Tag: Oscar Isaac

A Most Violent Year is one of those films I tried really hard to say before I made my best of 2014 list, because I had heard a lot of good things about it.

And uhh. That is all I can say about this movie. I mean, I might have gotten it confused with A Most Wanted Man, which became incredibly average despite also hearing great things about it. Shit, I hope this doesn’t go super average.

Super average would describe most of my dinners. Non-violent super average dinners.

There are 365 days in a year and if you killed 365 people in a year, that would be pretty fucking impressive. Like, totally psychopathic or insane, but impressive. That is not at all what this movie is about.

It is about Abel Morales (Oscar Isaac), just your average business man. It is the early 1980’s and he is the owner of Standard Oil, a heating oil company in New York City. He has big plans for his business and is working on getting a new location for his plant, right on the river. This will give him access to all the oils, allowing him to get better prices and you know, make more money!

But his trucks are being robbed at gunpoint. People are hijacking his vehicles, taking the oil and costing him thousands each time. And he has no idea who is doing it. At the same time he is being hounded by his “friend” the District Attorney (David Oyelowo), investigating him and others for price fixing, tax evasion, and the normal business stuff. This bad press in the news, plus the dangerousness of being a driver is leading his business down a dark path. The bank doesn’t want to help him get his new place anymore! And…and…he might lose it all!

Plus his wife (Jessica Chastain) really wants him to go after the culprits hard. Maybe kill them all. But he doesn’t want to do that. That would be most violent.

So Abel has to go to his competitors one by one to find out who is fucking him over and threatening his family. All while his drivers (Elyes Gabel) start carrying guns in their cabs and his lawyer (Albert Brooks) has no idea on how to help him. Oy vey, what a year.

And he still has to come home to give foot rubs at the end of the day.

A Most Violent Year is a hard movie to describe. It is like a mob movie, but definitely doesn’t involve the mob to any large extent. The main character is hard to really wrap your head around. You know he is definitely not “clean” in the ongoings of the business, but as to what specifically he did in the past they never really see.

Given he is our protagonist, you just have to assume you should root for him and not against him, given the lack of history. He wants that place for his company? Then by golly, I hope he gets it!

I actually liked Jessica Chastain a lot in this movie, playing the shit out of the housewife role who totally can control her husband and know everything going on in his company. The kind of woman who has a plan for everything and knows how to get things done. Was very subtle and very nice.

It is also the kind of movie I think I can re visit. And by that, I wouldn’t mind a sequel. Just not a direct one. Maybe one set ten years later, in a much less violent year, to see how the choices made influenced their lives. I would totally watch that movie.

Oooh, a movie with a mythology theme.

For those not in the know, Janus was a Roman God who had two faces, one to look in the past and one to look in the future and January was named after Janus. This is just a simplification of that reference, because who would go see a movie called The Two Faces of Janus? Actually, who would go see a movie called The Two Faces of January? On its own, it is very nonsensical.

Oh yeah, the people who see everything. They’d be interested. Maybe the people who like the cast.

Or just people who appreciate a nice Greek or Roman Mythology reference. I know we here at Gorgon Reviews always think they are snazzy.

Indubitably, I would declare it down right dapper.

The Two Faces of January is set in the 1960s in Greece. A bit odd, given that Janus is an entirely Roman god with no Greek equivalent, but hey, I don’t make movies, I just judge them.

Chester (Viggo Mortensen) and Colette MacFarland (Kirsten Dunst) are enjoying the scenery, living a life of luxury touring around Europe.

While there, they meet Rydal (Oscar Isaac), an American tour guide who is also visiting. He knows Greek, so why not make some cash on the side. He is drawn to Colette, because clearly she should have nothing to do with that Chester fellow.

But things go from regular stranger awkward to abnormal stranger awkward when Chester kills a man. To be fair, the man was in his house and threatening to kill him first. Apparently Chester did some money scamming and ran with his girl to Europe. Well, some rich people have powerful friends and they found him. And Rydal saw him with the body.

Now they need to go in hiding and they are forced to get help with Rydal, to get new passports, to get out of the country, and to hopefully get away free. But Rydal doesn’t want money, he just wants Colette.

