Tag: Thriller

This may not be a popular opinion, but I am willing to say it: The original Carrie is not that scary of a movie. Or at least it isn’t scary anymore.

When it first came out it was probably shocking, sure. Part of the reason it would have been terrifying is not knowing the bloodbath that would occur at the end of the film. There was no internet, spoilers didn’t run rampant, people could watch it and actually see something new.

You’d be hard pressed to find someone who doesn’t know how the original Carrie ends. They might not know the finite details or how it occurs, but they know blood gets dumped on a poor girl, who then takes out a school who bullied her.

So why bother with a Carrie remake in 2013? The only real reason is to either change the story so that audiences won’t see the ending coming or ramp up the creepy details to a new notch in order to make it more of a horror film. You know, give us a different reason to remember her name.

“How do we make Julie look crazy?” “I don’t know…frazzle her hair a little bit!”

Carrie (Chloe Grace Moretz) came from humble beginnings. She used to be home-schooled, but the state of Maine intervened and forced her to go to public school. Not sure why. Her mom (Julianne Moore) was a perfectly adept teacher. She taught Carrie about Jesus, God, and she even gave her a nice tiny prayer closet under the stairs to “study” in.

Despite the fact that she is a senior in high school, she gets her period for the first time in gym class. Must be Satan at work in her loins. The other girls find her fear amusing, make fun of her, and promptly get in trouble by the gym teacher (Judy Greer). They have two options, put up with a week of grueling physical activity, or get suspended and miss prom. Clearly neither option is ideal, and it must be Carrie’s fault putting these girls in that situation.

Which is why the mean girl (Portia Doubleday) and her boyfriend (Alex Russell) do the whole dump pigs blood on her head at prom thing. That’ll show her.

That’ll show everyone.

Gabriella Wilde plays the nice “mean girl,” and Ansel Elgort her boyfriend.

Huh, she looks cute in red. Really, the reason anyone came to see this movie was to watch the prom scene and see the path of destruction that Carrie would lay in her wake. The rest of the film could be boring, but as long as the prom scene is excellent, the director will have delivered. The prom scene is longer in this version, there are more creative deaths with less hoses, and there is more destruction outside of the school, but miraculously a lower overall body count. Huh.

Basically, this film is identical to the 70’s version in terms of…well most things. Even the dialogue is basically the same, minus the upgrades in time/technology.

The few things that are changed are who lives and dies at the end, one other “twist”, and making the mother a bit of a masochist. Okay, a huge masochist, she loves that self infliction stuff. Basically their attempt at making the film a bit more creepy throughout.

Overall, I would say that this film was a bit disappointing in that it was made so similar to the first film (and maybe the book, no idea on their closeness). It really doesn’t add anything new to the mythology, and was made to upgrade a film literally everyone already knows the plot about. I hated most of the no name actors, but surprisingly I enjoyed Ansel Elgort as the nice boyfriend. He was so good at being kind to a weird red headed girl.

If you are looking for scary movies in theater for Halloween, unfortunately Carrie is your only hope. Somehow, this is the only horror movie the entire month.

2 out of 4.

Arnold Schwarzenegger must be living a good life. Look at how he has aged, fantastically. He is a fit guy, he was Governor (of a now failing state), and now he has all this free time for chilling, making movies, and spending loads of cash.

Because of that, I have decided to talk about Escape Plan from the point of view of Arnold, not the actual main guy in the movie. That’s right. Fuck the police.

I am mostly doing this because I love his beard in this movie.

Rottmayer (Arnold Schwarzenegger) is current locked up in a beyond illegal prison somewhere in the world. He really doesn’t know. But the prison is not your standard prison. They live in glass boxes, and they are suspended along stair cases, not in a normal rows and columns. There are a plethora of armed guards, who all wear masks so that they are not identifiable. Their isolation rooms are tiny boxes with bright hot lights, not dark rooms like the normal. No, just a little bit in that room will teach you to fuck around again.

