Tag: Spanish

The Wait (La Espera) was watched as part of Fantastic Fest 2023!

Sometimes being a simple man isn’t always so simple. For Eladio (Victor Clavijo), he doesn’t even know how to read, but he has a wife (Ruth Díaz) and a son. He works at a ranch, which comes with a free house to live in. What does he do at this estate? Barely anything to be honest. He maintains the grounds for the rich owner, who never comes out to visit.

But the main crux of the job is that sets up various stands to rent out to hunters to hunt deer and wild boar from. He makes sure the (normally ten) stands are safe and don’t overlap, so that they don’t have any crossfire. Other people find hunters to pay for the stand usage for the day, while they get really easy places to hunt! However, this time, his coworker says he actually already sold 13 stands worth of people. And if he doesn’t tell the owner, and sets it up for 13, he can get a nice under the table bonus. And his family needs the money…

Eladio takes the deal after his wife convinces him to. Sure enough, something bad happens. Which leads to another bad thing happening. And then hey, even more bad stuff happening. Oh fiddlesticks.

Also starring Pedro Casablanc, Luis Callejo, and Manuel Morón.

OH NO HE HAS A GUN! Oh yeah, there is hunting. Everyone has a gun.

Now real early on in the film, you can get a sense of what is likely going to go down. You could figure it out from my description. It is called foreshadowing. And sure enough, it does happen! But honestly, earlier and faster than I imagined. That is because a great deal of this film deals with the snowball effects of the events. Things get worse, because it makes sense for things to get worse.

But certainly, I can say the ending I did not expect at all. Things got weird, things got creepy, things got downright extra-evil. This became a sort of mystery film, instead of a sad spiraling drama. And for one, I can say, the ending feels like it lands on its feet.

Clavijo as our main character deals with his issues in very believable ways, and honestly, at no point do I not feel bad for him. There is not real gotcha moment where its like, surprise, he is a bad guy! This shit is at some point just how bad life can be and pile up on those in the lower working classes.

The Wait is a film that honestly really draws the viewer in, and is not something you should be waiting awhile to see before seeking it on your own.

Birdboy: The Forgotten Children will probably be the last animated film I see from 2017. That is, unless some anime film I missed comes out in April or Summer, all late in the United States.

This too was a foreign animated film, based on a graphic novel. It was originally released in Spain (and Spanish), but the version I watched was dubbed.

I knew nothing about the film going in, except that it might be weird. And unfortunately, that too was an understatement.

Yay animals! Time for a cute film!

This film takes place on an Island, far away from other lands. It had a peaceful animal community, that could talk, sure. Things were good, until factories joined their island. Eventually, the factories have an accident and a big blast rips through their island, killing hundreds, destroying the buildings in that area, creating rubble. No good at all.

This leads the land changed. It makes it sad. It makes it just feel, dead.

The families are now bitter. Kids are being non conformists, animals are fighting, animals are killing. And everyone is just rude.

Poor Birdboy, lost his dad, and can´t even get back to his lighthouse home. There are demons in there, and he hasn´t yet mastered how to fly.

He has friends, namely Dinky, a female mouse, are the only ones who care about him. She cares about him a lot. With the help of a fox and a rabbit, the gang plan to escape off of the island in a boat, to get away from this place of dissidence and sadness. But the island does not want them to leave. Its citizens are too bitter to allow a thing such as hope help anyone.

The four are going to struggle and face their fears, which is unfortunate, because in this case their fears are very real and dangerous parts of society.

Featuring the voices of Barbara Goodson, Jon Avner, Sofia Bryant, Dean Flanagan, Marc Diraison, Wayne Grayson, Yuri Lowenthal, Jake Paque, and Alyson Leigh Rosenfeld.

Learning to fly is also, unfortunately, a dangerous and very consequence heavy fear.

Yeah, Birdboy was weird. It was also terrifying. It was gruesome. It was nothing like I expected.

