Tag: Nick Offerman

Danny Collins is a movie that sort of just sneaked into theaters. It wasn’t heavily advertised, it didn’t have more than 1 screening, and I honestly had never heard of it.

I might have even watched it when it came out, if it didn’t come out against Insurgent. Come on. Teen high school dystopian dramas > everything, am I right?

My biggest concern for this movie is actually Al Pacino, once a great actor, now a guy in a lot of bad movies, like Jack and Jill and Stand Up Guys. He is becoming a bit of a box office turn off for me, just like Robert De Niro. For the most part, they seem to be just showing up to do their scenes and not putting any heart to it, getting their easy pay checks. That is the one thing I will mostly look for in this film. Can Pacino try harder?

This guy fucks.

Danny Collins (Pacino) used to be a big star. He was wildly famous in the 70s, with lyrics that compared to John Lennon and he was on top of the world. Now, 40 years later, he is still rich and famous and touring, but playing all of his old hits to old fans and kind of just going with the motions and never giving it his all. Huh, sounds a lot like something I talked about not to long ago.

Either way, his long time manager Frank (Christopher Plummer) let’s him know for his birthday that he found a 40 year old letter, written to him by John Lennon that never made it to him. A letter that basically would have changed his life and told him that money and fame aren’t everything. Well fuck, now he is old and feels useless. But there is still a chance. He should just leave his young cheating wife (Katarina Cas), check himself into a hotel and no longer worry about music but instead worry about his life.

So he is going to live in a Hilton hotel, to constantly hit on their manager (Annette Bening), and try to hook up the main receptionist (Melissa Benoist, who is in everything now) and the main valet (Josh Peck). But that isn’t his main goal, no of course not! He actually has a son, Tom (Bobby Cannavale, who is in everything now), whom he has a rocky relationship with. So he wants to fix that up real soon before someone dies and ruins it all. This means he also will have to befriend his wife (Jennifer Garner) and finally meet his granddaughter (Giselle Eisenberg).

Good. A man with a mission. A man who might go back to money fame drugs and playing for old people if he can’t fix his real life before it is too late. Also featuring Brian Smith as a booty call, and Nick Offerman, who has like, a minute of screen time only at the start, but looks cool enough to mention in this review.

At least the casting department got something right. Cannavale could totally be Pacino’s son.

There you go Al Pacino! If you play a part that in some way mirrors your own career for the last five years, you might put some effort into it!

From Pacino I saw passion and I saw an actor who cared about playing his character. Great! And his own enthusiasm made me enjoy the performance and overall, enjoy the movie.

I thought the relationship aspects between Collins and his family felt realistic and avoided tons of cliches. The most unfortunate part about the family was Jennifer Garner though, who had a character that didn’t do a whole lot in the film, so it felt odd for someone of her talent to be used in such a way. This happens a lot with the mom role in films, for whatever reason, but since they had her, one would guess her role would be more substantial.

I was also very impressed with Bening, playing a hotel manager or something. She was able to pull off the professional/dealing with a huge celebrity/not caring about said celebrity really well. And of course, Cannavale was great for many reasons as well.

Danny Collins, a movie that I was afraid would be a bad VH1 made for TV movie, ended up having quite a few strong characters and a unique enough plot to really enjoy. Based loosely off of a real story, but I don’t care about that story, so I didn’t feel like talking about it.

3 out of 4.

My first introduction to Me and Earl and the Dying Girl was described as “Like, The Fault In Our Stars, but better!”

Well, shit. Because I liked The Fault In Our Stars. It felt realistic, well acted, was surprising, and of course I cried. So I guessed this one was another teenage romance about dying kid(s). Or at least, this time the girl is the sick one. And judging by the actress, I can guess her fate since she seems to be type casted.

Regardless, this movie has an excellent title. It has a nice flow to it. So that gets my loins revved up regardless of any other factors. BRING ON THE DEAD TEENAGERS.

I meant literally dead. Not bored brain dead.

The titular character here is Greg Gaines (Thomas Mann) and he is a senior in high school. He is your typical high school movie loaner. You know, under the radar, tries to please everyone yet stay invisible. His best “friend” is Earl (RJ Cyler). Very similar despite their different upbringings. They like old classic films, are generally weird/antisocial, and have secret parody films of classics that they make together.

Nerd alertttttttttt.

