Tag: Isla Fisher

Greed is probably my 2nd favorite game show of all time. I think it had a good balance of trivia, team work, back stabbery, and good money prizes. I am annoyed it didn’t take off more. My favorite would be Survivor, if that counts as a game show.

However, this doesn’t have anything to do with the game show, outside of the concept of needing…uhh, money. And Greed.

I couldn’t tell what I was really getting into when I accepted the invite. It had an orange dude on the cover, so I didn’t know if it was going for Trump parody, a different person, a mockumentary or what. I did know it was going to be British, which means strange humor.

This doesn’t look like British humor! These are clearly Brazilian outfits!

Sir Richard McCreadie (Steve Coogan), or Greedy McCreadie from his non-fans, is a dick. An older, relatively wealthy, dick. He grabbed himself by his bootstraps, had already a large sum of money, and turned himself into a fashion icon.

Sure, most of his companies failed. Most of them went bankrupt and somehow the assets went to his family. His wife (Isla Fisher) was able to profit off of them the most, and a lot of it went into Tax Free havens. He borrowed money from the banks to pay for companies, that then went into the companies debt, not his own. He knew the system and knew how to make it work for him and his own, no one else.

>Well McCreadie is about to turn 60. He is annoyed about the bad press, the investigations, and the negativity. He is going to throw a giant bash for himself, regardless of what conditions his workers face. He is going to have the best party, in Greece, with all the stops pulled out. He also has a writer (David Mitchell) doing his life story. He has a lot of random workers like Amanda (Dinita Gohil) whose mom works in his factory, and a son (Asa Butterfield) who can’t stand him.

Yep, this party is going to be the best or the worst.

Also starring Sarah

Solemani, Tim Key, Asim Chaudhry, Ollie Locke, Kareem Alkabbani, Pearl Mackie, Jamie Blackley, Shanina Shaik, Jonny Sweet, Sophie Cookson, and Shirley Henderson.

He’s not Trump. He is more competent.

Greed was weird. It had good moments, and lame moments. I want to be positive and focus mostly on the good.

I enjoyed the strangeness of Mitchell’s character, the writer, who was above it all and awkwardly placed at the same time. Name dropping literary references, not being sure how to handle the lavish dicks all around. He is our character going through the same emotions the audience go through, except he has a bit more say in what happens by the end.

Other actors of note include Gohil, Key, and Chaudhry, who all give us realistic feeling characters. And sure. Coogan as our asshole rich man, with his slick and creative slurs. The rest of the cast isn’t given a lot to work with, outside of being unbearable rich people for the most part, doing dick things and living fake lives. It is more of a script issue than anything, but none of them stand out in a positive way to elevate the film.

The film gets really weird with the end. Often, real stories give us text updates at the end to let us know about the real characters after the events of the film. This one did that as well, except it is about fake people. Instead it talked about real issues, with a lot more weight and passion that didn’t seem to match the scrutiny during the actual film.

Sure, it had rich people doing bad things, and they noted it as bad. It still didn’t seem like such a big deal in the context of ridiculous characters. So it felt like a harder attack at the end. They should have done a better job at being more explicit with the message they were really going for overall.

On its own, its is an okay movie, with some interesting elements. In retrospect, especially how it was filmed, it might have been even better as an actual mockumentary, as it already had a lot of good elements there.

2 out of 4.

Welcome to a Movie Roundup! A movie roundup features a few films that I didn’t feel like making full reviews for, but needed to get basic reviews out there for completionist reasons. It also helps me deal with my backlog. It may have a theme, and today’s theme is Mainstream 2018 (Part 1)! Basically, the popular movies I had missed, and need to really review, or else.

Being on a movie round up doesn’t mean a movie is inherently bad, or good, or meh. I can feature any rating on here! So don’t assume the worst! I will also just post the reviews in alphabetical order.

Mainstream 2018 Part 1

Alpha

In the face of this movie, I expected the worst. I thought this movie had to be a typical January release, something similar to
10,000 BC. But alarmingly, it came out in September, and when I finally got to see the movie it mostly met my expectations. It was surprisingly not amazingly bad, just regularly bad.

