Author: Admin

There comes a time in every movies life when it needs to pick a genre out of a hat and just run with it. Sometimes, they get genres accidentally stuck together when it comes to be their time, so they might get odd combinations like “Thriller Comedy” or “Urban Sci-Fi”. In the case of Stage Fright, it was able to pull out “Horror Musical”. Sure, musicals could be in really any genre. But even the ones with “darker themes” such as Rocky Horror Picture Show or Little Shop of Horrors or Cannibal! The Musical are all just actually musical comedies. I guess the closest we have right now is Repo! The Genetic Opera. But that is all sorts of weird.

So can Stage Fright be the musical that is also truly a horror?

Well, it has a horror musical veteran in this, so why not?

The movie starts with the worldwide premiere of The Haunting of the Opera, which is a fake Phantom of the Opera, obviously. Similar plot and all. It’s star is miss Kylie Swanson (Minnie Driver), who was killed after her opening night wonderful performance. Awkward. She left behind two kids, Buddy (Douglas Smith) and Camilla (Allie MacDonald). They are taken in by Roger (Meat Loaf), the director or producer or something of the original musical and long time friend of Kylie.

Then, ten years later. Roger has started a musical summer camp for kids to grow their talent and put on shows, to teach everyone that musicals are great! Camilla and Buddy are not campers, they just work in the kitchen. But the camp this year is putting on their own Japanese inspired version of The Haunting of the Opera. That is terrible. But Camilla feels strangely allured to it. She wants to audition for the lead role, like her mom did, and truly honor her.

Yadda yadda yadda, other people want the part. We got an annoying director (Brandon Uranowitz), another lead lady (Melanie Leishman), a weird lead actor (Ephraim Ellis), and a head tech guy who likes Camilla (Kent Nolan). Oh, and eventually a killer starts taking out parts of the cast and crew. Shit, again? What’s up with that? Is that musical haunted or something?!

Haunting musicals can make women fall into trance. A modern day snake charmer, really.

Well, turns out this musical, like the others, really isn’t too scary. Nope, but it does half original music and actually a decent number of laughs! Maybe horror musicals are just inherently funny, because it is hard to take it too seriously when people just belt into song?

There actually weren’t too many original songs in this, just a couple, and then a song from the musical that gets song a few times. But the songs that they did make up were very entertaining/clever/funny. So props to them there!

I find it funny that I can’t think of anything really else to say analysis wise. Not really scary, but the gore existed at some points. The killer isn’t a big shocker. But I am just so happy that they tried to do something like this, and it was decently amusing, that hey, it gets a nice grade.

I just now realized that the title Gimme Shelter is spelled wrong. What the hell, movie makers. I demand another i.

Besides that, this song didn’t use the The Rolling Stones song either. All I knew about this movie is that I heard some good things about it, and that it of course never came to my area when it was out in theaters. Typical, typical lame area.

Oh well, DVD releases wouldn’t be exciting if I always saw the stuff before they came out, right?

Spoiler – The Shelter is a church.

Agnes/Apple (Vanessa Hudgens) is your typical troubled teen girl. Her mom (Rosario Dawson) is a crack whore, they live in the slums, with lots of drugs and gross stuff. And she is pregnant from a boy she met, who wants nothing to do with her now. So she has had it, cuts her hair, and runs away from home.

Where to? Maybe her dad’s house! Who she has never met before, because he was a kid in college when he met the mom for basically a very short relationship. He didn’t find out about her existence until years later, and felt bad, but didn’t come and save her from her life either. Either way, he (Brendan Fraser) is now a rich dude with a family, some wall street shit. She wants to stay with him, but his wife doesn’t appreciate the fact that she is pregnant and doesn’t want to raise the baby for her. She wants Apple to get an abortion!

Well, Apple doesn’t like that either. So she goes back on the streets. Then she gets eventually put into a home for teenage girls who are pregnant. Yay shelter.

Starring also James Earl Jones as a preacher, which may be his first time in a role like that, and Ann Dowd as the troubled teen home owner.

Give it up for the make up department for grossing us out with Dawson’s teeth.

I am pretty sure during this movie I saw a fade to black. One of those things to signal an end of scene or commercial break or whatever. Is this secretly a made for TV movie that instead went to theaters? Because that is what it felt like. It felt like a Hallmark after school special or something. A movie about why abortions are bad and your family might not be your real family.

