Tag: Robert Sheehan

Peter Jackson‘s name is super attached to the project Mortal Engines, despite it not seeming like a project up his ally.

Okay, it is based on a book, and he has done quite a few movies based on books or other sources.

But it also looked like a CGI hellscape of a movie. Practical effects were Jackson’s bread and butter in the early 2000’s, outside of some monkey business. Sure, he Hobbited it that aspect up in the future, but there was some attempts to not make it one big green screen, right? Right?

Well, needless to say, this movie isn’t actually Peter Jackson’s baby. He isn’t the director. He is one producer and one writer of the screenplay. He is just a big name and probably involved himself very little in the project. Whew. That was a close one. Can’t have too many duds in a row, or else no one cares about your past.

This is our main character trying to find Robert De Niro‘s dignity for similar reasons.

Mortal Engines takes place some 200-300 years in the future. Instead of sleek future design, we had to go a bit dystopian, and a bit steam punk. Of course some resource concerns exist, and apparently that lead to bigger and badder weapons, which wiped out a lot of technology. Now that is a thing of the past. And instead of resorting back to a feudal farming society, they realized that having a farm is lame, and they needed to be more nomadic. And when you are a nomad but the Earth is too big to wander, you just gotta take your whole house with you. And city.

And uhh, we have cities with giant wheels now, moving across the landscape, in search of places to temporarily settle, to get more resources and then, move, or whatever. And the bigger the city, the more resources they need, so they can’t just like, sit still and gather up enough to move. So instead, they invest in bigger stronger wheels and straight up try to “Eat” smaller community city/town/buildings. They can convert the people into new workers and citizens, and tear up the building material to burn into fuel.

Okay, so this is terribly inefficient. These predator cities can’t possibly survive like this unless they are munching up settlements all of the time. And these settlements are sparse. There are some settlements that don’t move, but they are behind a large wall in a pass, separating let’s say Europe and Asia, with big boom makers, so they can’t get close. Or can they…

Anyways, most of this plot is world building, because that is really the most important aspect, trying to figure out what the hell is going on.

In terms of plot, we have Hester Shaw (Hera Hilmar) trying to kill famed London Energy Guru Thaddeus Valentine (Hugo Weaving). Why? Revenge. Sweet. Sexy. Revenge.

Also starring Colin Salmon, Jihae, Leila George, Patrick Malahide, Robert Sheehan, Ronan Raftery, and Stephen Lang.

“Excuse me, did you forget to drop me off in the 1960’s on your way to the future?”

Absolute garbage. That is a nice way of putting Mortal Engines. A CGI slugfest of nonsense.

Mortal Engines is what happens when you take all of the good to excellent parts of the last decade of teenage dystopian films, then throw them out the window, filling the gaps with terrible B- or C-movie plot, bad acting lines, no worries about making sense, and even more terrible plot lines. It is like the creators of Sharknado saw a book, bought its rights, and then realized Sharknado might be actually more plausible so didn’t try to make sure this movie made sense. It is what happens when you live in a green life, with a green house, green car, green girlfriend too, and then it is totally a good idea to have probably no real sets at all in your movie. It is what happens when you assume to be a success, you just need some ridiculous premise and it will make people thing you are edgy, fun, and new.

I can’t talk enough about how much of a dread this movie ended up being. At over two hours in length, it certainly had a never ending feeling and my mind certainly believed it was three hours plus. It had the nerve to both feel not fully fleshed out/rushed, and yet too long. At no point can people derive an emotional connection with these characters, as so much of the plot needs to be told in needlessly polished flashbacks from our main character. Thousands of people die in this movie, and there is barely ever a thought about them. Characters only show up at the perfect time because of poor writing, without any chance of appearing natural.

Mortal Engines has no redeeming qualities, and when you try to analyze aspects of the plot or story, it will either break apart or just completely get even more confusing. I assume this is a series, and more books/movies will maybe clear some things up. Unfortunately, that doesn’t work well with a standalone movie (Which had no sign of a sequel set up either).

And what in the flying fuck is up with the Shrike robot? I barely understand how they even exist, and just have to accept their near god level power. And it mostly implies it is a bad guy, despite clearly doing a good thing, until the very end when we are supposed to suddenly flip our switches and feel sad? The graphics and voice behind him were also, seemingly, left behind somewhere.

