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Hyping up these things is getting hard. But mostly because the next few are pretty meh, until I hit 1500.

What? Yes, what I am saying is welcome to my 1300th review, bitches. Time for a Milestone Review.

I think I have the next few figured out too. I am continuing with my theme of mid-2000s movies that I heard were terrible, never saw before, and want to give them a chance.

I remember seeing trailers for Sky Captain and the World of Tomorrow. Even my 10-12 year ago self thought the film looked too CGI and weird. But now it is a decade later. Maybe it was one of those films ahead of its time, like Speed Racer?

Or, maybe it is just terribad and perfect for the mid 2000’s.

One man’s CGI fest explosion is another mans CGI fest explosion.

Alternative history. And not just a history where I watched this movie 11 years ago. I’m talkin’ 1930’s. I don’t know the exact differences, but technology is a lot better in this timeline. We got Zeppelins. We got scientists. We got shenanigans.

Specifically, some famous scientists are disappearing and and no one knows why. Also not a lot of people care. So there is that. Some dude disappears at the start of the film even!

It’s amazing they could land (perch? float next to?) so well in that weather (snow storm? smog gas? volcano explosion?).

Wait, one person might care! Polly Perkins (Gwyneth Paltrow) who is playing another character with the initials PP. She is a journalist and she just so happens to be looking into the missing scientists! Crazy! She is the one who cares.

She gets a secret message to meet up for information on who the next scientist to go missing will be. After heading out, she is surprised to find Dr. Walter Jennings (Trevor Baxter)! Some Dr. Totenkopf is getting all of the scientists, and Walter thinks he is next because he is the last of the group who worked on a secret project. SUDDENLY! GIANT ROBOTS ATTACK THE CITY.

Marching two by two, just like Moses said they would.

The robots seem to be indestructible. I don’t think they are technically attacking, they are more just walking the streets and looking like an army. The police collectively shrug and realize they can’t win, so they call on “Sky Captain,” a dude who owns his own private air force in New York called the Flying Legion. The Sky Captain is just Joe Sullivan (Jude Law). He is able to take out one of the robots using a bomb and making it fall down. I guess that is good enough for them.

The rest of the robots GTFO of town, back to outer space or who knows what. Joe saves Polly and takes the broken robot back to his base. Turns out Joe and Polly have a past together. They used to date, but Joe blames Polly for interfering too much and almost getting him killed. But she has information, so she can tag a long for now.

The Flying Legion head of science expert (Giovanni Ribisi) starts looking into the robot, while Joe and Polly go to investigate Dr. Jennings again!

If you came here for this like everyone else, then I have some disappointing news.

So, Jennings is almost dead. Damn. Too late. But before he croaks, he gives Polly two vials. Very secret these vials. They are apparently what Dr. Totenkopf is after. Joe don’t know ’bout the vials either, how sneaky. So that sucks, scientist is dead. Oh well, YOLO, back to the base, they find out science guy has found out secret information!

Oh no, the base is also now under attack, but by drone robots! But that means the scientist might not be able to tell us the news he found out! Yep, he gets taken during the defense. Oh noes!

Turns out he found out the origin of the robot control signal, so they know where to go to stop them. And it is on Earth! And hey, before he was taken he left them a map. Pretty sweet. So they head down to Tibet and the Himalayas!

What a relaxing plane ride!

Over in the mountains, Joe meets up with his old friend Kaji (Omid Djalili) and they all laugh and have good times. They get double crossed by some peeps, and almost blow up! Next thing they know, they are in Shangri-La. The evil doctor used monks to mine uranium. K. But the doctor is in another castle, so they have to go find him again.

And nowwwwwwww we finally get to meet Commander Franky Cook (Angelina Jolie), who commands her own Royal Navy flying force thing. They help Joe find the secret island of Dr. Totenkopf. Using submarine boats, they break in and find it inhabited with weird dinosaur like creatures. Shit, they also find robots hoarding animals into capsules. Two by two, a whole lot of different species.

Oh shit, they are going to Noah the Earth!

Did you guys notice me say Moses earlier?

Looks like the evil Dr. wants to reset the world. He is loading all the animals into a rocket. The rocket will blast off, blow up a lot of the world, then eventually return and repopulate. The World Of Tomorrow. In case you are wondering about the vials, as you should be, they actually contain the “perfect human” DNA. A new Adam and Eve.