Here is a positive. I can say this wasn’t an expected role for Vanessa Hudgens. There was no singing, no dancing, she wasn’t sexy, just a teen with a lot of emotions and not many people she could trust.

But the movie felt like a giant lecture. The ending too was kind of odd. That is when I found out it was just based on another fucking true story, that they thought was good enough for a movie, but in reality it wasn’t. Yeah. This review I guess will be shorter than a normal one, because I am already done.

Oh man, we got a period drama here.

The Invisible Woman! Not at all about the Fantastic Four reboot either. No, it is about Charles Dickens having an affair before he died. Yeah, and we get a whole movie about it, because why not, Dickens was a famous person!

This is a movie that is going to go super heavy into the drama/romance aspect.

But thankfully we get intense and unusual facial hair. My favorite!

Charles Dickens (Ralph Fiennes) is very Dickens-y. He is writing books, writing plays, and acting and directing him too. Oh what fun, high society Victorian era is!

He has a wife (Joanna Scanlan) who lives him, but she is uhh, homely. So when he meets young Nelly (Felicity Jones) he is smitten. She is beautiful, after all!

So he wants to tap that. Despite his marriage. Despite how inappropriate it all is. Hell, he even has her mother’s (Kristin Scott Thomas) permission. After all, it would do good for her career to be on the good graces of someone so influential.

Then you know, eventually Dickens dies. End of movie basically. Also staring Tom Hollander!

Shit, Pharrell’s Hat has nothing on this one.

Now I have to ask myself this question. Why does this movie at all matter? Well, in honesty, it doesn’t at all matter. I have said it before, and said it again: Just because something is a true story, doesn’t mean it warrants its own movie.

The reason this has its own movie is because Charles Dickens was a famous writer in Victorian times. The woman was invisible because no one knew about the affair until she wrote memoirs on the subject. After all, Dickens was married.

But this affair on its own is nothing special. Like, absolutely nothing special. Just an affair, then he dies, then nothing else. Ho Hum.

So, the story is weak. How is the acting? The clothing? The dialogue? All of those are top notch. I just wish there was a plot worth watching to go along with it.

The Amazing Spider-Man 2 is technically the first big budget movie of the summer, because April doesn’t count as summer. Take that, Captain America: The Winter Soldier. And what a packed summer it is! Or at least this month, in which we see two Marvel franchises, neither currently owned by Marvel.

Either way, the first one I thought was a good reboot. I was still shocked like everyone else when they announced that there would be at least four movies in this franchise, one released every two years. So you can look forward to The Amazing Spider-Man 4 in 2018. It also will have two spinoffs at least, Venom and Sinister Six, presumably in the off years. Although they will just feel like more of the same I assume.

I have absolutely nothing to follow that informative, yet boring intro.

Spider-Man! It is a few years after the first film, now time for graduation. Peter (Andrew Garfield) is conflicted over his love for Gwen Stacy (Emma Stone). He promised to not get her involved, it could hurt her. Sure, at the end of the first movie he didn’t care, but apparently now he does.

So, a yearish after that, he is still saving the day, but now in college. I assume a community college or something, maybe online classes, because you never really see him doing work for it. Some would say he is wasting his potential, but those people don’t know he is Spider-Man.

Either way, his old friend from middle school or so, Harry Osborne (Dane DeHaan) has returned home. His father, Norman (Chris Cooper) is dying of a genetic disease, so Harry is going to get it too probably. That isn’t Harry’s only problem. He is also now head of Oscorp, the board hates that and wants to get him ousted as soon as possible.

Lot of shit going down. Not to mention a poor nobody Max Dillion (Jamie Foxx) is killed while working at Oscorp, his body being electrified in a horrible accident. Oh what’s that? Electro. And he has a beef with Spider-Man and the city too. Oh hamburgers.

Also starring again Sally Field as Aunt May, Campbell Scott as Peter’s dad, and Paul Giamatti as a Russian criminal turned Rhino.

I think I actually got shocked during this fight scene. 3D Effects are amazing.

Just like the previous film, this franchise just seems to “Get it”. They get what it means to be Spider-Man, how cool it is, and the entire strength of his character. This is mostly portrayed in two points of the film.

Point one: His wit. Spider-Man talks with the public and the bad guys as he swings around, offering the quick joke or two and not taking life too seriously until it gets dire.

