Tag: Naomie Harris

A few years ago, The Jungle Book remake came out, and people were confused or impressed or didn’t see it. One of the first “live action” remakes (whereas everything is still animated but one character basically) from Disney and it was a good way to test the waters with their technology and realism.

The problem is, there was another Jungle Book movie trying to come out before that one. It was to be directed by Andy Serkis, and yes, also mostly CGI, but also a lot of mocap technology, the same stuff that made Serkis famous. HE wanted to see those famous actors pretending to be animals, really getting into those characters.

And because of the Disney release, they decided to delay this one. Wait a couple of years, and release it fresh with new eyes. But The Jungle Book announced a sequel, which means there will never really be a time when there isn’t a Jungle Book movie coming out, so they just needed to get it out at some point. People rushed things, advertising potential was low, so they instead sold it to Netflix, so that it can hopefully just be successful there.

Poor Serkis, there is no way he wanted his movie to premiere on Netflix. And at some point they changed the title to be Mowgli: Legend of the Jungle, because Mowgli apparently wasn’t good enough on its own.

Mowgli and the four realms wolves.

Look, I know and you know, that you are not here for the plot. We know that a boy has his parents get all murdered by a mean tiger (Benedict Cumberbatch), so some wolves take him in and raise him. He is also watched over by a panther (Christian Bale), who is soft or something, and really wants the baby to not die, while also being pretty darn afraid of a tiger.

And occasionally, a bear (Andy Serkis) is around to give advice/teach/protect. The snake? Well the snake (Cate Blanchett) is less evil and more godlike, with a bit of an oracle-sense, she is there to be unnerving, not just looking for a bite to eat.

Anyways, the boy (Rohan Chand) tries to be a good wolf, not realizing he is actually a human, and you know, not die to tigers.

Also starring the voices of Naomie Harris, Jack Reynor, Peter Mullan, and Eddie Marsan. If you want other real people, Matthew Rhys and Freida Pinto are also notable characters who have more than just a voice.

When bathing, make sure you focus on your bare niceties.

Really, to have two movies based on the same source book around the same time, those movies better be really different. They need a reason to exist and not just because they wanted to see who can do it better.

And regardless of who had the idea first, or how pitch meetings went, this just feels like a competition to try and see who can do it better. I would like to do a big list of comparisons of the two and argue which is better, but I saw The Jungle Book years ago and don’t really want to make that sort of review. This film has more zoomed in looks at the animals faces, probably for mocap reasons as they created animals around acing faces. None of them looked like people creepily, but the mouth movements felt a bit more natural to have human words coming out of them.

But that doesn’t make the graphics better. I am having a hard time to really figure out which one counts as better, so just put the movies as good enough graphics. They are telling the same basic story too, except this one is a bit darker at times. The monkey scene in particular is really frightening, as are some of the chase scenes. The snake scene is more confusing than anything.

However, this film has problems. Namely, when Mowgli gets to the village. That isn’t the end of the movie, but maybe two-thirds of the way through it. Once that happens all momentum is dropped. The movie seemingly comes to a stop and just takes forever to move the hell on. It loses its steam and can never really gain it back, as most people then decide at that time to start checking their watches waiting for it to end.

Voices are fine, graphics are suitable, darkness is less appropriate for a family movie, and holy shit does it take awhile to just end. Easy pass, but since it is on Netflix, you will see it large and around for weeks, and sure, it will probably frighten your kids.

Have you seen the trailer to Collateral Beauty? Well, please do so. Here is one and here is another. They are both great. I saw it first a few months ago and knew I had to see that movie, right away preferably.

It has actors I like in it, the story looks neat, and looks like a perfect holiday film, without being cheesy Christmas. And it looks like it would make me cry.

But man, it turns out this movie is incredibly fucked up and inappropriate.

Ah love, Knightley knows all about that one.

Like I said, please watch the trailer. Now here is the real plot.

