Gorgon Reviews

It turns out there are more than just popular wide released horrors happening this year. Yes, they are the ones we all hear about and have been mostly disappointing. But there is indie stuff out there, and the indie stuff ends up being the best.

You know, like The Babadook, It Follows, and Goodnight Mommy. All from this year or last year. So when I found out about The Boy I decided to wait a couple of months to make sure I could review this around Halloween instead. That’s the level of dedication we provide here at Gorgon Reviews. Delaying reviews to fit silly little themes.

The only worry with indie horrors is that sometimes they can go a bit too slow. Usually they build up for an amazing payoff, but if the journey isn’t worth it, then payout be damned, no one will care.

As long as the movie has a good early hook, the rest should be fine.

Life as an only child can be boring. Especially if you live in a small town. Wait. No. Near a small town. You actually live in a hotel by a small mountain highway road. Sometimes people stay there, but usually it is dead and boring as shit.

It doesn’t get any worse for Ted (Jared Breeze). His mom left some years ago with a client who stayed in their hotel frequently, leaving just his dad (David Morse), an empty shell of a man. So he just works in the hotel and finds things to do with his time. Some of these things are bad or questionable, but since he is alone so often, who will care?

Sure people still do occasionally come to the hotel. Like William Colby (Rainn Wilson), who just so happens to get into a crash right outside the hotel and, being a secretive man, doesn’t want to go to the hospital to rest. Or that other family with the little boy, who after staying a night, find that their car no longer works.

Man. Both of those things sure are strange. I hope Ted isn’t behind all of this and, if so, I hope he doesn’t do anything worse.

I, uhh. I got nothing.

As expected, The Boy, like a lot of indie films of this genre, had a slow built up, all culminating towards a huge ending. So, starting from the end, I can say man, that shit was crazy. Imagine me making a gang pose while I said that. Maybe even while covering my mouth and saying “Ohhhh.” It had some very intense moments and the use of visuals and music were excellent with it.

And throughout the film, there were several moments of teetering on evil and not so evil, so that I never really knew when, if, and how often he would snap. They filled their purpose and had me worried.

However, this film is far better defined as a Drama Thriller, not a horror. I would argue a lot of the film is slow and harder to get through (/easier to zone out during). There already wasn’t a large cast of characters, but the mystery about Wilson’s character really started to make me feel indifferent. I no longer cared about the pay out, and started looking for other plot lines to get me interested.

The Boy is not the film for everyone. But if the director turns it into a trilogy (source: another reviewer audibly telling me), then it might have some better moments in the future.

Ah, horror remakes. We need at least one a year right? We’ve had Carrie, Evil Dead, Fright Night, and many more. It is easy and hip and cool to do. Hell, I know it sounds like I wrote that like a sarcastic asshat, but for those three films in particular I ended up liking them or thinking they were okay enough as a remake. I didn’t hate any of them.

Then Poltergeist flashed its way onto our screens like a lightning bolt. “Not so fast, mother fucker!” it clamored through the speaker box.

I may be jumping the gun with the review, but Poltergeist decided that instead of making a nice modern update with its remake, it would instead just…take more of the same elements from the original, cut out a lot of the horror bits, and instead turn it into more of a Sci-Fi Thriller. Yeah. Fuck the original, right?

And always fuck clowns, obviously. As long as its consensual and not Vulgar.

Big day for the Bowen family! They just got a new house. And hey, it is really low because of the stagnant market. Definitely not because no one would buy it. And it doesn’t have many neighbors. Who cares. They can afford it, which is the most important thing in this economy. They don’t have much of an income right now. The dad, Eric (Sam Rockwell), insists that his wife, Amy (Rosemarie DeWitt) not have to go back to work, because they can totally get through this without that. So yeah, Eric is kind of a dick.