Jealousy tends to add necessary tension to a murder cover up.

When I first tried to watch this movie on Video on Demand, I saw the first minute and was really excited. Maybe a con movie. Oscar Isaac. Greek stuff. Let’s do it. But I had to wait awhile and came back to it. The movie did not live up to my expectations of entertaining me in any grand level.

There isn’t a big cast, so a lot of weight is held on their three shoulders, all of them bringing something different to the table. And they were fine.

Just. Argh. The story. I got so bored with it. So little seemed to happen despite the story always moving forward. It became mostly about jealousy and a pseudo love triangle getting formed. It wanted to explore the lengths people would go to in order to not get sent to jail. After all, anyone can rat out the other and it is all based on hearsay. Mutually assured destruction.

But I just couldn’t get into it. I wanted to like the movie a lot more, but to me it was just okay.

My main initial complaint with Inside Llewyn Davis is the name. I have seen the title online for months, but no one ever pronounced it for me by an official source. I had to wait til I saw the dang thing to know just how to pronounce Llewyn. And it is like Lue-Win.

Now we all know!

I still have problems spelling it too though, so that’s not going well either. I end up adding like, two extra e’s some how.

Clearly, I was not made for the folk scene.

But clearly these guys were!

Llewyn Davis (Oscar Isaac) is a folk singer in 1961, and he is basically living couch to couch at his friends apartments in the Village in NYC. He used to be part of a duo, with a Mike, but now he is a solo artist and basically making no money at all. Sad times.

The movie basically examines a week in his life, trying to make ends meet, trying to not piss off all of his friends, and trying to get rediscovered as an artist to sign a new deal. He also performs at The Gaslight Cafe, which was famous in real life for folk stuff. He is good friends with the owner Pappi Corsicato (Max Casella), which gets him gigs all the time.

Some of his friends include Jen (Carey Mulligan) and Jim (Justin Timberlake), also folk singers, but they are making better life choices and potentially getting really successful. He has a college professor friend (Ethan Phillips) and his hippie wife (Robin Bartlett) as sort of a last resort.

He meets other musicians, like Al Cody (Adam Driver), a deep voiced almost country singer, Troy Nelson (Stark Sands), a simple army man with a simple voice, and Roland Turner (John Goodman), a limping jazz star who wont shut up and his personal driver Johnny Five (Garrett Hedlund).

Basically, it is just a story of poor old Llewyn Davis trying to get by, to make money, to get signed, to be who he wants to be as an artist, and occasionally carry around someone else’s cat.

Basically, a great movie for those who love kittens.

A professor of mine described the movie as sort of a O Brother, Where Art Thou? meets A Serious Man, and I’d have to agree. If you know those movies, you might be able to figure out what I mean. If you don’t, go fucking watch the first one right now. Then maybe watch the other one soon after. Eventually. That one is a bit weirder.

Because Inside Llewyn Davis is kind of weird. In a nice way. I liked its weirdness more than I liked A Serious Man.

The music though, was awesome. I already have the soundtrack. The songs are all very soulful and seem from the heart. Well, not the one “pop song” but at least that one is silly and fun to listen to. Huh. Like pop music.

Oscar Isaac really transformed himself for the role. I’ve seen him in a few movies, and I don’t think he has ever gone too deep into a character like this one. I am sure he received some votes for Best Actor.

Although it was an enjoyable film, and one I will definitely buy and watch again, I can’t help but want more. Which is part of the point of the movie. To not give you everything. To make you fill in your own theories with what they don’t tell you. I am not saying I would change anything either, I just didn’t super love it. Just regular like it.

It has taken a long time for me to see the newest Robin Hood movie, and honestly, I blame the internet. When I first saw a preview, looked awesome. Ridley Scott, on average, is an awesome director. What could go wrong? Apparently everything.

I heard tales that it wasn’t anything like Robin Hood. But that is probably a good thing. We’ve all heard the tale enough to know what happens, if it was the same, it might be boring! But because of that dang internet, I also know the truth of the script. You know what it was called originally? Nottingham. Why? Because it was going to be from his point of view, in a more sympathetic light. Yes! I love switches like that!