Yes, Howard (Will Smith) used to be good at his job. He ran an advertising firm, preached that every ad should speak to three absolutes: Love, Time or Death, and people loved him. And then, he had his daughter die. Now, the majority of the film takes place TWO YEARS LATER. And now, he is still dealing with his grief. He is barely audible, he spends most of the time just making dominoes just to knock them down, not even looking at them as they fall.

And this leaves most of the company to his three main friends/colleagues. Whit (Edward Norton), Claire (Kate Winslet), and Simon (Michael Peña). Whit is recently divorced and his pre-teen daughter hates him. Claire wants to maybe get a surrogate baby. And Simon, well, Simon might be dying.

All of them have their own issues, but they are still doing their jobs, and right now their company is failing. They have an offer to sell their company though, for $17 a share, which is more than what they really are worth! They just need Howard’s approval, but he refuses to do anything. So they think, sure, maybe they can just show he isn’t right in the head to make decisions without him.

So they develop a scheme, hire a P.I. (Ann Dowd), and she finds out that he has sent letters to Love, Death, and Time. Whit decides that the best option now is to hire actors to be these three entities, make him look crazy in public, record the display, digitally remove the actors, and bam, they can sell the company and do good things.

Yay morals. Featuring Helen Mirren, Keira Knightley, and Jacob Latimore as the actors, and Naomie Harris as a grief counselor.

Two of these characters are considered more of a main character than Will Smith.

My eyes could not believe what I was seeing. I had to both shake my head and put it in my palms at various points in the film. What trailer did I see and why did it lie so hardcore to get viewers?

Oh yeah. Money.

I haven’t seen a trailer so deceptive of a movie since Hercules, but in that case it was a nice surprise. It didn’t change the plot of the film. In this case, people go in expecting a heart warming tale and get a story about very dickish people and they don’t get punishment. Seriously. There may still be heart warming elements, but they come to people who are not worthy of our sympathy.

Here is a fact. Yes. I teared up a bit in the film. But making me cry does not a good movie make. It is frankly really easy to do nowadays, especially if part of the plot involves a dead daughter. But I cried during Jem and the Holograms and could still see its shitty elements.

Look, trailer lies aside, the main ending after all of it is pretty easy to figure out. Except for one element and that is because it doesn’t make any sense. It could have maybe been considered an okay film, but I have to shake my head about the last final reveal. It seems tacked on and never explained, and makes me question how it even got to that point. Almost as bad as the reveal at the end of Now You See Me.

There are a lot of big names in this film and I was really excited to see it after I saw the trailer. But it is easy work for basically everyone involved. Smith feels like a supporting character until the end of the movie. No one is giving I their all and everyone seems to be collecting an quick paycheck.

Collateral Beauty is emotionally manipulative while being morally terrible. That is not a good combination anywhere. And especially not around the holidays.

The only reason I am late on seeing the film Moonlight is mostly out of confusion. I was definitely invited to a pre-screening, it looked good to me, but then the date kept getting changed around, so it got lost in the shuffle.

I also thought I had to choose between Moonlight and Doctor Strange, and I have to go for the giant blockbuster a lot of those times. Especially if the blockbuster is something I have been wanting to see for years.

Another fun fact about Moonlight is that two of the stars in this film were also in big roles in Hidden Figures. That on its own isn’t weird, it is just amusing given the subject matter of this movie, compared to Hidden Figures, a PG Disney real life film.

Enough mindless stalling, lets get on to the crack.

No no no, I said crack, not smack.

Moonlight is broken into three parts of a Chiron’s life. We have 9 year old Chiron, or Little (Alex R. Hibbert), teenage Chiron (Ashton Sanders), and adult Chiron, now going by Black (Trevante Rhodes). It takes place in a lower class area of Miami, not Chicago which I assumed, allowing the film to make a lot more sense.