And then there is Rachel (Olivia Cooke), the dying girl. She has leukemia now, and leukemia generally sucks. Greg and Rachel were never really friends, but their moms are, and Greg’s mom has DEMANDED that he hang out with Rachel and make her feel better.

Kind of awkward. Making someone hang out with a person just because they have got the cancer. But he has to do it. And this is the story of Greg, Earl, and a Dying Girl.

Don’t worry! There are more than just those three characters. After all, Greg has TWO parents (Nick Offerman, Connie Britton), and DyingGirl has a mom (Molly Shannon). There are other school kids, like Ill Phil the Drug Dealer (Masam Holden), Scott Mayhew (Matt Bennett) leader of the Emo kids, and Madison (Katherine C. Hughes) a hot girl whom Greg tends to get nervous over.

And everyone’s most hated actor from The Walking Dead, Jon Bernthal, plays the history teacher that everybody loves.

Fuck, that kid can’t smile in anything.

I guess the easiest way to describe this movie, after seeing it, is like The Fault In Our Stars, but better.

I kid. They are pretty different. They might fall under the same overall genre, but The Fault In Our Stars is clearly heavily romance based and this one is definitely closer to the discovery of friendship.

I cant even begin to describe all the things I liked about this movie, but I will attempt anyways because this is a review and that is the point of a review. Mann gives a great performance as the lead, his best yet. Cooke hasn’t been in a lot of films/shows, but she is usually decent and she gives a very raw performance here. This is the first real thing for Cyler and he was hilarious in this as well. But literally everyone is great in this movie. Every single person. Well acted all around, good unique characters, and a touching story.

But that’s not all! The cinematography in this film is great. So many well shot scenes, conveying emotion through just the character spacing alone. Because the two males love old movies, the parody films themselves are brilliant as well. It is clearly a movie that loves movies, and as a movie lover, your experience will be even more gratifying. And of course, my personal favorite, some long, one shot scenes with some intense arguments throughout.

At the end of everything, I think I am mostly surprised at how funny the whole thing ended up being. I laughed throughout, even just a bit during the very sad points. I love a good comedy. This is actually Mann’s second comedy/drama film dealing with intense subjects. I also suggest giving It’s Kind Of A Funny Story a chance.

4 out of 4.

If I told you four years ago that not only would a 21 Jump Street comedy be made, but that Jonah Hill would be involved, and they’d have a sequel called 22 Jump Street, you would have kicked me in the nuts. Then publicly shamed me for being a terrible person. You also may have been slightly confused at the oddly specific-ness of that foretelling.

For all intents and purposes, 21 Jump Street should not have done as well as it did. But it ended up being funny, making a lot of money, and here we are. And this time, they don’t care what you think.

Picture speaks for itself.

College! That is where our heroes, Jenko (Channing Tatum) and Schmidt (Jonah Hill) are going. Same aliases. There is a new new drug that has its own list of side effects that killed a girl. So they are going to infiltrate the dealer, find the supplier and take them down. Hmm, same plot too.

But this time it is different. Because in College, people can be free thinkers. You also don’t need a hall pass.

This time, Jenko is going to try out for football looking for dealers, where he meets the quarterback Zook (Wyatt Russell), who is basically Jenko’s clone and instant best friend.

Schmidt is going the art kids route, looking for drama and poetry geeks who might be hitting the WHYPHY up hard. That is where he meets Maya (Amber Stevens) and gets a girlfriend out of it. It isn’t creepy like the last movie, because she is of age.

But no! It is not just the same! After all, their bosses are still played by Ice Cube and Nick Offerman. Because that makes sense. But the new thug bad guy is Peter Stormare. That is different. Not to mention we have people from Workaholics, like Jillian Bell and uhh. That might be it.

Basically, what is important though is that they have the same blanket set as I do in real life.

After viewing, I determine that 22 Jump Street was like one very long and elaborate inside joke. That would be annoying normally, but here is the good news. You are in on the joke, too. It all makes sense, because you are a person who saw the first film and understands that everything probably has an extra layer of meaning to it.

That’s right. This film is really aware of itself/meta/whatever you want to call it. And it will beat you over head with the jokes and at least for me, it didn’t get stale at all. Not only did it just keep building and building, along with an increase in action, but they didn’t even stop when the movie ended. It had to be one of the more amazing/funny credits I have ever seen. And they didn’t even fill the credits with dumb outtakes or anything.