So does that mean the doctor wants to kill himself? Not at all. He died twenty years ago. OHHHH SNAP.

That’s right. But the robots he made have been continuing with the plan, doing shenanigans, killing people, and all that jazz. Fucking robots.

Look at them. Always fucking shit up.

Needless to say, our heroes get stuck on the rocket going up into outer space. Full of animals, angry robots, and dead scientists. Oh no!

So Joe figures, hey, he is a captain of the SKIES. He should save everyone and blow up the rocket alone on the ship. Well, Polly doesn’t listen. Again. They free all the animals and also fuck up the ship. Thankfully, there is just one escape pod left.

And do they reach it? Do they?

Not if Zordon’s son has anything to say about it.

Mannnnnn. I can’t believe this movie got so many great reviews.

SCatWoT was one of the first movies ever to use CGI like this. To give us an old timey, futuristic, retro feel. Everything was intentionally done with a specific style in mind. And that style could have not felt more boring to me.

Fuck. This movie dragged on. First of all, it was only rated PG. So the action was only PG levels of exciting. This probably a false complaint.

The real issue is they were going for this super old feel. Maybe specifically a 60s/70s sci-fi b-movie feel. But it was incredibly dull the entire time. I just wanted it to end. Paltrow was down right terrible in this movie. I don’t know if it was her or the director, but there was close to zero emotion the entire film.

Angelina Jolie is obviously barely in this movie, despite most of the advertisements featuring her and her eye patch. I really assumed she was the sky captain.

BUT IT WAS JUST SO SLOW. Which obviously is my main complaint. The entire movie just felt brown and grey, very unexciting colors. I was hoping with that much CGI it would be a bit flashier and exciting, especially on Blu-Ray. But no. Slow. Dreadfully boring. And fuck, this is one of the worst movies I have had to review for a milestone review.

Which is the issue here. I found it hard to be funny, because I had to type out the whole plot outline, and found it a struggle just to remember what in the fuck happened.

I dunno if anyone ever watched this movie. But re-watch it. If you liked it, let me know why. If you still like it and can ignore nostalgia, I just. Just help me out here.

Sex sex sexy sex, boner boner uterus.

Sorry, just using some sexy words to get everyone in the mood.

After all, I am about to watch Addicted. What are they addicted to, you might ask. Cheese? Nope. Alcohol? Nah. Onions? Heck no. Silly intro sections to reviews? Maybe a little bit.

No! Of course not! A sex addiction! Shh, don’t say it too loud, people might hear.

Normally when I say “hold on to your butts” in a review, it is used sarcastically or as a Jurassic Park reference. If I said it this time, it would hold a whole new meaning.

Whoa now. Two people aren’t meant to share a shower. What is this?

Zoe Reynard (Sharon Leal) loooooves sex. Usually with her husband (Boris Kodjoe) of several years. They some times do it multiple times a day. But something is missing for Zoe. Some passion maybe? She doesn’t know, but it doesn’t feel the same.

While working her self starting art business, she runs into a fresh new hunk artist, Quinton Canosa (William Levy). He likes her a lot and compliments her, and sure enough, sexy time. This starts to affect her job and home life. She starts to lie about work, all to have more sex with Quinton! But he has other lady friends, and even he might not be enough. Because then there is Corey (Tyson Beckford)…

But with passion and cheating comes jealousy. Some people might get hurt, mentally and physically, due to all this secret funny business. And Zoe has the least helpful shrink (Tasha Smith) ever, who always runs out of time on a session before she can really help out. Also starring Emayatzy Corinealdi as her BFF and coworker.

If you like chiseled abs and not a whole lot more, this film is perfect for you!

I think I saw this movie before. Obsessed? No not Obsessed. That was a dude doing the cheating.

Ah yes. Tyler Perry’s Temptation: Confessions of a Marriage Counselor. That would be the closest parallel, except that one was more about “Sin” and religion playing a part in the morals. This one was just…well she just really wanted more sex and didn’t get enough from her husband.

So sure, she ruined her home life, almost got people killed, and was with two different men outside of wed lock. I guess that is the point. Cheat on your husband and do kinky shit, you will maybe die. And your grandmother will shake her head at you disappointingly. That is what I got out of the movie.