Either way, they have their three kids, Kendra (Saxon Sharbino), Griffin (Kyle Catlett), and Madison (Kennedi Clements), in order of oldest to youngest. Kendra is DGAF oldest sister, so you can ignore her. Madison is the one who starts saying things and talking to entities in her room alone. Griffin is the only one who believes that something weird is happening.

Either way, outside of funky static TV stuff, other electronics are also acting wonky. It turns out that this house used to be built on an Indian Burial site. That was decades ago (Oh man, is this technically a sequel!?). But weird stuff happened and people got angry, so they had to pay a settlment, I think, and agreed to move the graveyard to a different location. Well, then why the fuck are spirits still angry? Why are they somehow bring the barrier between worlds and stealing their youngest daughter?

Also featuring Jane Adams— and Jared Harris.

Maybe this is a metaphor for letting the TV be your nanny?

Poltergeist has about three scary moments in it. Maybe. Calling it a horror film almost feels ludicrious. It has a lot of other things though!

It has a lot of zero character growth. Rockwell’s character is completely cardboard. A completely unrealistic person given anything that happens in the movie, and even more sadly, he doesn’t even dance. The mom and older daughter role are almost completely unimportant.

It is all about little boy and little girl. And occasionally some adult comes around and does something, but when the girl gets sucked away (for a majority of the film I guess), it is mostly up to Catlett to keep us entertained. He does an okay job, in terms of kid stuff. But he cannot save this boring mess of a film.

That’s right. The biggest shame of this remake is not that it isn’t scary, it is the boringness of it all. It honestly feels like they went so light and fluffy with the whole thing that they wanted it to actually be a PG horror film. It was hard to get through because of how uninteresting it became after only 15 or so minutes.

Greetings Ghouls and Boys!

Yes this is a Saturday update, because when people ask me to be part of a Blog-a-thon, I generally become part of that Blog-A-Thon. The lovely folks over at Channel Superhero have decided to host 31 Days of Tales From The Crypt, with 30 or so different reviewers each tackling a different episode of the famous horror series.

And so I did what any reviewer would do. I scoured the episodes not yet taken for any actor or actress I recognized. A long stand alone episode series like that, I knew a lot of big names must have been involved before they got their break. I then put a list together and rolled a dice to determine which one I would watch.

So now, I present you my very spoiler filled review of This’ll Kill Ya, from June 27, 1992, Season 4, Episode 2.

Blue hue means the sex was good right?

George Gatlin (Dylan McDermott, yes he is the one I definitely knew) is the boss at some high tech research lab on the verge of solving big and great things. He just has to boss around Pack Brightman (Cleavon Little, oh shit the lead from Blazing Saddles) and Sophie Wagner (Sonia Braga) to get their research done.

Well, the drug they are working on is not ready for human testing. They make that clear and their annoyance that George puts his insulin on the same shelf as the drug. You silly boy. They easily get mixed up! Ha. Ha ha.

Not only is George a dick, he is also a bit rapey. In that he totally sleeps with Sophie. She doesn’t want it, but they have done it in the past so whatever.

Needless to say, they have decided to get some revenge. The next day during his insulin, oh no, they accidentally put in the drugs instead! No no! Now he will totally die later!

George finds out later that they were totally up to something and this was not an accident. Already drinking, this puts him into a rage and he totally kills Pack! This brings us to the intro, when he drags the body to the local police branch to turn him in. But it is okay. George killed him first.

TWIST. Just kidding, as you already knew. They only pretended to put the drug in him, to teach him a lesson. And they had to cure anyways. Now he just killed a guy for a small joke. Ha ha ha.

His germ phobia is not a joke though. He will only shake hands if he is wearing a baseball glove.

So I haven’t really seen any of these, but if you had to start watching the series, this should not be the one you start with. It was shit, it was obvious, and the plot wasn’t that good. Knowing two thirds of the actors didn’t even help my enjoyment. It was an over dramatic simple tale that might have worked as a short story, but is completely forgettable on the screen.

