big trust exercise. What with the virus, the creepiness at night time, and people who just make their world a brutal place to live in.

Travis just wants to stop having nightmares and waking up in the middle of the night.

Sometimes they call the entrance to their house L Street.

Oh I feel so terrible, so dead, on the inside. I rarely due this, but here is an exact quote for what I put on my comment card. They have us fill out quick thoughts so the studios can get initial reactions before longer reviews come out.

“I feel so empty inside 🙁
Great acting, great story, and a never ending sense of dread. Fuck”

And that is still how I feel, days later writing this review. Are there scary moments? Yeah, a few. But most of the horror comes from a personal level, deep deep down inside of you. You know what is PROBABLY going to happen, so there isn’t a lot of surprises. But still, to watch it unfold in front of you just builds the tension and of course, the dread.

Dread is this movie’s official review word. If you don’t want to feel dread for prolonged periods of times, then don’t watch this movie. If you want an emotional experience that will rock you to your core? Then watch It Comes At Night.

Oh goodness, Wonder Woman. At this point, the DCEU has been just shit.

Man of Steel was disappointing, BvS was extremely disappointing, and Suicide Squad was in all ways a bad movie. But my favorite part of BvS WAS Wonder Woman, despite her small appearance. Or maybe her small appearance is what made it better.

Regardless, this is another film that is going to be hard to review. Regardless of quality, it has been hailed online by everyone for being the first modern female centric super hero movie, with a woman director! So they need it to be good and hyped up, because it if fails “Hollywood” will use it as evidence against women super hero movies and we will be stuck with just the status quo.

At the same time, I can still feel be extremely worried, because this film being actually great would mean the fourth time is the charm. That isn’t a saying though for a reason. So I am just skeptical of anything I heard online, just based on the need for it to be good, while other people will be tearing it down just for being anti-DC.

And that is why this review is so late after the film came out. Because it allows time for reflection, away from the biased information on either side.

Never mind, costume is great, movie A+!

Ares is a dick, that is the real moral of the story. He decided to introduce war to humans, Zeus’ creations! And then they fight, rah rah rah. So then the Amazons are created, to help bring peace to the world. All the gods fuck each other up, basically dying, except for Ares who is weakened into hiding. Zeus gives the Amazons a hidden island from the outside world, and a weapon to defeat a god, on the day that Ares returns to bring destruction to the world.

And then there is Diana (Gal Gadot, but little Diana is Lilly Aspell), the only Amazonian child, made from clay from her mother, Hippolyta (Connie Nielsen). She has a huge drive and wants to be a warrior to help protect the world, and eventually she reluctantly lets her train under Diana’s aunt, Antiope (Robin Wright).

And yeah, Diana grows up and kicks ass! Ready to fuck up Ares as soon as the world goes to war. Oh hey, a plane has crashed in their sea area, what the fuck is a plane? Diana saves the person in it, a MAN, Steve Trevor (Chris Pine). But behind him are a lot of boats and guns. Holy shit, a war, on their shore? No more!

Needless to say, some people die, some information is gained, and Diana finds herself going into the world, near the end of World War I, to look for Ares and put an end to this madness.

Are main bad guys are of course German, Ludendorff (Danny Huston) and Dr. Poison (Elena Anaya). We also have Steve’s secretary (Lucy Davis), a helpful British politician who wants peace (David Thewlis), and a ragtag group of people to help (Ewen Bremner, Eugene Brave Rock, Saïd Taghmaoui).

It looks like all the spirals are part of the sword, that would be a sweet cross guard.

The best news out of this whole movie business is that yes, Wonder Woman is the best film in the DCEU. It didn’t have any real competition, and The Dark Knight trilogy isn’t part of the DCEU so shut up about that.

But it still didn’t make it into 4 out of 4 territory for me. And I know, again, a lot of people would put it super high thanks to feelings it made them feel and what it stands for. But the good news is that a movie can be good for various causes, have a message, be the first to do a few things, while still having issues we should be able to address and talk about.

There is a lot of good! Gadot wrecked it. The Amazonian world was awesome. Their warrior spirit was strong. Several stand out scenes including the island beach scene (for badass action), the boat scene (For humor), the village fight scene (for more badass action), generally every time Gadot interacted with the human world in weird ways. It had a lot of rah rah action going that was easy to cheer along with, because hey, the Germans are the bad guys again and we know what to do there.

However, it had points that felt rehashed from other films. And it sucks to hear it, but it has more than a few similiarties with Captain America: The First Avenger. World War I instead of II, a super heroed person helps end the war with a rag tag group of soldiers each with their own very specific strengths. They are fighting an organization on the German side who want to continue fighting at all costs and are developing super weapons before they get stopped.