But let’s ignore the bad acting, the bad plot, the worse acting, and the poor and stupid ending. Was it at least erotic?

Hardly. This is the most tame sex addiction movie I have ever seen. No one gets naked, outside of random unnamed characters during one scene. Just a lot of mostly clothed dry humping and maybe some butt shots. Shame did sex addiction right. We got to see Fassbender dick and a whole lot more.

This just seems like a joke of a real affliction. And that is what this film feels like. A joke. A strangely hilarious joke that you might make fun of with your friends.

Alright, fine. Disney is going full money grab. Disney Princess line is a success. Frozen has made multiple billions from sales and merchandise. They have bought Marvel and Star Wars. They want all the money on the planet, that is the only way to describe them right now.

Because if they keep making live action movies of their animated classics, they get to print even more stacks of cash out, keep up any copyrights they have (totally researched argument, this could be a false statement), and re design the character as see fit. After all, most of the early princesses are pretty passive people and terrible role models for women. They can make all of these women stronger independent ladies. They can make the movies more exciting or just tell a better story.

The first attempt was Maleficent, which I thought was terrible. The changes they made (all of it) were terrible, and instead of getting a bamf villain, we got a misunderstood fairy who spent a third of the movie just watching a girl grow up. We are getting Beauty and the Beast which I already have issues with casting wise, but I will tease and not talk about it until that review comes out in 2016 or whenever.

So now we have Cinderella, which for the most part, looks to be the exact same story. Maybe some more details, but exactly the same story with all of the same songs. Wait, what, no songs?

We are just getting fancy dancing? WHO WILL SERENADE ME?

Ah little Ella (Lily James). Living on her slightly big house with servants and shit. A loving family. Her dad (Ben Chaplin) is a merchant w ho goes on trips a lot, leaving her with just her mother. Did I say mother? Just kidding. She died. She told her to always be good and nice to people, because that was her gift.

Eventually the dad was feeling a bit lonely and he also wanted to be nice. So he heard about a lady who needed help, who was also now a Widow with two daughters. He wanted to marry her and move them in so that Ella would have friends and a family again.

Hah. Just kidding. New mother is a bitch (Cate Blanchett). New sisters are whiny bitches (Sophie McShera, Holliday Grainger). And of course her dad kicks the bucket too while he is out on a trip. Fuuuuuuuuuuck.

So they are poor now. They have to let go all their workers leaving just poor old Ella to make the food, clean the dishes, and help her “family” have some sort of luxury. She is too gosh darned nice.

So when the local Prince (Richard Madden) is going to have a ball to find a wife before the King (Derek Jacobi) croaks. Of course Ella can’t go because of bitches. Then we have a fairy godmother (Helena Bonham Carter), transformations, glass slippers, running, big search, and maybe some more shenanigans you don’t even know about.

Also with Stellan Skarsgård as a Duke and Nonso Anozie as a captain! Wait, no, his name is officially Captain it looks like.

Yep, none of them are blonde, therefore they are all evil.

It turns out, Cinderella doesn’t have a lot going on with its plot. I mean, in its basic form, girl is living with step family, doesn’t get to have fun. Some magic happens, she gets to have fun, and a Prince saves her and they live happily ever after. Not a whole lot going on for Ella. She just cleans a lot and is really nice. Fuck, so many times watching the movie, I was just thinking that she should just lock her fucking house doors when they go out to town and be done with it all.

But her niceness meant she just had to get shit on for years or months or however long the time line happened? Man. What a beta.

Okay, boring character aside. Boring plot aside. They don’t really change anything at all from a story sixty five years ago. They have a bit more back story and some more late game scheming, but literally nothing new and so it isn’t a surprise.

The only people who seem to have any amount of personality are the bad guys!

But despite all of it, is is indeed a pretty movie. Visually stunning, outside of one terrible CGI scene involving the pumpkin to carriage (it was gross and the humans looked fake during it), it was just an incredibly beautiful film. They really did great work in the costume and make up department, so you can expect an Oscar nomination there. Overall though, just too much filler and time wasting, especially at the ball.

Also, I feel uncomfortable with Skarsgård having a biggish role in a PG movie after seeing Nymphomaniac.