I also didn’t realize that this show was originally on HBO, but that definitely explains why I never got to watch these. Despite that, my surprise was real when I suddenly saw nipples on the TV.

So uhh. I probably won’t watch any more of these episodes, being so disappointed with my first outing. Edgy for the time, this does very little for the modern viewer.

I expected to hate Jem and Jem and the Holograms going into the screening. That is why I picked it! I make an end of the year worst movies list, and based on the trailers alone, this one seemed like it could maybe even contend for the number one spot. Those trailers were awful. I didn’t even watch the cartoon show of the same name, but I could tell it was nothing like the cartoon.

It looked like it wanted to be a made for TV movie on ABC Family, only a step above a Lifetime original film.

So yeah, the film had a lot of work in front of it before it even began, which is a shame. But hey, maybe Jon M. Chu, famed director of such film classics like, Justin Beiber: Never Say Never, Justin Bieber’s Believe, G.I. Joe: Retailiation, and some shitty Step Up movies could be its saving grace.

Don’t look at me with those disbelieving eyes.

Jerrica (Aubrey Peeples) is your average 18 year old girl. About to finish high school, living with her aunt (Molly Ringwald), sister Kimber (Stefanie Scott), and two foster sisters, Shana (Aurora Perrineau) and Aja (Hayley Kiyoko). Okay, so she isn’t normal. But they all like to sing and play music so that is something fun. To bad Jerrica is super shy and would never do anything about it.

Until, you know, she does. After getting all emotional about the fact that they may lose their home, Jerrica puts on make up, a wig, and writes a song about loneliness under the stage name Jem. Her sister tricks her and uploads the performance to the YouTubes and somehow it goes viral. It goes so viral that Erica Raymond (Juliette Lewis), CEO of a made up big record company is offering her a small contract to play a few shows. She is super interested in her mysteriousness and plans to exploit it for maximum monetary viral wealth!

The girls are fine with it, transporting them all the way to LA where they have to learn how to be “rock stars”. It is important to note that their dad (Barnaby Carpenter) died when Jerrica was around 7 or 8. He was working on building a robot called 51N3RG.Y (pronounced Synergy), and he left it unfinished due to his sudden death. She likes to carry it around and stuff.

We need more dudes in this movie, which is why we have Ryan Guzman playing their “caretaker” and watcher to make sure they don’t get into trouble while in LA, Nathan Moore as a driver/bodyguard like person, and Ryan Hansen as a cameo as a security guard.

I have been told that Woody Allen cameo’s as the keytar.

Jem and the Holograms was not the worst movie of the year. Was it bad? Certifiably in every way. But it wasn’t a full on 100% cringefest.

First of all, the movie had no idea what it wanted to be. It goes from teenage sudden stardom film, to a long scene involving the Synergy, looking like it was taken directly from Earth To Echo. The scenes with the robot become a strange Sci-Fi Mystery throughout LA. Other parts of the movie literally seem to be almost identical to Justin Bieber: Never Say Never. I of course recognize that because I actually saw that concert doc. The plot is like a bad mash up of Hannah Montana and Josie and the Pussycats. Lewis overacted and was playing a non funny Parker Posey in that film I just mentioned.

That’s not all. It awkwardly referred to the band as a rock band, but they only sang pop songs. The song that went viral had absolutely no reason to go viral, realistically it would have never happened. They should have made it a much bigger deal. The fans she gained from the song would have hated every other thing she did, because the few songs after were nothing a like and very fake feeling.

A character says he hates newer bands because they are all auto tuned crap. The response? They sing a song a capella, but it also is processed and you can tell it doesn’t sound remotely real. Literally this happens right after the complaint about that. How can they do that to us? Related, another moment during the movie in a song, they lose power and finish it again, without instruments. The awkward echo during the song is still somehow apparent, although it doesn’t make sense to be sung.

Here is a picture of an attractive male to break up my bitchin’.

