Tag: Robin Williams

Welcome to a Movie Roundup! A movie roundup features a few films that I didn’t feel like making full reviews for, but needed to get basic reviews out there for completionist reasons. It also helps me deal with my backlog. It may have a theme, and today’s theme is Documentaries 2018 (Part 1)! Basically, the documentaries I watched and didn’t yet write about, and need to really review, or else.

Being on a movie round up doesn’t mean a movie is inherently bad, or good, or meh. I can feature any rating on here! So don’t assume the worst! I will also just post the reviews in alphabetical order.

The Bleeding Edge is a Netflix medical documentary, and one I assumed was targeted towards Women. You know, because of bleeding.

And sure it isn’t about periods, but it is definitely geared towards women in some aspect, as two of the three technologies would only go into women. Long story short, there are a lot of “cutting edge” technologies out there that can save lives, be put into people, to solve problems. You know, like the pacemaker. However, the medical technology field is the least overseen of the official fields, unlike food and drugs. Anyone can get their device approved, especially if you just say its the same as a previously approved device, but one change. You can daisy chain approvals, and get to a point where what you are claiming was approved, was only approved from something else now discontinued for not working.

That is scary, people can get hurt, watch what you put in your body, and check the testing. That is what this documentary teaches, which is fine, but I can’t fully explain its science. I will assume dozens of real people testimony about other side effects should be heard, and this documentary gives them a voice, it is just a bit boring.

Look who it is. Dinesh D’Souza, this fucker. This guy who breaks the law, gets pardoned by Trump, and keeps making these documentaries.

I wanted to watch this one in the theaters and review right away, but still, I knew how it would be, and knew how angry I would be, and didn’t want to give it any more money. So I yes, waited, until I could see it for free, and then blast it, and here is the blasting.

A lot of this documentary is saying the same things he has said in past documentaries. No one gives a shit about Thomas Jefferson and it isn’t relevant to now. The past is not now, and right now Republicans are racist and shitty. Very simple. He badly tries to tear down Democrats and there is nothing new in this documentary at all. He isn’t even trying, he just needs his documentary every 2 years to take from Republicans, to give it back to Republicans. Hard pass.

Speaking of political documentaries, we have Fahrenheit 11/9, a sequel or sort. I will say the title is very clever, since it is about the election, and that happened on 11/9. Fantastic work on titles, Michael Moore.

A lot of people don’t like him and that is fair. He is brash and in your face and annoying. But this is not just an inverse of the previous documentary. Like one that only Liberals will like or anything. It is definitely in its sort of own path, and plenty of liberals won’t like it, either. Moore does a better job of shitting on current Democratic leadership and practices over the last decade than D’Souza has in his last few movies. There are real truths here and they are important and useful for us to move forward.

Overall again, not a great piece of work, but it is better, and highlights some interesting aspects of the Flint water crisis as well.

I think that this is one of the first movies I watched that started my giant backlog of things to review. I saw it, couldn’t figure out how to write about it, and it just sat there on my list, forever, waiting and waiting, and then other films joined it, and here we are today.

Robin Williams is fucking amazing. Everyone knows it, or should know it, and if they like him they should see it. It gives a nice life arc, the darkest times, the better times, his family, and so on. And it goes over his passing, the aftermath, and some of the reasons why it occurred. It made me realize some of the friendships he had with some other big names that I never knew, and they tell some touching anecdotes. I watched it, I loved it, and surprisingly it didn’t make me cry.

It still feels odd as a documentary, and was never close to being as impactful as something like RBG and Won’t You Be My Neighbor?. Which is odd, because as a viewer, I would say I actually had a relationship with Williams unlike the other two, but still couldn’t get as engrossed in this documentary on his life.

There are documentaries, and then there is Shirkers. Shirkers is weird, and haunting. It draws you in, while seemingly being about nothing.

I had no idea why it hypnotized me when it seemed that it was about the making of an independent movie far away, like, how could it be good? Why should I care? And at the end, it is still hard to answer that question, even when you find out who the documentary actually ends up being about. The amount of footage of the film is incredible, and it seems like the type of movie I definitely would not have enjoyed.

And yet, I could not look away. The only suggestion for a documentary like Shirkers is to just watch the documentary. Give it a try. See it. If it doesn’t look good after about 10 minutes, then bail, but really any information on it outside of what I gave is just something to be discovered.