But then, this Porthos (Sylvester Stallone) character comes waltzing into his prison. He notices him instantly, always looking at the guards, inspecting shit. Rottmayer considers himself a favor guy, so he offers to help Porthos out, see why he is being weird. According to Porthos, he gets paid to get put into prisons, look for weaknesses, and break out of them. But something is wrong this time, all of his normal criteria is off, things have changed, his evacuation code isn’t working. Someone has set him up to fail and get locked away for ever.

Looks like these two masterminds, one a criminal, the other not, have to work together to beat the system. But can they really trust each other?

Jim Caviezal plays the warden, and you may remember him as Jesus from The Passion of the Christ. Amy Ryan, Curtis “50 Cent” Jackson, and Vincent D’Onofrio play members of Stallone’s team (member, tech guy, accountant, respectively), Sam Neill plays another doctor, Vinnie Jones is head of security, and Faran Tahir as another prisoner.

Note the bar code on their shirts. They…really didn’t explain any of that.

Wait, 50 Cent?! Yesss, another movie where I have him in it. This one was purely an accident! Note to self, review more 50 Cent movies. He should be the highest tagged actor on this site, damn it.

Sorry, I keep getting distracted by the actors in this movie.

Well, strangely enough, I had fun with this movie. It wasn’t meant as a comedy, but having Stallone/Schwarzenegger in a situation where we have to assume they are smart comes with a few laughs. Especially when they both deliver their normally cheesy lines. The difference between the two is that in this film, Stallone says it all with a serious face, like he is the BAMFest BAMF, while Arnold is willing to grin more with his character and enjoy the moment.

I am saying Arnold was the better of this two in the film. His distraction scene in German in the film is almost worth it for the chaos it produced alone.

In terms of twists, some of them are obvious, and I think the film even makes fun of how obvious they are, but not everything is obvious. This is more of a thriller action movie, with most of the violence comes near the end when they actually attempt their escape. Accidentally hilarious moments like sudden waves of armed guards, more than should be at the prison, getting mowed down with a machine gun make this movie worked.

I am not sure if I really liked this movie, or if I just liked it more than Carrie and The Fifth Estate, which also came out this weekend. Even if that is the case, fuck it, it was more enjoyable than Stallone’s recent work.

3 out of 4.

I first heard about Gravity a few months ago, and it scared the shit out of me. Floating through space, darkness all around you, no one to talk to, just alone?

Yeah. A mountain of nope. Then I heard talented actors were at the helm? Aw hell yeah, time to do this movie so hard.

How hard? Harder than sex in space suits.

This film takes place in…Space! Dr. Ryan Stone (Sandra Bullock) is on a short mission with a tiny crew, to install some hardware. She is up there for her first time ever, after six months of training. Doesn’t matter. Going home tomorrow. She has help of course, like Matt Kowalski (George Clooney), a very experience astronaut who loves to talk, and would probably live in space if he could.

Well. Bad things happen. Then more bad things happen, and gosh darn it, we got our selves a movie. Ed Harris supplies his voice for mission control, but other than that, no other real characters. How lonely.

“I’m floating in a most peculiar way, and the stars look very different today…”

Well, first off, if you go to see this in theaters, and don’t see it in 3D, then Fuck You.

Secondly, if you buy this on DVD and not Blu-Ray, then fuck you again.

There are many things that can be said about Gravity, but the one main thing that everyone can agree on is that it is a CGI space extravaganza that can cause eyegasms. It is possibly the BEST thing I have ever seen with 3D glasses on, in terms of “worth it ness” for the extra ticket fee. If there is an IMAX in town, I’d suggest watching it in 3D on that. The bigger the screen, the better. Just go all out. That will get you the full experience.

But I digress. A movie needs to have more than extreme sexiness for me to love it, or else I would have loved Avatar. Right?

I can say that the fear and the conflict are incredibly real. Not just because there is shit flying in your face. Thanks to the cinematography of this movie (which is extremely creative and diverse for every scene, by the way), when a character is alone floating through space, you will feel alone as well. Shit, depending on your screen, you might feel like you are in space as well. Everything is working together so well to give you those feels, including the excellent sound mixing. After all, in space, sound doesn’t really travel.