Tatum might just be a comedy guy. Hill’s character had its moments, mostly dealing with one fight scene near the end and his interactions with Ice Cube, but Tatum had so many laugh out loud lines and moments. Only a few were shown in the trailer. The “lightbulb” scene with Tatum might be the funniest thing I have seen in a movie in over a year. Just thinking about it makes me laugh.

I feel like I am giving out this rating far too much over the last few weeks, but seriously, movies are really earning their keep this summer. Phil Lord and Christopher Miller are comedy gods and they should be worshiped as such.

4 out of 4.

When I first heard of The Lego Movie, sometime mid 2013, I will admit I thought it was stupid. I know Lego has been revamping itself pretty intensely for the last decade, being more than just a child’s toy. With so many themes, and now video games based on movies, it is no surprise they are making a movie based on a game.

When I first saw the trailer? I was immediately hooked. This became one of my most looking forward to movies in the first half of 2014. Shit, it was even done by the guys who did Cloudy With A Chance Of Meatballs and Clone High. Those guys know comedy and they also know their pop culture references. Combined with an idea that has stuck its fingers in most pop culture references over the last few decades, and you have the potential for a storm of success.

See! One of these guys is excited about the storm of success!

In this story, our hero is one Emmet Brickowoski (Chris Pratt), who lives in the city and does the same thing each and every day. He follows the instructions on the box, lives his happy life, and builds things. There is absolutely nothing unique or special about him. That is, until he meets Wyldstyle (Elizabeth Banks), who is about to turn his reality upside down and change his life forever!

She introduces him to the Master Builders, other Lego people who can see from the world around them and build creations quickly and without instructions. Like Vitruvius (Morgan Freeman). He also learns that President/Lord Business (Will Ferrell) is going to unleash some power called “The KRAGLE” on the population in a few days, destroying everyone’s way of life forever!

From a series of accidental circumstances, Emmet is being labeled the “Special” and all of their hopes to saving the day are coming down to him. He will also have the help of other Master Builders like…Batman! (Will Arnett), Benny the 1980s space guy (Charlie Day), Metal Beard a strange huge pirate (Nick Offerman), and Unikitty (Alison Brie). Also, a Good Cop / Bad Cop (Liam Neeson) is working for Lord Business to capture the builders on the war front.

Shit, there is a ton of cameos too, which I won’t tag on the bottom, but might as well mention here. They also have Channing Tatum as Superman and Jonah Hill as Green Lantern (because, 21 Jump Street), Cobie Smulders as Wonder Woman, Shaq as Shaq, Billy Dee Williams and Anthony Daniels reprising their roles as Lando Calrissian and C3P0, and Will Forte as Abraham Lincoln again. His first time as Abe was of course, Clone High.

But you don’t care about them. You all just care about Batman. Don’t you?

Wow. Just wow.

Easily, the first thing that should be talked about is the animation style. They went full out wild with this, wanting to insure that everything always A) looked like Legos, and B) looked like how Legos moved. [Editor’s note: Some contention as to whether or not LEGO is supposed to be pluralized by an S, given it’s company name. They might prefer ‘LEGO Bricks’ if you do multiple ones. Well, I say fuck that, we call them Legos in America]. So yes, the movie could be considered a bit choppy to get all the movements right, but that gave it charm and personality and made me giddy the entire time. Watching waves or an explosion, but noticing they are all still lego pieces is incredibly exciting.

It was also pretty hilarious. I love pop culture as much as the next guy, but I do think their humor relied far too heavily on the fact that they were using major properties, such as Batman. Batman was in this movie way longer than I would have imagined (longer than any other already existing property). Although he was funny too, they were all specifically Batman jokes, and rarely just joke jokes. Most of the main team had their quirks, but none were as trademarked as Batman.

I also feel like parts of the ending were a bit…forced. Shit went real different at the end, kind of ruining the pace for me. All of the sudden, bam, we got a lesson to learn from this movie. I think it went far too long and took away from the film a bit.

I still really like this movie though, just the slowed down ending and over reliance on specific characters is what disappointed me. It was hilarious, creative, and shit, the animation itself is almost worthy of 4 out of 4. Honestly, I have a hard time believing there might be an overall better animated film the rest of the year. But it still had some faults for me. Even if Everything Was Awesome.

3 out of 4.