Some jerk Outlaw named Robin messing up shit, stealing his Marion and all? Why not?!

But Scott didn’t like that angle. So it was changed. To a more traditional, yet oh so familiar Robin Hood tale. Damn it, this is why we can’t have nice things.

Well, that is a reason. The other main reason is war.

AHH CRUSADES AND STUFF. Robin (Russell Crowe) is over there fighting, because that is all he does, around the world. Just a simple archer. But then something bad happens. He speaks his mind, King Richard (Danny Huston) gets pissed off, and he gets a bit imprisoned. Oh well, thankfully he can get himself free once King Richard gets killed. Wait what?! Richard gets killed early in the movie during the Crusades? Well fuck!

So Robin decides to book it, when he sees a group of men kill the man in charge of bringing the King’s crown back to England. They wanted to kill the king, but he was already dead. The new dead guy? Robin of Locksley. Wait what? Yes, Crowe is a different Robin. But now dying Robin has a request, to return his sword to his dad’s estate for him. Not weird at all. They just have to pretend to be knights and he pretends to be the other Robin to make it less weird.

Too bad the French people were lead by Godfrey (Mark Strong), another English Knight working for the other side? It can’t be true! Well it is, mostly because Prince John (Oscar Isaac) is a little bitch and ordered it.

Either way, Robin delivers the sword to the dad (Max von Sydow) and is met with an unusual request. Pretend to be the other Robin, live in the home, and marry Marion (Cate Blanchett). Or else they might lose all the land to the government when he goes, because a woman can’t hold the deed. Huh, alright then.

But don’t worry, if you are afraid of too much change, you still have some marry men to look forward too. Little John (Kevin Durand), Friar Tuck (Mark Addy), and Will Scarlet (Scott Grimes). The Sheriff of Nottingham (Matthew Macfadyen) is in here too, just not really that important.

Invading French army, working with the traitor king, and maybe some Sherwood forest bandits if we are lucky.

Personally, I think this picture looks like he is attacking with a water scimitar.

Totaling at about 2.5 hours, the Director’s Cut is a monster of a movie. I could be getting trolled, since clearly the Theatrical Cut was basically a DC too with the amount of cutting from the original script Scott did. I am not bitter, I swear.

Actually, the acting in this film felt pretty good, as did the pacing. For me, the 2.5 hours went by without a hitch. There were slow parts sure, and they didn’t do enough that I wanted, but it was kind of enjoyable on its own.

But I feel like something was missing from it to give it that extra wow factor. Really, I think it was just okay, which is probably what pissed off the internet more. They kind of demand perfection, especially from Scott and Crowe. It is an interesting Robin Hood story, that allows for even more tales, but definitely not the best one.

Can’t stop, won’t stop. That is how I live my life. Every walk a strut. So why not a movie called Won’t Back Down? That shit appeals to me. Only time I will back down is when the ref tells me too cause I am too awesome in a fight. Alright that’s a lie. I wouldn’t back down then either.

Determination to finally get off the couch and you know, sit on a couch.

Jamie Fitzpatrick (Maggie Gyllenhaal) is not your ordinary mother. You know that, because she says so multiple times. Her daughter (Emily Alyn Lind) has dyslexia and now because they are so poor, she can not keep her in the private school even with aid and has to go public. Public schools give no fucks, because this is another random one that has a tenure policy. So they get that and well, do nothing else and barely try to teach. Leaving the daughter to be dyslexic and unable to read.

But she wants to change that. First by bugging everyone but no dice. But when she hears about a parent/teacher takeover for a school, that lets them get rid of unionization if half of the parents and teachers are for it, and develop new rules and principals and teaching methods, she gets all excited. But why would teachers give up their safety net? Well, because some of them care I guess. Nona Alberts (Viola Davis) feels bad about her son (and divorce with her husband, Lance Reddick) and just goes a long with it. Jamie even seduces a teacher who still cares to join their cause (Oscar Isaac) even though he likes unions and doesn’t like being put in that spot.

So despite the fact that they even say most schools that go through this begin to fail again after six months, will they somehow pull off the whole process and fix everything in two whole months?