One more major annoyance, this one is a SPOILER. Part of the plot to get out of the bad contract that breaks up the friends involves a will a character never knew existed. They steal the will and when it becomes apparent, without even showing it, they just mention part of it, and suddenly everyone changes what they were doing and they win the day. Not actually proving anything, just saying vague things. The bad character says something like, “You don’t even have the will, only I do!” The whole movie (and for years) it was in a safe, but for some reason she was randomly carrying the packet in her hands at that moment? Similarly, the dialogue was generally always terrible.

But it DID have some moments. Miraculously, out of no where, I found myself crying at a beautiful moment. I blame my newborn baby on that. Every time recently a film has had any sort of emotional “Father Daughter” moment, it affects me deeply. Also, there were some good songs. “Way I Was” was pretty damn good and the only thing similar to the original viral hit.

This movie is objectively bad. But, damn it, it has its moments.

So last week I tried to find a scary documentary, I failed to find something in a few minutes and settled on Gideon’s Army, which ended up not scary at all. So I had to change my criteria a bit. I am still planning on trying to review more current and newer documentaries. But fuck it, they are documentaries. I can review older ones of these, most of you don’t just sit around watching documentaries, so you probably haven’t heard of the older ones either right?

Yep. Everything is available now. Or else it stays too hard to find good documentary content.

Thanks to this, I can talk about serial killers. Maybe, yeah. H. H. Holmes: America’s First Serial Killer. Definitely an eye catching subject matter about a dude I have never heard about before! I quickly learned this is definitely someone who I should have heard about before today, and a crazy interesting subject.

Holmes was like the perfect killer. He got his doctorate, studied anatomy and chemistry and got a bit rich. In the late 1800’s, after all the Jack the Ripper stuff going on in London, Holmes was living in Chicago and he wanted to kill.

Psychopath isn’t a detailed enough word to describe this man. To get to the crux of his insanity, you have to realize that he built what was called a “Mansion” in the middle of Chicago with many floors, that he used as a sort of hotel. At least, the third floor was definitely a hotel. But the 2nd floor was a labrynth of rooms twisting hallways, with fake staircases and more. And the basement was even worse.

That is where he kept his mustache comb collection.

Needless to say, he killed a lot of people, but the numbers are unknown. Hell, there are two books out there suggestion that Holmes was also Jack the Ripper before heading back to the USA, but without reading them, I don’t believe them. Seems too “movie” and not enough “Reality.”

Oh hey, back to this documentary. It is only a little over an hour long. And yeah, it is kind of poor quality. The only thing making it a bit average is that the story is actually a pretty sweet one, which goes into his mistakes and how he got caught, his eventual trial and execution. But it is filled with old timey black and white clips to showcase people in old horrors being scared, and it is incredibly cheesy.

It felt like they only talked to 2-3 historical experts to tell the tale, with the majority of the story coming from the narrator, Tony Jay. It was a poorly done documentary on the subject, but it is the only one we have.

What it did was get me interested on the subject. I want to now read (or audiobook) the main story on the subject, The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America. Even better news is that this is totally being turned into a real movie, so watching this documentary ended up being me just doing some basic amounts of research. Do you want to see Leonardo DiCaprio with that stashe and killing people, directed by Scorsese? I know I do.

For some reason, Happy Madison is developing a bad rep. Adam Sandler‘s production company has been around for awhile and has brought in such classics like, Jack and Jill and Grown Ups 2! Hell, just this year we already got Paul Blart: Mall Cop 2 and Joe Dirt 2: Beautiful Loser.

With such a rich pedigree, how does a company like that get hated on? Hell if I know.

And then there was Pixels, their third film of this year, and one I thought would be completely animated given the posters. Whoops. I obviously figured it out before I watched it, but damn, I don’t think I have ever been fooled like that before. Sure, it could be loosely based off of a Futurama episode, but that was a cartoon, so everything is fair game.

Unless they wanted a giant Mickey Mouse here, then they’d have been fucked.