When Chiron was growing up, he was picked on a lot for his size (See: Nickname of Little). He didn’t like going home to his mom (Naomie Harris), who doesn’t care for him and is getting into drugs herself. By accident he runs into Juan (Mahershala Ali), who decides to give him a meal, since he finds a frightened boy who wont talk and is lost. He even gets to spend the night and meet his wife (Janelle Monáe). And yes, Juan is a big time crack dealer.

When he is a teenager, Chiron gets bullied (by Patrick Decile) a lot more, which leads to a rougher home life. He only has one friend his age, Kevin (Jaden Piner, Jharrel Jerome, André Holland), and their relationship is a very close one.

Needless to say, Moonlight is a story examining the choices in a man’s life. What led him to his decisions, how those decisions affected him later down the line, and the internal struggles he had to deal with mostly on his own.

The good news is he turned into a not so little adult.

Moonlight is certainly a hard movie to talk about, for those easily distracted they will watch it and assume not a lot actually happened. There are longer shots, there are long moments of silence, there are only a few characters, and so on. But what drives Moonlight is how deep it gets into our main character, how much it shows through his face and through his surroundings.

The themes that Moonlight explored I certainly didn’t expect, as they didn’t really explain a lot in the IMDB synopsis, so I will avoid going into explicit detail. But part of the plot is not just growing up in an emotionally abusive household, where the nicest people in your life deal drugs. It is also exploring his sexuality, figuring out how to be true to himself, and deal with issues in his own way.

All three Chiron’s give deep, personal performances. It is strange how three different people can feel so connected. But it works.

Moonlight feels like a dream at some point, branching out into some Terrence Malick territory. Nothing too out there, but visually it was unexpected given what many might just assume is another “gang/drug” adolescent movie.

Basically what I am getting at is that Moonlight is full of surprises. It defies the genre you think it will play into, and it gives a few powerful but subtle performances.

Bond Bond Bond. In case you missed my other reviews on the subject, I have no craps about Bond growing up. My parents didn’t care, so I didn’t get him in my impressionable youth phase, so the only Bond films have had Daniel Craig at the helm.

Casino Royale was okay, Quantum of Solace was terrible, Skyfall was interesting, and now we have Spectre. The internet tells me that the wiki page has spoilers on the subject and the trailer gives too much away. Apparently Spectre is a reference to an older Bond villain from a past film and they are redoing it. I think?

The good news is, I won’t have to compare it to something decades ago. Like always, I will just look at this film and see if I like it as a stand alone action spy film. And for those who are counting, this is the FIFTH Spy movie of the year. After Kingsman: The Secret Service, The Man From U.N.C.L.E., Mission: Impossible – Rogue Nation, and of course, Spy. Strangely enough, the other 4 were all good movies. This might be the best year of Spy film ever recorded. Assuming the grand daddy of spy films can end the streak with a bang.

I’m sure this is just a metaphor.

Do you remember the last three films? Because you will need to. You especially need to know that M (Judi Dench) died in the last movie, and now there is a new M (Ralph Fiennes). The 00 program is potentially going to get shut down, what with half of their building destroyed in the last program and all. They have a new commander, who we will call C (Andrew Scott), who is going to bring all of the British agencies together and more transparent.

Bond (Daniel Craig) don’t give a damn. He opens the movie in Mexico City on the Day of the Dead, killing an assassin and a few other people who planned on blowing up a stadium! This doesn’t help his cause, and he gets house arrested in London for the time being, complete with GPS nanobot tracking in his blood. But like I just said, Bond don’t give a damn. He was told to kill the assassin, Marco Sciarra (Alessandro Cremona), by M (dead one) herself! She sent him a video from beyond the grave to get it done, should she die. So of course he followed orders.

However, in killing Sciarra, he stumbles upon a large and secret organization calling itself Spectre. His only clues involve using Sciarra’s wife, now widow, Lucia (Monica Bellucci) to find the organization and find The Pale King who is also involved in their bad evil guy plans…somehow.

