Tag: Jermaine Fowler

Sting was watched early from a screener. It is being released on April 12th, 2024.

I HATE SPIDERS. Let’s get that out of the way.

Sting, is of course, not about a bee, but about a spider. And it is about a little apartment complex.

You see, Ethan (Ryan Corr) lives with his family in an okay apartment. Ethan makes comics and is also the building superintendent. He is a fixit man. His step daughter, Charlotte (Alyla Browne) doesn’t like him as much as her dad, who she hasn’t seen in forever. Even though he has made great attempts to be closer to her. Because they are so familiar with the complex, Charlotte likes to go in through the very large air ducts around the building, to see and discover.

And that is where she finds a little tiny egg that crashed in through the window, that she knows nothing about. What a cool egg. Time to keep it and put it in a jar. Oh, and in the jar it hatches into a spider? Cute. A really smart spider at that. One that seems to be very strong and capable. One that seems to grow very very fast, but enjoys Charlotte’s company.

Anyways, long story short, that thing gets super big and starts to take out the members of this apartment complex and get even bigger. It’s like Audrey II! And now that it has turned itself on her family and Charlotte herself, so Charlotte is going to have to kill her new friend Sting. Or you know, die.

Also starring Jermaine Fowler, Noni Hazlehurst, Penelope Mitchell, Robyn Nevin, and Silvia Colloca.

Whenever I see a spider on my ceiling, I leave the city. I HATE SPIDERS! Okay, figured I would remind you of that. I am surprised that spider films aren’t much more common. I feel like random other killer bugs get a lot of horror films, but spiders, barely? We had famously things like Arachnophobia and Eight Legged Freaks. Not really any I could think of that were mainstream. There is another independent film out from France, called Infested, that I haven’t had a chance to see yet.

So why does Sting work? Well, first of all, we get a nice alien spider thing, not just a normal spider, so there is a reason for it all happening. We get a very limited space for it to run around in, and apparently the world’s biggest air ducts (perfect for any movie of course). Which is also perfect for a giant spider to lay traps. And a slight family story to keep the plot more than just a survival flick.

My biggest complaint from the film is just the introduction, which featured a scene that happened LATE in the narrative of the film overall, providing a different point of view of later events. But it made it a little confusing since no other aspect it told out of order, so I was led to believe that we already had a giant spider running around. It was the type of scene that felt like its own strange short film, could have stood on its own as a 5-6 minute easily. But it was just unnecessarily placed at the start, maybe to catch our interest? Like the first 5 seconds of shitty trailers on YouTube.

I really enjoyed Corr as the step-dad. He had good beard energy that all dads and stepdads need. Also Browne, our real main character kid actress, was a certifiable badass. Imagine being a kid wanting a spider to crawl around your hands. Couldn’t be me.

Overall, Sting had a lot of fresh new energy to the Spider-horror genre, which as noted, is already severely lacking. It reminds me of The Purge. It is like a home invasion story, but different. There is a spider.

3 out of 4.

Ricky Stanicky was watched early as a screener. It comes out on Amazon Prime on Friday, March 8th.

Dean (Zac Efron), JT (Andrew Santino), and Wes (Jermaine Fowler), are best friends, and have been since they were little kids. You know, when they went to burn some dog shit on someone’s porch on Halloween. It was a mistake, and they were almost caught! But thankfully a fake name was written on the clothing, Ricky Stanicky, and the whole thing could be blamed on this other kid, who lived in another town.

Flash forward to many years later, and they’ve been blaming things on Ricky for decades now. It lets them hang out, go on trips, all with the excuse of Ricky, while avoiding their real responsibilities. You know. FAMILY. DATING. FAMILY. JOBS. Yuck.

But eventually their lies have caught up with them. And they need to produce Ricky, or else everything will crumble around them. So of course they hire some guy, Rod (John Cena), who sings covers of songs and turns them all into masturbation jokes, to play Ricky. Nothing will go wrong!

Also starring Anja Savcic, Jane Badler, Lex Scott Davis, and William H. Macy!

The cowboy hat is how you know he likes to party. And the screaming. Ah yes, a comedy based on characters lying. Do you want to know how it ends? Come on, do you?

Well, you already know how it ends. We all already know how it ends. It ends the same way all of these comedy films based on lies end. The people get found out, and admit it, and get a hard lesson. Sometimes that hard lesson is a life set for loneliness, like in Dear Evan Hansen. Sometimes they get everything they wanted despite the lie, because lessons learned. And none of them really feel like they are worth the after school special lesson.

The only thing that could save Ricky Stanicky, would be its humor and being funny throughout. But my goodness, did I not chuckle. It barely was a bleep on my radar. Over the top John Cena, does over the top things, and people have a good time because of it.

Honestly, this friend group had such low chemistry? All three of them. They did not mesh well. And this is not some strange situation where “Efron was good, the rest did not follow,” because no, Efron was also not good. He was probably in his least charismatic role I have ever seen him. I cared not for any of their characters, and that made this movie harder to sit through.