Brenner (Sandler) was a big deal, in 1982. He was the master of the local arcade, able to see the patterns in the games, creating high score after high score. Hell, he entered into the national arcade tournament and made it all the way to the finals. He lost though to Eddie (Peter Dinklage), a cocky son of a bitch though, because Donkey Kong has some real random elements to it, so he can’t quite figure it out. Oh well, it didn’t ruin his life.

After all, 33 years later, he is working for what constitutes a Geek Squad like company, installing technology in rich big houses. Oh hey, and his best friend, Cooper (Kevin James) ended up as president (married to Jane Krakowski too). But he is seen as a buffoon. Who gives a shit though, because Aliens are about to attack!

Oh yeah, there was a third friend, Ludlow (Josh Gad), who was pretty good at games too, but became a conspiracy nut. And looks like he was write about aliens at least!

The strange thing about these aliens is they are attacking using what looks like arcade games from the early days. You see, after the tournament, they sent digital copies of the games and a lot of pop culture items into a time capsule into space. And alien race took the games as a challenge and built giant replicas of these games to attack the Earth. Each side will only have “three lives” so the first to “win” 3 of these attacks, wins overall. If Earth wins, they leave, if Earth loses, everyone dies. You know where this is going: losers from the 1980’s have to save the day!

Also starring Michelle Monaghan, Matt Lintz, Sean Bean, and Brian Cox.

I’ve had a nightmare like this before. I was playing a real life centipede, but I had no ammo.
Basically insects just fell on me from the sky.

Maybe its the nostalgia, maybe the cool effects, or maybe Dinklage giving his impression of the guy from King of Kong, but Pixels wasn’t super terrible. I know everyone around me said it was bad and they hated it, but I also know they went in ready to rage on it.

Pixels definitely had its moments, but the best parts were the clever ways they “fought” the various levels that totaled the many cities around the world. Having Pac-Man terrorize NYC as they chased him with cars? Come on, that’s clever.

There are unfortunately some lamer elements to the film. Having a cheating subplot? Waste of time, and ruined some of the fun. Q*bert? Fuck Q*bert. That mostly felt like an annoyance more than anything. Creepy suggestion that a woman can be a trophy? Well, you know.

But overall for the most part, Pixels was entertaining. It could have had more fun real life battles instead of an all out attack at the end to cameo in games. If we got even more in depth levels, it would have been great. It was like an advanced Nick Arcade. Just one that probably should have gone for the PG-13 rating, since it probably didn’t deserve PG at all with some of the jokes and language thrown in.

Buy It! – This movie is available now on {Blu-Ray} and {DVD}.

Seth MacFarlane is not my favorite person. And I didn’t even think his Oscars were that bad. I just think his movies have been pretty sub par as of late. In A Million Ways To Die In The West basically every joke fell flat for me.

And then of course there was Ted. Sure, there was some amusing original material in there. But as I watched it (in theaters), I couldn’t believe how date it had already felt. The humor was almost 100% focused on current pop culture trends. They had a few 80’s pop culture jokes thrown in to balance it out, but it was way too current. I knew most of the things I found amusing I wouldn’t bat an eye at in five or six years anymore.

Needless to say, I was pretty dang worried about Ted 2. Would it just be more of the same of Ted? Yeah probably. I don’t need 90 minutes of shitty pop culture in my life.

But if it was entirely about stealing Tom Brady‘s semen, then we might have something here.

Ted 2 takes place some time after the original. The main difference is that John (Mark Wahlberg) is divorced, probably because Mila Kunis didn’t want to be in another of these movies. Now he is basically afraid of commitment to anyone. Ted (MacFarlane) is still married to Tami-Lynn (Jessica Barth), but their relationship is strained. They might even get a divorce. So they decide to do the time honored tradition of having a kid to save their marriage.