Gross CGI landscapes to recreate the before time, and a pretty uninspired storyline about the bringing together a “dog” and a man. The other sad aspect of this movie is that people might watch it and go, “Oh, so that’s how it happened! Domestication!” and take this movie as fact. That would be a shame. And I don’t know if people actually say that, because I barely know people who have seen it, but this straw man stands in my mind. A forgettable film, like most dog films.

1 out of 4.

Waiting for Mufasa to show up takes forever.

Crazy Rich Asians

When I first heard this title, I really assumed it was sort of a joke. I didn’t know it was based on a book of the title, or why it was called that, but it just felt off. I thought it would be some sort of exploitative film that was a comedy no one would watch, and hey, it feels good to be wrong. A romance more than anything, this is a film about an outsider being brought into the world of ridiculously rich Asian people in Singapore. So we get all of the wealth, luxury, and snide comments with some back stabbing.

On its whole, it could have been a forgettable romance film. But the lavish sets went all out to display a lifestyle most of us can only dream about, while also bringing in new cultural elements to American cinema. Having the lead be the mom from Fresh Off The Boat was great, and showed she has at least some range. The ending teared me up too. And damn it, it is great in general to see different people on our romance movies. Bring on this wave of Asian-American films, damn it.

3 out of 4.

Out of the three adjectives in the title, I’d prefer the middle one myself.

Mission Impossible: Fallout

“More Mission Impossible? I thought we were done with those,” said no one really ever. Or at least said people who hadn’t been watching them. I will go on record and say the only one I didn’t get enjoyment out of was the second one, and that one has a lot of stranger things going on. I just didn’t see them until I was already an adult, so it took me awhile to appreciate them. Because lets face it, there isn’t another successful American action franchise that is going into this level of detail and craziness for its stunts. It wants Cruise to do most of the work.

He is never going to be the level of some of our older or past martial artist stars, with the long choreographed fight scenes, but its at least a step in the right direction. This film is still exciting, but overall, it feels uninspired. It just isn’t as good as the last two modern MI movies. The stunts aren’t as sexy, even if they have bigger overall stunts. It doesn’t fill me with as much awe, and the story line just gets excessive as it attempts to continually top itself. The ending also feels really clunky and I never really feel that sense of dread that it is going for. A good attempt at an action movie, I just expect a bit more now from the franchise.

2 out of 4.

The biggest stunts are helicopters? Eh, I’ve seen helicopters before.

Ocean’s Eight

I am a huge Ocean’s Trilogy fan, and a huge Steven Soderbergh fan, and so even if the director wasn’t really involved, I was hoping to love this one. Heck, the stars are there too, with a lot of big names.

I will say it feels gimmicky, and not equal, to just go the opposite direction and make it an all female cast. It doesn’t feel natural, just like an all male heist would be with the large numbers (which is why technically the two sequels had…one woman in on the heist). In the movie, it does seem to make a lot more sense, given just the nature of the crime and the talents they needed to pull it off, so that is the good news. The biggest issue overall is just that the movie feels forgettable when it finishes. No one person stands out in acting, and the various twists to show how it was pulled off are for the most part guessable, especially thanks to the title.

I still hope they can do more. Go for it. Just lets raise the stakes.

2 out of 4.

Yep, eight people, like most of the advertising, spoiling a twist.

Tag

Finally, a film people maybe thought initially was a joke. A high budgeted comedy (and slightly action?) movie, about people playing tag, that has gone on with very specific rules for decades, and one person who never, ever gets tagged. So many stars, so little time, and such a ridiculous concept (based loosely on a real story). I wanted to enjoy it and was intrigued by the trailer. But like a lot of modern comedies, I think it really just needs a group of people or slight inebriation to really fully enjoy.

I’d prefer a comedy I can find historical alone, and this is clearly one meant for you to enjoy with your own group of friends, which is fine, but limited. Again, with a large cast, no one really feels like a standout, and some people seem to be doing the same sorts of character they are always type casted into. The ending also went a really strange place. Unexpected, sure, but something that feels almost like a complete genre switch.

