Tag: Jess Weixler

The Death of Dick Long

A24 has been a cream of the crop for a few years. A good mix of great titles, quirky titles, original titles, and sometimes all three put together.

Who doesn’t want a film that is original, quirky, and really great? That is my kind of film of the year. That is what we get with things like Colossal (not A24). I am just happy they are still making money enough to try.

And that is what we get with something like The Death of Dick Long. Heh. Dick Long. Nice.

men
Men. Just being guys. Doing manly things.
Last night was a blast. A lot of booze, fireworks, shenanigans, and more. But in the extreme early hours of the morning, Zeke (Michael Abbott Jr.) and Earl (Andre Hyland) find themselves racing to the ER to secretly leave their friend, Dick Long, who is bleeding and dying, and getting out of there before it is too late. They don’t want their friend to die, but they also don’t want to be associated with his injuries, because of how they got formed. They take his ID and skedaddle.

Hell, Earl says they just need to skip town its so bad.

But for Zeke it isn’t as easy. He has a wife and kid, and he needs to clean his car, and destroy evidence. But it seems no matter what Zeke and Earl try to do, they just keep getting mixed up in their own lies and the innocence of others, driving the story closer and closer to home.

They really, really, really, don’t want people to know what they did.

Also starring Janelle Cochrane, Roy Wood Jr., Jess Weixler, Poppy Cunningham, Virginia Newcomb, Sunita Mani, and Sarah Baker.

gasp
The face a lot of people will make halfway through.

The Death of Dick Long is a simple story, about a crime that people don’t like, but not one that people have normally seen as dangerous. It is based on a news article that the director read at some point, and wondered what the lives were like of the people involved.

The lives of the people involved? Apparently mostly normal, redneckish people, trying to live simple lives, who sometimes develop curiosities. They aren’t trying to hurt people, but they’d still want to hide their own sins.

This movie was over hyped for me, but thankfully I still found enjoyment in the film. My favorite moments were just watching the lies completely get unraveled by very obvious irregularities and people talking to each other. It made me cringe and I got a lot of enjoyment over it. I was busting out laughing in a final scene, when a character decided his best option was just to run away finally.

But it didn’t maintain the chuckles throughout. It felt like the acting was fine, but I never felt like the movie went hard enough. Now, I wasn’t expecting them to show the acts that lead to the death in question, because then they’d be going purely for shock instead of focusing on the story. But I still expected more comedic moments, or more dark moments, and was disappointed it didn’t go far enough.

3 out of 4.

The Disappearance of Eleanor Rigby: Him/Her/Them


Movies in 2014 brought us some incredibly new and wonderful experiences. Boyhood took 12 years to film, doing a little bit each year to watch the actors grow old. Birdman was edited in a fine way to make it seem like just one long continuous shot. Both fantastic films, my 1 and 2 from the year.

But there was another movie that was unique last year that interested me. The Disappearance Of Eleanor Rigby. On its own, it doesn’t seem like that innovative of a film. However, it is collectively three films in one.

On the surface it is just about a relationship. Specifically, the three versions are called Him, Her, and Them. Him is the plot from mainly the guy’s point of view and Her is the girl’s point of view. Them is a more typically told story, telling bits and pieces of their sides and is a much more standard film.

And I wanted to see it all of 2014. I wanted to watch it as soon as it hit Blu-Ray. It has been on Netflix for months, all three parts! Welcome to Day 3 of my Fucking Finally week.

Love
First comes love…

Conor (James McAvoy) and Eleanor (Jessica Chastain) have had a long relationship. They even married! Serious stuff. But no one would describe their lives as remarkable. Eleanor came from an academic family, but left her PhD program in Anthropology, when she got pregnant. Conor is the son of a restaurant God in NYC, who also has bad relationships, and is now attempting to run his own restaurant without his dad’s help.

But then one of the worst things happen. They lost their baby boy, really young. Their grief came in different ways, driving a wedge between them. After a few months, Eleanor wants to take a brake from their relationship, frustrated where things are going, and that is really where our story begins.

In Him, we mostly get to see Conor flailing about trying to deal with his emotions by repressing them like a motherfucker. They still come out in bursts, like when he has attacked unruly customers. His best friend and chef (Bill Hader) is even getting sick of his shit.

Conor sort of starts to stalk Eleanor a little bit as well, following her around but never having the courage to talk to her until he resorts back to a kid in middle school and passes her a note, quite creepily. His story also features Ciaran Hinds as his father, and Nina Arianda as an employee who has feelings for him.

Stalk
Then comes stalking after heartbreak and sadness…

In Her, we don’t even see Conor for the until the awkward scene above. James McAvoy is barely in this film and it is definitely all about Eleanor.

It starts with her injury and then her going on her own to the hospital. Eleanor decides to go home with her parents and sister. The mom (Isabelle Huppert) is French through and through, always seen with a glass of wine. Her dad (William Hurt) is still a psychologist at the local university, and her younger sister (Jess Weixler) has a little boy of her own, but no man or boyfriend in her life. She was already living with the parents still. Her family tries to get her help, but can’t seem to provide enough help on their own, the awkwardness of the whole situation. Some psychology degree, am I right?