I spent most of the time with this movie trying to fight off sleep, and writing down lines that were delivered extra terrible/cheesy. That, and counting down the minutes until I could get out of the theater and try to put this movie behind me.

I am a goddamn geophysicist, and it took me until almost half of a year later to watch goddamn Geostorm.

IT IS ABOUT EXTREME WEATHER. AND THE EARTH. AND I AM A GEOPHYSICIST.

It would have been unacceptable for me to watch San Andreas way late, like I did with Geostorm.

And hell, I have been relatively kind to natural disaster films on this site. I liked Into The Storm, and you already forgot it existed! Bring on the disaster, especially if it is fun.

Are those ice zombies? What are those soldiers going to do to those poor popsicles?

The Climate is fucked. After the storms started getting worse and worse, these extreme weather events began to get out of hand. Heatwaves killing thousands in an afternoon. Parts of NYC getting flooded. It just needed to stop. So the world finally came together. They couldn’t stop the climate change. But they could try to curb it.

With all nations actually working together, they developed technology, and put satellites into the orbit. Using science or whatever, these satellites around the globe can disrupt big weather events and counter act them through…I dunno, science/technology stuff. Just trust us, it works.

Hurricanes be gone, droughts be gone, whatever. The world is now a happy and prosperous place. The main creator Jake Lawson (Gerard Butler) was taken from his design though, because he was hard to work with. The US Government wasn’t a fan, especially because he wanted it to be perfect enough for the technology to be controlled by the UN, not the USA. Once he is kicked out, and his brother (Jim Sturgess) is put in charge, he feels like it is still fine, but nope. Time for exile.

He is just going to be needed years later, when the satellites begin to malfunction. Now these big storm events are starting to occur, people are dying, and bad things are happening. If these storms continue, they will start to cause other storms, until they get big enough that the whole world will be under weather advisory. A Geostorm.

Also starring a lot of other people: Like Abbie Cornish, Alexandra Maria Lara, Daniel Wu, Eugenio Derbez, Amr Waked, Adepero Oduye, Andy Garcia, Ed Harris, Richard Schiff, Robert Sheehan, Zazie Beetz, and Mare Winningham.

Surprise! Half of this film takes place not even on the geo!

Goddamn it. I wanted to watch a terrible nature disaster movie. But Geostorm isn’t really a terrible disaster movie. It is really just a terrible political thriller, that has climate disaster consequences.

Fuck that.

I mean, if it was a good political thriller and about climate change, it would be one thing. But it is terrible at explaining the disasters, and a terrible thriller, with terrible action. Everything about it is terrible!

Well then why isn’t it a zero? You know, if I hated it, and the acting was bad, and the plot was bad, and the disasters were bad?

Well, they called the satellite program the Dutch boy. You know, referencing the fable about him sticking his finger in a dyke. That makes me chuckle. That is a solid nickname. That is worth a slight price of admission.

And unfortunately, Butler is a scientist in this movie, and mostly in space. So we don’t get to see him fighting a tornado or anything cool. Very disappointing.

The Mortal Instruments: City Of Bones is the next book series turned film franchise to attempt to sweep us off our feet and make that preteen money. Twilight let everyone know that supernatural teen romance/action books could be popular.

Of course, I have never read this series. It is currently up to five books, with a sixth one on the way. What I do realize is that this title is far too long. It really should just be called City of Bones. I try to save time by watching movies, I don’t want the title to be as long as book!

If you look closely, you might be able to see that she is actually a moose.

Thankfully, TMI:CoB is set in modern times, in New York City. Clary Fray (Lily Collins) is your average almost adult girl and she lives at home with her single mother (Lena Headey). She is getting pretty angsty, because it is near her birthday, and she is obsessively drawing strange symbols around her house.

Her best friend is Simon (Robert Sheehan), and for whatever reason she doesn’t understand that she is totally leading him on. They go out to a club and she witnesses a murder that no one else can see. Yep, she is going insane. Then she realizes the boy she saw, Jace (Jamie Campbell Bower) is following her. Creeper alert.

What she doesn’t realize is that she is going to discover a world, hidden in our own. A world of shadow hunters, demons, angels, witches, and more, and it is her destiny to help and try to save the day. Or at least just find her mom, who has been kidnapped.

