Tag: The Greatest Showman

Best of the Decade – Part 1 (50-41)

Welcome to my top 50 of the decade list! Every day I will do the next group of 10, according to all of the Staff here at Gorgon Reviews, on what we thought was the best of the decade.

We decided to not include documentaries, as they are much harder to compare, but you will see films represented more than one country at least.

50) The Martian 2015

Why? To me this movie is entirely pro-science in a fun and exciting way. We have smart characters, who solve problems by being smart, despite obstacles in their way. Smartness isn’t played as a joke, it is appreciated, and a lot of care went into making most (not all, that is fine) of this movie at least somewhat realistic.

I have seen this movie usually many times just showing it to my students near the end of the year.

Favorite moment? While the ending is very emotional, I enjoy most when they finally get communication up and running.

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49) Chi-Raq 2015

Why? I want to make some statements with a top 50 list, and not be incredibly boring. This movie rolled a few of my jams up in one. Lyrically spoken, it brings back an Ancient Greek play into modern times, to deal with modern problems, and it is dripping with satire.

It gives new light to a problem. It doesn’t actually offer real solutions, but it is still making great points with its power.

Favorite moment? Samuel L. Jackson laying those smooth lines down as the narrator.

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48) 50/50 2011

Why? Coming out earlier in the decade, this felt like the perfect blend of a comedy/drama for me. I laughed, I cried, and I laughed some more. Joseph Gordon-Levitt really showcased his emotional range and showcased how someone might deal with a surgery that didn’t technically have a favorable outcome. He isn’t in it for the sympathy.

Favorite moment? When his mood shifts right before the surgery. Tears every time.

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47) I, Tonya 2017

Why? I, Tonya does a few things for me. It gives me a very different view of a story that I just had assumptions about (I was 4-5 at the time) and that is likely true about a lot of people. And it also finally let me see Margot Robbie in a different light as an actress that I had never seen before. You know, acting.

Favorite moment? The scenes where Tonya/Jeff’s relationship blossomed into an abuse for all.

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46) Nocturnal Animals 2016

Why? Strangely enough, this movie probably dropped the most out of any film compared to their respective rankings in top of the year lists. For 2016, I had this as my second favorite movie, a harrowing experience I never wanted to experience again.

However, on a rewatch, it is still extremely well acted and an interesting movie, but without the surprising fear elements, it didn’t sustain as much interest.

Favorite moment? It still has to be the highway scene.

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45) August: Orange County 2013

Why? Take an all-star cast of incredible actors, have them act a popular play, and sure enough, we will get emotions and wonderful acting. I hadn’t heard of this play before hand, so it was shock to me when I realized what was going on.

Julia Roberts and Meryl Streep are wonderful together, in that they bring out each other’s worsts.

Favorite moment? Hard to beat the dinner scene as it brings everyone together and everything full front.

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44) The Greatest Showman 2017

Why? Honestly, I loved this movie when I saw it. The worst part about it for me was how short it was (and still is). It was my most anticipated film of 2017, and I knew I was getting a fictionalized story about the real man, but didn’t care. It gave me a sense of fun and wonder that a circus was meant to give its audience, and honestly, as he deceived them, you could argue it was meant to deceive us about the real man.

This would be much higher if it was a little over 2 hours long.

Favorite moment? My favorite song shifts constantly, so at the time of the writing, I will go with The Other Side.

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43) The Witch 2015

Why? I was completely shookith with this film when it came out, appreciating how much the director went for realism in a story dealing with the supernatural. The clothes, the house, the language. Anna Taylor-Joy has started her career off really with this film, escalating her into several other horror/thriller roles.

The introduction of the film started things off very bleak from the beginning, and it was the struggle throughout that made it just that much more horrifying.

Favorite moment? The ending scenes with our goat.

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42) Moana 2016

Why? Our first animated film on the list, and not the last, Moana felt like they finally perfected the “modern Disney Princess” film. Trying to fix the backlash of their older films with problematic narratives.

Tangled and Frozen were obviously stepping stones to get there, but Moana has it all, including a banging soundtrack with only one overall dud in my eye. Looking at you Shiny.

Favorite moment? The ending reveal/victory I didn’t see coming and it still holds up in repeated viewings.

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41) Bodied 2018

Why? Likely to be one of the more controversial films on this whole list, because this damn thing is a controversial film. It has so many elements going on in it that SHOULD lead to it being something we should avoid, that it somehow mashes together to make an uncomfortable masterpiece.

When I rewatched this movie, it still made me captivated, and cringe at all the right moments.