Spoilers.

But wait. Does the movie end after they successfully win their resolution? Yes. But it only shows the school a few months after summer break and its fine. Not years later. Most start to fail after six months. They didn’t even show past that threshold!

But they showed a whole lot more. Two hours of movie at that. First off, time was confusing. I was sure they were setting it in early 2000s, but had all these Penguin/Steeler references after 2008. It said inspired by true events, which is another bullshit term. Schools have gotten better through this is all. It is super one sided and makes fixing a school seem easy as crap.

But more importantly, it is based on a fucking incorrect Gandhi quote. He never said be the change you want to see in the world. Stop it people. Stop giving that to Gandhi. It is a lie! Every time a movie uses it, kittens die. That is all I am saying.

I wish I just watched Lean on Me again, would have been better use of my night!

Confession time! From the original Bourne Trilogy, I only really saw the first one and I am pretty sure that was ten years ago. I just didn’t care that much, thought it was too slow. But you know, okay. So I had to rewatch it last week, and for the first time the second and third ones to make sure I was prepped for the newest installation, The Bourne Legacy.

Smiling Bearded Jeremy Renner wants to be your friend. Not really a joke, just a fact.

Remember everything from the first three films? Well too bad, not much of it matters. Basically, this movie takes place around the same time as the events of Ultimatum. Jason Bourne scared a lot of people when he showed up out of nowhere in NYC and started messing with them all. So much, the CIA went into lockdown.

Potentially a spoiler, but I think knowing the next part helps a lot.

A different program, called Outcome, was similar to the Treadstone program of the first three films. Instead of taking individuals who were already skilled to turn them into agents, they are taking individuals on the bottom of the totem pole and enhancing them artificially with pills.

Aaron Cross (Jeremy Renner) is currently fucked, because he is almost out of pills. On a random mission in the Alaskan mountain range, he lost a bunch of his blues/greens, and is almost out. Even when he gets to the outpost and meets another agent (Oscar Isaac), he can’t get any extra from them. Have to file a report. Without the pills, his body will go crazy and crash. No good.

Too bad, thanks to CIA head person Eric Byer (Edward Norton), they have decided to wipe out the existence of all of the Outcome agents. Gotta kill em all, most by switching their pills, but, wouldn’t you know it, Aaron Cross escapes! Still needs the Blue/Green pills though. So he does the only thing he knows, kicking ass, to find Dr. Marta Shearing (Rachel Weisz) who might know how to get more pills.

Or even better, a way to not need the pills anymore. Can he survive long enough to find a solution, when people with guns and other super agents chasing him? Can he stay ahead of the entire CIA and all of its surveillance long enough? Does the fact that Stacy Keach and Dennis Boutsikaris play other head of operation people actually matter to Edward Norton?

Whoa, two guns Renner? Amping up the violence here, eh?

Fuck. Not even a spoiler, but Extreme Ways by Moby does end this movie as well. Gah, when I first heard that note, I had a silent rage in my seat. I really don’t like that song.

But hey, other than that, I really like it. There were issues of course. I didn’t like the way it was spliced in the beginning, making sure you had no real knowledge of what was going on for awhile, and setting it up. Bump that, just tell me. I liked Aaron Cross better than Jason Bourne. Jason Bourne was almost emotionless, while, as you saw above, Aaron Cross at least smiled. The relationship between him and Marta also made more since than Bourne’s relationship.

When they are eventually in the Philippines, there is one chase scene that is incredibly long. Way too long. They split it up to involve different aspects (foot, vs motorcycle, vs what is chasing after them) but I felt like it got above ridiculous at that point. Either way, besides that, found it all pretty entertaining. Even the parts where Renner had that bad beard.

Sucker Punch was a highly anticipated movie when I first saw the previews on TV. I mean, it just looked visually stunning. I knew absolutely nothing on the plot, I just knew that I wanted to see it.

And I did! In theaters. Leaving with mixed reviews. Despite that, I knew I still one day also wanted to see it on Blu-Ray. Because man was it pretty.

OMG SAMURAI BEASTS.