The worst trilogy of all time? No, you have to remember things like The Scary Movie franchise exist. Or soon to be Planes trilogy.

Now, weirdest and strangest trilogy of all time? Yeah, probably.

After all, I don’t know of a single trilogy that replaced every crossover character between every film. I don’t know of a single trilogy to say they would only continue to make more movies if their previous ones made enough money, then, you know, make them anyways despite it not occurring.

I don’t know of a single trilogy to make only one part a musical. That is not true for this one, but it almost happened.

So here we go. Atlas Shrugged Part III: Who Is John Galt?

“Who is John Galt? — Kill yourself!”

Part three, if you have been following along, starts with Dagny Taggart (Laura Regan) surviving her plane crash. She has now landed in a magical fairy tale land where all these big incredible thinkers have been living in secrecy! And she is now one of them!

Just kidding, she is here by accident. But this is totally where John Galt (Kristoffer Polaha) is. He wanted to stop the motor of the world, or some shit, and he wanted the government to get off of his nuts. And since they wanted to control his brain and his industry, so he fucking left. He wanted people to make money off of their creations and get some sort of super capitalism, away from any government shenanigans.

While this is going on, all the government works are falling to shit and everyone in America is sad.

And yeah, some terrorism level shit happens. People want the John Galt philosophy to come true, Dagny just kind of wants John Galt’s penis.

Some torture, and then another shitty ending.

With other fine actors like, Greg Germann, Larry Cedar, Joaquim de Almeida, Peter Mackenzie, Stephen Tobolowsky and Rob Morrow.

That’s right, this movie has a romance plot line.

Man, I wish this would have been a musical. It would have probably been less cheesy than the actual film itself.

Like, this movie ended up having a narrator. It wasn’t a person from the movie talking, it was just a straight up omnipotent narrator, with a powerful voice, and it really broke any narrative that the characters were creating. Show me, don’t tell me. The narrator made me laugh every time and it was extremely off putting.

Outside of the annoying narration, the story felt…over acted? Overly dramatic? Maybe just overly stupid. Yeah, let’s go with that. If I was supposed to feel any emotional connection to John Galt or Dagny I got nothing (And the actor changes / delay between stories didn’t help). It might work in the book, but this slow trilogy isn’t a great format for it.

I think this trilogy was made for people who really like the book and no one else. It really didn’t make a lot of sense without the book knowledge. If I have some free time, I might finally Audiobook this one. Maybe. But the trilogy was one of the worst and thus hilarious attempts at telling a serious story I have ever seen.

Never again. Never again.

Sooo, slavery.

Wait no, not slavery. Just baby trafficking. Woo!

Wait no, this is bad. Kids for Cash!? What an attention grabbing title! And no, it isn’t about parents having babies just to get those tax benefits or child support.

This is far more serious. This takes place in Pennsylvania, not cold and desolate Ireland. It involves a couple of judges who received monetary kickbacks from a children’s private correctional facility. Yep, people in power putting kids in juvie, and getting cash from the company. Pretty damn scummy.

And to be fair, this is only the most famous and well known case, which was relatively recent. It is argued that things like this have been occurring for some time. It doesn’t help that our country has elected judges in the first place, as John Oliver recently brought up.

Specifically, Judge Ciavarella sent HUNDREDS of youth to this place. Sometimes for minor offenses that most wouldn’t ever assume would go to any trial. They would be normal things a school would handle. But Columbine/Zero Tolerance policies take and ignore any pretenses and treat everyone the same: terribly.

Which is why parents treated the judge terribly in retrospect.

Who’s that lady? (Whooooo’s that laddddy?) Well, she went viral yelling at him on live TV or something. Check out the video. Her son committed suicide partially due to his time in Juvie for an un-important offense.

But here is the best part of the documentary. It is unbiased as fuck. Guess who they have as an interviewee. Guess. Come on.

That’s right. Motherfuckin’ Judge Ciavarella. They interview him at his house, during the trial, and get his side of all the events before the sentencing occurred. They don’t immediately contradict him or call him names or anything stupid, either. They give a real honest to goodness attempt to be impartial and let him explain everything.

Do we buy it? No. He is clearly a dumb ass who knew he was doing wrong. But he was that kind of dumb ass before he got paid for it too.