Spectre is led by the mysterious Oberhauser (Christoph Waltz) who seems to know an awful lot about Bond. We also have returning favorites, Q (Ben Winshaw), Moneypenny (Naomie Harris), and Tanner (Rory Kinnear). Also returning is Mr. White (Jesper Christensen) from the first two films, and introducing his daughter, Madeleine Swann (Léa Seydoux). And of course Dave Bautista as scary intimidating no talking killer, Hinx.

This is…also a metaphor? Is Bond getting religious?

Spectre is not what it is hyped up to be. Heck, if you look at my reviews for the other spy movies that came out this year, you will see that they all earned higher marks, making Spectre, technically, the worst spy film of the year. The good news is that it is still at least okay or average and not complete shit.

Here is what is wrong with the film. Bellucci is used in like one scene, and never seen from again. Most of the actors don’t seem to be giving it their all. They really forced the love interest in this film, none of it felt believable and trying to make it a for sure thing is just lazy writing. A lot of lines I couldn’t even understand, due to mumbles or louder sound moments, allowing me to miss jokes and important plot points. There are plot twists, technically, but everyone you can see coming from miles away in the first 20-30 minutes.

But most of my complaints revolve around Waltz and his villain. First of all, Waltz is normally fantastic, but again, his character was always reserved and never felt scary or intimidating. His character also felt like he was barely in the film until the end. We needed a lot more of him for him to reach his true big bad scary levels. Most Bond fans know everything about the villain already, as there is only one notable Spectre leader. However when the reveal occurs, it is also mumbled quickly and then ignored. So for a non serious Bond fan, it does nothing, and for the serious ones, well, they knew it was coming all along.

They connected the villain from this film to the last three, but it all felt shoe horned, offering only a quick explanation and then moving on. More details would have helped understand the bad guys motivations, outside of the vague backstory they gave him. The villain also had a cool brain altering needle that would just take out important functions for whoever is getting tortured. Well. Bond had two pricks, and basically everything that was said would happen, did not. What the hell even was the point?

And the ending itself felt forced and dare I say, heavy handed.

Not saying there weren’t moments I didn’t like. I loved the intro, both in Mexico City (which opened with a very long shot), and the credits, with all the octopus imagery. Q and M were good. The Rome car chase, the train fight scene, and the plane ridiculousness were all very entertaining and well shot. Classic Bond moments from them all.

Hold up your hands. Now bend your hands back a little bit and curl your fingers. Then use this hand position to hit someone in the face, with the bottom part of your palm. That is what I thought Southpaw was before this movie.

Southpaw didn’t actually teach me what a Southpaw was, I had to find out after the fact. Apparently it is just a mainly left handed boxer though, instead of the normal right handed boxer. Oh well.

Either way, the main reason I was interested in this film was to see a buff Jake Gyllenhaal. We had glimpses of it in Prince of Persia: The Sands of Time, but no one wanted to see that movie for some reason. The best part about the muscles put on by Gyllenhaal is that he did it right after starring in Nightcrawler, where he famously lost a lot of weight and has scrawny body.

Look out everyone. Gyllenhaal is now willing to do potential future harm to his health to give it his all in these roles.

And he is excited to do it!

Billy Hope (Gyllenhaal) has got it all. He is undefeated, over 40 wins to his name! He is the lightweight champion of the world! He has friends, a loving wife, Maureen (Rachel McAdams), a daughter, Leila (Oona Laurence), a mansion, a lifelong manager friend/promoter (50 Cent), and fat filthy stacks of cash.

But he wasn’t given these things. He had to work hard. He was an orphan, raised in the foster care system. So was his wife! So were all his friends. From nothing they created something great, and now with all the hits to the head, there is a chance he could lose it all if he keeps taking a beating. His wife wants him to live to see their daughter grow up, a fair request. So sure, maybe he should retire.