Watching the trailer for We’re The Millers, it is clear that it could be hit or miss. There are moments in there that make me laugh every time I see it, and those that make me think it will be the worse film ever.

I like Jason Sudeikis as a comedy actor. The problem is, he hasn’t proven himself yet as a leading man in a comedy movie. He is fine as a side kick, or part of a trio, but his only real venture as leading man was in A Good Old Fashioned Orgy, which ended up being less than stellar.

If anything, this film might just cement Eustace from The Chronicles of Narnia: The Voyage of the Dawn Treader as a young comedic genius. Stranger things have happened.

“We’re not even a real family. She is just a washed up actress from a 90s Sitcom!” Whoa, Jason. That’s cold.

David (Sudeikis) is a guy in his mid thirties, still dealing pot. It’s a good life for him. But when he gets robbed of his stash, cash, and back up cash, he finds himself in a pile of trouble. His boss Brad (Ed Helms) doesn’t care and sort of wants to kill him! Unless he heads down to Mexico, grabs a shipment of drugs for him, smuggles it across the border. Sounds easy when the other option is death. Plus, he will earn an extra $100k. Nice!

The problem is, he looks like a drug dealer and in no way can smuggle it across the border on his own. Until he realizes that white middle class families on vacation never get searched! He just has to rent and RV and a group of people to play his family.

He hires the weird kid downstairs, Kevin (Will Poulter), the homeless girl on the street, Casey (Emma Roberts), and the stripper down the hall, Rose (Jennifer Aniston) to play the various roles of the Miller family. Nothing could go wrong!

Sure they get to Mexico, and find out that they are actually stealing the marijuana from a Mexican drug lord (Tomer Sisley). Sure, the amount of drugs is several thousands of pounds worth. But they can probably still pull it off.

Hitmen, spiders, engine failure, dogs, DEA, and another RV family (Nick Offerman, Kathryn Hahn, Molly C. Quinn) are just some of the other problems they will face on the road.

I’d let Nick Offerman sexually wet willy my ear any day. Even Tuesday.

After viewing We’re The Millers, I think that Jason Sudeikis was able to run this movie like the comedy veteran I always knew he could be. It works. It really does.

Yes, this movie has a lot of foul mouthed humor. Cursing, sex jokes, genitalia jokes, incest jokes, it has them all. The unfunny scenes I alluded to in the trailer mostly turned out pretty decent, which is a big relief.

Almost every time Will Poulter was on camera, I found myself laughing. He used to be an annoying asshole kid in a bad Narnia movie. But now he plays the awkward teenager so well, that everything the put him through just tickled my gills.

It wasn’t a perfect movie. Sitting there, a lot of character actions and decisions seemed illogical. If the script was stronger overall, they could have avoided those type of moments. I don’t think they really knew what to do with Emma Roberts as her role in comparison was really limited. Such a shame.

Now if you excuse me, I am going to go blast my old TLC records up and start planning my own fake family vacations.

3 out of 4.

I’d argue that there are two really “big” coming of age indie movies competing for top dog status this summer. The bigger of the two is The Way, Way Back, as it was written by the same guys who brought us The Descendants a couple years ago. The lesser known movie is The Kings of Summer, written by Chris Galletta, who is writing his first movie.

If you are surprised that we have a first time movie writer, stop it. They are called indie films for a reason.

Indie films tend to include forest dance scenes and drum solos, right? Being in high school can suck. Why? Well, your life is changing, you feel like an adult, but you still live with your parents. You just might lash out against your parents. Like Joe (Nick Robinson). His mom died a long time ago, and his dad (Nick Offerman) is now dating. He is also a bastard and has become very strict in his single parent raising. His sister (Alison Brie) has already moved on, but he is stuck with him for at least three years more.

Patrick (Gabriel Brasso, from The Big C) has a different problem. His parents (Marc Evan Jackson, Megan Mullally) are over bearing. Not in any mean way, just nice. Way too nice. Really fucking nice. Also they are ridiculous, it is just hard to feel alive under their care.

Eventually, Joe has the idea to build a house in the woods. Not just some lame tree house either. A real house, with two stories, multiple rooms, and they can live there, by their own rules, live like MEN. You know, hunt their own food, boil their own water, the whole nine yards. Biaggio (Moises Arias) is there too, neither of them really know him, but they are afraid to tell him to leave.