Overall, there are lots of documentaries out there that I have seen this year, and more that I have (because this is just part 1). But I put some of the bigger names in this one, because I am ashamed they didn’t have reviews already. Not that part 2, or 3 will be bad, but hey, they will come out soon enough.

I won’t make a sad intro about the death of Robin Williams. I have already had to talk about that with World’s Greatest Dad and Night At The Museum 3.

No, let’s talk about how Boulevard, good or bad, is going to be his last official film that was released. Actors don’t always leave with the best of films. Recently, James Gandolfini gave us Enough Said, but also The Drop! Philip Seymour Hoffman gave us Mockingjay Part 1. Yuck.

I think I accidentally made this intro sad again. And now that I have stars at the top of the review, you can see where this score is going.

And fuck, right there, there it is. A sad Robin Williams.

This is a story about a man who has lived a very simple life. Nolan Mack (Williams) has worked in the same bank for the last few decades and no, he doesn’t even own the place. After work he goes home to his wife, Joy (Kathy Baker), and they sit around and do old people things. They actually sleep in separate beds now. There is no sexual chemistry between them and they just seem to exist in each others company. Hell, Nolan’s only outlet on life seems to be hanging out with his friend, Winston (Bob Odenkirk), but that is only occasionally.

Things change when his dad (Gary Gardner) goes into cardiac arrest. This is a life changer for Nolan. He realizes he is getting up there in age and isn’t doing a whole lot with his life.

So he actually goes down a shady…boulevard, and ends up meeting a male prostitute. He gives Leo (Roberto Aguire) a lift, but with no real idea of what he is doing. Eventually he takes him into a hotel room and they talk. They just talk and hang out. Nothing sexual, and sure, Nolan will pay him for his time. Nolan seems to just want someone to listen to him, someone he can listen to as well. Nolan wants someone he can help out and buy things for and try to fix. And yes, Nolan too is totally gay. Has been his whole life. He just could never accept who he really was deep down.

Also featuring Giles Matthey as a bad guy pimp!

“Get out of the streets, and into my car. Get in the front seat Leo, get into my car!”

Boulevard has a simple message about a relatively simple man. It is never too late to truly be you. If you have been hiding your whole life and are 70 years old, you can still express yourself and come out, so to speak. And it doesn’t have to be just about being gay or transgendered, it could just be doing what you have always wanted to do before it is too late. Boulevard says you can teach an Old Dog new tricks.

That’s a nice message. Probably a good story. It did not feel as good in the actual movie.

That is because the movie is extremely slow. Most likely deliberately, but still, slow. I don’t end up caring about Nolan’s personal journey, or Leo’s life. I kind of just felt bad for his wife the whole time. I am not saying Nolan should have kept lying. But it was just awkward and uncomfortable, the whole situation.

The acting isn’t that great, the atmosphere is melancholy, and just…well, damn. This might be a great inspirational movie for some. But to me, it is just a bad film and thankfully won’t be the lasting impression on William’s legacy.

It has been awhile since Night At The Museum: Secret of the Tomb came out, but I am finally now ready to talk about it. Why did I wait so long?

Well, I had never seen the first two movies, Night at the Museum and Night at the Museum: Battle of the Smithsonian. I have owned the two Night at the Museum movies, which came out out in 2006 and 2009, since 2012. I just haven’t “found the time” to see them. Never in the right mood.

A few things helped put me in that mood. One, Robin Williams died, very sad, I really needed to see more of his movies. Two, the kids were about to go home for the summer and we had a long Memorial day weekend where I didn’t have anything to show them. So it was easy to watch one, then the next a few days apart, and finally, FINALLY, the third and last movie.

Fair warning, I thought the first movie was kind of terrible, and the second one had its moments, but was overall okay.

But those movies lacked a dreamy knight in shining armor.

Years later, that museum is still popular! Larry Daley (Ben Stiller) is opening up more cheating night things. This time, constellations. Well, shit goes badly and he gets fired. Why? The magical tablet is acting all fucky. People are freaking out, getting meaner. Who knows what is going on?? Well, apparently the parents (Ben Kingsley, Anjali Jay) of Ahkmenrah do! Yes, but they are in a museum in London.