Not everyone is down with his retirement though. Miguel Escobar (Miguel Gomez) claims he is the best at the sport, but Billy won’t give him a chance. Miguel needs to beat the best to claim he is the best, so he starts a public taunting event to get Billy to commit. But when the taunting gets too personal, events quickly escalate and a pretty bad thing happens. I honestly don’t know if the bad thing was said in the spoiler, so I will avoid saying it.

Needless to say, post “bad thing”, Billy won’t get to live out the rest of his life as planned. Depression, loss of wealth, drugs, all of these things bring Billy down. After he loses everything, then, maybe then, he can turn his life around with an old gym owner (Forest Whitaker) and living on the streets.

Also featuring Naomie Harris, Skylan Brooks, and Beau Knapp.

Billy was eventually defeated by a KO from his daughter, quite embarrassingly.

Southpaw left me an emotional wreck. Notably important, I have a wife and I have a daughter, so despite not growing up on the streets or being athletic in any way, I found myself relating really heavily with the main character. All the bad things that happened to him I could imagine happening to me, so I was on the same wavelength from minute 1 and on.

Southpaw isn’t a revolutionary story. It has some normal boxing movie moments, maybe even cliches if you will. It wasn’t going for Warrior (shut up, I know it wasn’t boxing, close enough). But what elevates Southpaw is in the incredible acting.

Everyone was on point in this film. Gyllenhaal gave a complete performance, transforming himself into a new person. The film was originally going to star Eminem as the titular role, as a spiritual sequel to 8 Mile. Obviously Eminem wasn’t a champion boxer, but the whole film would be a metaphor for what was going on in his life and his own struggles. It was actually easy to imagine him playing the role early on, but I don’t think he could have pulled off the more emotional and intense parts of the film in the middle and end.

McAdams is in a lot of movies that make me cry, but she is never the reason for the tears. This time McAdams made me cry, who gave one of her best performances. It took awhile to get used to it, but it worked. Whitaker also gives his best performance in years, doing well on the drunk ramblings. It was nice to see after a few pretty bad and cheap movies in a row. And of course, Laurence as the daughter did an amazing job. She conveyed emotions through her eyes like a seasoned pro, with only one of her scenes feeling a bit cheesy.

Southpaw is a movie about a family and boxing. Broken down it is awkward: Boxer’s life turned upside down due to boxing, only way to fix it is more boxing. But the acting and characters make it an incredible film experience.

Buy It! – This movie is available now on {Blu-Ray} and {DVD}.

Unfortunately, Mandela: Long Walk To Freedom ended up having extremely good timing. Less than a week after the movie was released theatrically (on a limited run), Nelson Mandela passed away. Even stranger is a much lesser known movie Winnie Mandela was released on DVD Tuesday, December 3, just two days before his death. A coincidence in that it was only trying to gain some success by releasing around the same time as the more famous movie.

Timing aside, this movie is actually based on Mandela’s autobiography, focusing on his youth and ending right after his 27 years of imprisonment, which came out in the mid 1990’s. I guess if you want anything about his life after that, you can just watch Invictus.

Idris Elba as young Mandela. Because young happens before oldness.

Some of you may already be aware of the struggles that Manela (Idris Elba) went through in his life before he became President of South Africa. Those people won’t really find this movie too informative.

For the rest of us western civilization based scholars, the movie is 2.5 hours of Mandela’s early life: his role as a lawyer, his relationship with his first wife, and later with Winnie (Naomie Harris), how he got into activism, his role in the apartheid bombings, and his imprisonment. After his imprisonment, we learned how he was able to eventually make conditions better for his friends, while also eventually working with the South African government to help end apartheid in a peaceful way, eventually being released and of course being elected as president.

That’s a rough outline of his life and probably grossly misrepresents most of his life, but hey, if it is based on an autobiography, what can you really do?

Idris Elba as old Mandela. He looks nothing like Idris Elba!

I’ll tell you what we can do. We can just assume it to be completely, 100% factually correct and just talk about the acting.