1 out of 4.

Mainstream movies may be a broad title, especially when you compare them to the other quick themes I put together, but hey, its my themes suck it. I originally would have done genre, but too many films are multi-genre that I didn’t want to deal with that hassle.

In attempting to catch up to some of the bigger movies of the fall that I missed, I will note that I completely forgot about Keeping Up With The Joneses. It came and it went. It had advertising, I am mostly certain. Definitely.

Not many people went to see it either. It was a bomb on a relatively low budget, and now I am talking about it months later mostly because it has a short enough run time for me to fit it into my schedule last week.

Also, because I liked the actors involved.

Look at them all together. Short. Tall. Hairy.

Jeff (Zach Galifianakis) and Karen Gaffney (Isla Fisher) live a quiet suburban life with their two kids. Jeff works as an HR rep at some tech company (and lives near a lot of his coworkers), Karen designs bathrooms, sometimes. Their kids are off to summer camp, so they have the house to themselves! That means sex very quickly and then mindlessly hanging out the rest of the night.

But then, they get some new neighbors. The Joneses. Tim (Jon Hamm) and Natalie (Gal Gadot). They are perfect, they are tall, they live amazing lives, and now they apparently want to settle down.

Karen, however, doesn’t trust them. Something seems off about them. They are a bit too friendly. She thinks they are spying on them!

And yeah, she ends up being right. They aren’t really friends. But what do they want? What do they need? Are they good spies or bad spies?

Also featuring Patton Oswalt, Ming Zhao, Matt Walsh, and Maribeth Monroe.

Spies get to wear fancy clothes and show off their assets.

To be fair to this film, which I don’t really want to type a lot, the idea for a comedy action film isn’t completely bad. It just didn’t have a lot extra going for it. I barely laughed at any thing. I would note in my head that a scene was potentially amusing, but it just never really pushed the funny bone like I had hoped.

Hamm is a wonderful comedic actor, given how serious his bigger roles have been. But he felt wasted. Gadot was given the entirely serious role plus sex appeal, so she wasn’t given any potentially funny moments, which is just poor writing. Fisher’s character was mostly one dimensional. They wrote her as a bored housewife, so she played a bored housewife. And Galifianakis at least had some sort of development, but again, he only had a few recurring joke stereotypes.

The ending was of course a mess, when they had to bring in the more action/spy elements. It weakens an already weak comedy film.

Two genres is hard, you have to be willing to go hard into both, not just a little bit into both. Because then you are just left with a dud, a master of none, and a film people will forget about in a few months time.

1 out of 4.

I don’t hate Sacha Baron Cohen as an actor, I think he can be amazing. He just lets himself get into a lot of shitty roles. He still always gives it his all.

The Brothers Grimsby is one of those shitty roles. I didn’t really know what it was about. But it did have a bit of genius advertisement campaign.

It went on Jimmy Kimmel Live! to show a clip, but made sure to show a clip that could not be shown on TV. A gross, over the top, cringey clip. But since it couldn’t be shown, instead they just showed the audience flipping their shit. Of course that went rival, and hey, probably more people went to see the movie. Good job PR company.

Oh. Um. And this is a bad job, PR Company.

Nobby (Sacha Baron Cohen) is a simple man living in the small town of Grimsby. He has a wife (Rebel Wilson), 11 kids, and an empty room. The room is for his brother, Sebastian (Mark Strong). A long long time ago they were separated thanks to the foster system, but Nobby knew that one day he would meet his brother again, and damn it, he needed a room for him.

Nobby likes to drink, watch football, and party. But then he finds out the location of his brother! He has to go to a big charity event to find him, but when he does he gives him the biggest of brotherly hugs. This causes Sebastian, a trained government assassin, to kill the wrong target and get himself into noodles of trouble.

Now Sebastian has to go on the run, while dealing with his incompetent brother. His brother being there is also his saving grace, because no one knows he exists, so it gives him a place to hide and let all of this blow over.