So the gang gets together, tablet in hand, to go to a new museum at night and find out how to fix the tablet. Pretty simple plot actually. His son, Nick (Skyler Gisondo), played by a new guy, is also going to come. For reasons. You know, get him back on track and shit.

Oh hey, and we also have Rebel Wilson playing the London night guard. And Dan Stevens, yes, that Dan Stevens, as Lancelot. Sure, he is a fictional character, apparently in a museum, but go with it, assholes.

And there are all the returning characters of course. We still have Teddy Roosevelt (Robin Williams), Octavius (Steve Coogan), Jedediah (Owen Wilson), Ahkmenrah (Rami Malek), Attila the Hun (Patrick Gallagher), Sacajawea (Mizuo Peck), and even Dr. McPhee (Ricky Gervais). Hell, we also have the old geezers back played by Dick Van Dyke, Bill Cobbs, and Mickey Rooney (who also is dead now).

Just a bunch of eccentric Americans and killers hanging out, riding a bus.

The overall problem with this franchise are the inconsistencies. And the inconsistencies are all shrouded behind a mysterious Egyptian tablet and magic, so that any of them can just be written off. But no, it is incredibly annoying.

For instance, why do some things come alive and others not? Statue and wax people? Fine. But in this movie there is a display of Pompeii, and it even explodes and has its own lava and everything. What? The things are supposed to be alive people or animals or creatures. They are just making things up as they go.

The tablet was losing its power and so people were slowly reverting back to their original forms. Apparently people who get transformed for the first time didn’t turn back slowly because it was their first night. They are apparently just making up rules on the fly because why not. In this movie, they say people act a lot weirder right when they transform and get used to the change eventually. This wasn’t true at all in the second movie, as we saw tons of people come alive and go straight into character and being fine with it.

A more structured, less clusterfuck, is all I ask.

Now this one has some interesting jokes and I laughed a few times. Despite the fact that the main new character was a fictional person who makes no sense to be a museum exhibit, Lancelot was killer. Rebel Wilson also did a good job. But the issue with the tablet was lame, as was the “threat” behind it all. It all seemed poorly done, where conflict continued to be created for the stupidest reasons.

Shortly after I posted my review of God Bless America, a friend of mine told me I should watch World’s Greatest Dad. Apparently it had the same director and was surprisingly good/dark despite the recent trend of Robin Williams movies, like RV or Man Of The Year.

So why did it take me more than a year despite at least two other people telling me to watch it? Well, I just needed the right time to do it. And unfortunately that time had come.

With the passing of Robin Williams, I felt a huge sense of sadness that I haven’t felt from a celebrity in a long time. Yes, Philip Seymour Hoffman‘s death was also sad, but I and many others didn’t grow up with PSH always in our lives.

So without further ado, finally I am checking this movie out and will try to catch up on his back catalog over the next few months.

World’s Biggest and Wettest…

Being a dad can be hard business. Especially if you are a single parent and your son is the douchiest of all douches.

That is what is going on with Lance (Robin Williams). For all intents and purposes, Lance is a failed writer, he wrote several books but no one would publish them, so he is stuck being a high school English teacher. A lame English teacher too, as no one seems to be taking his poetry class and he might lose that. His son, Kyle (Daryl Sabara), is a sick fucker. He only has one friend Andrew (Evan Martin), he only talks about sex, he is rude to his dad, he doesn’t do homework, he gets into fights, and is just a general dick.

But yet, Lance is still surprised and saddened when he finds his son dead, an accidental suicide in an embarrassing fashion.

Lance didn’t want his son to go out like that. So he cleaned him off, changed his position, wrote a suicide note for him and thought that would be the end of it. But when Kyle’s “final words” start touching other students and gets recognition for being great writing, Lance can’t help helping himself to some of that fame and glory. Right? No. No, that would be scummy.

Also starring Henry Simmons, Alexie Gilmore and Geoff Pierson.

“Yes. Kyle’s note cured that boys AIDS, don’t cha know?”

Wow. So, I can tell you I didn’t know the movie would be dealing with the actual subject matter of suicide. I think I would have still watched it, but I definitely didn’t see that coming.

This is now an incredibly hard movie to judge. I teared up a little bit during the scene where he found the body, I think more due to the topicalness of it all. It hit all sorts of hard. That happened multiple times during the movie. Separating the real life from the movie is just at this point impossible, I am forever biased.