Idris Elba was amazing in this role. Hands down, no doubt about it, he carried the huge burden of Mandela on his shoulders and did it justice. No offense to Morgan Freeman or any of the other actors who have played Mandela, but Elba was easily my favorite of all of them. At the same time, Naomie Harris did an amazing job of Winnie. I can only compare her portrayal to Jennifer Hudson‘s in the “biography” of Winnie, but Harris showed Winnie in a positive light, as someone who went through her own struggles while Mandela was imprisoned, and someone who shouldn’t be hated by others for the divorce.

On top of that, because the film is about 2.5 hours, it is able to go into great and intricate details about their lives, and I can definitely say I learned a lot about his early life. One of the main goals of every biography should be to hopefully learn new and interesting details about someone’s life.

Overall, I really enjoyed Mandela: Long Walk To Freedom. Like any movie of this nature, I am more concerned with what they decided to leave out versus what they told us. I personally don’t understand the controversy over his life, because by the end, he clearly did more good in his life than most people could even think about. An interesting movie, more so if you don’t know a lot about the man.

I have set my standards far too high! For most movies that are coming out in theaters, I have been reviewing them the next week. But for Skyfall, I waited two. My bad, I had to watch the previous two as you knew. Not to mention my general Bond apathy, but don’t let anyone here that. Daniel Craig is a scary man, who might come after me.

There is no way I can outrun that shit.

Speaking of running, like all Bond films (maybe?) this one begins with a chase! Bond is in pursuit of some shifty eyed guy, along with another field operative Eve (Naomie Harris). Why? Because that guy was able to get his hands on some data, basically all of the secret agent identities involved with the MI6. Oh jeez, that shouldn’t even be a file! But even worse is that while on a moving train over a river, Eve misses the kill shot and hits Bond instead, causing him to fall to his demise and the bad guy goes free. (She didn’t feel lie re-firing, in shock).

But yeah, Bond being dead screws up some stuff. M (Judi Dench) gets into a lot of trouble with the government. They don’t like secrets being stolen OR dead agents. So Gareth Mallory (Ralph Fiennes) is brought in to help her into retirement and smooth out the transition.

Oh what’s that? Bond isn’t dead? Just hiding out considering retirement? That’s cool. But when his colleagues are getting killed from that list, he reluctantly comes back in to find that man and who is causing all this shit and why. Spoilers? I don’t think so. But Silva (Javier Bardem) is that man, and also a former agent of MI6. He is fed up with their operation, mostly at the way M has treated them. He has felt betrayed at the institution that created him and is looking for redemption. Huh, he is actually pretty similar to Bond when you think about it. Hopefully he isn’t too charismatic.

Don’t fret, we also get a young Q (Ben Whishaw) with “new” and “innovative” gadgets for Bond. Will Bond realize how much of a bitch M has been to them, and get the hell out of Dodge? Also, why not bring up a lot more of Bond’s past as an orphan, those kind of tales are always exciting.

“Tell me more of how no one has ever truly loved you, James.” Silva, while stroking Bond’s hair.

Whoa whoa whoa. I know my selections are limited, but this has to be my favorite Bond movie. Of all time. Ever. Out of the three. So there is that. I also remember a lot of the plot, while in the first two I can’t even remember who played the bad guys. Maybe they just weren’t famous? I can tell you they were not memorable.

Javier Bardem was fucking memorable. So fucking charismatic. His opening scene was one long take/speech and just perfect. Everything he said was so believable, and humorous as well.

Craig also brought his A-game, but I couldn’t help but think of the movie The Mother during some of those scenes with M. If you know what I mean. (You probably don’t, in The Mother, Daniel Craig fucks a grandmother. A lot).

The action was great, the drama was great, and hell, there was even a giant Komodo Dragon (maybe. A lizardologist can correct me later). Bad ass lizards are my favorite.

The final fight scene really put some nice closure on this part of the Bond era, an I believe Craig is signed on for at least two more movies, and I can actually say that I am excited to see them.