Ted has no penis, so sex wouldn’t work. They work on sperm donations, but that fails too. So they decide to adopt. But the problem is, Ted cannot do it because apparently he isn’t classified as a person and doesn’t have person rights. This changes everything for Ted. Now he loses his job, his marriage is now nulled and can’t legally do most things! He is just an object! Oh no!

So, in a nut shell, that is the point of this film. He wants to fight the ruling in court, so he can get his life back. That is why they have a lawyer (Amanda Seyfried) who is chill and likes to smoke pot, hooray! At the same time, Donny (Giovanni Ribisi) is helping Hasbro fight Ted in court. If it is ruled he is an object, they can take him back, find out what makes him magical, and make Ted’s for everyone around the world. Weeeee.

Also! Morgan Freeman, Sam J. Jones, Patrick Warburton, John Slattery, and John Carroll Lynch.

The good news is that Ted 2 relied on less pop culture references to get by this time. Outside of quite a few recent Patriots references.

The bad is that the plot is kind of shit and not worth watching. Let me clarify, the plot idea isn’t a bad one. It could make a good court room comedy film. But they only vaguely focus on that. There are barely any scenes in the court room, really only two major ones at the beginning and end. The first court room scene only takes a handful of minutes, but the film would rather Ted and John just sit on a couch and tell jokes.

Ted 2 as a result just doesn’t have a lot to offer as a film. In recollection, I am having a hard time trying to remember any moment I found really funny. I was completely chuckleless. The writer only had a rough idea for the plot and maybe a couple jokes, but I assume the majority of these scenes were thought of independently of having a real place to put them. So in a way, Ted 2 was a lot like a Family Guy episode.

There isn’t a lot to say. Ted 2 just isn’t good. Not as bad as AMWTDITW, but not as good as its mediocre first film.

Buy It! – This movie is available now on {Blu-Ray} and {DVD}.

Oh no, they’ve gone and done it. Netflix has bought the movie, Beasts of No Nation, from the film festivals and decided to release it. Fuck the big studios. They want to get in on that game too. They paid 12 million to distribute the film, and since it is Netflix, most of you can see it. Hell, if you prefer films in theaters, you can go see it on the big screen instead. It has a limited release, because none of the big chains would show it. They demand at least 90 days before the film gets released online, or they won’t show it. Because theaters are dying and all that jazz.

But yeah! They wanted a good film to try and win awards to help legitimize their business. Making their own TV shows is cool and all, but releasing their own movies is another. Note, they did not make this film. They just paid to distribute it. The next film that Netflix will release at the same time as theaters is Crouching Tiger, Hidden Dragon: The Green Legend. So regardless of quality, BoNN is in some good company. Hopefully. I guess The Green Legend can also suck.

Needless to say, this film probably won’t win any Oscars. Those are run by the Academy, and so many of them are stuck in their ways, they are probably firmly against things like Netflix trying to join their game and hurt the money studios can make in theater ticket sales. Since ticket sales are the end all be all in movies making money, outside of the few that can go cult status and coast on DVD/Blu-Ray sales for decades.

There is a joke there, implying DVDs or Blu-Rays will still be a thing decades from now.

Maybe they will be things in other parts of the world. But I doubt they make much in the African DVD Sales Department.

Agu (Abraham Attah) is just your typical boy living in a typical civil war torn African country. This one is unnamed, because it is a fictional story, but hey, you can probably imagine it all. He likes to sing and dance with his friends. He hangs out on the streets, because the schools were closed due to wars. Oh well, at least the local police force from Nigeria is keeping things calm in their village.

You know, until it doesn’t. Next thing they know, danger is everywhere, and it is hard for them to get their loved ones to safety. Try as he might, Agu’s dad is only able to get his wife to safety as he is unable to find a car for his boys. And sure enough, when the “government army” comes rolling in, they assume the villagers are actually working with the rebels and get shot. But Agu was told one thing. To run into the bush and to survive.

