Tag: Tyler Perry

Adam McKay shocked the world when in 2015 he moved away from his normal brand of movie directing, and instead gave us The Big Short. A true story, that is funny, terrifying, and well acted? What is this? The Big Short ended up being my favorite movie of the year when I made the list (but since then, I know for a fact that Steve Jobs is my real number one after a few years).

So the big question is, can he do it again?

This time his attempt is to go slightly further back in history and give us a movie about Dick Cheney. A hated, loved, and not fully understood politician who was Vice President under George W. Bush. Of course the title has a double meaning here, McKay is hoping to tell this story in a similar way. Narrator being a character, lot of various plot lines, and frankly, weird shit going on.

A funny movie, that is also maybe going to make you sad/angry/scared. Seems like a good idea for a slam dunk.

This is the face republicans will make watching this movie.

Dick (Christian Bale) grew up as the type of person who was going to go nowhere. He had a basic job, and spent most of his money getting drunk at night. This lead to some DUIs, barroom fights, the normal stuff. But his wife, Lynne (Amy Adams) wasn’t putting up with his basic bitch problems. She was still in her prime and could have any man. It was time for him to put up, or shut up, and save this marriage before it was too late.

And apparently, he still had some fight in him.

He eventually got himself a job as an intern in DC, where he met Donald Rumsfeld (Steve Carell), who was a big Republican at the time, and who knew how to play the game. Cheney quietly learned the same tricks and I do mean quietly. He wanted to have the power, without showing it off. He wanted to do without saying and just become great. He wanted to maybe become president one day, and every little bit was just a step along the way.

And Cheney also didn’t care what he had to do to get it. He learned of many legal loopholes about what the president can and cannot do, along with the vice president job. He became CEO of Halliburton, raised a lesbian daughter, and shot a guy in the face who later apologized for getting shot. He clearly is a man with a story, even if that story makes him out to be a total shit bag.

Also starring Alison Pill, Bill Camp, Don McManus, Eddie Marsan, Jesse Plemons, Justin Kirk, Lily Rabe, LisaGay Hamilton, and Sam Rockwell as George W., with Tyler Perry as Colin Powell.

Somewhere in there is Christian Bale.

Vice is a polarizing film because it goes hard after Dick. This is not remotely a fluff piece. He is the bad guy of this story. Even if you think it is going to talk about how he is a go-getter, who works hard. No, he is bad. A mastermind. Explicitly working to gain power regardless of precedent. Now, whether all of this is factual is the question. What matters is that a lot of it IS factual, even if the motivations we have to more guess about.

It also is extremely unique in its story telling, so much that the message can get easily lost. After all, there is a lot going on, and if you don’t believe anything happening, you might just call it a silly movie.

The acting is what we really have to talk about here. Bale completely transformed himself. Outside of young Cheney, he looks completely like a different person and it is easy to forget he is even inside that body. His transformation is this year’s Darkest Hour. Adams and Perry are limited in their roles, but do outstanding jobs. Carell has done better in other roles, but still carries his own weight here. Rockwell is a natural fit for George W. and should play that character more often.

Vice, on its own, is basically an insane film. It definitely isn’t as good as The Big Short (I think…?), but it is a film I feel like I need to see 2 or 3 times overall before I fully can grasp its scope. I am annoyed at myself for having to write this while only seeing it once. It is definitely going to be deserved of acting praise from Bale, but I am not sure what else it might walk away with for rewards.

Either way, McKay, hats off to you for trying new and polarizing work.

As of writing this introduction to The Star, there is only one mainstream / mainstream movie I have yet to see for the year, and at this point I can say that 2017 just overall sucked.

So many sequels of films that didn’t need them, offering nothing new. We have stories that are based on books and don’t rise up to their level. We have original works that don’t focus on the smaller elements. We have two fucking LEGO movies.