Kids For Cash is most likely just the top of the unlawful judge iceberg. We have for profit prisons and judges who accept donations/bribes from lawyers. Nothing is sacred, the law is scary, and I am staying indoors.

Horrible Bosses 2 came to theaters in November, and I didn’t get to go to a screening because I went to see Rosewater instead.

I actually wanted to see this one more, but I opened it up to a vote, and it was something ridiculous, like 15-1 in favor of Rosewater. Too bad Rosewater wasn’t that special.

I really liked the first Horrible Bosses, despite its ridiculousness. But I also liked at least 2 of the 3 main actors, so it made a bit of sense. However, when I heard about this sequel, I definitely thought that it didn’t make a lot of sense. They had a potential of making it like The Hangover 2, where they told a very similar story and it just felt like a bad rehash. But at the same time, if it has nothing to do with with Bosses being Horrible, then why is there a sequel at all?

And can they make everything sexier this go around? I doubt it.

Nothing sexier than showcasing your package in a business meeting. I’ve heard…

Nick (Jason Bateman), Kurt (Jason Sudeikis), and Dale (Charlie Day) are now in a business together! They made some sort of Shower Buddy item, that not only is a new nozzle for your water to come out of, but also automatically dispenses the shampoo and conditioning when with a timer or something. Yeah it sucks.

Either way, a big company has took notice. Rex Hanson (Chris Pine), CEO or something, wants to buy it all from them for a lump sum. But they don’t want to sell their company. He is a dick to them. Then his dad shows up, Bert Hanson (Christoph Waltz), and offers instead to buy 100,000 units, they just have to get their company off the ground. Hire workers, make the product, and they have a deadline.

And guess what, they do it! But of course shenanigans occur, and they might lose their whole business for nothing instead and get screwed out of all their product. What dicks, these pseudo bosses have been! So they eventually get a plan. Kidnap the son, ransom him for a ton of cash to the rich as fuck dad, save the company, and get away with a new crime. Yay!

Oh hey, and of course, Jennifer Aniston, Kevin Spacey, and Jamie Foxx return as their old characters too. For various humor intended reasons. And Jonathan Banks as the FBI guy trying to solve the crime! Life has been decent to him post Breaking Bad.

I assume the telescope is innuendo.

I think Horrible Bosses 2 found a nice balance between keeping to the theme of the series, but also giving us something new. Last time they all had different people that they wanted to “kill”. This time, they are united against the same two guys and they don’t want them to die. Killing is scary business. So instead a very complicated plan with many moving parts is the real ideal.

I will admit I haven’t seen the first Terrible Supervisors film since it came out, but I think I enjoyed that one more than the sequel. This one wasn’t necessarily bad, as it definitely had quite a few hilarious moments, but I also think it didn’t as great of a plot behind it. There were scenes that produced no laughs at all.

But the most important aspect of a buddy comedy is the chemistry, and it is pretty darn good between these guys. I have talked before about Bateman fatigue, but even he wasn’t too terrible, although it was clearly Sudeikis/Day’s movie for the maximum lols. You might not trust my word on that, because I love almost everything Sudeikis does. I think he’s the best part of SNL the last few years.

Also, I practically died laughing every time they used their fake voices. Just it is probably more forgettable unlike the first movie where they did the…things. And stuff.

It feels good to be out of my weeks of Oscar/award related movies. Now I can watch anything I want! Shitty comedies, shitty sex comedies, shitty sex romance movies, shitty dramas. Literally, the sky is wide open.

So many shitty movies I had to ignore for weeks!

But instead I watch Rudderless because it was requested of me. Sure, I saw the cover once and wanted to watch it. Why not do that before the shit storm.

The only thing that can scream out “indie” more than this scene would be a couple of gay cowboys.

Sam (Billy Crudup) has hit rock bottom. He has been living on a boat, a drunken mess, for the last two years. You see, his son (Miles Heizer) died as a result of a campus shooting, and his life kind of crumbled.

But things change a little bit, just a bit, when he is given a lot of his son’s journals and cds. Turns out he was writing songs and recording demos of his feelings. The material was really good, emotional, dark, and all sorts of just real.

Looking to get over his death, or honor it in some way, Sam plays one of his songs at an opec mic night. It is met with mixed reviews. But Quentin (Anton Yelchin) loved it. He worshiped Sam and his song writing playing and wanted him to do even more and put more out there. He kind of wanted him to start a band.

