Tag: June Squibb

Breaking news! Justin Timberlake recently offered an apology to Britney Spears and Janet Jackson for being a piece of shit in the early 2000s. You know, the public breakup and blame. And the super bowl shit. He used famous women at the time as stepping stones to advance his own career. People attacked Janet and not Justin. People were bad at Brittney and not Justin.

This apology seems to come right after the docu-show episode called Framing Britney Spears, which made him out to be a bad dude (because, well, he was).

And uhh, none of this has to do with Palmer. The apology happened weeks after Palmer came out, and so did the Spears documentary. This review will come out weeks later too after the apology is no longer breaking news, because I have it on my backburner to post eventually, because no one cares about Palmer and I am trying to stick to five reviews a week.

Do people care about the apology? Hard to say. But certainly one should have happened, and words alone can’t really undo anything that has been done.

Are there any wardrobes that need malfunctioning out there?Eddie Palmer (Justin Timberlake) just got out of prison! Why was he there? Well, the film will tell you eventually. But he was high school football star, got a college scholarship and all of that, but then eventually some things went wrong. And you know, prison.

So now he is back to his hometown, to life the quiet life of a former felon, even though everyone in the town basically knows about him, what he did, and might not give him a break. Palmer is going to live with his grandmother (June Squibb), an old religious type who honestly doesn’t fully trust him. But he needs a place to stay so it should be there. Sometimes there is also a kid in the house, Sam (Ryder Allen), the son of a mother (Juno Temple) in and out of rehab and a slew of other issues, so he is watched also.

But Sam seems uninhibited by gender norms! Oh no. A boy who is fine with pink and fairies? In this economy?

Anyways, this story is about Palmer trying to restart his life, and help look after Sam, despite Sam not being the type of person he is used to seeing. And also Palmer trying to move past his felon past by doing things they just don’t let felons do anymore.

Also starring Alisha Wainwright, Lance E. Nichols, and J.D. Evermore.

“Stripes? Not black or grey or manly reds?” – Palmer, probably.Palmer is a strange movie for sure, but it is one of those that probably needs to be told. We get to deal with several important topics in this movie: Felon rights, abuse, CPS, queer rights especially when it comes to kids in elementary school.

Is Palmer the best film to tackle all of these issues? No, probably not. But representation matters, and getting certain subject into films more often is a way for people to get used to them, and to see certain issues going on in the world more often. If people hear about felon rights post serving their time enough, maybe they will be angry and want to do something about it.

But of course, it is just nice to see a kid who happens to like traditionally feminine things be accepted and have people fight over his right to be how he feels. It is a hugely positive aspect of the movie.

I would also point out Timberlake did fine for playing what amounts to be a simple man from a small town. The kid Allen did great and I did enjoy Temple as playing a piece of shit. Much better than starring in movies that are pieces of shit.

3 out of 4.

When Palm Springs hit Hulu, I will admit, I hadn’t heard of it. I knew nothing going into it either, outside of a few key members of the cast.

I’d like to say that the cast was enough to get me to watch it, but that isn’t true. I literally only watched it because I heard good tidings from others about the story and the acting behind it.

This looked like a very skippable movie. Some sort of Rom Com? Let’s just say that I think going in totally blind is definitely a worthwhile endeavor for this one. I do describe what the movie is about and why it is unique in the plot description below, so feel free to ignore that if you’d rather just run in. This is a good time to just check my rating and decide on those merits alone!

Trust? In swim trunks like these? 

Nyles (Andy Samberg) is at a wedding in Palm Springs, California. His life is aloof, he seems weird, he is wearing non fancy clothes to the wedding His girlfriend (Meredith Hagner) is freaking out about his strange behavior, but he doesn’t care. Nyles has his eyes on on Sarah (Cristin Milioti), the maid of honor. And before he can seal the deal, he gets shot with an arrow by Roy (J.K. Simmons) and that is pretty damn annoying.

After the arrow incident, Nyles crawls towards a mysterious glowing cave with Sarah following, despite his best attempt to get her to leave, and then the next morning, Nyles wakes up to relive the day over again. But this time, so does Sarah.

You see, Nyles has been living this time loop of this wedding he barely cares about for a very, very, long time. Every death, every sleep, no matter what, he goes back to waking up the same bed with his same girlfriend. But now, Sarah is stuck in the loop with him (and so is Roy, which is why he is pissed at Nyles). Well, now at least there are two of them to try and figure out how to get out. Two people who can make the day feel less meaningless. And maybe they can figure out a way out eventually.

Also starring Jena Friedman, Jacqueline Obradors, Dale Dickey, Tongayi Chirisa, June Squibb, Chris Pang, Tyler Hoechlin, Camila Mendes, and Peter Gallagher.

It took them 400 days of shooting to get the beer spray lined up so perfectly. 

So given the genre and type of film it is, why is this one worth the 4 out of 4?

Well, despite it being a famous type of a movie with a really famous and cherished example of the plot line in movie history, it isn’t that overdone yet. I bet you can’t think of more than five examples of that plot line being used (although there are more than five, but not too much more). People just feel it had peaked early. Well, by having two characters go through this plot, it allows a lot more room for growth and potential, because we have more people who are in on the secret.