And then we have The Star. The cherry on top of the year. I haven’t released all the reviews I just mentioned, because at least one or two films were actually good, but I will let them happen eventually through the rest of this month and January. But it should be obvious I was not looking forward to The Star in any level.

No film has starred a donkey successfully since Shrek.

The film starts off at “9 months B.C” because they need to make it obvious. This angel talks to Mary (Gina Rodriguez) that God is about to give her that baby, and she is like yes!

Now, months later we can focus on the real hero, Bo (Steven Yeun)! Bo is a donkey, a mill donkey, who spends most of his day walking in a circle, moving the mill. Hard labor. He has big dreams though. He wants to get out of the mill and carry around important people, like royalty, like the horses. Oh yeah, that would be the life. Eventually he does get to break out and finds himself in the barn of Mary and Joseph (Zachary Levi). You see, they just got married, and Joseph is of course worried about her baby bump. But she says it is from God, and he prayed so it must be okay.

What is not okay is some animals have spread the story of the angel and the future king, which has gotten to the ears of the current King. The new King doesn’t like that and sends people out to look for and kill this dude. Also, they are having a Census, so everyone has to travel to Bethlehem, or else! I don’t know what the or else is, but no matter the condition they must go.

So Mary and Joseph are traveling when she is about to pop, with a Donkey and a bird (Keegan-Michael Key) and a lamb (Aidy Bryant), and along the way they get into many shenanigans.

Either way, this story is pretty common, so you know where we are going with it and the whole thing is basically spoiled.

There are so many goddamn people who they grabbed to get presumably tiny quick paychecks. Because the more famous people you cram into a film, the more people will come to see it. Just ask Movie 43. We have as animals or the occasional other human: Christopher Plummer, Ving Rhames, Gabriel Iglesias, Kelly Clarkson, Anthony Anderson, Patricia Heaton, Kris Kristofferson, Kristin Chenoweth, Mariah Carey, Oprah Winfrey, Tyler Perry, Tracy Morgan, Delilah (from the Radio), Joel McCrary, Phil Morris, and Joel Fuck The Poor Osteen.

Winfrey, Jordan, and Perry are camels. Seems…racist.

Just like I have mentioned in previous films about mythology, I don’t care if they change aspects from the original stories, because who cares, they are made up stories as well. I didn’t care with The Rock’s Hercules, I didn’t care with Percy Jackson, and I don’t care with the Star.

But if I was Christian, I would be insulted by this film. To take one of the hallmarks of your religion and turn it into a big awkward joke. To have Mary and Joseph worry so much about the donkey and bird hanging out with them, making light of some king dude, and basically implying everything worked out well due to some animals.

Shit, the manger scene before it was set up had the horses basically making meta jokes about how convient it was for there to be this space, this manger, and a big awkward shining light on it that had been bugging them for weeks.

However even worse, I am going to quote the end of the film. This is Oprah as a camel, talking about the ending (spoilers?). Seriously, real words here, it took me awhile to get it all down: “You know, I think people are gonna remember this night. What happened here around this manger will be celebrated for thousands of years. Families will come together and exchange presents and sing carols, all to remember the grace of this moment that we are witnessing right now.”

That isn’t even funny at this point, as they basically stare at the camera to update us on what sometimes happens around Christmas.

The plot is full of mostly filler material, a lot of non exciting chase scenes, a very gullible husband, a very confident wife, and a shit ton of actors earning some money. But hey, at least the colors of Mary/Joseph were attempted to be correct.

At first I thought it had been awhile since I saw a Tyler Perry Madea movie. My last one was A Madea Christmas. That was at the end of 2013. I had to assume that I had missed a few, because these used to come out all the time.

But technically the only one I missed was Madea’s Neighbors from Hell, but that is one of the plays and I am not rushing off to start reviewing plays. Especially those plays.

So technically, Boo! A Madea Halloween is the first of these sort of films in three years. And unfortunately for me, it means I have not missed a few, but I am still on track. Damn.