I hated the Wonder Woman extra group of soldiers. They didn’t add anything to the movie, except add more dudes to take away from the strong woman. They annoyed me, they sucked. I also really disliked the final fight scene with Ares. At some point it just turned into this giant fire and lightning explosion fest that reminded me a lot of…the end of Batman Vs Superman. Oh just gotta get that super CGI destruction in there, regardless of setting. Boom, pow, blah!

I will end this note talking about Chris Pine, because I am a guy and it is expected of me. I thought he was getting cast as the “pretty romance character for the hero” character, like so many women in super hero movies, but then they had to go and make him really great and have a good character arc. So they made him more than just a romance character, what jerks.

Wonder Woman is a great movie and will hopefully lead to SOME big change with the DCEU to stop also forcing so much crap down our throats. A lot can be learned, but remember, a lot can always be improved as well.

Everything? Like, Everything, Everything? Like the whole world?

This movie seems to cover a pretty large range of subjects. And to think it is mainly supposed to be a teenage drama romance that is based on a book!

We get these yearly by now, or at least a few times a year. Gotta get those teenage kids buying movie tickets, watching teenagers in love die and shit. Inherently, I can really get into these films, and most of them have made me cry. I honestly knew nothing about the film outside the cover, so I assumed this movie would be about racism.

Which is kind of shit on me. A white person and a black person can fall in love and have NOTHING to do with racism. This film doesn’t touch on it being weird at all. YAY PROGRESS!

The glass ceiling…err wall, will be shattered!

Our story is about a girl named Maddy Whittier (Amandla Stenberg), on the cusp of turning 18, like all good romance movies. Because when people turn 18, they can do sexy stuff and not be weird. Okay, it would be weird for Maddy. because she has severe combined immunodeficiency (SCID). It is a thing that means she doesn’t really have a strong immune system, like, at all, and most things could kill her. Yes, like Bubble Boy.

But her mom (Anika Noni Rose) is a doctor and is loaded, so instead of a weird plastic bubble, she can live the entirety of her life in her home. They have a lot of space for her to live and learn and be creative, but she just can never leave. She has a nurse (Ana de la Reguera) who keeps track of her during the day, and the nurse has a daughter (Danube Hermosillo), but those are the only people she has any contact with. Her father and brother were killed in a car accident when she was a baby.

Things are about to change for this unreasonably attractive hermit! Because they are getting new neighbors, and one of them is a similarly aged boy, named Olly (Nick Robinson). His family moves around a lot, issues that they will go into eventually.

And they fall in love. A mysterious love, filled with text messages and typing to each other on the internet. For them to meet, it could mean her death. A love that will truly kill her.

Also featuring Taylor Hickson, as Olly’s sister.

Spoilers: She gets out.

This is a teenage romance film, involving big dreams and the potential of death, that did not make me cry.

But that is not my biggest issue. For the most part I thought the movie was cute, but at most still just okay. One of the main characters, the mom, just felt really bad at the acting thing and was getting on my nerves, but overall, just an okay story.

Unfortunately, the ending really threw me off. Not in a “oh man, plot twist!” sort of way, although that is how a lot of people may take it. It ended in a way that I hoped among hopes it would not end. Little clues started to fill me in that it might head that way, but I was hoping they were tiny false flags and the movie would be somewhat creative.

Alas, it wasn’t. It went for an edgy finish, but it feels like something that has been done before. It just killed the entire film for me and I left disappointed, no longer interested in the cute aspects of the film. And on top of that? I still didn’t even cry.

To end this on a good note, Stenberg was pretty great in this movie. Rue from The Hunger Games is all grown up and melting hearts.

I know that War Machine has been a term for a long time. I mean, Black Sabbath sang the song War Pigs which uses that term, so it had to exist probably at least since the 1960’s as a sort of protest term maybe during Vietnam? Normally, I might look that up, but I am just spitballing here.

Clearly the Netflix original film War Machine is referring to it in this way, about modern conflicts and maybe war profiteers.

But as you all are aware, there is War Machine of the Iron Man/Marvel movies, and he is probably big enough to have taken over that title. Maybe they picked the title to just piggy back off of that Marvel money. That Disney money.

Like war profiteers.

The face you make when you have been a heartthrob for decades and now have to play a role with gray hair.