The plot is scary, and I will admit, parts of this film just feel like coincidence after coincidence. Everything works out so perfectly for the film to happen, but technically most movies fall that way. It is just a bit exemplified because, you know, space. I can’t say all of the science is correct either, but those are factors I am willing to forgive for the excellent story told.

The film is just under 90 minutes long and honestly it works really well in a film like this. I might go crazy if they packed in a lot of extra time just to make you feel extra lonely. Gravity made me laugh and cry, and affected me so hard in such a short time. Highly recommend it.

4 out of 4.

Originally, I planned to release my review of The Canyons alongside my review of Lovelace, but traveling and conferences got in the way.

Seriously. It would have been a double review.

Why them together? Well, Lovelace is a story of a porn star played by a regular actress.

The Canyons is a “regular story” being lead by a porn star.

In one of those films, there is a different type of smoking. Pole smoking. Okay, both films have that.

Christian (James Deen) is a movie producer, living in LA. He has some trust fund money, so he is living large, doing coke, and having wild sex parties. He also funds shitty movies. Sometimes he makes his own. Of course when I say he makes his own, I mean adult based film. Bow chicka, good sirs.

Well, he is currently dating Tara (Lindsay Lohan), someone else who is now related to the film industry, thanks to Christian. He likes her a lot too, more than any other skank he has slept with. He also likes that she likes to swing with him and other couples as part of his strange video film. She likes him too. Just not as much as she likes Ryan (Nolan Gerard Funk).

Tara might have been seeing him for years in secret, and now she was able to get Ryan a job on an upcoming movie Christian is funding. Probably a good idea.

Just kidding, that just makes Christian rage. Like, a lot. He gets jealous, thinking she is cheating (which she is, but so is he). Like really jealous. Like, someone might die jealous. On snap.

Also Amanda Brooks and Tenille Houston are in here. One is a lying ex, the other works on films. Take your guesses!

In situations like this in real life, I’d wonder who is happier: the porn star having sex with an actor/actress, or the actor/actress having sex with a porn star.

In case you missed it, James Deen is the porn star. One of the biggest male ones of the day, he has recently starred in DP My Wife With Me 2, Don’t Tell My Husband 3, Anal Buffet 8, Jack Attack, and James Deen Loves Butts. Yeah, pretty big deal.

Lindsay Lohan, not a porn star, just a crackhead, and she is very naked in this film. Lots of people get naked, and you can see dicks too. Overall, this film is definitely not worth if just to see this woman naked. Just google that shit, weirdo.

This is a film that decides it wants to make it as uninteresting as possible, despite the huge naked sex factor. I had to tag this film as “Erotic Thriller”, which might be a first. The acting isn’t necessarily bad, just non important. There are no real plot twists or turns at all. The only thriller aspect comes near the end, when James Deen does bad things to people, and then we end shortly after.

His character is fucked up, and we got a fucking lame movie. That is all.

0 out of 4.

Sometimes, titles tell the entire story.

Other times, they tell you jack shit. Seriously. The East? I am a fan of cardinal directions as much as the next guy, but the title should try to grab in viewers. It should be special.

I feel like I know nothing going into this film! Oh wait, that is completely true. Sexy. I love blank slates. I just hope I don’t get it confused with The West.

Shit, that joke was so weak, it brought one of our main characters to drinking.

Eco-terrorism often gets frowned upon…and rightfully so. Fuck terrorism in general, but I kind of super hate eco-terrorism. Eco-terrorism punishes humans for crimes against the environment or animals, which is never never okay. Seriously. Humans are far more important than both of those things, so I really hate it. Fuck PETA, fuck Whale Wars, fuck all of that stuff.

Hmm, I hope I am not biased.

The East is an secret Eco-Terrorist group that may be a complete fiction. The film starts with a few of their members throwing mass quantities of crude oil into a rich guys AC unit, probably ruining his house. He also was responsible for an oil spill and didn’t really try to get his company to clean it up. That is more acceptable I guess.