But that is weird. Sam is old and living on a boat. He can’t start a band with young kids. His life is a wreck. Even if he has a full notebook of material. I am uncomfortable.

Also with Selena Gomez, Kate Micucci, William H. Macy, Laurence Fishburne, and Ryan Dean.

Don’t worry, she only has like, two scenes max. Completely forgettable.

Another movie I can’t describe well without giving it all away or making it sound like shit. My bad.

Because in all honesty, I friggan loved it. All of the music, all of it (except maybe the last song) was enjoyable. The bringing together of the band and creating a sound, it was great as well.

I can’t say normally I am a fan of Crudup’s work, but he was tolerable as the lead in this film. Yelchin was really good, but I always enjoy him. Also, this might be Fishburne’s best role in years and he was just a side character.

William H. Macy did a fantastic job his first time directing a film. He told a powerful story, full of good music and good conflict, about a hard to discuss subject. Reminds me a bit of Beautiful Boy, but of course more music.

This Is Where I Leave You is one of those movies that I really didn’t care about seeing right away. I knew I could wait for it, despite liking quite a few members of the cast.

What was my beef? I call it Jason Bateman fatigue. A lot of people in this movie, but his character gets to be the main character, and for the most part, his last several years of roles have been very very similar. The Switch, The Change-Up, Identity Thief, Bad Words, Horrible Bosses. He is generally an asshole character who likes to make fun of others and has bad things happen to him. Sure he is a dick, but people are usually bigger dicks, so his dick-ness is justified.

Either way, I am super tired of him because he always gets lead guy status, thanks to Arrested Development I guess (which is also the same character).

I am tired of what feels like him lazily acting on the screen. It was fine the first few times, but now I really don’t know why I expected anything other than the dead dove.

But we have female on male violence, so I guess it can’t be too bad.

Can we look at that image closer? I think I got a stunt double in here or something, because man, that looks nothing like Tina Fey or what I would imagine Tina Fey looks like mid punch.

Mort Altman is dead. He is survived by his wife (Jane Fonda) and four kids. He was an athiest, but apparently he wanted a Jewish ceremony at his death and have his family sit shiva. That is an older tradition where the family literally sits for a week (outside of food/sleep/etc) to talk and honor the dead. People are meant to visit them throughout the week as well, to allow the stories to be said in a more natural way and to pass on the legacy of the individual. I learned about it at first from Weeds.

So we have Judd (Bateman) who is about to get separated from his wife (Abigail Spencer) because he found her in bed with his boss (Dax Shepard). Wendy (Tina Fey) is upset over her husband (Aaron Lazar) for being too busy with work, not able to stay, but also having to deal with kids and former lovers. Paul (Corey Stoll), the oldest, who wants to take over the family business cannot seem to get his wife (Kathryn Hahn) pregnant. And Phillip (Adam Driver) is younger, reckless, and dating a much older woman, a psychiatrist (Connie Britton), who actually was inspired by their family to go into her field.

What? Oh yeah, their family was written about by their mother in a book, so people know all about their lives. In a way, this makes it very similar to Peep World, but no one watched Peep World.

And yeah. Shenanigans. Also with Ben Schwartz, Debra Monk, Rose Byrne and Timothy Olyphant.

Shenanigans I say!

Overall, This Is Where I Leave You is a typical dysfunctional family comedy film. Maybe with more physical punches between and from siblings, but nonetheless, a lot of this is pretty typical.

TIWILY does attempt to do some things differently. With Bateman’s story line, there are unexpected elements behind it and they were a bit refreshing. But Driver’s plot was incredibly standard, Fey’s seemed like filler, and Stoll’s was underdeveloped.

The best part of the film is actually Jane Fonda! Her character is hilarious and really helps mesh the whole movie together. If you needed a reason to check this movie out at some point, Jane would be your reason.

A lot of it is predictable, a lot of it is okay. Overall, it just feels like too much. None of it feels realistic, to have so many things happen this way in a week, so it is hard to relate to any of the characters, at least from my point of view.

Shh. Go away. Review is over~.

“Love is Strange? What the heck is this? I thought you were doing Oscar Related movies this week!”