General Glen McMahon (Brad Pitt) is a leader in the United States Armed Forces, and has dedicated his life to his career. He was born on an army base, coming from several soldiers. He graduated from West Point, like all eventual war leaders, and so on. He likes to get shit done, he has his close crew of soldiers he can trust, and he doesn’t appreciate things getting in his way.

This is set a few years ago, with Obama still as president, and he wants to end the war in Afghanistan. They are now dealing with insurgents, making it an impossible to win fight, but damn it, he was put in charge and he will put it to a close. He has to make assessments and come up with a plan of attack, everyone in the government is hoping for the best. But McMahon doesn’t do what is heavily suggested, he is going to do what he knows is right to defeat the bad guys and save our troops.

However, as command of the troops, he is finding a lot more of the job involves not warring, but instead dealing with incompetent or annoying world leaders, including his own. The politics of war is unnerving and getting to him, preventing him from doing his job. It seems like he is put into that place entirely to be targeted by newspapers, the media, other countries, protesters, blaming him for a war he didn’t start and is just trying to finish.

And as it is a war movie, there are a shit ton of people involved, so here a lot of of the more important ones. Alan Ruck, Anthony Hayes, Anthony Michael Hall, Aymen Hamdouchi, Ben Kingsley, Daniel Betts, Emory Cohen, John Magaro, Josh Stewart, Meg Tilly, RJ Cyler, Scoot McNairy, Tilda Swinton, Topher Grace, and Russell Crowe.

Photo ops allow people to dress up fancy, show their medals, wear cool hats, and apparently drink tea.

Satire films are hard to pull off, especially if you want to avoid the now ugly valley called parody. War Machine does a decent job of maintaining its satire status without dipping down to any sort of parody territory. What it doesn’t do a good job of is being an amazing satire film.

For satire to work, everyone has to be able to get it, understand the real world events and how the art is flipping it on its head. It would be hard for someone to not know about the wars in Afghanistan and Iraq, but the film does go into a level of detail that would require more than the layman’s knowledge. Not a whole lot, just some, so that could be considered a negative to a lot of viewers.

I loved Pitt in our leading role here. He gave such an honest performance and was fully in that character. It never felt like the character was intentionally trying to be the butt of a joke, always very serious in ways that became amusing just to an outsider perspective. It just had a lot of truth to it, a wonderful thing for Pitt to have accomplished in this movie.

I wouldn’t say this is a perfect or extraordinary film. It was a decent watch, one I won’t probably ever go running for again. I will also like to point out how amazing Swinton was in this film. She had only one scene and her character is named German Politician, so someone you would assume is just a dumb cameo, but she killed it and added a lot of gravity to the general’s situation.

I believe I told my wife that I wanted to watch Mindhorn on Netflix for a review. Her response was something similar to “What the fuck is Mindhorn?”

And of course I gave her the netflix description of it, and she said “That sounds fucking stupid.” Yes, yes it does. And that is of course why I watched it.

Also the title is powerful. Mindhorn. Mind. Horn. Mindh. Orn.

MINDHORN.

I am now in your brain, learning your secrets.

Mindhorn is a British television show about Detective Mindhorn, played by actor Richard Thorncroft (Julian Barratt). He has some telepathic powers, and he solves crime. It is the hottest TV show around. It is on the cover of magazines, everyone talks about it, and it is getting a spin-off led by one of its minor characters played by Peter Eastman (Steve Coogan).

And now? It is 25 years later, Thorncroft is living in poverty, doing commercials, no one caring about Mindhorn anymore. It lasted three seasons and was cancelled and Thorncroft was a dick, so he left all his friends behind to try for something better. And shit, the spinoff lasted over 10 seasons and is what everyone cares about now.

But things will change. Because on the Isle of Man, where the series was filmed, a MURDER has occurred. By a “lunatic” Paul Melly (Russell Tovey), who will only speak to Detective Mindhorn. He thinks that Mindhorn is real and will only deal with the character. So Thorncroft is brought in, to act and help deal with the boy. But Thorncroft needs money and fame, so he will make this last as long as it needs to be to get people saying his name again.

Also starring Richard McCabe, David Schofield, Simon Farnaby, Kenneth Branagh, Jessica Barden, Andrea Riseborough, Essie Davis, and Nicholas Farrell.

If this movie was in 3D, this would be an intense, frightening scene. Because of the shots, not the weed wacker.

Mindhorn takes an interesting premise, makes it British, adds some comedy, and still doesn’t fully deliver an amazing movie.

It had amusing moments, it had interesting characters (a lot of the side characters were brimming with personality), but I feel it was also plagued with pacing issues and not being strong on the humor. It is adequately bizarre (not extremely bizarre), even a bit zany, just not incredibly humorous. That is one of my biggest issues.