And that is when Agu meets the Commandant (Idris Elba). Turns out he has his own army as part of the rebel force. He is always recruiting too, especially if they are younger. In fact, there are quite a large number of children in this army, so it is easier for Agu to really get involved when the officer directly above him is only a year older than him. And hey, if they are staying in line and being obedient, he should too. They have food, shelter, camaraderie. AND YOU KNOW WHAT ELSE? The government killed his family, damn it. Why shouldn’t he join the rebels? Where he is loved and can continue to be loved if he just, you knows, shoots the innocent villager or two.

Other main-ish child soldiers are played by Annointed Wesseh, Kurt Egyiawan, and Emmanuel Nii Adorn Quaye.

Look at me. Look at me. I am your daddy now.

Running at around 147 minutes, Beasts of No Nation is basically your typical war film. Those are always long fuckers.

However everything else about it is pretty different from your standard war drama. Usually in those films when they talk about people just being kids, it is due to the dead bodies of a village they find, or an eighteen year old recruit heading overseas to kill the bad guys. BoNN dealing with actual child soldiers reflecting an actual reality of some African countries adds a constant level of fright into the whole equation.

At the same time, because of this being in the news (hah, not TV news of course. But internet news and stuff) so much and for so long, it also feels like a lot of the surprise is and shock factor is already gone. Do you remember Kony 2012? I fucking do. I got caught up in the hype and ordered one of those paint the town red packages. A week later I realized that it was a terrible program and was able to fight tooth and nail to cancel it and get my money back. But still. That was a super big thing for like, a whole month almost.

I wish now more than anything that it could have never happened. Because once people realize that yes, it is shitty there, but three dudes form San Fransisco are not the best holders of our money to do it, people kind of got fed up with the child soldier thing and then promptly ignored the real problems that are still occuring. If that had never happened and then BoNN came out, it could lead to a lot better and positive PR in order to help stop the civil wars over there. Then again, blah blah, USA needs to stop interfering with countries trying to do their own thing because we cannot police the world.

What I am getting at is the situation is hard in real life for the rest of the world, and it is much harder for those living in those areas, which the movie does an incredible job of showcasing.

Attah and Elba do a good job at the helm of the film, and their relationship is convincing and a bit scary. Elba is such a smooth talker that I almost wanted to shoot some fictional villagers for him. But make no mistake, despite the bigger headline, this is Attah’s film and story and it is a great one. Due to the subject matter, it was a lot harder for me to find myself completely emotionally invested in the situation, and from some sudden changes in the plot’s direction, I did find it harder to understand just what was happening in the story. But on future re-watches* I’d probably be able to relate and understand it all a lot better.

* – Hah. I won’t rewatch this. War stories take too much out of me and time. Still haven’t seen Saving Private Ryan since I was like 10.

When I first heard about the movie title, Time Out Of Mind, I thought it was a completely ridiculous title. When I found it was also the name of a Bob Dylan album from the late 90’s, I still thought it was a ridiculous title.

Is it supposed to be a drunk guy getting a saying wrong? Is it someone so completely lost that they can’t even sentence right?

Or does it want to go one step further? Does it want the viewer to over analyze the title so much that they, too, become Time Out Of Mind? Shit. This is too spooky for me. I hope it doesn’t cause me to obsess too long over this, so that I can’t focus at work, lose my job, become homeless, and wander the streets looking for spare change and someone to give me a sandwich or something.

When being a homeless person on the mean streets of New York, it is best to use the buddy system.

His name is George (Richard Gere), and he is homeless. But those are words you wouldn’t ever hear him say. No, life just sucks a bit right now. He has made bad decisions and has no job sure, but he isn’t some homeless asshole.

He had a place to stay, but bad things happened and the person who owned it is now evicted. He can’t stay there, he can’t stay anywhere. He tries to just sleep in ER lobbies, but even they throw him out.

So sure. Fuck it. He will go to the official center for homeless men. He has no ID of any sort because his wallet was stolen while he was sleeping outside, so that is a big issue. There is no way he can get a job, he is too old. There is no way he can do much of anything without the proof that he is even alive. I should also mention he has a daughter, Maggie (Jena Malone), but she hates him and his inability to face his own reality.