Point two: The fights. Holy crap the fights. The action in this movie is just so fucking incredibly Spider-Man. So good, so good. We get to see Spider-Man use his agility and webs to maximize his chances of victory, against stronger and slower foes, and against quick foes too. He has to use his brain to develop strategies for beating enemies. He uses Science! We get to see his Spider Senses help determine his plan in a combat. It is just so gleeful. Maybe worth the price of admission.

But this movie has a lot of faults too. The plot is a lot thinner than I would have hoped. Too much of the movie is Peter moping around, not being awesome. We just had the origin story, the sequel is supposed to allow for a lot more action and awesome. Since it is over two hours, having two big villains shouldn’t be an issue, as it is closer to the comics that way anyways. But still the ending villain fights feel a bit rushed.

I knew how the ending would go I guess, and man, it still rocked me. I thought it was a well done interpretation. That is all I will say on that note. The movie feels a lot like a comic too, and I don’t know how to describe that better. But the plot also moves sometimes at strange paces. Somehow Peter finds out a secret laboratory that his father had made. But the clues that lead to it seemed completely random, and they didn’t really have a good way of explaining how he made those leaps of logic.

Oh well. The action? Really really fucking good. The plot? Ehhh. I do like how they started the Electro character. That way feels pretty new. The Goblin could have used a bit more work and time I think.

The Other Woman?

Huh? Didn’t I review this movie already? A few years ago in 2009 starring Natalie Portman. Oh sorry, that was called The Other Woman, not…wait, okay yeah, same title. I guess that one was a drama.

Apparently it is a popular title though, because there was also The Other Woman from 2008, The Other Woman from 1995, and The Other Woman from 1992. Damn, a lot of ladies being cheated on by women up in here. To compare, I only see one other movie called The Other Man, which I also reviewed. I guess that just means men are pigs, and women rarely cheat in a relationship?

“There’s the gu- GET HIM!!!!”

Carly Whitten (Cameron Diaz) is a high powered lawyer. But don’t worry, her job isn’t at all relevant to the film. She starts seeing Mark King (Nikolaj Coster-Waldau), it is great. They are exclusive, she doesn’t want to sleep around, she finds no faults.

Until she finds out he has (record screech) a wife! Kate (Leslie Mann) is… well a house wife. No job because he pays for it all, doing business stuff, and no kids. Just boredom. So she doesn’t have many friends that her own either. So once the cat is out of the bag and they figure it out, she turns to Carly to rant and to scheme.

THEN THEY FIND OUT HE HAS ANOTHER LADY! Amber (Kate Upton), a young, dumb, blonde.

Hell, there might even be a fourth. No spoilers.

But the three find each other and decide they can want to get even and ruin him. After all, the three of them combined means they might be able to get that one man. Err.

Also starring Taylor Kinney as the brother of the wife, because why not, and Nicki Minaj as a receptionist, because they hate us.

Here are your heroes. Walking. Being women.

First of all, I think this movie was designed to fail Bechdel Test for the entire length of a movie. I don’t think there is a scene that doesn’t involve women talking about men. That’s the whole movie.

Second of all, fuck Nikki Minaj being in this movie. Her role is pointless, it was a role that could have gone to anyone, and her nasally talking voice doesn’t help. Related? Kate Upton’s role in this film is also basically pointless. Literally, could have been no one, because she had barely any lines, despite being in half the movie.

Third, the ending was terrible. Their plan was…really simple. There was no intrigue to it. It happened. The guy got owned. And then the movie basically ended. A lot of build up to the moment without a lot of payoff.

So, why the rating?

Leslie Fucking Mann. She was hilarious in this movie. Cameron Diaz was meh. Somehow Leslie Mann though was off the chart and saved this movie from being a shit show. I am shocked as you. I never expected that I would praise her role in a movie, but there you go.

Very basic story, rent it on Red Box eventually for Leslie Mann.

The Quiet Ones is the second horror movie released this month but one that I don’t think was advertised that well.

I saw only the trailer only once the week before it came out. So up til then I knew it was just some random horror movie. Which is how I like it! Let’s not have half of the scary stuff spoiled in the trailer like normal.

But one cool thing is they found a younger Christina Ricci clone.

Alright, this movie takes place in England! Oxford University! In the 1970s. Yes. It has been well noted that cell phones are ruining horror movies, because they have to add in a line about how they have no service where bad things happen. One way around that is to set things in the past.