As for pacing issues, at times it feels clunky. It is easy for mystery-esque movies to lead you all over the place with only tiny details mattering by the end, but this one isn’t even a real mystery. The police believe they know who the killer is right away, and when things inevitably change, we have a new obvious killer, and the majority of the film is just trying to get the proof. So not really a mystery, despite set up like one.

It makes the film just so hard to define. That isn’t a negative, given some of my favorite movies this year have hard to define genres. But when it comes out like a mystery and is instead just a slightly eccentric comedy, you just find yourself wanting a lot more in the film.

Dreamworks films never reach their full potential. Or they do, and Dreamworks films just suck, outside of the two Dreamworks franchises that I don’t even have to mention at this point.

They do not aim for universal appeal, they just want to get their cheap kid jokes and run.

I expected to outright hate Captain Underpants: The First Epic Movie. I have never read or looked into a book with any level of effort, but I see the sort of humor that exists. You know, poop and underwear humor. Like the whole series, all based on one sort of joke. It is a bold move, but it was a hit with kids, and honestly I am surprised it took this long for a movie.

But as I left the film, it had some level of charm, despite all the shit.

His whole body is just so round.

Before we get to the superhero, we need to talk about George (Kevin Hart) and Harold (Thomas Middleditch). They have been best friends since Kindergarten, thanks to their similar humor styles. They pull pranks on school to get them by, and they love making comics together. George tells the story, Harold is the illustrator. Their favorite comic that they have made is Captain Underpants!

But at school, not everything is okay. The mean Mr. Krupp (Ed Helms) is the principal, and he outlaws fun for the sake of discipline, so George and Harold are a thorn in his side. But he never has proof! When he does get proof, he will be able to separate the two boys into different classes, thus killing their friendship, or something like that.

And thanks to a few other pranks their nightmare is about to come true! As a last ditch effort, they attempt to hypnotize him, and it works! There they decide to make him pretend to be Captain Underpants and wham! A superhero is born!

But can their school be run by a make believe super hero? Can they control him and protect their friendship? What about the evil Professor P (Nick Kroll) who has a weird plan to hurt children too, with the unknowing help of Melvin (Jordan Peele), a humorless nerd. Also featuring Kristen Schaal as the voice of the cafeteria worker.

Although pretty round, they have a few more edges so this isn’t just some freaky round planet. Whew.

Guess what?! Captain Underpants wasn’t extremely poopy, just somewhere poopy. For the most part, I didn’t find it really that funny. It relied on the same sort of joke over and over again. Of which the film did talk about how “toilet humor” is the lowest form, so they understood what they were doing. The exaggeration of their friendship being killed by being in different classes was a bit annoying, since they straight up hang out with each other as direct neighbors after school all the time as well.

But it was telling the story in their kid point of view, so it made sense on a level. On a different level, they are supposed to be very smart and savvy compared to the rest of the students, so when their characterizations are sometimes very childish versus mature, it is a bit confusing on what they are supposed to represent.

There are however aspects that I really enjoyed. This is a film where all the main characters are voiced by famous people. It is a stupid trend, it still doesn’t lead to more ticket sales like Robin Williams did in the early 1990s. They are paying more money for lesser voices. BUT, the characters in this film didn’t just sound like the normal actors for once. The closest two were Hart and Scahal, but everyone else I would not have been able to tell you the voice at all, so that is wonderful.

The second aspect I enjoyed was their decisions to tell the story in different ways. It is a CGI film, but we weren’t just given a completely CGI movie. It starts off with a paper comic book feel, we are given a flip book scene, various forms of day dream, but best of all, a sock puppet scene. Sock puppets! The changing formats of the film helped keep my interest and make the film a bit more sophisticated?

No, not sophisticated. Let’s just keep it as interesting.

It still caters to a lower form of humor. It still doesn’t have a lot of substance. But hey, it did try a few things I enjoyed and wasn’t a complete shit show.

When you build a website on a willingness to watch anything, you have to actually watch a lot of random shit. And it gets harder when you get behind, because then most of your reviews end up being the films that everyone is already going to watch or already know about. Not the real hidden gems or hidden turds out there.

And yet somehow, I found a new Netflix original film that wasn’t very advertised and one they are probably just trying to make and hide. A hidden title, still with their Netflix original sticker on it. Not only that, but the title is Handsome: A Netflix Mystery Movie. It has Netflix in the fucking title? What’s up with that? That’s weird.