Sarah (Brit Marling) gets a job at the start of the film in a company lead by Sharon (Patricia Clarkson). Long story short, she is to find and infiltrate The East movement. They are a security company, and they want to prevent future attacks on their customers, while also proving that they have the best intelligence unit.

Guess what, she does it! Yay. Being smart is awesome. She is able to find their small mountain society, with a very free spirit loving culture. It is lead by no one, technically, but we all know it is lead by Benji (Alexander Skarsgard), because he is charismatic and has a beard. Other high members include Izzy (Ellen Page), Luca (Shiloh Fernandez) and Doc (Toby Kebbell), a doctor. Nice name, doctor.

As Sarah tries to work to destroy the society from within, she must first become one with their ways and ideals. Like every spy cult movie before it, she might have some difficulty keeping her own priorities straight and not getting lost in the message.

Kumbaya at 8, bottle spinning at 830, and sleep by 9! Hooray.

Yeah, I know I came in a bit biased, hating eco-terrorist groups, but really, I don’t think that affected my thoughts on this movie.

They don’t do too many acts in the actual film, because they don’t want the new girl knowing too much right away. Pretty smart, given the circumstances. The reason my biases shouldn’t matter is that the only two or so acts that they do in this film are all pretty reasonable. They are both related to punishing people for hurting other people, a noble endeavor. They both also prove a point in a way that makes sense. Again, I am fine with what the group did.

The acting itself is decent overall, but not anything I haven’t seen before.

I, however, hated the ending of this movie. It was a mess. I can say I didn’t see it coming, but eh, a shocking ending doesn’t mean it is any good. I say it was a mess, because there was so many ways it could have gone, that when it finally decided on a path, it then immediately ended and I was just left wondering why? Why is that the best actions to take? To me, it didn’t make a whole lot of sense, so I almost felt like I wasted two hours getting to that point.

Again, decent acting, I especially liked the Ellen Page “lake side” scene. That sounds pervy, but really it was for the good acting. Just it had a plot that I was unable to ever really get attached to, with a poor ending.

2 out of 4.

Magic Magic. I like magic. I hope this movie is about magic.

You know, I sometimes watch movies just because there is magic in the title. That is why I watched Magic Mike, obviously. So this has double the magic, which is why I doubly chose to watch this movie.

But in all honesty, you know I am actually watching it for this creepy mother fucker right here.

Chile is a strange place, and that is what Magic Magic has really taught me.

Alicia (Juno Temple) is a young woman traveling to Chile with her cousin Sara (Emily Browning) who she hasn’t seen in some time. Alicia isn’t from the area, but Sara is going to school there, and even has a boyfriend, Agustin (Agustin Silva).

Well, as soon as they set off on a mini vacation to a cool house on a lake, Sara has to leave. She apparently has a test that she has to take, or she will fail the class. Bad timing. Alicia wants to stay with Sara, because she doesn’t know any of these people, but they all convince her to come along and it will be fun. Sure.

Alicia does not have a fun time. She drops Barbara’s (Catalina Sandino Moreno) bag in the water early on, so Barbara might dislike her. Brink (Michael Cera) keeps hitting on her, but she thinks he is a sadist.

Basically, everyone is out to get Alicia, and she doesn’t feel like they are the best sorts of people. And her friend has abandoned her! For more than a day like she promised. What the hell Sara. THESE PEOPLE MIGHT TRY TO KILL HER. AND YOU ARE GONE. FOR FUCKS SAKE SARA.

NO. FUCK SARA AND AGUSTIN AND BARABARA AND BRINK. ESPECIALLY BRINK. HE IS PROBABLY A RAPIST. NO DEFINITELY A RAPIST.

Look at him, staring into her back like that.

Sorry, I went a little bit off the edge there at the end of that plot outline.

Kind of like how Sara starts freaking out. First small gradual freak outs, but over time, full on freak out mode. See, I modeled it after the movie, you’re welcome.

This movie is pretty weird, and it really doesn’t have magic in it, and definitely not two forms of magic. Allegedly psychology classes watch it to try and determine what is wrong with Sara, but I doubt that. This movie literally came out mid August, 2013, so as of now, they can’t possibly have that info to back it up. Wikipedia is lying.