Also starring in this cesspool: Ian McShane, Penelope Cruz, Sam Hazeldine, Isla Fisher, Scott Adkins, Annabelle Wallis, Gabourey Sidibe, and poor Barkhad Abdi, who is just willing to take any job really.

I’m not drunk, you’re a pool table!

Want to know what the gross scene was that they showed the audience? Fine. Strong and Cohen climb into the vagina of an Elephant to hide from pursuers. While hiding, a male elephant decides to go for it and so they are crammed in there, with a large elephant penis coming in an out. Cohen knows it can last for hours, so they actively try to help the penis ejaculate to make it end. And it of course ends with elephant semen. But wait, there ends up being a huge line of elephants ready to jump on, giving them hours of cramped in a vagina, ejaculating elephants fun.

Okay so typed out that is terrible. Watching it is gross (but don’t worry, it doesn’t look incredibly realistic, it just looks stupid and a little gross). Having gross scenes in a movie does not make the movie terrible, being overall terrible and unfunny does that.

There are quite a few “outlandish” scenes in the film that will make an ordinary viewer just want to turn it off. A very long joke about sucking out venom out of a penis. The first picture alludes to the seduction of a woman who doesn’t have the normal standard of beauty. Jokes about AIDS and Trump (before it was fashionable, still dumb jokes) and of course a very weak plot line.

There is just nothing amusing or remotely interesting in this film. Cohen is over the top, he is always over the top, but the film is shit and really can hopefully be easily forgotten from my existence. After I finish typing up my worst of the year list.

0 out of 4.

I wasn’t able to see Nocturnal Animals before it came out, mostly due to screening conflict. But without knowing the plot of the film, I was interested in the cast alone.

But given that I wanted to see it, the title did a lot of work with only two words.

Nocturnal. Animals. It sounds mysterious, secretive, and of course, primitive. It riles up a lot of fears, especially for those people afraid of owls.

Jake Gyllenhaal already had a good year thanks to Demolition, so regardless of how this one went, I consider it to just be bonus Gyllenhaal.

And a bonus amount of this guy, who I didn’t recognize in the film.

Susan Morrow (Amy Adams) is miserable. She lives in a giant house, with her husband (Armie Hammer). She is an art director, but feels like it is all junk. They are close to being poor, selling their items, waiting for a big business deal to come through, but she doesn’t care. She cares that her marriage is just a shell and pointless.

Then she receives a package from her ex-husband (Jake Gyllenhaal). He is a writer, she criticized him a long time ago, he just didn’t write from his heart. But now he has a new story, one he says was inspired by her, to write from his heart, even dedicated to her. It is even called Nocturnal Animals, his old nickname for her to explain her insomnia.

The story is about a family, a husband (Gyllenhaal), his wife (Isla Fisher), and teenage daughter (Ellie Bamber). They are driving through Texas in the middle of the night, heading to a vacation, empty roads, no signal, simple. Until they do catch up to a few cars, who are up to no good and willing to make a few choices to ruin a few lives.

Starring Aaron Taylor-Johnson, Robert Aramayo, and Karl Glusman as some bad dudes, Michael Shannon as an older, smoking cop, and Laura Linney as Susan’s mom. Real mom in this story, not the book mom.

But also all of these people are fake anyways because: acting.

Nocturnal Animals made me feel a whole lot of emotions. Fright, scares, hope, sadness, angst, tension, extreme sadness, indifference, and even a bit of confusion. Needless to say, I was on the edge of my seat from some parts of the film, and sinking into it later to try and escape the pain.

Nocturnal Animals tells a story, a story in a story, and it does both points so goddamn well. It both made me want it to never end, and to subsequently hurry up so that it could potentially become a sunshine, happy ending. But it sticks to its tone guns and it delivers exactly the perfect ending at the conclusion.

Everyone involved with this project should simultaneously be slapped and hugged because of what I imagine they had to go through to really convey those emotions. The acting, cinematography, directing, fuck, even the costumes, why not. It all just feels so planned to maximize the angst I felt inside.