This movie has so little information about it that I couldn’t even find out why they went that route. Is it just a double form of advertising? Does it take place INSIDE the Netflix head quarters? I DON’T KNOW.

But I need to know, and now, I am watching a movie not many people have noticed to exist yet. Hooray!

The fireworks are a metaphor.

Gene Handsome (Jeff Garlin) is a detective, getting old, maybe he will retire, maybe not. But he is lonely. He lives alone on his street, with one of his neighbors (Eddie Pepitone) being a PI with a younger accordion playing wife (Leah Remini) and they are eccentric. But he has new neighbors! And on the way over to introduce them and give them cookies, he finds Heather (Hailee Keanna Lautenbach), the baby sitter instead and she doesn’t trust him. That’s fair.

But then the next day, Heather is found dead and cut up on a famous actor’s lawn. Talbert Bacorn (Steven Weber) has no idea who this lady is or why his lawn, but Handsome and his partner, Fleur Scozzari (Natasha Lyonne) are on the case! With almost nothing to base it off of.

Thankfully, he can now meet his new neighbor (Christine Woods) and her daughter (Ava Acres) under a weird set of circumstances. Maybe it can lead to a less lonely life. Oh sorry, that is creepy, given the circumstances.

Also featuring Timm Sharp, William Stanford Davis, and Joe Kenda.

That bathrobe is also a metaphor.

Handsome is a hard movie to categorize. It isn’t laugh out loud funny, it is more just peculiar. My wife described it as quirky. I would also describe it as overexagerrated while also somehow down to earth.

There isn’t necessarily anything in this film that feels unreasonable. All of the plot details are fine. It is just that everyone is a bit odd, a bit out there, I don’t know if there is a single “straight character” in the movie. All of the characters seem to have their own stories and inspirations and this is just us caught up right in the middle of it.

In fact, this movie sort of feels like a pilot episode. Maybe that is why Netflix is in the title? This was a test run of a television show, or a many episodic movie series that are really easy to make and produce.

And if so, it is going to be something that someone can put on an enjoy and half pay attention to, like a lot of mystery/crime television shows. This is not a movie that you would rush out and recommend to your friends, but there is nothing inherently awful about it. It is just safe. A safe and easy movie.

Good on Garlin, who decided to write, direct, and star in this movie. A passion project for him and one that didn’t crash and burn.

Besides an eye catchy title, Mommy Dead and Dearest is a documentary about a very recent and famous case. A troubling case, and just so we are clear, it is about Munchausen by Proxy Syndrome.

For those who haven’t heard about it yet, it is a problem with a parent or guardian, who will intentionally harm their child, or put the child in harms way, so that they can fix them and heal them. This is my own definition. It gives them a sense of belonging, and a sense of being needed and relied on by an individual.

And yeah, it is child abuse. It is rare, or at least it is rarely reported, but it is extremely serious. I reviewed a movie about it last year that I really loved, but the reveal of the cause is basically a spoiler, so that fucks up with me attempting to tell you about it.

Back to the real story, this is an extreme example of the syndrome. For decades it had been going on. DeeDee had her daughter, Gypsy Rose, in a wheel chair, concinving everyone she couldn’t walk, had cancers, and more. She was scamming her community for donations, help and more. They got some make a wish vacations too.

And then one morning, DeeDee was found murdered in her home with Gypsy Rose missing.

I don’t mean to joke about murdered people, but yeah, I can imagine all of that.

Oh shit, missing! With cryptic facebook posts! About rape and murder!

Long story short, yeah, Gypsy Rose’s secret online boyfriend did the murder, with her help. They were going to run away together, free from this prison she was in, but they both admitted to their crimes and now it is a weird situation. Can you murder someone if they have kept you as a prisoner for decades? Someone who has lied to doctors, filled you with pills, and made you lie for free stuff for most of your life?

Apparently not. But this documentary goes into DeeDee’s past, where the father was during all of this, public opinion throughout the trial, what the two did to hide their relationship, how it all went down and more. And also we get to hear a whole lot of the story from Gypsy Rose’s point of view. Her perception of reality is different than anyone else, as her normal involves an abusive mother who wouldn’t let her see the world, who wouldn’t let her use her legs.

This is the type of documentary that has you on the edge of your seat, especially if you are not familiar with the case. It is such an extreme act that one cannot fathom it happening so openly in society. It is a thriller in some regards as well.

This is a very great informative documentary on a very recent event. The biases are kept out, because story is told by those involved, not an outside narrator with an agenda. So sure, they have their own biases, but that is real life and acceptable.