We have a few kids, building a house in the woods, and attempting to live on their own. They of course will also discover a bit about themselves, their family, and maybe what it means to be a man. Potentially with the help of Kelly (Erin Moriarty), a fellow high school buddy. We also have Mary Lynn Rajskub (most well known as Heartfire from season 4 of Arrested Development) and Thomas Middleditch as the head cops on the missing kids case.

The race to grow the best pedo-stashe is on. Coming of age films tend to be hit or miss with me. They are popular for both indie and mainstream movies, so to have a great one nowadays, you really have to offer up something new. Not just another misunderstood kid with big dreams.

The Kings of Summer takes the running away story, and well, runs away with it. For the first time movie writer, his dialogue was pretty top notch. Full of memorable quotes, I found myself looking for a piece of paper in the theater just to write some of the absurdly funny things I heard.

Witty comedy doesn’t make a complete film however, so the plot has to also stand on its own. I was afraid I would be dealing with a lot of teens who thought they were god’s gift to suburbia, the standard definition of first world problems. Thankfully, I found myself agreeing with Patrick and Joe, at least a little bit, and thought leaving home made sense for both characters.

It wasn’t perfect though. No, I would have changed the ending a lot. It was a bit too cliche at that point, which made it feel off from the rest of the movie. I am also pissed off by the romance element in the film, although it is more at the naivety of youth, and not for being actually bad. In other words, it hurt me square in the feels.

But despite that, The Kings Of Summer is wickedly funny and unique. For sure, it is worthy of at least one viewing, if not two in your summer line up.

3 out of 4.

My quest to watch all the Ryan Gosling movies has lead me down interesting paths. It turns out he has been in multiple thriller / almost horror films, but none of them are any sort of standard slasher film. Stay ended up just being strange the entire time, with Gosling as a minor character. But with All Good Things, it is a mystery/thriller, with Gosling at the helm! And he maybe kills someone!

But no. It is still weird and different.

This is the best part of the movie. Gosling as an old man in lady clothes.

All Good Things is based on a true story, kind of. It is based on a guy named Robert Dunst. In fact, it is based on the most famous unsolved murder case in NYC history. But is it interesting?

David Marks (Gosling, aka Robert Dunst, but the name was changed?) is a real estate guy. Making dat money. He didn’t want to though. So he found Katie (Kirsten Dunst) and married all up in her. His dad (Frank Langella) didn’t approve of it.

Well, they move away to Vermont, open up a nice health food store, but still take in money from the family business to subsidize it all. Either way, times are tough, eventually he has to go back to NYC to join the job, make real money. He has to do some shady shit though, causing his mood to change, and become a lot more angry and bitter of a man.

But Katie stands by her man. And eventually dies. But was it David? WAS IT?

Hey, Kristen Wiig is running around. ALSO. There is a clean shaven Nick Offerman, but I can’t find good proof of it on the internet. But it is mindblowing. My second favorite part after the first picture.

Just, imagine him with even less stubble and even more humility.

Whew. What a story. Wait, no. I mean, what a bore-y. I am bored. It is all sorts of boring.

Another moment where acting is pretty darn fine and consistent, but no one cares. Shit, it was hard enough to keep up with the story, having different court room procedures interrupt the story, making it all feel out of order. But the only reason why I know how it ends is thanks to the words they threw at the ending, to tell me where the characters are today.

Whether they are still dead and not sure who killed it, or hiding in drag, or what.

I guess part of the problem with doing a movie about an unsolved case, is not actually knowing what happened. Like the rest of the world. So it is a bunch of bullshit anyways.

Apparently Robert Durst liked the movie? That’s fine. Don’t care. Sucks to be him if he didn’t do it and everyone assumes he did though. Just. Just no.

1 out of 4.

I don’t think the readers here are ready for this. I just don’t.

A Spanish movie, made by Americans, in America. Where we speak American, damn it!

First time I have put up the language tag without the “Foreign” tag. Because this is all USA baby. Just in Spanish.

Yeah, you were not ready for Casa De Mi Padre.

Gay cowboys eating beans around a campfire. Oscar gold.

Armando Ernesto (Will Ferrell) is the not so smart son of a rancher, and has lived at home his whole life. He has simple needs and pleasures, and loves spending times with his other ranch hand friends, Esteban (Efren Ramirez) and Manuel (Adrian Martinez). But his father, Miguel (Pedro Armendariz Jr.) is upset about something, but won’t tell his son about it, mostly because of his incompetence.