I think the acting from Juno Temple and Michael Cera here are incredible. Cera is creepy while also maintaining a nice guy attitude towards things, while Temple feels like her life is crumbling away from her. She is only on vacation for like three or four days, to give the movie even more context.

The ending was surprising, but if you pay enough attention to the details, you can see how and why it happened. However, it still felt a bit cut off and left unfinished by the end, bugging me pretty hardcore. There is also a lot of Spanish in this movie, but no subtitles, so maybe it is meant for the viewers to relate better to Sara throughout, in an unfamiliar area.

Overall, it is just okay, and would be best seen for the pretty good acting. The plot and ending could have been a bit better.

2 out of 4.

Heh. The Hole.

Heh heh heh.

Heh.

Oh. This isn’t that funny anymore.

Dane (Chris Massoglia), Lucas (Nathan Gamble) and their mom (Teri Polo) are moving to another new home, in another non descript good old fashioned US City.

The kids find a hole in they’re basement. It is deep. It is dark. So dark. Oh well.

Eventually they start seeing weird things happen. You know, a puppet moves around on its own. They see a tiny (dead?) girl creeping around the house and going into the hole. Just a lot of weird things. They also introduce their neighbor, Julie (Haley Bennett), to the hole, and it goes okay.

After talking to Creepy Carl (Bruce Dern) who lives down the street, he claims the hole as existed since the first fear existed. That’s right, it may be a funnel to hell, but it scares you with your greatest fears, and manifests them into a real entity that can hurt you. Shit. And these fuckers had to go and open it, dooming everyone.

“Yep, that’s a hole.”

The only reason I decided to watch The Hole is because it was directed by Joe Dante, who brought us Gremlins and Small Soldiers, both scaryish films but decent for kids in their own ways. I like them both, and nostalgia aside, I think they are both rewatchable many years later. So I was hoping this movie would be similar to them in nature.

Well, I don’t think The Hole is really similar to them at all. Sad but true.

It goes for a horror-esque element, but nothing felt terrifying, just hokey. Hell, Small Soldiers still kind of frightens me when I watch it. This one is just lacking any of the same humor level and fear. It is just some kids being kids. Not an exciting topic for this adult.

This story reminded me of another horror movie I saw in my youth. The Gate. In The Gate, a group of kids find a hole in their backyard, not their basement, and it leads to hell. Demons come out, scary shit. I remember it vaguely, I remember it terrified me, even though it was PG-13 and I was the appropriate age. I can’t imagine anyone finding this one scary. So yeah, a very similar story. Not too original Joe Dante.

Shit. The Gate had a young Stephen Dorff in it. Very surprising, he grew up to be famous! I wonder if any of these kids will matter in 10 years. (Probably not).

1 out of 4.

Vin Diesel is living out every stereotypical nerds dream. Most people know by now that he loves roleplaying. No, not just acting in a movie, but pen, paper, and dice. Heck, he wrote the forward to a book celebrating 30 years of Dungeons & Dragons. So the Riddick character is basically living out his childhood fantasies, with him as the star, and kicking major butt the entire time.

The movie Riddick, follows Pitch Black and The Chronicles of Riddick, while switching genres once again. The first film was Sci-Fi Horror, the second film was Sci-Fi Action Adventure, and this new film is Sci-Fi Action Thriller. Basically a cross breed.

This third project was over nine years in the making, and has gone through financial woes and rewrite after rewrite. Diesel had to put up millions of his own money just to keep filming when the cash ran out and also leveraged his own house. Let’s just say, he really loves the Riddick character, and is willing to put all of his eggs in one basket.

“Take these shackles off my feet so I can dance.“

Another day, another fight for survival.

Riddick (Diesel) finds himself trapped again on a desolate and unforgiving planet, stranded and alone. Left for dead, the Necromongers betrayed their new leader after the events of the second film, and Riddick has no idea how he is going to get off the world. He soon learns to adapt on this new planet, figuring out the meanest creatures and their weaknesses, while also taking in a pet of his own.