I won’t spend too much time with the plot, because it is up for interpretation technically how much of it is real, and how many layers of fantasy are involved. Why is it up for interpretation? Because I said so.

Movie begins with Babydoll (Emily Browning) fighting off her step dad, who wins and puts her in a mental institution, now that the mom is dead, so he can claim the inheritance. But right as she is about to get lobotomized by the doctor (Jon Hamm!) it switches to a brothel of some sorts, with young women dancers, recreating the exact scene. Because Lobotomies are hot. Sweet Pea (Abbie Cornish) is the star of the Brothel, but Babydoll is a new girl brought in from the Orphanage. She doesn’t talk much and seems upset.

Probably because she is in a brothel. The other main girls there are Rocket (Jena Malone), Blondie (Vanessa Hudgens), Amber (Jamie Chung), taught by the dance instructor (Carla Gugino). But when she is made to dance, she goes on a weird fantasy adventure, where the Wise Man (Scott Glenn) tells her how to escape, and the items she needs to collect, along with a secret item.

So Babydoll makes it her mission to go and collect these items, while every time she dances, she goes into one of these fantasy trances, whether it is versus the steampunk nazi federation, and robot trains, and etc. But what is really going on the whole time? And how the heck does she look when she dances? Also, Oscar Isaac plays the Brothel owner / main bad guy.

Lot of action violence, all done by tiny women!

Some will say that the only reason this exists is for men to have things to oogle. But pfft, people don’t make movies like that. More specifically, to make nerd guys go crazy. But nerd guys realize they also want a good plot with their crazy action fantasy movies featuring a cast of mostly women. The plot is obviously the weakest part of this movie. It is incredibly nonsensical and hard to explain.

That isn’t the only problem. Some of the fantasy scenes are just WAY too long. I think the first one with the full group of women, I feel like it drags on forever. I was thinking we’d never go back to the main plot line of the movie, escape from the Brothel. These scenes could have been editted down a lot more, to make the pacing better and probably more enjoyable.

But also, this CGI fest is just…so pretty.

Just to prove a point, here is a third picture.

And it is so fucking stunning. Just think, if the plot was better and edited it down, this could have been the coolest experience ever!

From everything I heard about Drive, what I heard the most was how good the “cinematography” was. Camera choices were brilliant, chase and driving scenes sexy, and all of that. Well damn, I thought to myself, I have to see this on Blu-Ray then! Well unfortunately this is a DVD review. I know, I know, lame sauce.

Don’t worry. My website is still in HD quality.

Ryan Gosling plays the Driver! I like writing that because that is his cast name. So mysterious eh? Gosling works as a mechanic, and a stunt driver for movies, but also as a get away driver for criminals. He tells them the same thing every time, that he will wait for five minutes, and then get them to safety, then never talk again. He also works for Bryan Cranston for the mechanic/stunt work (not sure on the Criminal parts. Maybe). But they are looking to expand, possibly into real racing because man, Gosling is a Driver.

Cranston gets a 300k loan from some shady Albert Brooks fella to invest in a stock car to get them the monies. Also going on is that the Driver has a neighbor, Carey Mulligan, who he assumes is a single mom. TURNS OUT NO. Her husband / ex husband is still there, Oscar Isaac (named Standard wtf?). Turns out he is just gonna die possibly, and since Driver might like the neighbor, doesn’t want to see them all sad over that.

Driver agrees to help him get away from another crime that will pay off all of his debts, for Ron Perlman. Simple enough. And hey, Christina Hendricks is there too. What could go wrong?

“Fear/panic” face. Ignore stuff in the background. (cough).

Things go wrong, people die, can he save himself and the ones he might now care for?

It was a very interesting story, that really let the use of silence carry the story forward at points. Long scenes, that were yes, well shot were a great bonus. A little excessive violence never really hurt anyone either. I also loved the soundtrack. Full of weird electro synth pop stuff mostly.

I can also see why this movie could be polarizing. I think the ending was lacking, they could have done something more there. That is a common complaint you will hear. Other people may call it boring or not action-y enough. But eh, opinions are opinions. Mine is that this was pretty good but not top of the plateau.