This story, “inspired by actual events” which means jack shit. It is about Professor Joseph Coupland (Jared Harris), a researcher on abnormal psychology who wants to prove that all the spiritual brouhaha dealing with possessions is baloney. No, he thinks it is simply people with telekinetic powers who have to learn to harness their powers.

So he thinks if he can fix just one person, he can fix all people when the truth is finally revealed.

His patient is one Jane Harper (Olivia Cooke) that he saved from the foster system who believes an Evey is messing with her.

His crew involves two students to help him conduct studies (Rory Fleck-Byrne, Erin Richards), and Brian (Sam Claflin) an audio visual person looking for work.

Also there is a doll. Fuck that doll.

The Quiet Ones goes a lot of places. But one place it doesn’t go is onto my future Blu-Ray rack.

The type of movie allows for some of that fun shaky cam horror stuff, but even more old school, because the 1970’s. We have a classic exorcism like plot, but with “science” instead of exorcism. If I didn’t look it up, I would have assumed this was a James Wan movie based on some of the stuff that occurred.

The film has twists, turns, but unfortunately parts of the plot are so confusing that none of them have any effect. There is a breakthrough moment where Brian sees some of her past files and runs off. It becomes a huge moment, and of course! But we have no idea what he saw. In fact, we never learn. It doesn’t seem relevant at all to what he did.

But yeah, the movie isn’t that great. The fears are all a bunch of jump scares. The ending is a lot of who gives a shit as well.

Just so much about this movie is uninteresting, I don’t think I could suggest it to anyone. Not to mention the title is mentioned just once, and not really relevant to the movie in the slightest. Good times, shitty movie.

I had a theory about this movie, Brick Mansion. I only saw like, half of the trailer once, and didn’t pay much attention to it. Basically looked like some awkward action movie with a lot of parkour, and of course, Paul Walker. Paul Walker, if you say it fast enough, sounds a bit like parkour too. COINCIDENCE? Yes.

Either way, without seeing it, I am pretty sure this movie wasn’t supposed to go to the theaters. It was going to be a made for DVD action movie and just get some sales from that. But you know, because one of the stars died, they could warrant making some more money off of it in theaters.

This picture sums up the whole movie. Fighting, bricks, and parkour.

DETROIT. This movie takes place in Detroit! Because where else would there be crime in the US? Like RoboCop, it takes place in the future, but unlike RoboCop it takes place in only 2018. So, we got only a few years before it happens I guess.

Basically, there is a housing unit that they made that became full of crime and corrupt. They called it the Brick Mansions unit. Eventually, they put up a wall around it with check points, keeping them in and most people out. They got rid of the police force, schools, hospitals everything, and that area of Detroit became a war zone.

Lino (David Belle), our parkour expert, is a good guy who wants to get all of the crime out of his home, one kilo of drugs at a time. He has a lot of enemies. Damien (Paul Walker), is a cop who is set to end all of the corruption out of Brick Mansions too. They have the same goal. Taking out Tremaine (RZA), one of the bigger drug leaders of the city.

And also he has gained a bomb and plans to use it if he doesn’t get paid. Huh, alright. Got a new real issue to deal with it looks like.

Gouchy Boy and Ayisha Issa play head lackies and Catalina Denis is the lady friend of Lino.

This picture tells absolutely nothing about the movie.

Well, unfortunately this movie went exactly as I thought it would go. Far too unoriginal and far too obvious. From the first scenes, you can plot out the rest of the film. Not always an issue, but when they are attempting to keep it as some what of a secret and a mystery over what people are doing, then it becomes pointless. Plot twists end up having no impact and we are left feeling bored.

It did have some cool action scenes, but not a lot. Mostly it was just fun to watch David Belle run around everywhere and escape and kick some faces in while doing it. This is basically just a mindless action movie with a lame plot unfortunately.

The beginning parkour scene was very interesting, but what ruined it for me was how the enemy with a very small force ended up always appearing before our hero. The one who was really good at escaping and leaped from building to building. But always a bad guy in his way? Are they secretly better at parkour and that explains why it was impossble to get away? Fuck that shit. Just attack with more enemies so then it is at least a bit more plausible.

Found out during the credits that Luc Beeson was involved. That is a bit odd minus the Lino character. Until I figured out that this is basically a secret American remake of a film he did 10 years ago called District B13. Man. Fuck that shit.