Favorite moment? I am going to say I love/hate the ending.

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Click here for Part 2 (40-31)!
Click here for Part 3 (30-21)!
Click here for Part 4 (20-11)!
Click here for Part 5 (10-1)!

The Greatest Showman

On May 12, 2016, I received an email from one of the production companies who handles pre-screenings in the Houston area. They like to send out emails letting us know what films are coming up and their release dates and studio. It is to make things nice and smooth. Well, the week before on May 5 that email only went to the end of 2016, but for some reason this email added everything they currently knew about for 2017. And at the end of the list, was something called The Greatest Showman on Earth for a Christmas release.

That title intrigued me, so I looked it up. Once I read the plot description and actors involved, at that point I declared it was my now most hyped film of 2017. And it has taken a long time to get here, over a year a half, before I finally got to see it.

I kept away from the trailers, from the soundtrack. I acknowledged that there has been no buzz from the Oscars at all about it, which is a bit surprising, given the genre and cast and subject. They obviously changed the title since then to a much cleaner The Greatest Showman, but I just want you to know, I have been hyped for almost 20 months, and it wasn’t a superhero movie.

Bar
Superhero movies aren’t allowed to show too much drinking.

Phineas Taylor Barnum (Hugh Jackman) grew up poor, his dad a tailor, him an assistant. They were looked down by the elite who saw them as poor people, because they were poor people. He had dreams of one day hosting the greatest show in the world. And despite his dad’s early death, he was still able to marry and run off with his childhood love, Charity (Michelle Williams), who grew up rich.

They had two kids and had a middling live of above poverty, but it wasn’t good enough for Barnum. He needed more, he need luxury, he needed to prove to the snobs and the elites that anyone can rise to their ranks.

And eventually he bought a museum of oddities. Weird stuff, stuff that people want to see. It gradually grew over time, including live acts, like a little man (Sam Humphrey), a bearded lady (Kaele Settle), acrobats (Zendaya) and so on. He gained a rich playwright to help him draw in the rich people (Zac Efron) to mixed reviews. And at one point he brought in a famous Swedish opera singer (Rebecca Ferguson) to get the expensive tickets in the seats. And some would say, he did it all, just to get back at Charity’s dad (Fredric Lehne), who never believed he was good enough for his daughter.

A big show requires a big cast, so here are some kid actors, performers, and side kicks. Cameron Seely, Austyn Johnson, Alex Wong, Ellis Rubin, Skylar Dunn, Jacqueline Honulik, Natasha Liu Bordizzo, Paul Sparks, and Yahya Abdul-Mateen II.

Beard
Some would say that the beard deserves its own tag as well.

I would like to say that I am hard on musicals and judge them rightfully, because I have high expectations for them. At the same time, if my toes are tapping, my body is moving, and the show in front of me is eye candy, there is also a good chance I am liking it. Do I like all musicals? Who know. But I must be biased towards them, often having them near the top of my end of year lists in some capacity.

This is probably what is happening for The Greatest Showman. Because on one hand, this film does not accurately depict at all a beliable/realistic version of P.T. Barnum. Sure, some elements are true, but most are complete fantasy and in a very forgiving light. That is going to piss some people off. The plot itself is all relatively weak, or at least, not too new when it comes to story telling of rags to riches and the meek inheriting.

And yet I was so engrossed, I cried four times. I cried over sadness, over love, over happiness, and over the future. Every time Jackman smiled, it was contagious and it felt full of love as well. The sets were colorful, full of fun costumes, unique characters who were really in tune with their dancing.

And the music, the music! I tried to not listen to it ahead of time, and went in mostly blind. It starts off odd, but over time the opening song (The Greatest Showman) definitely grows on you. My favorite is probably This Is Me, their Freak Flag song so to speak, as Keala Settle just fucking rocks every line. Rewrite the Stars is beautiful, heartbreaking, and has the choreography one would expect for a number like it, best in the film. And The Other Side is such a fun song between Efron and Jackman, featuring a nice bar dance and so many shots it is easy to lose count.

Hell, even the tiny details of the songs were great, including the giant character banging on the ceiling to create the beat in our finale song.

It is so easy to get lost in this movie. It is so surprising that it is under two hours long, and honestly, I wish there was a lot more.

One final nitpick that doesn’t change the grade. We got a famous Swedish opera singer, so it felt really annoying to hear her singing what amounted to a modern pop musical song, that didn’t match her description at all. That song is also amazing, but it just felt very odd at the same time.

4 out of 4.