I still liked the movie overall. A good black comedy can be hard to come by as they tend to not be the most popular genre to take over. The camera style was definitely similar to God Bless America, as was the subject matter.

I mean shit. If you wanted to cry about Robin William’s death, you’d probably want to pick between this one and Jack, given the storyline of that one. I am sure there are plenty more to pick from, but screw you, I want to just throw out Jack.

The film picks a dark subject matter and really gets deep into the subject so it earns chops from that. A little bit more in the ending might have been good to add on, but other than that, a well done movie. You will be missed Mr. Williams.

The full title of this movie, for legal reasons, is Lee Daniels’ The Butler, but eh, technicalities.

This film is supposed to be a biographical film of Eugene Allen, a butler who served in The White House for 34 years until he retired in 1984.

I’d say your best possible experience with this movie would be treating it like your average fictional film, set through a back drop of history, almost like Forrest Gump.

I hope you came here to see pictures of butlers.

Cecil Gaines (Forest Whitaker) came from very humble beginnings in the 1920s. He was living with his family on a cotton plantation in horrible conditions. After his father gets shot and his mother goes a bit insane, he is trained to work in the house, to serve and to serve properly. Eventually he leaves the plantation, gets a job at a hotel, gets discovered, and finds himself as a butler at The White House.

Yeah, butlering at The White House is probably the sweetest gig out there. Unless you mess up, you have job security for 30-40 years.

While at The White House, Cecil finds himself interacting with decades of presidents. He is there for Dwight D. Eisenhower (Robin Williams, his second time as President), John F. Kennedy (James Marsden) and his wife Jacqueline (Minka Kelly), Lyndon B. Johnson (Liev Schreiber), Richard Nixon (John Cusack), and Ronald Reagan (Alan Rickman) with his wife Nancy (Jane Fonda). For you patriots out there, yes, Gerald Ford and Jimmy Carter just get kind of skipped.

During these years, Cecil also has to deal with his family life. His wife (Oprah Winfrey) has bouts of alcoholism, and depression due to her husbands long hours at work. Their youngest child, Charles (Elijah Kelley) eventually decides to join the army for the Vietnam War. Their other son, Louis (David Oyelowo) is able to graduate high school and go down to college in Tennessee. There, he meets other “radicals” who want equal rights. He begins to participate in sit ins, protests, becomes a Freedom Rider, a marcher on Washington DC, and a follower of Martin Luther King Jr. (Nelsan Ellis). Basically, he is there for all of the major civil rights events. Well, the ones that don’t involve sitting in the back of the bus.

Most of the movie involves splicing the civil rights movements through the eyes of the son, with the servitude of Cecil at the White House during these nation changing events.

In case you wanted more star power, fellow butlers are played by Cuba Gooding Jr. and Lenny Kravitz, while Terrence Howard plays his wise crackin’, woman lovin’ neighbor.

I tried to find a picture of each actor as a president. This will do.

Like everything in Hollywood, most of the movie is fictionalized away from the source. Like, Louis, the civil rights activist. He never existed. They only had one son, Charles (who actually did go to the Vietnam War!). So, half the movie right away is fictional. Sure, the events all happened, just the make believe son wasn’t a part of them.

While the butler in question did exist, he also probably didn’t have the small conversations about civil rights with the various Presidents, but they make the film a lot more interesting.

Despite it’s inaccuracies, The Butler is incredible. Over two hours long, it spanned decades of American history and put it in such a powerful context, that it is hard to not feel emotional over it.

All of it is very dramatic and very sad at times, but as you learn by the end of the film, the journey is totally worth it.

The acting is phenomenal on all parts. I am willing to bet Whitaker gets nominated for Best Actor in this film, and Oprah potentially Best Supporting Actress. The line up of presidents was hilarious in its own right. All of these big name actors getting to play a US president, but only for a small part in a movie. Heck, they had a British actor playing Reagan, even better!

I think The Butler is going to be one of the few stand out movies of the year when it comes for Best Picture consideration. Its treatment of racism in the United States is spot on and informative. I am most excited for Forest Whitaker though, who has been in some less than great roles recently. Hopefully this gets him back on the right path again, like when he did The Last King Of Scotland.

The Big Wedding. Oh goodness me.