It is a brilliant idea, and one that I am surprised (as far as I know) not been done before. It lets us get to know our leads as co-stars and not just one person surrounded by the supporting actors. Samberg is his usual self, but maybe a bit more darker with his tone, because he has been at this for awhile and has practically given up. Milioti was a delight, and watching her journey at the beginning all the way through the end, as a strong independent person, to get things fixed, was great. And it featured a cameo from a professor at Rice University who I know, so that was cool too.

Palm Springs is a unique concept on an old plot, and a refreshing take on it all. Add in two fantastic leads and a great moment from Simmons, this is a top tier film for 2020 (given how awkward this year is) and one that should be experienced.

4 out of 4.

Ah, Anna Kendrick. She had six movies come out in 2016, and I was disappointed in the five I saw. I am sad to say The Hollars, which looks great, I still haven’t gotten around to.

I used to love Anna Kendrick, since I saw her in Rocket Science and Up In The Air. But her choices that don’t involve singing in the movies have been bad choices, and that really just sucks.

So on that note, I wasn’t rushing to see Table 19. For a lot of reasons, but even the Anna Kendrick appeal was losing its lure on me. At this point it just feels like I should just wait until Pitch Perfect 3 before trying to trust her again.

And then Kendrick might have more than one person following her around for paparazzi.

Ah the joys of a wedding. What a splendid time where people come together to laugh, sing, dance, be merry, all in celebration of the love of a couple!

Except for those who feel like they had a pity invite or shouldn’t be there. Or maybe people there for alternative reasons. Or maybe you are just Eloise (Anna Kendrick). A month ago you were the bridesmaid, but you bailed out of the wedding due to an awkward situation. You are great friends with the bride (Rya Meyers), but you were also dating her brother, Teddy (Wyatt Russell), the best man. And a month before the wedding, he broke up with you over text. Oh yeah, lot of confusion now over what you should do. ‘

But Eloise still shows up! She decides to come anyways, for her friend, and maybe for rekindling love, but it is awkward. And she is now put at Table 19, with the random people who they couldn’t put anywhere else. The people who came but really, why?

Like Jerry (Craig Robinson) and Bina Kepp (Lisa Kudrow), who own a diner, have a lose connection to a family member of the bride, and sort of hate each other. There is Renzo (Tony Revolori), a high school student looking to just get lucky, who is young and unaware of how to be social. We have Walter (Stephen Merchant), a cousin who is awkward and a criminal. And we have Jo (June Squibb), the bride’s first nanny who they love so dearly, maybe.

Eloise now has to exist in misery with this group of strangers who have issues, while hoping she doesn’t also accidentally ruin the entire wedding.

Also starring Andrew Daly, Amandra Crew, Charles Green, Jay Klaitz, Margo Martindale, Richard Haylor, and Thomas Cocquerel.

Oh my god look at these freaks and weirdos.

Table 19 is a shocking film. Not in the extreme graphic language, violence, or nudity way. Not in the amount of laughs that it provides. But how different it was from its advertising, which most people would assume is a comedy with a bunch of weirdos, doing weird stuff. But it was hardly ever funny. There were some amusing bits, but it was extremely lacking on the actual humor.

Yep, we have a drama comedy that is more drama, with a bit of romance. It just drives the film into the average territory as it goes for several genres without excelling at any of them. If you have read certain films this year that I have reviewed, like Get Out or Colossal, I praised them for their genre bending. But the difference between them and Table 19 is that when the genres change, each the movie is awesome on each level. Table 19 is just middling, where the shifting doesn’t help it but hinder it.

Sure, it is realistic. But a lot of the story lines feel like missed opportunities. Kudrow/Robinson story felt like it didn’t help anything, Merchant’s story didn’t feel finished, and Revolori’s plot was just disappointing. The only other character to have a decent story was Squibb, who really brought the whole film together.

Table 19 has some cute moments and the occasional laugh. But the selling points of the film are how Kendrick and Squibb carry themselves throughout the movie, the realism they bring to the whole thing, to give the film a little bit of heart.

2 out of 4.

Would You Rather came out a few years ago, and is pretty strange title to randomly show up on my reviews. I mean, I have been pretty consistent doing things from the current year or year before, and rarely two years prior. But Would You Rather came out in 2012, straight up 5 years ago, which is theoretically the end of my always shifting bar for reviews.

And honestly, I watched it because I really wanted to. I needed a psychological horror, and I discovered this one with plenty of actors I knew. I don’t know if this went into theaters, or straight to DVD, or what, but it exists and I really haven’t heard people every talk about it.

So watching it was for an itch. Reviewing it? Well, it was worth talking about. And I am weirded out that the title doesn’t have a question mark. Even though sure, the three words are the beginning of a question and not an entire question, it still feels strange without it.

“Kind of like a dinner with only three courses,” – Rich version of myself.