The only thing I know to compare it to is Heavy Metal, but that is based on my incredibly limited knowledge on this sort of animated film. And Heavy Metal was more sexy. We also had Nerdland recently, that was graphic in its own ways. This one is graphic in that it involves kid animals, in a disgusting world, dealing with entities trying to kill them and kill each other. We have bulging eyes, red veins, abuse, drugs, everything that would negatively affect a society, rolled into one tiny island.

It is definitely not for the light of heart.

It is a sad movie, with not really a happy ending either. Sure, maybe some hope is derived from it, but it is just a movie that will tear at your heart. Not like a romance, but like a horror, tearing at your heart.

And also, it is very, very confusing. I assumed the graphic novel tells the story a bit better. But there are sequences in this movie out of order, not a lot of exposition, and when I left I just felt confused. I did Wikipedia the plot outline, which is thankfully very detailed. I recognized some events and some scenes and could imagine them all working together, but it is not very easy to do that on your first viewing.

I appreciate that Birdboy is incredibly dark. I appreciate that the artistic style really draws you in and spits you out. I also appreciate that it tried to do something new. But in the end, it was not a very coherent plot, hard to follow, and left me feeling more empty than anything at the end.

Another Thursday, another foreign film. Or documentary. Really it is whatever is convenient on a Thursday and/or how hard it is to find a documentary I want to watch. And this week, a documentary to watch was too difficult!

So I picked My Big Night, as I saw the trailer recently at the theater and it looked funny. And it had dancing! I like to dance and party, every night is my big night. In the comfort of my own home. Clubs are scary.

My Big Night is directed by Álex de la Iglesia, who more recently directed The Last Circus and Witching and Bitching. The former I never heard of before, but it looks intense. The later I actually had recommended to me at least twice and I never saw. Whoops. Maybe I will get around to that one if My Big Night maintains my interest, at least a little bit.

And the first musical number reminded me awkwardly of Prisencolinensinainciusol.

Hooray the new year! Sure, it is like, August or September of 2015 when this movie takes place, but we need to celebrate this bad boy now.

Namely, the television company has serious issues, including a corrupt owner (Santiago Segura) about to lay off hundreds of people. So they have had massive protests outside of their studios. Regardless, they are filming this special months in advance to make sure it goes off without a hitch. That means retakes, reshoots, crowd shots, over and over again.

Speaking of the crowd, they are full of extras who have had to dress up in the same clothes, pretend to party with fake food and drinks, day after day. And then someone gets seriously injured and they need a new extra. That is where Jose (Pepón Nieto) comes in. He has been waiting for a temp job for months and this is the first one to bite. He will do anything, even if his ex-wife and kids are leaving the country to vacation and he has to leave his senile mother (Terele Pávez) at home alone. He also has to deal with Paloma (Blanca Suárez) a very attractive woman who is sitting next to him who is apparently a jinx but super into him.

Other plot lines include! Aging singer Alphonso (Raphael, who I’ve been told is a real singer doing a parody of himself?) battling for the “midnight” spot with a young pop star Adanne (Mario Casas). A stalker (Jaime Ordóñez) who loves Alphonso enough to want to kill him during his performance. And a few women trying to steal Adanne’s sperm to have a blackmail baby. And the two cohosts (Hugo Silva, Carolina Bang) constantly bickering over their lines while auditioning to host a future show.

And shit, even more weird side plots.

Also starring Carmen Ruiz, Carmen Machi, Carlos Areces, Luis Callejo, Enrique Villén, Tomás Pozzi, Luis Fernández, and Ana Polvorosa.

When you’re this fly, you don’t even need color.

My Big Night is an insane ride, with intersecting plot lines and characters, all woven around an absurd idea. The whole movie is absurd, so many little things working together to make this the craziest night of pre-recorded television ever. I like crazy, I like absurd, I would have just liked a little bit more details.

Honestly, the only reason I was able to understand the protesters outside, the time frame of this taping, and how crazy the taping process has been, is thanks to re-reading the plot summary after the fact online. There is so much going on during this film, that they forget to mention all the finer details.

Now, My Big Night is definitely entertaining. I had characters I was rooting for and enjoyed a lot of the music. Some of it could be lost on me culturally, especially not knowing anything about Raphael in real life. It just felt like it should have been a lot more. The ending was also pretty week, comparatively. It was like they had no idea how to end it.