The trailer tells the story pretty clear.

The filmmakers are a bunch of racists.

What? How did I get that out of the trailer? Well, the plot is about a family who adopted a kid, who is finally about to get married. His mom is coming to visit, but his adopted family is divorced, and she wouldn’t be able to understand that because she is super Catholic. So they just have to pretend to be married!

The trailer then shows off the giant cast and tells us who everyone is, except for said guy getting married. WHAT? So here’s to you, Ben Barnes. You get a spot up top, and the first picture.

But you have to share it with Amanda Seyfried, because these are my rules, damn it.

Ah shit, I just explained the plot in like, two sentences. Whoops. Well the good news is, the divorce wasn’t bad. Sure, Don (Robert De Niro) might have cheated on Elle (Diane Keaton), but they agreed it was for the best, still raised wonderful kids, and still loved each other. Sure, it was Elle’s best friend who did it too, Bebe (Susan Sarandon), and that they have been together for over a decade, but it isn’t weird.

But hey, Alejandro (Ben Barnes) isn’t the only child causing problems. They have two actual children of their own, Lyla (Katherine Heigl) and Jared (Topher Grace). The former, a lawyer in Chicago, going through a tough time with her long term boyfriend, hates her dad for cheating, and can’t have kids. Jared, a baby doctor, who is still a virgin to save himself from marriage, but totally willing to lose it should the right woman arrive.

Yeah, basically a giant shit storm. That isn’t the half of it. I just don’t want to spoil it all. Robin Williams plays the priest, because why not, and Ana Ayora gets naked. These are important things to note, because you know, it is rated R.

Rated R you say? Yeah, Robert does R rated films a lot! So that isn’t surprising. This isn’t your daddy’s wedding movie. Unless you are 2-3 years old, then it is likely that your dad is the target audience. Also, get off this website, there is fucking language and talk of naked ladies.

Here comes the shock of the century week. I enjoyed this movie. Like, a decent amount. I laughed, I loved the twists, it didn’t feel forced, and the chemistry between this giant group of actors was great. Shit, everyone seemed to be having such a great time with the movie, and weren’t disappointed to be stuck with some lame new movie about marriage. Obviously, yes, it looks like shit, but I think it has a lot of heart.

This isn’t the kind of movie I could watch again and again, but I am pleased with how it all turned out and think worth a gander. Well, depends on what a gander is. I think some sort of bird.

If you guys knew how many lesser known movies Kevin Spacey was making nowadays, you’d be shocked. Shocked!

Because everyone loves Kevin Spacey right? Even when he is in mediocre films, he is usually the best part and everyone is happy. Because yay Kevin Spacey. But why all these films that aren’t advertised? Today I watched Shrink, which came out in 2009. And well, I am sure its probably not something anyone really knows. Tomorrow I will watch Casino Jack, a 2010 movie with him. Heard of it? No. Probably not.

I am sure most would be willing to tell Kevin their darkest problems too.

Kevin Smith is a celebrity therapist in LA. Exclusive and famous clients, who all have problems. No cameos here, but Robin Williams does play an actor who is in therapy for alcoholism (but doesn’t believe he is an alcoholic, and thinks himself a sex addict instead). Unfortunately for him, his wife also recently committed suicide and he is kind of having a rough time with it. He starts drinking himself, avoiding his bed room, and hanging out with his pseudo-relative Jesus (Jesse Plemons) to get drugs and high with.

His dad was also a therapist and it is clear Kevin is having a hard time. After a failed intervention, he gets him to start therapy for a high school girl, Jemma (Keke Palmer) as Pro Bono work saying it would help. Why? Turns out her mom committed suicide too. She wants to be a filmmaker some day, but is having quite a rough time at the moment.

At the same time, he is handling a few other celebrities. Saffron Burrows is an actress, married to a narcissistic rock star husband, who makes her feel insecure about her age (joint therapy, husband the real problem). Dallas Roberts is a talent agent who is a germaphobe and has anxieties, who’s biggest client is Jack Huston, who is also addicted to drugs.

Finally, Mark Webber is his kind of related god son, who is a struggling writer who might finally get inspiration through Kevin’s clients. Also interested in romantically with the assistant to Dallas, Pell James.