But hey, this one has other old people so that should mean more…uhh, ranting I guess.

This film of course takes place around Halloween, specifically he day of. We have some local fraternity trying to plan the sickest party yet, led by Jonathan (Yousef Erakat), Quinton (Andre Hall), and Horse (Brock O’Hurn). They catcall some girls who walk by. You know, Tiffany (Diamond White) and her three friends (Lexy Panterra, Liza Koshy, and Bella Thorne). They agree to come later and check it out.

But you know, they are high school girls. And some of them live in strict houses. Tiffany specifically wants to go and party, but she has an over controlling father (Tyler Perry). He has to do…something, so he asks Madea (Tyler Perry) is she can stay at their house and watch her, to make sure nothing funny happens. Madea brings along Aunt Bam (Cassi Davis), Hattie (Patrice Lovely), and Joe (Tyler Perry).

Needless to say, the gaggle of old people in her house annoys Tiffany, but she sneaks out anyways. Madea and gang end up breaking the party after some shenanigans,so the girls and frat work together to play pranks on them, hoping to scare them out of the house.

This would be the trick part of the trick or treat, of course.

This picture accurately represents how much Bella Thorne is actually in this movie.

Some of the times, I can find something worthwhile in these Madea movies. A really good joke. An okay plot. Something. This one doesn’t have any of that. Literally the most amusing scene is just a couple of people talking about a fat kid and stealing his candy in front of their mom.

An excessive amount of conversation in this film is about beating their kids to get them to listen. A whole lot of it involves very low level scares. The pranks feel authentic, in that I believe a bunch of drunk college students came up with them. Because they are shit. The movie should get rid of authenticity in this level and actually give me something entertaining.

Boo! isn’t funny. It isn’t scary. And it is a waste of time. Perry is running out of ideas.

Two years, Michael Bay released Teenage Mutant Ninja Turtles as a nickelodeon presents film, after 4 or 5 years of delay. And now, just two years later, we have a sequel!

Damn it, in my last one, I mentioned how forgettable the movie was. That means I also wanted to forget about it. But how can I forget about a movie if they go and make a sequel?

This time it is called Teenage Mutant Ninja Turtles: Out Of The Shadows. Or, TMNT: OOTS for short. Hmmm. Oots. That kind of, if you stretch it a little bit, sounds like OOZE. And ni the previous set of Turtle films, the sequel was called Teenage Mutant Ninja Turtles II: The Secret of the Ooze. Is that a coincidence?

Based on that screen grab, then HELL NO IT ISN’T!

Set a year after the first film, our turtles are now heroes! Just kidding. Leonardo (Pete Ploszek), Michelangelo (Noel Fisher), Raphael (Alan Ritchson), and Donatello (Jeremy Howard) are still hiding in the shadows with Splinter (Peter Donald Badalamenti II, Tony Shalhoub, yes two people), training and existing.

They let Vernon Fenwick (Will Arnett) take all the glory, and people love him for it. But now…now The Shredder (Brian Tee) is about to break out of prison! In fact, his break out involves teleporting, portals, and a whole lot of foot soldiers. And of course, Baxter Stockman (Tyler Perry), smart scientist who wants to do evil to be famous.

And now they have Bebop (Gary Anthony Williams) and Rocksteady (Stephen Farrelly). And the turtles get Casey Jones (Stephen Amell). Basically a nice fair trade. OH AND KRANG (Brad Garrett) is here to tip the balance for the bad guys!

Eh, yeah, I guess Megan Fox returns as April O’Neal, Brittany Ishibashi is female Shredder assistant ninja, and Laura Linney is a police chief or something. It kind of fluctuates.

AW SHIT, KRANG HYPE FOR REAL.

While writing the plot outline, I couldn’t help but feel that this movie was just more of the same, with like, four more characters. And if it is more of the same, then it is still not too good, and making it crowded could add to the problems.