Well, I was, I swear! But. Uhh. I ran out. I didn’t finish the list. I couldn’t. I officially couldn’t get see three of the Best Foreign Films, one of the Best Animated, one of the Best Documentary, one of the Best Original Song, and of course, 14 of the 15 Shorts. Doh.

But I didn’t pick this one randomly. Oh no, this was actually nominated for a Spirit Award for Best Picture. The Spirit Awards are for indie movies and they take place this weekend as well. And look at that, this was the one film I was missing from the main Best Picture category for them.

Boo yah. I am now Hipster.

And what is more hipster than watching an Independent Movie about Gay Marriage.

Speaking of marriage, Ben (John Lithgow) and George (Alfred Molina) are getting married! They have been together for over thirty years and are obviously quite old. But NY allows it, and by golly, they wanna get on that.

Good times, happy day, everyone is happy for them!

Then George gets fired. He taught piano and other music classes at a private school, and yeah, they took his marriage as something he wasn’t allowed to do in his contract, even if they knew he was gay. So this is bad because it was their stable income, which means they cannot pay their rent, which means they have to move. But shit, Ben’s income is erratic as he is a painter and George might need to take some time to get a new gig.

So they have to go live with their family and friends. They also want to live in the city still, because that is where they can find work and maintain a NYC presence.

Ben is living with his nephew (Darren E. Burrows), his nephew’s wife (Marisa Tomei) and their son Joey (Charlie Tahan). Ben might get on their nerves.

George is living with their former old neighbors (Cheyenne Jackson, Manny Perez), a younger gay couple who are both cops. They are a lot active than George is.

Issues, annoyances, and a bad start to a new marriage.

But not as bad as his start to that painting. You can’t erase water colors.

John Lithgow is really enjoying his acting these days. From his brilliant arc on Dexter to his cameos on HIMYM, he is just doing anything he wants at this point.

Acting wise, both leads do a great job. Their love is believable and their chemistry is nice.

I just find the plot of this movie to have a mostly blah concept. So they both go separate places, one becomes an annoyance on the place he lives, the other mostly just gets annoyed by what is going on around him. And their life goes on.

In that way, this movie has a very indie feel. A small concept script with not a lot going on. And I can’t help but feel cheated of a lot of potential plot to tell a more entertaining story. Some interesting things happen, it is very realistic, and the acting is good. But darn it, I just want a bit more in my stories.

Four out of five! Four out of five! I am getting so close. As an update in my attempts to watch all five of the documentaries nominated for Best Oscar, my other three have been Virunga, Citizenfour, and Finding Vivian Maier. That is because I never watch these things, I always watch shitty food documentaries and other crap. BUT HERE I AM WITH FOUR OF THE FIVE.

Man. Only one thing can beat this feeling. Like, an unlimited stack of pancakes. Or all five. But also pancakes. We will see. I don’t think I can make it.

Now we have Last Days In Vietnam! PBS put it on their website for free for a few days just so people like me can watch it. Was awfully kind of them. And the title isn’t vague at all. I instantly know what it is about. The last days in Vietnam! For America!

Here are people pushing freedom over into Vietnam.

I don’t want to get into a history lesson, but after Nixon ceremoniously left the office, Vietnam was in shambles. North Korea was fucking things up, South Korea was in trouble. Next thing you knew, America wanted out, but at the same time, a giant North Korea army was marching down and nothing could stand in its way! The USA had to evacuate, but at the same time, didn’t want to let everyone get slaughtered. There were attempts to get people to safety, to America, to wait until the army was right up on the capital gates.

Things were hectic, things were scary, and thankfully it wasn’t too long ago for everyone to be dead. A lot of major players, both in Vietnam and at home, are featured in this documentary to tell the stories. We have stories from Soldiers to Citizens, from Henry Kissinger to refugee. Overall it paints a pretty decent picture of what went down. A subject, I can freely admit I wasn’t super knowledgeable about before this documentary.

But also. I don’t feel super knowledgeable about it after the fact either. It is a strange feeling. I was listening and loving the information. But all of it seems to have gone in one ear and out the other. It is probably just a me situation, and not the same for everyone. But this is my review, not yours, so get your own website, jerks.

Either way. Good information, but at the same time, I guess it feels like something that they used to show on the History channel. You know, before the incident.