Yeah, lots of plot lines going on here. Most importantly Kevin trying to handle his clients (who end up being way too connected for his liking) while also failing to take his own advice to deal with his own problems.

Jesus wears glasses.

As we learned from The Sopranos, sometimes even a Shrink might need a Shrink. Having to hear others problems for so long can drive a person mad and not feel as important. This isn’t the plot of the movie, just me free balling.

An interesting concept of a movie, but I definitely thought there was a lot of plots going on. I wasn’t sure why there was so many separate stories for awhile. They eventually became more and more connected (or they always were connected, just more and more revealed) but ehh. Still felt weird. Some of the client stories (Robin Williams / Saffron Burrows) seemed to go nowhere by the end. No where exciting at least, nor did they really end.

Everything else was neatly wrapped up in the movie though. Kevin Stacey does good. I thought each of his scenes were decent, but the flip out on TV scene didn’t feel natural at all. But yeah, wooo therapists.

When I first saw Happy Feet, I loved it, minus the ending. Had an interesting plot, great jokes, some surprise pop culture references, songs/dance, and even some scary moments. Just the end was dumb and preachy, and felt super deus ex. Ending I hated!

I’ve seen it a lot the same, and I still think the same thoughts. That is good.

So what about Happy Feet Two? Well, as long as it doesn’t go preachy, and have a plot other than “baby penguin does something different, isn’t accepted, and eventually is accepted” then hell yeah, lets do this thing.

These penguins are unfortunately “bringing fluffy back”.

Mambo (Elijah Wood) and Gloria (now Pink, since Brittany Murphy died) have a child! Yay! He just isn’t as good at dancing or singing yet (damn it…). Thanks to Ramon (Robin Williams, who also still does Lovelace too) the kids get separated and taken back to his land (where he wants to find love, preferably with Carmen (Sofia Vergara)).

There they find a new penguin that everyone loves. Sven, the flying penguin (Hank Azaria! And German-ish). While they are out and Mambo is looking for them, some ice sheets melt and move around! They crash into each other and Emporer land is now surrounded on all sides by large ice cliffs, and they are trapped in a valley. No way out!

Noah the Elder (Hugo Weaving) is still in charge, and he tries to keep calm with Seymour (Common. That big rapping penguin played by Fat Joe last movie. ANOTHER ACTOR CHANGE!), after figuring out escape is impossible. I would like to note that still having Noah be alive and in charge is weird, since Mambo’s parents are NO WHERE in this movie. I can’t believe that they got old and died, if that old one is still there. They are just ignored then.

Eventually the day is saved, and not by the methods that you might guess. Somehow the power of dance must be involved, after all. They even noted the Deus Ex feel of the last movie, and I thought they were about to fuck me over on that again, but don’t worry, it doesn’t work.

But the real stars of the the movie are Will and Bill the Krill.

I think it’s obvious which one Bill is.

The krill are voiced by Brat Pitt and Matt Damon, respectively. Will is a Krill who wants to get out of the swarm, discover the world, live in the now, become a predator and escape the bottom of the food chain! Bill is his friend who reluctantly goes along with him, trying to bring him back to his senses and is gay?

Yep! I think so, or at least he wants to raise a family with Bill, tons of children, not caring if they are both male. The scene after that he even sings Wham! making it seem very likely that Matt Damon has now played a gay Krill in his life. Definitely a bucket list check off.

But seriously, these two krill are awesome. Their story is woven through the rest of the story, at first you are unsure of why, but once it fully connects at the end, you will see why their journey is overall worth it and integral to the story.

Song wise, there seemed to be a bit less. Only the first song intro featured mash ups. One song in the movie at least was entirely original too, and was my least favorite. The first movie though had a whole lot of songs in the first bit, and then felt like it had nothing until dancing at the end. This one spreads them out a bit more, and the final song is “powerful” and almost made me cry in happiness.

The movie also has a lot more going on with the Elephant Seals, who were pointless in movie one, but also bring out a better ending and a very sad part about 1/3 of the way through.

Hey look. It is Sven! But what dark secrets does HE hold?

The sequel has a lot more plots than the first movie, a change I loved. Thankfully they don’t change who the main character is in this movie, and you know it is still mostly about Mambo. Overall though I felt like the songs in this movie were drastically weaker than the first. Improvement in that area would push the rating to the top, but everything else is great.

Especially the krill.