Like, for instance, Shredder not having any cool fight scenes whatsoever in this movie. And Splinter is in the film, but has maybe six lines and maybe a minute of screen time. Krang is only brought in for two scenes, his introduction early on (that goes too hectic and fast, like it was made for people with short attention spans), and then near the end. The ending scene was actually a bit more entertaining and longer, which is a plus.

But that brings us to all of the fight scenes. Basically every fight scene feels blurry and it requires you to fill in the blanks with what is going on. None of the fights are clear, every single one uses this lazy tactic. The first scenes of the movie involve the turtles running around buildings in NYC at night, and it set the bar for low quality action scenes. Hell, the final fight is actually in daylight, but it is still basically ruined with the CGI.

Yes, I both think Krang was cool in this film, while also disappointed in his big fight. The fight looked fun and creative, but again, they just blurred the whole thing together.

Bebop and Rocksteady were okay. They had more personality than the Secret of the Ooze versions and arguably took up all the screen time from Shredder/Splinter. Fox’s character wasn’t interesting, Casey Jones was only in the hockey mask once (early on, not even for the finale), Arnett was still annoying. Linney’s character was really badly done, but probably didn’t have a lot to work on with the scrip.

And honestly, this is the type of film where you might find yourself scratching your head, confused as to why the characters do certain actions. It seems like the dumb or extra complicated route is always chosen. Leonardo was acted far too strongly in the Asshole category, but the other turtles personalities felt right. Oh, and Perry as Baxter is one of the brighter spots as well. Go figure.

I can’t wait to be disappointed by another of these films in 2-3 years.

It is October, and apparently what that means is some highly anticipated films are finally coming out. I feel like every week of October that there is something I define as a must see.

Gone Girl has had a lot of buzz, rightfully so. After all, it is a David Fincher movie, and everyone fucking loves David Fincher. Fight Club, Se7en, The Social Network, Benjamin Button.

Okay, maybe not that last one.

But more often than not, he is hotter than hot, in a lot of good ways.

And yet this is really the only picture they gave us to advertise the bad boy ahead of time.

Nick Dunne (Ben Affleck) and Amy (Rosamund Pike) have been married for five years. How wonderful. They don’t have the perfect relationship, not anymore. Things have gotten bad and Nick is sick of her shit. She is miserable and judges him. He isn’t perfect either. But on this, the morning of his anniversary, he can only find himself bitching to his twin sister Margo (Carrie Coon).

Unfortunately, when he gets back to his home, he sees a table overturned, Amy missing, and a lot of confusion.

So of course he calls the cops, and based on the scene and some blood spatter, Detective Rhonda Boney (Kim Dickens) and Officer Jim Gilpin (Patrick Fugit) have determined that despite the little time missing, it is a full fledged missing person case. They want to do a press conference and get people on it pronto. Thankfully, Amy’s parents (Lisa Banes, David Clennon) are rich from a children’s book series, so they bank roll the entire thing. Flyers, advertisements, posters, websites, volunteer centers, phone lines. The whole nine.

But as the clues start to get unraveled, and secrets about Nick’s life get revealed, the signs begin to point that Nick did it and is undergoing a cover up. But did he? Did he?

Also starring Casey Wilson, Neil Patrick Harris, Tyler Perry, Missi Pyle, and Emily Ratajkowski.

Maybe she is just upset because she was cast in a movie with the main naked girl in the Blurred Lines music video?

I find myself at a loss of words.

Gone Girl was awesome, amazing, awesome, and amazing. Synonyms are hard.

The movie is about 150 minutes in length and the time flew by. It flew by so fast, I was left just wanting more. I went from edge of my seat to cackling in laughter to holding my hands over my mouth. You know, because it opened in shock and I couldn’t believe what was happening.

Everyone acted so well in it. I heard Affleck was chosen because he was used to public scrutiny from being Batman to J-Lo. I really liked the detectives. Neil Patrick Harris was interesting. Tyler fucking Perry did great as his role. And holy shit Rosamund Pike. That is some Oscar winning stuff right there, so expect to see her name being thrown around a lot.