The movie has a ton of promise and I would be excited to see more from this director. You’ve earned yourself a viewing of Witching and Bitching.

Oh man, diversity.

I do believe, with Instructions Not Included, this is the third mostly Spanish movie in the same number of weeks on my website!

Too bad I totally won’t keep that going. I literally don’t know of any other that are about to come to the US, and we have a shit ton of new releases to look forward to. So, uhhh, don’t get used to it, que?

Shit, did I not do that Spanish part correctly?

Valentín Bravo (Eugenio Derbez) is a coward. He is afraid of small problems, medium problems, big problems, and the biggest problem of all, committment. A different woman every week, living life with no job, no responsibility, no worried. Until Julie (Jessica Lindsey) visits him with a 8 month year old baby. Looks like cheap condoms aren’t full proof, but she also leaves it in his living room after a ruse, and runs away back to LA. Well shit. Babies.

Despite his best attempts, he can not keep up with her, and by the time he sneaks into LA, she has moved to NY. He is super stuck with this child, which means he has to do things like get a job, care for another human being, and try to stop being such a coward. Due to those intense parental instincts, he somehow gets a job as a stunt man and befriends a a director (Daniel Raymont), and next thing you know, seven years have flew by, and he is the coolest dad ever. Stunt work pays well, and it all goes towards making her life awesome. He even has fake letters sent from the mom to keep his daughter, Maggie (Loreto Peralta) happy.

Unfortunately, life is about to get more difficult when Julie (Record Scratch) returns home. And she is a lesbian (with Alessandra Rosaldo). And a lawyer. And she wants the kid back. And there is a disease that there is no cure for, which will also potentially ruin this happy arrangement. Well fuck.

Maybe, he should have done something different with the baby early on. Then no heartache now, right?

So this guy, Eugenio Derbez, I have seen him before. He was in Girl In Progress, and it was terrible, but he had the best part in it, even though his role was small. But not only did he star in this film, he also directed it, and helped write it, so this is definitely his baby. The girl above is most likely not his actual baby.

Well, his facial expressions were pretty great in this film, just like Girl In Progress, but it seems like everyone else was made to over act and just made this movie feel like a soap opera. A less dramatic, entirely frustrating soap opera. The beginning felt super rushed, pretty chaotic, but interesting. His life in LA just felt ridiculous, and the events that happened to him, both in his career, with his kid, and with Julie kind of started to just piss me off. Not in the “Oh, this incredible acting is pissing me off and making me feel emotion!” way, but the “This stuff is shitty, what the hell is going on, I am mad at this movie for sucking!”

But it also had heart. And at the end, thanks to a few sudden scenes, I was crying. Stupid movie. Making me rage. Interesting story. Emotional ending.

Gah.

I don’t think the readers here are ready for this. I just don’t.

A Spanish movie, made by Americans, in America. Where we speak American, damn it!

First time I have put up the language tag without the “Foreign” tag. Because this is all USA baby. Just in Spanish.

Yeah, you were not ready for Casa De Mi Padre.

Gay cowboys eating beans around a campfire. Oscar gold.

Armando Ernesto (Will Ferrell) is the not so smart son of a rancher, and has lived at home his whole life. He has simple needs and pleasures, and loves spending times with his other ranch hand friends, Esteban (Efren Ramirez) and Manuel (Adrian Martinez). But his father, Miguel (Pedro Armendariz Jr.) is upset about something, but won’t tell his son about it, mostly because of his incompetence.

But thankfully, Raul (Deigo Luna) returns! Raul is the younger brother who left home some time ago and he looks rich and successful. Huh, wonder where it all came from? So does Armando. Miguel doesn’t care though, because his younger son is a smart man. Not to mention he brought Sonia (Genesis Rodriguez) and plans on wedding her the next day. Hooray, family growth!