Iris (Brittany Snow) lives alone with her younger brother, Raleigh (Logan Miller), who also is dying. He needs good insurance and a blood marrow match for a big surgery, or you know, he is going to die. And Iris can’t even get a job to help maybe pay for it. Life sucks. But Iris’ doctor, Dr. Barden (Lawrence Gilliard Jr.), knows something that might help.

You see, there is a rich dude, Shepard Lambrick (Jeffrey Combs) who runs a charitable foundation. They want to invite Iris to a dinner, and afterwards there will be a game. The game will have one winner, and the winner will get what they need monetary wise for everything to be wonderful again. And she is desperate, so she goes without giving her brother the specifics.

Long story short, they have to play a game of Would You Rather. But not only do they have to choose (and have to choose in 15 to 30 seconds), but they have to do the task. And they involve violence, and pain, and have a good chance of killing people. Oh joy. And if they try to back out, they die. Only one winner, and one survivor.

Iris quickly makes two friends in Cal (Eddie Steeples) and Lucas (Enver Gjokaj). The other contestants include Peter (Robb Wells), a gambler from Vegas, Linda (June Squibb), a woman in a wheel chair, Travis (Charlie Hofheimer), an Iraq war vet, Conway (John Heard), a skeptical old man and former alcoholic, and Amy (Sasha Grey), an evil looking hot girl.

Also featuring Bevans (Jonny Coyne), a very skilled manservant, and Julian (Robin Lord Taylor), the sun of Shepard.

This party is poppin’!

I wanted a psychological thriller, and really, I got only a bit of one. The first round was relatively lame, but still, it started off the game immediately with pain. Less on the mind game side, more on the torture side. The second round was…well, also just various torture, with more death potential, and more focused on being mean. The third round there was no subtly, but basically a task for every person that could kill them. And the fourth round had some mind games, thankfully.

What I am getting at is that this film scratched the surface of a good film, but couldn’t really deliver. Too many of the eight people died “outside of the game.” The would you rathers were never really that fun or exciting. The characters themselves excited me a bit, but never enough to fully love the film.

And let me just say that there was a moment that had me somewhat shouting at the screen, because it was going to be terrifying and gross. My wife had to come and check on me to make sure everything was okay, causing me to quickly shout at her to not look, it would be terrible. And then the film didn’t even show the terrible act, it cut away, no CGI or props or anything. It would have been a defining moment.

The film also had a weird subplot with the doctor character, and I HAVE NO IDEA WHAT THE PURPOSE WAS. I might have missed it, but I think it went nowhere. The ending was also pretty predictable.

2 out of 4.

In my attempts to watch everything nominated for the Academy Awards, I was afraid that I wouldn’t have the opportunity to see Nebraska before the actual ceremony. It was the one movie I knew least about, and honestly, Ames doesn’t usually get those types of movies.

We didn’t even get Silver Linings Playbook until weeks after last year’s Oscars!

But hey, maybe things are now on the upside in this city!

Maybe this whole story is just another Jesus allegory.

The story is about Woody Grant (Bruce Dern), a very old man who has won a million dollars.

Or at least, that is what he believes. He has received a letter in the mail that says he has won the million dollars, but it is a publisher clearing house like thing, and most definitely a scam to buy magazines. He doesn’t care. He wants to go to Lincoln, Nebraska to claim it, as he doesn’t trust the mail with a million dollars, and will walk there if he has to (from Billings, Montana).

Fed up with his own current situation in life, his youngest son David (Will Forte) agrees to drive him to Nebraska. David is also tired of having to find his dad wandering the streets and highways.

Yep, we got ourselves a road trip movie, although a stranger one than most given the characters involved. Due to some complications, they end up having to spend a few days in Woody’s hometown, a few hours outside of Lincoln. That means Woody is stuck dealing with old family and friends, when he just wants to get his money and run. Although, being treated as a rich celebrity comes with its perks as well…

June Squibb plays his wife, Bob Odenkirk his other son, and Stacy Keach his old business partner.

Ah yes, the whole family, looking all black and white.

In case you didn’t notice, Nebraska is a black and white movie. I think it was done that way in order to enhance the themes. You know, the ones about getting old, repressed memories, and living in a simpler time.

The director is Alexander Payne, and apparently I have seen the last six movies he has made, including Citizen Ruth from 1996. Sure, I was only 8-9 at the time, and probably not intellectually capable enough to understand a dark comedy about the abortion debate, but I remember still finding it entertaining.

Looking back at Payne’s work, he is an diverse director, covering a wide range of subjects. A few of them about getting older, but none about getting this old.

Dern was excellent as the main character, and Squibb was cute as his ever nagging wife. I am surprised there is no talk about Forte in this movie, as he is a central character, going through his own journey alongside Dern. But I guess it takes a lot for a former SNL cast member to really get praise. Either way, the cast had great chemistry together, and they really felt like a family.

It was a very simple movie, where silence carries a lot of weight, but yet it is still a movie that is not afraid to surprise you either. I don’t see it actually winning any of the awards come March, but I can understand how each person earned their nomination.

Not my favorite movie from 2013 by any means, but a very solid movie.

3 out of 4.