But thankfully, Raul (Deigo Luna) returns! Raul is the younger brother who left home some time ago and he looks rich and successful. Huh, wonder where it all came from? So does Armando. Miguel doesn’t care though, because his younger son is a smart man. Not to mention he brought Sonia (Genesis Rodriguez) and plans on wedding her the next day. Hooray, family growth!

Armando is super suspicious of all of this and of Sonia, she just looks like a money grabbing whore. But of course the suspicion leads to spying, and secret jealously and love. Come on Armando, don’t screw your brother like that. Even if he actually is dealing with drugs, and thus has the local cartel leader Onza (Gael Garcia Bernal) coming by to kill everyone, and also problems with the US DEA agents like Agent Parker (Nick Offerman).

Just by saying Nick Offerman, you should know exactly what kind of character he plays in this movie.

Alright readers, it is very possible I too was not ready for this movie. I just expected a normal comedy, set in Spanish though. I am fine with that. I don’t hate that. It’s weird, but could be good too. But what this ended up being is a larger parody/satire on the entire telenova experience, which is something I have definitely never experienced. Sure, I heard they were overly dramatic, basically soap operas amped up a bit.

Quite a few jokes probably relied on realizing the ridiculousness of it all, and this movie adding even more to that fact. But without knowing that? There will be few laughs. I noted that there was badly edited scenes, one in particular I loved was this fight scene involving coyotes and pumas, but the real humor will come in the smaller details. The scenes keeping the camera on the persons face just a little bit too long. Pretty much all the scenes just going on a little bit too long. Not to mention people getting offended quite easily.

Oh and the songs. There are two and there songs out of no where. Probably common place in Mexico, I don’t know. Hell, the Spanish might not have been real Spanish and I wouldn’t even know. So many layers of comedy I just couldn’t get, I think I have to watch this movie a second time to get a better grasp on it all. But for now, lets keep it neutral. Definitely a different film experience than you are used to from Will Ferrell.

2 out of 4.

21 Jump Street (the movie) is nothing like 21 Jump Street (the TV show). Have I seen the show? No. But I know “about it” enough so that I get it. That was more of a crime drama thing, not really a comedy. The movie is a straight up comedy, with tons of references to the show.

You can like both the show and the movie, because it is clearly not a “Remake” but its own thing, taking the basic premise of the show. You know, in case you were curious. But I should also note that when I first heard about it my reaction was a resounding “What The Fuck!?”

But are these two knuckleheads at all believable in these roles or as cops?

Movie begins in 2005, when Jonah Hill and Channing Tatum‘s characters were in school. Hill, nerdy and shy. Tatum, athlete and dumb. 7 years later, some how, they are both wanting to be cops. They remember each other, and agree to work together (helping study / train) and become great friends and partners!

And after a bad first arrest while being park patrol on bikes, they get re-sentenced to an undercover gig on Jump Street, because they are “young looking” to infiltrate a high school and try and stop this new drug from being spread. Could be lethal, but they know nothing about it! So they have to infiltrate the dealers, find the suppliers. So says Ice Cube, their sergeant.

They meet the “cool kids” Brie Larson and Dave Franco, and accidentally switch their identities. ROLE ROLE REVERSAL. They find the dealers, and work on befriending them in order to find the supplier, and you know. Hopefully save the day without getting fired or expelled.

This also features Rob Riggle as a PE teacher, Ellie Kemper as an AP Chemistry teacher, Jake M. Johnson as the principal, and Nick Offerman as their former boss. (This was my paragraph of “People you probably recognize from a TV show”).

Yes, that is the younger brother of James Franco. And it would have bugged you the whole movie noting how similar they looked. He is formally known as “Greg the soccer player” in Superbad.

But outside of all of it, was it funny? Yeah, shit was funny.

It was a self aware comedy too, making obvious jabs at the idea of recreating an 80s drama show into a modern comedy movie. Very easy to catch jokes too. Not everything has to be very subtle.

The made up drug is great, and the moment when the characters were forced to use it? Some of the most funniest consecutive minutes of my life.

Ever joke I don’t think hit the mark, but a large percentage of them did. The action scenes they threw in got to be quite heavy (and slightly predictable) and at one point they actually made a claim that goes against the teachings of South Park, a very hard pill to swallow.

3 out of 4.