Tag: Steve Park

Seven years, Wes? SEVEN YEARS?

No. Don’t blame this on the Pandemic. The French Dispatch is your first live action movie in 7 years. Honestly, I thought The Grand Budapest Hotel came out earlier than that, so 7 years is a little shocking, because it certainly feels like a decade. Yes, I know we had Isle of Dogs, but that was stop motion.

Come on Wes. You used to churn out these films like buttah.

And it took a long time for this quirky little number to get made and released. This should not have been a 7 year wait. Did you have to wait for Timothée Chalamet‘s schedule to clear up?!

That Timothee, so hot right now.

The French Dispatch is sort of about a newspaper insert from a small town in France, that tells news of the world and Europe in their periodical, specifically for the people in Kansas, due to very specific plot reasons. You know. Quirkiness.

The writers for the paper are great though, and the main editor, Arthur Howitzer, Jr. (Bill Murray), has been running it for 50 years. He wants his writers to not be unlimited in their potential and will not try to limit their word count or cut sections out if it ruins their vision. As long as their articles sound like they wrote it that way on purpose and they don’t cry in his office, he will be fine.

This movie is actually about its final issue, because with Arthur’s death, in his will was to dismantle the paper and cease operations completely. This movie is about the final three main stories of the paper, a smaller city piece, and of course, an obituary.

Starring literally ever actor ever a Wes Anderson movie and more, a whole lot of people are involved in these three stories. Benicio Del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Steve Park, Owen Wilson, Bob Balaban, Henry Winkler, Lois Smith, Tony Revolori, Denis Ménochet, Larry Pine, Christoph Waltz, Cécile de France, Liev Schreiber, Willem Dafoe, Edward Norton, Saoirse Ronan, Elisabeth Moss, Jason Schwartzman, Fisher Stevens, Griffin Dunne, and Anjelica Huston.

A lot of people close together staring towards the camera. Classic Wes shot. Alright, so was the wait worth it? Or did I overhype it?

I probably overhyped it. I went in not knowing anything about the film, and honestly, a few smaller stories is not usually what I hope for in a film. A bigger plot with subplots, sure.

Technically there is one bigger plot, but it is also relatively minor compared to the three main stories. So why do I care if it is three main stories? Well, if two of the stories are great, and the other is okay, then the whole film doesn’t feel really great anymore.

I definitely feel the stories weren’t even in quality or whimsy. The middle story in particular left a lot to be desired for me, despite elements I liked. My favorite would be the first one, in the prison, although narratively, I don’t know how this person became a normal writer for the paper, and why they are telling this story in their issue that is so far in the past. The third story was fine, but confusing for a bit and that is…less fine.

Overall, this might be the most Wes-Andersy film ever that he has made, and it is incredibly weird. Probably his most black and white and just…strange. He did try a lot with this film, and I guess wanted to tell stories he didn’t think were strong enough for a solo film.

The cinematography, colors, and dialogue are superb of course, but that was to be expected.

3 out of 4.

Nacho Libre. Napoleon Dynamite. Gentlemen Broncos.

Two of these films are well known. Both of them are universally hated or loved, with barely any room for middle ground. And Gentlemen Broncos was unfortunately never widely known on the radar, despite it being the strongest movie of the three for me. I also hated Dynamite, and loved Libre.

Well, now Jared Hess the director is back after a six year directing absence. Don Verdean. Bringing back a few actors he directed in Broncos.

And honestly, this should be enough information to give it a shot regardless of what it is about. Just for the experience. Just for the really quotable lines.

Surveillance does. I hate those

Don Verdean (Sam Rockwell) is a world famous Biblical archaeologist. He made his fame finding actual places and items from the Bible, helping Americans ignore faith and base their religion on facts! Like the scissors that cut Samson’s hair!

I should have said “was” instead of “is” because times are hard now. He is mostly now just selling books and touring churches around the US, with his assistant Carol (Amy Ryan). That is until Tony Lazarus (Danny McBride) a pastor self proclaimed back from the dead, with his reformed stripper wife (Leslie Bibb), want to finance Don Verdean!

You see, they are losing followers and they need something big and splashy in order to get people back into the faith. So they will pay for his next expedition, the wife of Lot! But that is just the tip of the ice berg.

Either way, Verdean has the right frame of mind. He wants to help people, even if it involves lying. Then he gets too involved in his lies, and one of his Israeli workers (Jemaine Clement) finds out the truth, extorting Verdean. At the same time, a local priest, who used to be a Satanist (Will Forte) and his scientist friend (Sky Elobar) don’t believe any of it. They want to prove he is a faker.

Also featuring Steve Park as a rich Chinese Christian man who also wants to get in on the action.

McBride seen here is of course discussing the size of Goliath’s dick.

This is the type of movie where you should know exactly what you are going to get. If you saw any of the last three, it is very similar in terms of exaggerated characters and ridiculous lines. And for the most part, I loved it.

I was cackling to myself as I watched it, both due to the “clever” lines and the “clever” situations. Just seeing McBride as a pastor makes me laugh, because the casting choice is that brilliant. I was surprised by Ryan’s character, because she did the timid/obedient Christian thing very well, and honestly, she rarely has big roles in what she works.

Clement made me laugh the most. It might be the first time a New Zealander has played an Israeli, taking his already strong accent and morphing it into an even stranger Israeli accent. It as so think, basically everything was comical. Rockwell did a fine job in the leading role, although I feel like his motivations were shaky throughout. I couldn’t tell if he was intentionally lying every time or not.

My biggest gripe with the movie is unfortunately the ending. When things became more chaotic and things began to unravel, it just didn’t feel like the same movie. It started to lose a bit of my interest and seemed to focus less on the funny characters and more on the “action.” Quotes of course, because there isn’t actually a lot of action, but it was still higher stakes and running and a couple of gun shots.

3 out of 4.