This movie is extremely hard to talk about because in all honesty, it is something that should be experienced. It isn’t for the feint of heart, it goes into some heart wrenching areas. But if you give it a shot, you will get a smart film that doesn’t hold your hand, some of the best performances of 2016, and a story that will stay with you for a long time afterwards.

4 out of 4.

The first time I saw the trailer for Now You See Me, I got all sorts of excited. A movie with magic and illusions? Heck yeah! It has been seven years since we really had movies on the subject, when we were blessed with The Prestige and The Illusionist, both of which were quite enjoyable.

Oh. I meant good movies about magicians. Sorry. I tend to forget about The Incredible Burt Wonderstone already (and that was in March!).

Look at this gaggle of fucks right here. Basically every star in this movie! Wait…

To start the film, we are introduced to four different street magicians. Atlas (Jesse Eisenberg), the fast talking kind of a dick magician, McKinney (Woody Harrelson), the formerly big mentalist, Henley (Isla Fisher), the former assistant turned pro, and Jack Wilder (Dave Franco), the thieving tricky magician. They are all invited to a secret gathering, where they find blue prints to pull off great magical feats. A year later, they are calling themselves The Four Horsemen and headlining in Las Vegas and around the world!

Their new benefactor is Arthur Tressler (Michael Caine), a big big millionaire, and they just used a magic trick to rob a bank in Paris. Huh? What?

Yep. But the FBI and lead detective Dylan Rhodes (Mark Ruffalo) are in a pickle. Can they arrest them for a magic trick, with no real evidence? Well, no evidence unless they assume magic is real. The answer is no. Even with Thaddeus Bradley (Morgan Freeman), an ex-magician who has a web-series explaining and spoiling other magician’s secrets, they don’t have enough to actually put them away.

Rhodes and his new partner from Interpol (Melanie Laurent) have to follow the four horsemen across America, as their tricks get more and more daring, and steal from more and more powerful sources. But are they doing these tricks alone, or is there a Fifth Horsemen secretly pulling the strings? Also featuring Michael Kelly as an FBI agent. I feel bad for not including him.

In a previous version of this review, I used famous character names instead of actor names for the plot description (like Mark Zuckerberg, or The Hulk) but Dave Franco kind of ruined that. No one really knows who he is.

Why are you so befuddled Ruffalo? Surprised I decided to leave Eisenberg out of the pictures?The more I think about the ending to Now You See Me, the more I get angry at inconsistencies. That is what I get for thinking about a movie afterwards I guess. But alas, my burden to carry as a reviewer.

In a movie like this, there will be red herrings, because they know you are trying to guess the ending the entire time. After all, clearly the fifth horseman will be someone in the movie, not some random stranger popping up at the end! But when the reveal happens it just doesn’t seem to make much since the harder you look at the film.

The movie spends a decent amount of time focusing on explaining the tricks, thanks to Freeman’s character, but at the same time, there are things done only toby the power of CGI that kind of take the mysticism out of it. We are left wondering if magic is actually real in this movie, or if it is all explainable like the normal real world. Honestly, by the end, I am still not sure.

At the same time, it still was a bit entertaining. I think Woody Harrelson was my favorite player in the movie, by far. Which is great, because I finally saw Rampart recently and didn’t have a good time doing it. As the mentalist, he was pretty funny. Ruffalo was okay as the main cop character, but definitely not the type of role he is used to. After all, aside from The Avengers and this film, every role he has had has basically been in an indie movie.

Now You See Me did a good job of playing with our mind, giving every possible misdirection in the book. But it in no way will stand up to the previous mentioned magic films in a year or two. However, it is still at least a little bit cool.

2 out of 4

I have been told by one of my friends that Netflix has been pushing Bachelorette on them pretty strongly over their last few movies. No matter the movie. Now, I am not going to make the claim that they will ignore their “If you like this, you might like x?” formula sometimes for advertisements, but the evidence seems pretty strong.

For shame, Netflix. But I took it overall as a request to see the movie myself, you know, like I tend to do, and decide if its worth all this Netflix hype. Maybe they are just making up for its lack of advertisements elsewhere? After all, pretty impressive cast. Kind of. But I only heard about it after it hit video, so clearly people didn’t care about hyping it in the slightest.