Also helping him cope with his situation include Steve Buscemi for a whole 1-2 scenes, Kyra Sedgwick, and Ben Vereen, who more famously voice the preacher bird in Once Upon A Forrest.

If you lose your buddy, you’re gonna have a bad time.

Time Out Of Mind is a strange movie. Turns out I have seen both other movies directed by Oren Moverman, The Messenger and Rampart. The difference between those movies of course is that the former was amazing and emotional, and the later was just a boring mess, now made famous by a bad AMA on Reddit. Thankfully, if you can sit through it, Time Out of Mind falls closer to The Messenger than Rampart.

Time Out of Mind is slow, it is bleak, and it doesn’t take you on a wonderful journey. George’s life just plain ole sucks and barely anything positive happens to him in the film. In this way, it is almost brutally realistic (don’t worry, nothing super graphic in the film). Moverman uses a lot of longer takes with the camera a bit farther away than normal from those acting. This helps as a constant reminder that George is just a very small piece of an ever moving and non caring city that makes his home, adding to the overall bleakness of his situation.

Time Out Of Mind is also not the movie for everyone. I was on the verge halfway through of pausing it to do something “fun” for awhile, not even sure if I was liking or hating what I saw. But what really turned the whole thing around for me was Vereen. He acted the shit out of this movie. He went full on into his character, a babbling homeless man who has lost his wits but befriends George. Gere’s acting was fine, but his character was a bit uninteresting in his constant pessimism. But Vereen though, he nailed it. Watch it for Vereen. And to make you sad about America. But mostly Vereen.

Buy It! – This movie is available now on {Blu-Ray} and {DVD}.

In preparation for Halloween, I looked up some ScArRrRrRyYyYy documentaries on the Netflix. I’ve done a few of these before, like The Imposter, the Nightmare on Elm Street one, and Killer Legends. They are all on Netflix, but I decided to use Killer Legends to try and find more scary ones for this month. So I used their “More Like This” feature and chose its top recommendation.

Gideon’s Army. As a reminder, Killer Legends is about the truth behind four popular urban legends, where they started, and why they became stories. Gideon’s Army is about public defenders doing their job and being severely understaffed.

Sure, I guess that is a scary situation. I don’t know if I could afford a lawyer if I got into some sort of legal trouble. I’d probably want some public defender. But after watching Gideon’s Army, maybe I shouldn’t. Also, I guess, after watching that episode of Last Week Tonight about Public Defenders. That one happened too. And it said a lot of the same things, with jokes, sarcasm, and only 15 minutes long. I guess technically, if you want to find out more, just watch that clip, you will save yourself time.

But you can go watch that clip on your own in time out, mister!

But really. You know about these guys? The guys who get paid by the government to take those people too poor to have their own lawyer? Well, they can have over a hundred active cases at a time. They can spend less than 7 minutes per client. Shit is a bit terrifying, It is supposed to be a system to make sure that wealth doesn’t protect you from the law and that justice is blind and everyone should get a fair chance in front o a judge. However, reality is never able to match the intent, and the same wealth issues that have plagued mankind since the BC time still affect us now.

Not to make any conclusions. I am just trying to stall my description and analysis. The documentary takes a look at three different public defenders, as they go about on several cases and face different struggles. Struggles including: bad clients, no money, not enough time, unfair judges, and more.

Did I mention the situation really sucks? Don’t try and imagine yourself in a similar situation, just do whatever you can to avoid the situation.

As for the documentary, I thought it told a decent story, but what it lacked was a solution. Public Defender pay, oversight, or something should probably change to improve the system that a lot of people take for granted, but it mostly told a few long anecdotes and that was the end of the story. These documentaries are important in that they highlight parts of society you may not realize, but I just want something more overall.

Just…make it seem way more important.