Indonesia must be the most violent place on Earth.

At least it appears that way in movies. I have only seen two now that take place in there, The Raid: Redemption and its sequel, The Raid 2.

The Raid 2 is 150 minutes and a very significant portion of that is action heavy. This movie is definitely not for the faint of heart, as it is violent, gruesome, and just so dang fast. I know I have said that before, but this might be one of the most real examples.

Things sure have gotten rough for Michael since Lost. Will he ever fine Walt?!

I probably should have watched The Raid again before watching this movie. I really don’t remember much of the plot, since the plot aspects actually were pretty poor in the first film. But this time? This time they want plot. The plot itself is more detailed, with quite a few more characters, some backstories, some personal issues and the like. I guess that is why the run time is so long, to fit all this extra plot in the film. Note: Plot is not the reason to watch this movie.

This takes place right after the plot of the first film. Rama (Iko Uwais) succesfully took down the tower, and is talking to the only supervisor he can trust, Bunawar (Cok Simbara). Well, Bunawar cleans up the leftover messes, despite Rama’s surprise. He wants Rama to join his team, undercover, to help clean up the dirty cops in the city. He refuses. Until one of his family members is killed as a result of his own earlier actions.

Shit. He is in.

So he has to get sent to jail to meet Uco (Arifin Putra), son of Bangun (Tio Pakusodewo), the local crime boss from the area. He needs to infiltrate their organization by befriending the son and hopefully get a list of names of corrupt cops. He knows that one head cop Reza (Roy Marten) is clearly bad, but without knowing the rest, there cannot be a cleanse.

But what ends up happening is Rama gets caught up in a gang turf war between the two rulings gangs, and a third new gang lead by Bejo (Alex Abbad) who wants to make his mark by going straight to the top. Can he survive and put an end to all of the threats?

Also featuring a slew of characters, such as the return of Mad Dog (Yayan Ruhian)! We also get a second in command Eka (Oka Antara), and some very intense hit men: Hammer Girl (Julie Estelle), Baseball Bat Man (Very Tri Yulisman) and The Assassin (Cecep Arif Rahman).

Basically one of the people is a real life Talim from Soul Calibur!

Technically, this is a bit of a hard film to give any real analysis to, because there are only so many words I know that mean “gruesome” and “fuck yeah violence”. There isn’t much else to say really outside of that for the action. Some of the best action scenes I have ever seen, just a bit cringey at times (note: most times). The first hour or so could have probably been cut some. A lot more plot vs action in that part, although it featured some sad moments. Thankfully the entire movie didn’t take place in prison like I thought it might. Only had two fight scenes in there, although the mud one was a whole tier on its own. Only thing I wish about that scene was making it easier to tell who was who so early in the movie.

I’d like to think if a bunch of white people were caked in mud, I would have an equally difficult time.

This is the type of shit American action movies need to be like. Especially the serious ones. Action on type of action with some little bit of action on the side.

I am curious where the third film is going to go. Apparently it will take place two hours before the events of the end of this film? Initially, that sounds terrible. But oh well, as long as it looks cool while it happens, right?

I am excited to say that I had the opportunity to see The Lunchbox while traveling to a conference, completely unrelated to movies. It was en route, the right time, and I got to see a movie I most certainly would not have seen at any other time. I sincerely doubt any local video rental store or Wal-Mart would have this bad boy eventually on its shelves later for me to peruse.

This is a movie from India! Out of all the foreign movies I have seen, never had I seen a purely Indian one. Sure, I had ones with Indian actors or whatever, but never set and completely Indian. Basically, I am excited. This is a new step of cinema for me, a man who claims to be willing to watch anything. Bring it on.

This man? He was also in Life Of Pi, which statistically you probably saw.

This movie features heavily a group of people called the Dabbawalas. This is a delivery service in Mumbai, in which warm lunches can be delivered from a home to the person at work and it will be tasty! Also, restaurants can get into the game too, and send meals straight to their work through this service. Despite gender stereotypes, essentially yes it is the wife at home who cooks the lunch for her husband to enjoy her cooking on the job.

This wasn’t really explained when the movie started, so I thought it was some sort of service where housewives/single ladies randomly cooked food to win over bachelors who had jobs. But no, our main lady Ila (Nimrat Kaur, who looks like the Indian Anna Kendrick to me) didn’t send out that lunch hoping to meet a mate. She has a husband. The excellent meal was meant for him, as he has been increasingly distant as of late and she wants to win back his love.