Armando is super suspicious of all of this and of Sonia, she just looks like a money grabbing whore. But of course the suspicion leads to spying, and secret jealously and love. Come on Armando, don’t screw your brother like that. Even if he actually is dealing with drugs, and thus has the local cartel leader Onza (Gael Garcia Bernal) coming by to kill everyone, and also problems with the US DEA agents like Agent Parker (Nick Offerman).

Just by saying Nick Offerman, you should know exactly what kind of character he plays in this movie.

Alright readers, it is very possible I too was not ready for this movie. I just expected a normal comedy, set in Spanish though. I am fine with that. I don’t hate that. It’s weird, but could be good too. But what this ended up being is a larger parody/satire on the entire telenova experience, which is something I have definitely never experienced. Sure, I heard they were overly dramatic, basically soap operas amped up a bit.

Quite a few jokes probably relied on realizing the ridiculousness of it all, and this movie adding even more to that fact. But without knowing that? There will be few laughs. I noted that there was badly edited scenes, one in particular I loved was this fight scene involving coyotes and pumas, but the real humor will come in the smaller details. The scenes keeping the camera on the persons face just a little bit too long. Pretty much all the scenes just going on a little bit too long. Not to mention people getting offended quite easily.

Oh and the songs. There are two and there songs out of no where. Probably common place in Mexico, I don’t know. Hell, the Spanish might not have been real Spanish and I wouldn’t even know. So many layers of comedy I just couldn’t get, I think I have to watch this movie a second time to get a better grasp on it all. But for now, lets keep it neutral. Definitely a different film experience than you are used to from Will Ferrell.

Oh shit, we got a potential bad ass over here. Biutiful, nominated for best foreign film…AND BEST ACTOR for 2011? Say Whaaa. That seems rare. Usually they put the foreign films into a category and then ignore the shit out of them. This puts a lot of pressure on the film to live up to hype.

A joint Mexican/Spain film, 100% spanish, by the guy who brought us Babel. Which I still haven’t seen so whatever.

“Oh jeeeez, I hate pressure.”

Life is raining down shit on Uxbal (Javier Bardem). He is a single father, living with two younger kids, who cannot see their mother (Maricel Alvarez) because she is an alcoholic and bipolar, and a danger to them. He himself is an orphan, only having a brother Tito (Eduard Fernandez). He works with illegal immigrants, namely a bunch of Chinese people who make stuff, and a bunch of African people who sell the stuff. Oh, then he gets a terminal cancer and only has a few months to live.

And fuck it, why not, he can talk to the dead, or at least recently deceased, and passes on messages at funerals.

So he is going to die, guess time to fix up relationship with wife. Nope, she is crazy, and he has to leave his children in better hands! A lot of the Africans get arrested, and he ends up taking in the wife (Diaryatou Daff) and child of one of his (now arrested) friends in order to give them shelter. Hopefully she doesn’t screw him over too.

Speaking of screwing over, he is also able to find all the Chinese immigrants jobs. There is no way that can backfire! (This is funny, if you know what happens. Also sad. Also what in the fuck).

Fine. You can have a picture of someone else who isn’t Javier.

Most of this movie is Javier Bardem with a solemn look on his face, and just being super depressed about his life. He obviously really wants to make sure his kids are safe before he goes, but shit, everyone is making that so damn hard. No one is trustworthy, and in the part of Spain he lives, everyone just sketches me out. There is a scene in this movie that I couldn’t get a picture for, of a strip club, where they wore weird masks to look like more boobs on their heads. And fake nipples on their butt cheeks to make them look like nipples too.

Wasn’t even a hallucination! That shit came out of no where, and he didn’t do coke until a bit later in the club!

Personally, I thought the movie dragged on really hard. It is about 145 minutes long, and only in subtitles. It was a long almost 2.5 hours of my life, having to read the subtitles and all, too afraid to try to multi task. I think it moved too slowly, and was clearly too long. Shit, I think it would have conveyed just as much emotion and heart that they wanted if they cut out like 45 minutes. But I just didn’t care about the story anymore.

Not to take anything away from Javier Bardem, because he clearly put his all into that character and trying to resonate its humanness (that sounds intelligent yeah?). But uhh, I don’t want to see it again.