But a storm is on the horizon. A literal storm, I mean. It is slow moving, but the water appears to awaken a force buried in the ground, one that he cannot survive on his own.

So he decides to lay a trap. He lets the universe know where he is hiding, so he can ambush the crew and take a ship before it is too late. However, two bounty ships appear, both with very different motives behind them. One ship is lead by Santana (Jordi Molla) with six men (including Dave Bautista), looking for the bounty. The other crew is lead by Johns (Matt Nable) and second in command Dahl (Katee Sackoff), and they are looking for answers.

Dude. Who gave him a cape?

The Riddick movie has two main acts associated with it. The first is his survival on a new planet, with little dialogue (but some voice over). It moves at a slow pace to really make us feel for his character. The second act introduces a variety of characters who bring with them guns, dialogue, and opposite motives for capturing Riddick.

Although the film attempts to give a few of them personalities, the only two bounty hunters who end up standing out are the leaders from both sides. I did get some chuckles out of Bautista, but I knew that was his sole purpose in the film.

I’d say I liked the first half a lot more than the second half. They took their time with combat and death felt like it was actually possible. The action became choppier and less scary when they introduce darkness and guns. Strange, I know. They probably had to rush filming the ending, along with the budget concerns, so that must be to blame.

On its own, I found the movie possibly more entertaining than the other two films in the franchise, but there is one drastic problem with it that cannot be overlooked, and something I don’t think I have harped on before.

Riddick has so much rampant sexism in it, that I almost got sick during the actual movie. That’s right, the excessive gore didn’t sicken me, just the Riddick-ulous amount of sexism.

There is only one woman character in the film who is given a name, and her name is Dahl. You might have realized on your own that it is pronounced just like Doll. I’d say over 90% of the lines said by her, or said to her, are sexual in nature. Literally, the character exists merely as a sex object. Sure, she is able to hold her own in combat, but she is also the only character to be given a small (and surprising) shower scene. With only one topic coming out of her mouth, it is hard to take any part of her role in the film seriously.

Her character also is a lesbian, because that is apparently the only reason she would be a mercenary and always talk about sex. However, it turns out her sexual orientation is no match for Riddick’s charm (And hornyness after being on a planet alone for a few years). Who does Vin Diesel think he is, Ben Affleck? (Affleck “turned a lesbian straight” in two films, Chasing Amy and Gigli).

I think if her character was more than some strange sexual fantasy, this movie could have been a lot better. The “brown filter” I thought would annoy me, but I was able to get over it. The not so amazing CGI I thought would annoy me, but I got over it. The rushed second half and treatment of women I really just can’t forgive or ignore.

 

2 out of 4.

A ha, my first review of a movie that has been guest reviewed! Here I am, following up someone else’s opinion, on my website. Not even mad. I try not to read opinions about film before I write my own, so obviously, my review of The Iceman breaks that creed unfortunately. If you want to read their review of The Iceman, click that link I just linked.

The flipped across the vertical line version of this picture exists on the internet. I…I don’t know which one is real.

The Iceman tells the true story of Richard Kuklinski (Michael Shannon), a famed Polish man who killed over 100 men as a contract killer in NYC. He was arrested in 1986, much to the surprise of his friends and family who did not know he was leading a double life for so many years to provide for his loved ones. Well, not his brother (Stephen Dorff), he was a dick and in prison already. For killing a man. What a criminal.

Of course, he didn’t start as a contract killer. He had a small time job, and came from humble beginnings. He met his future wife (Winona Ryder), and somehow charmed her into marriage, and had two kids. But when he accidentally fails the wrong customer, Roy Demeo (Ray Liotta), he has to repay a debt and does so through a nice assassination or two, which come with nice bonuses.

Eventually, his lives start to collide, as he is forced to work with a rival contract killer, Mr. Freezy (Chris Evans), and work amongst all the mob bosses in the city. The film begins and ends with his confession on the witness stand, and a whole shit ton of remorse. Kind of. Also, James Franco plays a small role who totally dies, and David Schwimmer awkwardly a mob man, and he freaks me out.