If you saw the cast, you did not guess the bride to be correctly.

Becky (Rebel Wilson) is getting married, yay! This actually kind of pisses of Regan (Kirsten Dunst), her best friend. How could her “Fat friend” find happiness in marriage before her? What the heck?! Either way, she will be her maid of honor and help her plan a kick ass wedding, but they still need their two best friends from college, Gena (Lizzy Caplan) and Katie (Isla Fisher).

To help with the recap, we have Becky the Happy, Regan the uptight and pompous, Katie the drunk and cokefiend, and Gena the sarcastic and apathetic. Great, different personalities, and not one of which is the “slut” (arguable, when Katie is drunk, but shh).

Well, things get dicey at the bachelorette party, when the stripper (Andrew Rannells) calls Becky a pigface, a mean nickname in high school. Shit, are her friends actually still mean bitches who can’t be nice for once? Things start getting out of hand, including a ripped up wedding dress. This leads the remaining trio to go out to try and fix all the problems the night before the nuptials.

It also features Adam Scott, Hayes MacArthur, Kyle Bornheimer, and James Marsden! They play either the groom, exes who are still in love, or new people who just want to get laid. I will let you figure out who goes with who.

Pictured, the female version of The Hangover. It would be Ed Helms, Zach Galifianakis, and Bradley Cooper personality wise.

Well, this movie is a little bit bleak. I mean that in the best way possible. All three of the main girls have unlikable virtues associated with them, and they are all pretty callous, but that makes the film more exciting for me. Bad people, being bad. They are trying to make a harder comedy, but with women! Sure, maybe I should be worried that movies trying to do this tend to be about weddings, because apparently that is the only thing women do. I will let someone trained in sociology to figure out the ramifications about that.

It wasn’t an insanely funny movie by any means, but at least it was a bit interesting. I am mostly annoyed by the ending, in which they attempted to redeem every character and wrap up their plot lines in happy endings.

Boo. The entire movie was about unhappy people. I wanted more unhappy endings. Bring on the sad people!

2 out of 4.

If you frequent the internet, you will most likely hear about how rustled certain peoples jimmies are now that The Great Gatsby (Trailer) has been made into a movie. Again. For whatever reason, there is popular opinion that movies shouldn’t be made from popular novels, despite that is how its always been done.

People are also afraid of Baz Luhrmann. Okay, that is more understandable. Baz is a weird guy. Sometimes his films are too long. Sometimes they are just weird. But they can also be extraordinary.

So I will give it a shot. I know the imagery will be in your face, the music pumping, and probably a guy on a typewriter. The trailer features 2.5 minutes of in your face imagery and music, just to prepare you for this trip.

Ohh,, I forgot the fireworks. Fuck!Despite guessing that everyone had to read “The Great Gatsby” in high school, here is the plot in a nut shell.

Nick Carraway (Tobey Maguire) has moved to New York to be a stock broker, since his writing career has failed. He has a small shack next to many large mansions, and is neighbors with Jay Gatsby (Leonardo DiCaprio), but he is a recluse who know one really knows. Gatsby is a man of many secrets, but one of his biggest is his crush on Daisy Buchanan (Carey Mulligan), Nick’s cousin, and married to Tom (Joel Edgerton).

Aww snap. Tom is also unfaithful though, cheating on his wife with the wife (Isla Fisher) of a gas station attendant (Jason Clarke).

Basically, everyone in New York is an asshole and a liar. Except for Gatsby of course! Sure, his secrets involve him working with a man who fixed the 1919 World Series (Amitabh Bachchan), but at least he doesn’t hide who he is. Much. Alright, he is a liar too. Also featuring Elizabeth Debicki as Jordan Baker, a friend of the Buchanans and Gatsby, and might be the only other sane person after Nick.

Because who wears that much clothing in a club? Need to take stuff on, not add more layers. Just as expected, this movie was pretty crazy, in more ways than one! There are some minor changes from the book, to set up the story, but of course that isn’t really important.