Kevin Zegers and Jemima West play Jace’s adopted family, Godfrey Gao a warlock, CCH Pounder a witch, Jonathan Rhys Meyers the evil guy, Aidan Turner the good friend Luke, and Kevin Durand as a regular bad guy.

Here are the other main members of the cast, also in the same club. Yay dancing.

I think The Mortal Instruments would have worked better as a TV series, a la The Vampire Diaries, and not a full fledged movie franchise. Like it or not the sequel, City of Ashes, is due for a release late next year, so they are really hoping this series takes off. Not all franchises are destined for greatness however. The Golden Compass at least had the brains to wait to see if the first one could make any movie before announcing the sequels would happen.

Unfortunately for them, it looks like TMI:CoB is destined for failure.

A lot happens in this movie, which is good news since it has a 130 minute run time. Outside of the things I listed before we are also given werewolves and vampires! Roughly all fantasy elements seem to be in this hidden universe, which gives them plenty of time for more shenanigans and future plot lines. It is almost as if they were just throwing different elements at the screen, to see what would stick with the viewers.

Outside of that, the film had to explain a lot about this new world. Despite trying to go over the new terms, I can honestly say I left the theater perplexed. I was left trying to figure out what was happening over and over again throughout the film. At the same time it was also full of every teenage fantasy cliche, so I was able to predict the minor events, and not understand most of the major ones.

Here are some things I am left wondering (Potential spoilers):

• Why is the big bad guy so big and bad? In the film he really only kidnaps someone, but apparently he is way worse and way evil? I can’t tell what his end game was. Something about bloodlines.
• There is a “twist” about certain characters being siblings…maybe. I am not sure because that scene seemed to imply truth and lies.
• A character gets turned into a vampire during the movie, and then that fact gets ignored and/or forgotten about. The fuck?

There ending was a complete mess and they seemed to be making it up as they go. Characters die during it, mostly due to bad tactics. You froze a bunch of demons. Great! Now why do you just sit around until they unfreeze, then decide to try and kill them? Are you daft?

There was a big demon summoning beacon too, that for whatever reason had two separate off switches attached to it, against any sort of logic.

This movie is the type that will only make a lot of sense if you have already read the books. I have been told from my friends that this movie spoils the first three books of the series though. So watch out.

It is a real shame too, because this film could have been better. There was a lot of action and I never really felt bored. It just didn’t make any narrative sense and was an overcrowded mess.

When I heard the title, Season of the Witch, a naturally assumed some fantasy based film: knights, witches, magic, what not. I didn’t know it would try to be a “fictional historic movie”. I do love me some Ancient History too, but not that Medieval crap, so that wasn’t a good start.

The “Main Star” choice was also a bad start.

Nick Cage and Ron Perlman are Crusaders! Rawr! The beginning opens with them kicking ass seemingly all over Europe (thanks to different weather types and, you know, subtitles telling me place names). They are so bad ass, they can even make jokes during their melee-tastic frays! But once they end up having to kill innocent people and women, they leave the order, turning their back on the Crusades and Jesus.

Later, in another part of Europe, they are discovered to be deserters! So they are imprisoned. The local king though is all kinds of dying, thanks to that Plague thing. They think they found the witch that started it all (Claire Foy), so they need someone to take her to a Monastery far away,so they can determine if she is a witch and get rid of the plague. Also joining them? Head knight Ulrich Thomsen, Alter boy Robert Sheehan, Priest dude Stephen Campbell Moore, and criminal who knows the way Stephen Graham.

Yep. So they journey, and try to determine if she started the plague or not, if she is a witch or not, and you know, try not to die themselves. Also, figure out why God would do all this.

Oh what shenanigans is God up to now!?

Personally, I thought the movie really dragged. It was hard enough to accept the ending, but also I am expected to believe that Nick Cage is more bad ass than Ron Perlman? Never! Impossible! I definitely believe that people back then may have blamed witchcraft on something as horrible and deadful as the Plague.

But the movie went pretty much as expected. A twist near the end wasn’t really that much of a twist at all. The sometimes obvious fake scenery that a few scenes have also seemed to bug me. Fights / action sequences were okay. But most involved either dark scenes making them hard to understand, or felt way too long (the last one). It can be an okay film, I guess, if you just want some Medieval action, but found it pretty lacking in enjoyment.