The Iceman Cream.

Michael Shannon has been a good actor for sometime. He was arguably the best parts of Man of Steel and Premium Rush, so it is nice to see him again in a leading role like this one. He knocked it out of the park, going completely in character, and nothing like his other recent roles. Dude knows how to act, yo.

In the early 90s, HBO released a documentary on the subject, called The Iceman Tapes: Conversations with a Killer, with actual dialogue with Richard. Presumably this fictionalized version was made to tell the twisted story after his death in 2005. I haven’t seen it, but I think it is on youtube, and I really kind of want to now.

A lot of the assassinations they show are generally really well done, with lots of planing/details gone in to making sure they are perfect.

By basing this movie on a true story, it adds an extra layer of chill as you watch it, knowing that it isn’t just another mob movie starring Ray Liotta. The ending is especially the most chilling aspect of the film, his final courtroom plead and communication with his family. You felt sorry for the guy, even though he killed hundreds of people. Shit, that is rough.

Definitely a movie I’d recommend as well. Even if you have to see David Schwimmer’s goofy face.

3 out of 4.

Arguably, this has been a great summer for Ethan Hawke.

In a few weeks, he was seen in two completely different movies. The first was The Purge, which doubled its budget in earnings and was a surprise early horror hit. The second was Before Midnight, the end of an eighteen year long trilogy, which featured some of the best acting I have seen all year. If that one isn’t nominated for awards, I will burn something.

I’d like to think he got greedy though. Why not add an action movie, Getaway, to his summer releases? Then the only thing he is missing is a comedy! This is what happens when you fly too close to the sun, Ethan. Tisk tisk.

Tisk motherfucking tisk. The movie starts right away with our “hero” walking into a home in complete disarray. The Christmas tree is in shambles! Brent (Hawke) receives a phone call from an unknown number on his wife’s phone (Rebecca Budig), who of course is now missing.

The phoneman tells him to steal a modified Shelby Mustang Super Snake (cool name car, I will admit) and await further instructions. If he gets caught by the police, his wife will die. If he disobeys his instructions, his wife will die. Basically, Brent is The Voice’s (Jon Voight) slave now.

During his tasks, The Girl (Selena Gomez) tries to steal the car from him with a gun! No, she isn’t actually playing a thug from the streets, like the trailer implies. She is just a rich girl, who also is really good at technology, and claims the car belongs to her. Brent has to keep her in the car, to help with the tasks at hand. Or at least, that is what The Voice tells him. Can this former NASCAR driver turned regular Joe Schmo save his wife? CAN HE!?

The exact moment in the trailer when you knew this movie would suck. Never before has it been so easily captured!I will try to be fair and start with the positives of this pile of excrement.

If anything, you can argue that this film offers nonstop action. As an action movie, that is something most can only dream about.

Unfortunately, that level of action is also one of the weakest aspects of Getaway. Car chases and crashes are fine, but to amp up the action, the director, Courtney Soloman, decided to try out a thousand different camera angles.

We have views of faces, of the car, from above, from the clutch, from the breaks, from security cameras, from the cameras in the car. Flash flash flash flash. This movie may induce seizures with how fast the camera angle changes constantly. I can tell you I developed a headache watching this movie, and one of the main reasons is the constant ADHD feeling of the camera.

Honestly, we only need to see him slam down on his break and change gears so many times during a single movie, not every single time he does it.

The other headache inducing parts of the film have to come from the very weak plot and acting. I am not saying Gomez and Hawke are bad at acting normally, just they are in this movie. It can only be blamed on the script and directing. I won’t even talk about the plot, it is just so unimportant and silly.

The ending leaves a lot to be desired as well. It technically gives us some sort of closure, while also kind of feeling like a kick in the metaphorical nuts.

Courtney Soloman has only directed two other movies. I haven’t seen An American Haunting, so I cannot comment on it, but thirteen years ago he directed Dungeons & Dragons which was a slap in the face for an entire culture with its level of badness. It is sad to see that after thirteen years, he has might have actually regressed in his directorial abilities.

0 out of 4.