But it doesn’t go to him. In fact, he doesn’t even notice that what he gets is a different persons cooking. No, it goes to old man Saajan (Irrfan Khan) who is about to retire from his mundane department job after 35 years. His wife past away a long time ago and since then he has been a curmudgeon. But this meal is amazing. Really really good. One Ila finds out her husband has been getting a different meal, she decides to write a note to this mysterious man and see if he knew what was up.

Sometimes, strangers are the easiest to talk to, because you don’t know them and they are not biased. They begin a daily conversation, talking about the troubles in their lives, their dreams and aspirations and of course, love. Ooh, wonder if this will develop at all. That might be bad.

Nawazuddin Siddiqui plays the young gun coming in to replace Saajan when he leaves, and Bharati Achrekar plays Auntie, the upstairs neighbor of Ila who we never see, but only hear. Basically this movie’s Wilson.

“I sure would like some sweet company, oh, I’m leaving tomorrow. What do you say?” – Ila in a love note.

Awwwww, what a cute movie. Not only was it cute, but the dramatic elements were also decently heavy, so we were dealing with actual serious events and consequences, and not just some frilly romantic fling thing.

And it was decently realistic in the way the events unfolded as well. Assuming the movie itself is actually realistic, I learned a lot about the culture of this city and country. I will assume it is truthful, because I always try to learn cultures from movies and not actual experiences.

Acting was top notch too. So why the 3 out of 4? Well, the ending.

It was done stylistically for the reason, it makes sense sure, I can make all the appropriate assumptions. But I don’t want to. I just wanted my tear up and cry moment. I felt like I was deprived of that moment. Okay. I did have one slight tear up moment, but that was a sad one. Not the happy romance based moment that I am describing up there.

Man, movies that didn’t come out last Fall/Winter are finally hitting the DVD Shelves. Last week was Justin Bieber’s Believe, which came to theaters on Christmas. This week, it is Black Nativity, which came to theaters for Thanksgiving! An even longer wait, those assholes. And for what? Nothing.

Bah humbug. Just give me my Christmas themed movie in April, thanks.

Christmas movie…with singing! Yay, sounds like a lot of joy.

This movie is based on a Langston Hughes play of the same name (but also, nothing like it?). You see, this isn’t just a retelling of the nativity but with an all black cast. The latter part is true, but the former is not. This is a modern setting, New York City.

In fact, our main character is named Langston (Jacob Latimore), after the poet. His mom (Jennifer Hudson) really likes him. Well, they are poor, behind on bills, he doesn’t know his daddy and they are about to be evicted. So she sends him to live with her parents in NYC, whom he hasn’t ever really met.

In NYC, after getting into trouble, he finally meets them. Reverend Cornell Cobbs (Forest Whitaker) and his wife Aretha (Angela Bassett). Yep, religious people. Around Christmas, no doubt. Langston doesn’t care about any of this, he just wants to help his mother anyway possible. If he has to steal to make money, so be it.

But maybe, just maybe, Christmas will and this new family he never really knew will be able to change him. Also starring Tyrese Gibson, Mary J. Blige, and Nas.

I swear, just one role of his should acknowledge his eye. Just. One.

As expected, there ended up being a lot of drama in this movie. Over status in life, over who was the father, over why the daughter left her home in the first place to struggle for fifteen years, and over God.

I was ready and willing for all of that. But then the songs came and it was incredibly disappointing.

Fist off, the music felt faker than most musicals. They didn’t even make them feel real for a musical. I am ready to expect someone to just belt out and start going, but then they keep singing the song while doing other songs. I mean, I know Jennifer Hudson is singing. She started the song, voice didn’t change. But they continue the same scene with her singing, but character literally not singing as other stuff goes on. That happened multiple times.

A lot of the music also just became background noise. Musicals need to make their music front stage. When it gets turned into a montage without any of the characters actively singing, and literally just being a song like in a normal movie, it is hard to really give it any attention.

The music was a lot of Gospel, and I like Gospel, but the music was just so disappointing as a whole, that this in no way felt too much like a musical. None of the emotions they wanted to convey were able to hit me and that is down right disappointing.

This is why I chose to use all of my analysis space on just the music a lone. After all, if the music is bad in your musical, then your musical is indeed bad.