I want to throw money at this movie. And awards. And watch it again and again.

This was a book first, so I can’t wait to read the book later. That’s right. Me. Books. Aggghhhh. Go see Gone Girl.

Tyler Perry’s A Madea Christmas is only my second ever Tyler Perry movie, the first one being Tyler Perry’s Madea’s Witness Protection.

Well, second if you don’t include movies he has acted in (Alex Cross), movies he made without Madea (Temptation: Confessions of a Marriage Counselor), or movies he just presented (Peeples).

I do know that most of his Madea movies are released as a stage play version first and this play version came out a few years ago. At the time I worked at a Blockbuster and I was surprised to find it constantly checked out by customers. “Unfortunately” I missed out on the opportunity to see the play version first, so I will just have to go into this one blind.

Clearly I was missing out.

For the general Madea (Tyler Perry) movie plot, I think it is assumed she has a lot of relatives and close friends, so every new movie will be a story about one of her friends/family. The only constant between them is Madea’s existence, and allows for a fresh new cast each and every time.

This time, it is Madea’s friend Eileen (Anna Maria Horsford) who requests her help. She is worried about her daughter, Lacey (Tika Sumpter), who has moved to a small area in Georgia and isn’t coming home for Christmas! Oh the horror. Lacey is a teacher at the elementary school. The small town is undergoing a crisis, because they have lost a lot of their water supply to a dam upstream, and they don’t have enough money to have their Christmas Jubilee party. Oh no! Even more horror!

Lacey also ended up marrying her college sweet heart, Conner (Eric Lively), a seed scientist, which is why they moved back to his old home in Georgia. He is a white man. That is the real kicker here. And that she never told her mother about Conner’s existence. Apparently she hates white people. Conner’s parents (Larry the Cable Guy, Kathy Najimy) already knew about the marriage and are fine with it.

So the main plot deals with Marie battling her very strange case of racism. Strange in that it is all based on one tiny event a long time ago. There are other side plots, like Lacey potentially losing her job, love interests, and adult and kid bullies. It also stars JR Lemon, Alicia Witt, Chad Michael Murray, and Noah Urrea.

Larry and Perry? Maybe a match made in heaven.

This Madea movie definitely went a different direction than I was expecting. It is about a very racist black woman, who was also one of the rudest characters I’ve seen in film. She was deplorable, nothing she did seemed to make any sense. I am almost certain that she never got over her racism by the end, either. The ending also came out of no where. It included a car explosion and then the Christmas Jubilee. At the Jubilee, a small speech happened, that doesn’t change anything in the film, but they use it as a conclusion nonetheless.

The more enjoyable parts of the movie come from Madea rambling, but Larry the Cable Guy held his own against her, with their conversations being the highlight of the film. Shout out to Kathy Najimy, who has lost a lot of weight and almost looks like a completely different person.

If I had to split it up, the comedy parts of the film are decent, but the drama parts are horrible. Unfortunately, all of the conflict comes from the dramatic parts, so the main plot lines just feel boring. The movie tried to argue the true meaning of the holidays, but did such a poor job that it felt like a convoluted mess.

Oh well, maybe next year the next Madea movie will be better.

It has come to the point that if I see a preview for a movie that features a predominantly large African American cast, I assume it was made (or produced/presented) by Tyler Perry. I had that thought when I first saw the trailer for Temptation: Confessions Of A Marriage Counselor, and again when I saw Peeples, which looks like a Meet The Parents remake.

And it pisses me off.

Why? I am mad that Tyler Perry is apparently the ONLY person doing this. There is a lot of (justified) dislike for Tyler Perry movies in general, but if anything we can say he is doing a lot for his community in the entertainment industry and he should be rewarded for it. But please, please, someone else join it too. Maybe take the reigns from him. Then I won’t have to see movies like this one.