This is a straight to the internet comedy for a reason. And that reason is, because you have already seen it.

 

1 out of 4.

I know we have had an influx of “sequels a decade or two later” over the last few years, really starting with Dumb and Dumber To, but this one I think has to be the longest gap in the trend?

Coming to America graced our lives with humor and witticism in 1988, before a young Gorgon Reviewer could even be born. And now, 33 years later, its sequel is ready to go (although sure, it meant to come out last year).

Now this one is a much bigger sequel than the others because it had a much bigger original cast that was important to the story, and hell, everyone if they are alive that matters to the story is returning. So it has that going for it. I will say however I hate that they did call it Coming 2 America, because in real life it is impossible to say the difference without hand gestures or extra words, but in text life I guess it is fine.

Can they bring back the previous rains of Africa with this film? Will it matter in today’s world?

60% of the time it is good to be the king, all the time. And we are back to Zamunda, where decades ago a young Prince Akeem Joffer (Eddie Murphy) returned with his bride (Shari Headley) from Queens, New York.  He has since fathered three girls, and his oldest, Meeka (KiKi Layne) is a wonderful and powerful woman, but the Zamunda laws require a male heir. Akeem is worried about that, given the imminent death of his father (James Earl Jones) and fully taking over the King hood.

The problem is, Nextdoria is now being run by a powerful and charismatic ruler, General Izzi (Wesley Snipes) who wants to marry his son into the royal line. But Akeem believes in true love! And if he says no, Izzi might kill him and take over!

Well, according to his good friend Semmi (Arsenio Hall), one night in Queens long ago, he tried to hook up Akeem with a bride right away! Akeem does not remember this situation due to drugs. Well, sure enough she (Leslie Jones) had a baby, who is an adult male (Jermaine Fowler) and might be the answer to his countries woes! Especially if he will agree to marry Izzi’s daughter.

Also starring basically everyone, including many from the original cast, if they were still alive: John Amos, Louie Anderson, Vanessa Bell Calloway, Clint Smith, Paul Bates, Nomzamo Mbatha, Bella Murphy, Akiley Love, Rotimi, Teyana Taylor, and Tracy Morgan.

Nextdoria got mighty prosperous and powerful in a few decades. Out of sequels a few decades later, I think Coming 2 America has to be considered the best to try it, because it really did deliver. Whether it is as funny as the original or will be seen as timeless as the original that is hard to say, but it is still clearly filled with the same heart and soul (glow) that made the first one work. It isn’t just references to the last movie (of which there is quite a few) or meta jokes about sequels (in which there is one). It is a continuation of a story and a reflection over the decades, asking our characters to better themselves and fulfill promises they claimed they would give us.

I laughed out loud several times, and I was watching it alone by myself, so that says a few things. My favorite new character was General Izzi. He came in and commanded the screen like a real life, slightly more aggressive Prince Ali. They brought the music in and the dances and it was a sight to behold. It is amusing that just two years ago we were noting how strange it was that Wesley Snipes and Eddie Murphy had never been in a movie together with Dolemite Is My Name, and we all realized that chemistry worked and needed to be expanded.

All of the classic character return and give us growth and familiarity. Big shout out also to Paul Bates as Oha with a surprising vocal range.

It is also full of musical guests to increase the nostalgia factor, each one surprised me and added to the extravagance. The last one had me in stitches though near the end, that is for certain.

Coming 2 America is funny and familiar and fits like an old glove (assuming you didn’t gain the Pandemic 50). I was doubtful it would work given all of the ones that failed before it, and damn was I wrong. The bar is now set very high for the next old late sequel, which I think is Sister Act 3. But the first two Sister Acts weren’t as good as Coming to America, so it might already be a losing battle.

3 out of 4.

I have only been to a stand up comic show in the standard variety once. You know, a place that sells some sort of appetizers and drinks, with drink minimums. People all crammed in there to see one person, and they have to see other people before that who they likely don’t know, but are there to hype up the crowd so the main performer can absolutely slay.

Yeah. Just once. I have seen comedians in bigger auditoriums, and they have a different feel than the comedy clubs. I have seen them in more open mic settings which are very very different feels, because of the short set.

But that build up. It is very interesting. Are the people getting funnier as they come out, or is it just because you are getting happier over time, with more material time to work with, or even…drunker?

Either way, the formula works. And in The Opening Act, it takes a realistic look at the first guy in the line up, who has the least amount of time, who has little experience in dealing with hecklers. Can he succeed? Or will he wilt away like so many before him.

First thing you need to be able to do as a stand up comic? Stand up. Check!

Will O’Brien (Jimmy O. Yang) has grown up on stand up comedy. He lost his mom early on, but his dad was a big fan of stand up comics, so Will was a big fan of stand up comics. It was there way of bonding, it was their way of getting through grief.