So she does go to the local college to take a few classes. There she develops a nice bond with another psychology professor (Viola Davis), who is able to talk to her like a real person about normal things, since she knows nothing about Eleanor’s last few months. Her time alone allows Eleanor an attempt to find herself, and interact with Conor on her own terms in her own ways. Slowly, surely, and eventually full of hope.

In Them, it is the longest of the films at just over 2 hours. However, it is literally just everything you seen before. You still get the scenes between them, but this time you also get some of their individual scenes.

Them is packaged in a way so that it can be their complete story in a regular time frame for a regular movie. A movie about sadness and grief and how two different people cope. Technically, some of the scenes between them we see from a few different angles, but it is just a cram packed version with less individual detail on each character. Although, when watching it, it still felt like it featured a lot more of Her than Him.

Rekindling
Then comes alcohol to end all of the sadness!

Five hours, twelve minutes. That is how long watching these three movies took overall. That is if you want the full experience. The good news? You don’t have to see all three for the full experience!

In fact, you shouldn’t watch all three, and definitely not in the same week. You should only watch Him and Her, or Them, not all three. If you just watch the first two, you will get a very unique experience and you will get it in three hours, nine minutes. A much more reasonable amount of time. If you are feeling lazy or want a very regular saddish drama, then just go for Them. Its like a not very effective cliff notes.

Now, I watched them in Him, Her, and Them order because it just seemed to make sense. I knew the films were about the woman leaving, so it makes since to keep some mystery and watch Him before Her. Doing so allowed the film to answer questions are different times and felt like the best experience.

This only matters if you care about my recommendation of course. The best experience would just be Him and Her, no Them, because it is mostly repetitive. It sucks that I cannot wipe Him/Her from my memory before Them to give an unbiased review of it. But Them on its own didn’t feel like a great movie. Obviously I had the issues of it being full of scenes I had already seen (does that sound weird?), but it also cut out a lot of other scenes that I felt were necessary.

That’s right. Watching the condensed two hour version felt lacking. Shocking discovery, I know.

Them is Shit. Him and Her combined are a good experience. If you were going to watch just one of Him and Her, it won’t be good. It would just be odd and you don’t want to be odd.

Oh yeah, for whatever reason, the movies end differently. I have no idea why this happens, but Her has the best ending, in my ever so humble movie reviewer opinion.

Him and Her: 3 out of 4.

Them:1 out of 4.

Best Man Down

I can’t remember which movie it was, but I only know about Best Man Down by watching some other shitty indie movie.

It was a trailer before it (because some times I am too lazy to skip them) and the plot just seemed really intriguing to me. I was even more surprised to find that it wasn’t yet out on DVD and I’d have to wait to see a movie. Those dicks.

Either way, it has been awhile since I have loved a random indie straight to DVD movie, so the odds are not forever in its favor.

He is up here
This would be an example of Best Man Up.

Hooray weddings!

We are gathered here today to celebrate the matrimony of Scott (Justin Long) and Kristin (Jess Weixler). About time, amirite?

Lumpy (Tyler Labine), good friend of Scott, is his best man and very very excited about the whole thing. He goes crazy all night, drinking booze, living it up, being a bit annoying. Well, next morning, he dies. What the fuck? Didn’t see that coming I bet.

See, now Scott and Kristin have a huge problem. (Technically, Lumpy has the biggest problem). Now their happy day will forever be remembered as also the day Lumpy died. They will have to cancel their honeymoon, and put on a funeral. They aren’t selfish people, these are just facts. But it turns out that Scott might not have been keeping up to date with what exactly Lumpy had been up to. He lost his job, and dropped out of school, but no one is actually sure why.

He also has a strange relationship with a high school student, Ramsey (Addison Timlin) up north, who no one knew about. She has her own problems, with a whore-ish mother (Frances O’Connor) who is dating a junkie.

Ohhh, secrets, what fun!

Missing Best Man
Well shit, now the Best Man is neither up nor down, he’s just fucking missing.

Yeah, so, strangely enough, I really liked this movie. I had a bigger emotional attachment to it than I would have expected. Shit. Having someone die at your wedding? That is all sorts of fucked up.

The movie felt pretty real too, both in Lumpy’s side story, learning about the last year of his life, and the newly married couple’s reaction to the events. A lot of powerful lines when I think back to them, I was going to type some quotes but A) out of direct context, they lose their power and B) no one probably gives a shit.

It wasn’t a long look into the lives of the main characters, but it was enough to really know how they valued friendships and how their lives would change from the event.

It had some humerous moments too, but it is definitely far more on the drama sides of things. I will say the funeral uppercutted me emotionally as well, if you know what I mean, where a nice speech was given by Addison Timlin’s character, and I really like how it wrapped up everything at the end.

So yeah, surprisingly nice indie movie. Yay.

3 out of 4.