I know all there is about temptation. Just throw in some eyebrow waggles and you are good to go.

The movie begins at a government office with a marriage counselor, and a couple coming in to possibly divorce. Why? Well, secretly, the wife has found another and is making her man miserable. Well, girlfriend, you need to hear the story about the marriage counselor’s “sister”, Judith (Jurnee Smollett-Bell. She grew up with Brice (Lance Gross, fell in love with him, and they have been married for years! Him, a pharmacist, her, having a masters in something or another.

With that degree, all she did was land herself in some high class match making firm, helping come up with the matching algorithms, through psychology and shit. Harley (Robbie Jones) is a programmer who made the third biggest social network website (oh man!) and he wants to invest in the company. But maybe, just maybe, he wants to invest himself in Judith. Oh yeahh.

Judith’s mother taught her how to be a good wife. Cook meals for his man, always be there for him, not to be swayed by fast cars and money. Fast cars and money are the devil! Well, the devil is so…I don’t know, tempting!

There is also a side story of a new girl (Brandy Norwood) at Brice’s pharmacy, who is super secretive, and maybe on the run from an abusive ex boy friend. Also “featuring” Kim Kardashian as the “Bitch from Judith’s work”, Vanessa Williams as their boss, and Renee Taylor as the bigoted old white lady.

Oh for fucks sake. Now she is tagged on my website.

Well, everything that happens in this movie is predictable, nothing will come as a shock. It does, however, escalate so much out of control that there is a chance multiple people could die! Who knew that being an adulterer could lead to death. What is this, Mean Girls?

The ending is a complete mess. Not the actual ending where the climax occurs, but the slower part afterwards, when you remember that this entire thing was a story from a government issued marriage counselor. The girl who was fooling around literally is left crying from the story and agrees to never give into the temptation of another man and love her husband forever. What?!

I guess that was an easy enough solution to everyone’s problems.

But back to the movie. The acting wasn’t that great, but you knew that when you saw that Kardashian was billed third overall. It moves far too slow at the beginning, and it is a predictable drab overall. I was actually excited to watch this film because, as I have said before, Tyler Perry is good at dramas! But that was only using For Colored Girls as my only TP Drama reference, and it wasn’t an original work of his. My bad, maybe action is his best role?

I almost made a mistake and didn’t look up a single detail about Alex Cross before I went to see it in theaters. Thankfully, a friend of mine let me in on a not so secretive secret. Alex Cross is actually a pretty famous character, and has been in sixteen books! Maybe if I knew how to read I would have known that sooner. But more importantly, I found out that this is not the first time Alex Cross has been in film, this is his third time! The first two were over a decade ago, Kiss The Girls and Along Came A Spider, both times being played by Morgan Freeman.

Pretty big shoes to fill.

But technically Tyler Perry has big feet.

So who is Alex Cross (Tyler Perry) and why is he so important? Well, in this version he lives in Detroit, is a homicide detective, and also has a doctorate in psychology. Yep, he can read people, one of those guys. The FBI really wants him to move to DC and become a profiler, but moving his wife (Carmen Ejogo) who also has a career and kids to a new city would be quite difficult.

Besides, he has a good thing going with his partners, Tommy (Edward Burns), a friend of his since grade school, and Monica (Rachel Nichols). The hours can suck, but at least he is doing a good thing for Detroit.

But when a man who calls himself The Butcher (Matthew Fox) begins to target high income individuals who are working on bringing back Detroit to its past prime, Cross is given the problem of trying to analyze someone who might be so far off the rails psychologically that he is entirely unpredictable.

No no no, that’s not what I meant by off the rails.

Never before have I been so torn after watching a movie. While watching it, I was shaking my head at how bad overall it was. The dialogue never felt natural. Most characters just seemed fake, no realistic characteristics at all. The plot was actually very basic, the reason the killings I figured out pretty early, and Matthew Fox creeped me out.