Now Will is a man! An adult male man. He has a job that pays bills, a girlfriend who is supportive, and sometimes he gets to do stand up at open mic nights. But the only club he can get gigs at requires him to bring in paid customers to see him, and it is getting harder and harder for him to find people he knows who are willing to pay to watch him. He is at a point where his future in this career he wants to have is in question.

But then he gets an opportunity. To go out to another city and be the opening act (that’s the name of the movie!) and mc for real big time comedians! Multiple nights in a row to do his own material and get exposure and meet legends.

Can he do it? Can he break from his norm? Or will his dream go up in flames?

Also starring a wide variety of comics you might have heard of before! Like Cedric the Entertainer, Debby Ryan, Ken Jeong, Bill Burr, Neal Brennan, Alex Moffat, Russell Peters, Jermaine Fowler, and Simon Rhee.

Second thing you need to know? Where to find the good food in cities everywhere.I have seen movies about the hardships of being a stand up comic, you know, Funny People is sort of one of them. But they still are usually dealing with someone who has more success than failures. Sure there are pitfalls, but they usually exist further in the career and not at the humble beginnings.

In this movie, our lead is starting out as a regular insurance worker, who can sometimes tell some jokes. Getting to MC an event is a huge stepping stone for them. It isn’t hour long sets on Comedy Central, but that is far in the future. This is where many find out that they are not cut out and go back to their day job. It is PAINFUL at times to watch this film, but it feels so realistic that we accept it anyways.

A lot of the film seems to be based on personal anecdotes from the films director, Steve Byrne, who is not just trying to tell his story and humble beginnings, but the beginnings for most comics.

I have only seen Yang before in Silicon Valley, so I was definitely surprised with his voice (he goes very English as a Second Language in the show), and he carried himself well as a lead. It feels like it is also his story.

The movie has a wonderful cast of secondary characters, all of them have their own personality despite limited screen time, and again, just feel like real people. One of the biggest surprises was the girlfriend, because the whole film she is supportive and understanding and hopeful. There is no added in relationship drama to pile on to our main character, which is an all too common thing to do in film.

If you want the experience of standing up on a stage and being unable to function while people judge you, this film probably gives you one of the closest experiences you will get outside of VR.

3 out of 4.

Sorry to Bother You is one of those films that sort of snuck up on me with a roar. I heard idle mentions of it earlier in the year, but didn’t go out of my way to do further research.

I knew the star. I guessed the theme. And yet none of that would prepare me for the trailer.

The trailer felt very fresh and told me that this. Would be a movie with a lot going on. A sort of extreme satire, maybe very political, but whatever it is it has a message and will be both subliminal and superliminal with that message.

I was excited and ready for this screening, without really knowing what it might give me.

I am getting a Japan / sumo wrestler headband vibe here.

Cassius Green (Lakeith Stanfield) is your regular, down on his luck, poor, brother. He is living in a garage in the house of his uncle (Terry Crews), with his long term girlfriend artist (Tessa Thompson), and they aren’t having a lot of luck making money.

But Cassius is able to get a job working as a telemarketer, working for commission. It is better than nothing. And he has the promise that if he does good, he can go to the top floors of the company. He can ride in the special elevator. He can be a “power caller,” and make the big bucks. No one really knows what they sell up there, but it ain’t magazines and book sets.

Cassius is told to just stick to the script, don’t get out of line, and make money. Once he makes money, he can make more money and more and be a success for once. Especially if he taps into his white person voice.

Starring David Cross, Patton Oswalt, Lily James, Forest Whitaker, and Rosario Dawson! Or at least their voices. Also starring Jermaine Fowler, Steven Yeun, Omari Hardwick, Armie Hammer, Robert Longstreet, Danny Glover, Kate Berlant. and Michael X. Sommers, that would be their voices and their bodies.

This is how white people drink champagne.

Strangely enough, the trailer for Sorry To Bother You only gave you a slice of the whole story, so I tried to do the same with my plot. There is a whole lot more that goes into this story. Topics of slavery (multiple levels) , class warfare, poverty, selling out, and American indifference to clear wrongs in the world. This movie coming out now is extremely well timed given the border problems that keep getting swept away by other media distractions.

It is not a film to use subtle clues to drive the point home. No, these clues are obvious, with a hammer. Fuck, one of the most uncomfortable scenes was the precursor to a “rap” where the chants, the disparity of the cast, made everything all too real and uncomfortable.

Stanfield is amazing in this film as our lead. His senses will probably always align with the audience on the scale of what is right and wrong and when to finally draw the line. Oh yes, you will know when that line is drawn. It was good seeing Yeun in a role very different than his previous work. Thompson was great. Hardwick was as well, despite more limited time, and Hammer was a blast going full crazy CEO for this film.

Unfortunately, areas do feel a bit clunky and jarring. Especially in the end, time seems to go by strangely and not everything seems to have the same attention to detail as earlier on in the film.

Sorry To Bother You will be looked back as an important work, with extreme topics in order to get the point heard loudly.

3 out of 4.