However, multiple times throughout the movie I found myself shocked and surprised at the events that were unraveling. Yes, I knew how it would end, but could not guess the journey. Most of it came from death, because hey, people die in this movie and each time I didn’t think it would happen. I did almost tear up a little bit during one scene with Cross and his daughter.

Usually when I can’t tell how I feel about a movie, I give it a neutral review and run away. But here is some more anyways. Technically, Freeman wasn’t that good in those movies either. They were normal crime based films, and Alex Cross didn’t seem too special. Also, originally this role was supposed to be played by Idris Elba. That should just make you rage with the potential energy that film would have created.

Overall, I think this film will most likely be ignored, and I am not just saying that because of there only being three people in the theater on an opening night showing.

I’ve finally done it. But my money where my mouth is.

I can make a claim, “sure I will watch anything”, and prove it by watching a bunch of shit you’ve never heard of. Hell, half those movies could be fake for all you really know. A huge conspiracy!

But what about things that are often considered very bad, that everyone knows about. Stuff that takes me out of my comfort zone, and in uncharted waters? Yeah, that is really what you want to see.

Well I have actually tried to watch a Madea movie before, Madea’s Big Happy Family. But halfway through, I realized I still had no idea what was going on and just turned it off. I rarely stop movies. So with Madea’s Witness Protection, it was time for try two. And I would watch it in a theater so I couldn’t just shut it off without getting arrested.

My only actual Tyler Perry knowledge is what South Park has told me. Apparently black people can’t help but give him money!

George Needleman (Eugene Levy) finds himself quickly in a pile of shit. Sure, he is ‘happily married’ to his second wife (Denise Richards), has a daughter from the previous marriage (Danielle Campbell) and a boy from his current (Devan Leos), but his job is about to make things a lot more difficult. From an accountant to CFO, he was placed ahead of a charity department of a company, and clearly under qualified. Turns out it was intentional, because through the charities they were doing that ponzi scheme stuff. His boss (Tom Arnold) set him up as a fall man in case they ever got caught, and guess what, they did!

Turns out the local mobsters also were heavily involved, and don’t want George ratting them out (Even if he knows nothing). Shit violence. Well it turns out George is more than willing to cooperate as long as he and his family, including his delirious mother (Doris Roberts) are protected.

Agent Joe (Tyler Perry) who has to quickly find a place for them to stay ends up convincing his aunt Madea (Tyler Perry) and father Brian (Tyler Perry) to take them in, for the cool cost of $4,000 a month. He just didn’t tell them they were white people. Oh man!

Awkward shenanigans and racial stereotypes occur, along with the plot of a local man Jake (Romeo), who invested all of their churches money in the company and now find that they are probably going to lose the church. That would be, uhh…bad?

Everyone quick, look at Eugene Levy dressed like a fake frenchman. Look at him.

So this movie has a lot of hate (probably mostly the series of movies not this one in particular), but is it justified? Well I guess its a comedy, lets look at the jokes! A lot of easy jokes are made in the movie. Unreasonable social awkward person going through TSA and being on a plane for their first time. That stuff isn’t new at all. Differences between white people and black people, poor people and rich people, and real family values. Ehh. Man in a dress? Happens a lot.

I did laugh at a few scenes, mostly at the absurdity of it them, but it was mostly a silent reaction movie from me.

In fact, it took me awhile to realize, but a lot of the film began to feel unnerving. I couldn’t put my finger on it, until about halfway through, but I realized that the conversations never felt real. There was always just a little bit extra pause before the next person talked. Not sure if that was for a quick audience guffaw or what, but it felt like everyone was alone. This just seems like bad splicing probably, since they could have shortened a lot of that downtime. And yes, obviously, when Tyler Perry talked to Tyler Perry, he didn’t have Tyler Perry to talk to, but seriously, could have been edited better.

Also the ending? Total crap ending. Everything wraps up quickly and magically, and an extremely illegal act goes overlooked. Fuck any morals.