Early in the movie, I was getting kind of sick of it all though. I was overwhelmed by too much, too soon, just like the beginning of Moulin Rouge!. But eventually in the story, the parties die down, and all of the problems with the characters come to the forefront hard and fast, and to me it is when this movie gets exceptional. From the first time Gatsby and Daisy meet in the present, to the discovery of all the lies, to the final conflict, The Great Gatsby provides a whirlwind of emotion. Well acted emotion at that.

I think everyone was on their A-game during the filming and despite already knowing the story, it seemed like I was being told the story from the first time.

So while not perfect, I definitely loved the second half. Everything seemed so genuine and real, despite the CGI heavy backgrounds. If there is one thing I could have less of, it would be the green light. Definitely over used in my eyes, but I could just be jealous of the green light. That and the phrase “old sport” which I hope to never hear again.

Although I know for certain this movie won’t be DiCaprio’s Oscar winner, he still was a fantastic Gatsby and brought the character great justice.

3 out of 4.

Holidays are now in full swing and the makers of movies are finally tired of the same old crap. Do we really need another movie about Santa or the Spirit of Christmas? Or trying to explain why a bunny celebrates with eggs? How the tooth fairy is able to gather teeth all around the world? No, the consumer is tired of all of that. We need new tales, new ideas, but preferably with characters we already know. Which is probably why Rise of the Guardians will be such a success!

Yeah, I kind of like the Tooth Fairy in this film. I would do things, horrible things.

The Guardians are a team of holiday figures and legends who have banded together to protect the children of the world! Formed by the mysterious man on the moon, it consists of North (Alec Baldwin) aka Santa Claus, Bunny (Hugh Jackman) for Easter, the Tooth Fairy (Isla Fisher) and the Sandman (who doesn’t talk).

They haven’t had any problems the last 900 or so years, with the last threat being a man named Pitch Black (Jude Law), aka the Boogeyman. But they banished him so long ago, he can’t cause any problems. After all, you aren’t even visible to humans unless they believe in you. He still has some scary powers, just harder for him to cause wide scale havoc.

Unfortunately, those last 900 years he has been in hiding, planning to take out the guardians by making the kids of the world stop believing in them, Yes, no more happiness, only fear! Mwhaha! But then there is Jack Frost (Chris Pine), forever trapped a teenager in his weird life. No one has ever really believed in him, so he is used to being ignored. Despite that, he still tried to bring fun and excitement to the world, one snowball at a time.

Adding a new entity to the battle is not what The Boogeyman had planned for, but can some snow and ice really stop the eternal darkness? To me, personally, it seems like it would help bring upon eternal darkness. Yes, I am saying snow is dumb.

Pitch Black has a very Hades vibe going on, but darker. Probably because no fire on his head.

As I have stated before in many reviews (Tooth Fairy, Hop) I can’t stand when they make a movie about holiday figures, but don’t make it work in the world they created for the film. That is, why would adults no longer believe in the Easter Bunny, if he is really the entity out painting eggs and hiding them around yards? If the parents aren’t doing it, then clearly it is something else. No reason for them to not believe in it, when there is plenty of evidence that they actually exist.

Besides that, there are some other plot holes. For some reason, the guardians lose their powers if kids don’t believe in them. Why? Not sure, since clearly Jack Frost and Pitch Black have not had problems in the power department, despite the clear lack of belief. Arbitrary penalties for nonsensical rules.

Outside of the large plot holes, I found the movie on its own to be pleasant. The animation was almost mouth watering. I loved the attention to detail on the characters and the large fight scenes between Jack Frost, Pitch Black, and The Sandman. I think all the actors did well voicing their respective characters, especially Baldwin as a sort of Russian, extreme Santa Claus.

Oh, and yetis. There are yetis in this movie. Yetis can single-handedly save a bad movie if utilized properly (The Mummy: Tomb of the Dragon Emperor). I am sure they will be selling stuffed versions for Christmas, so I will put it on my wishlist.

Rise has great visuals and a decent storyline, as long as you ignore the prevalent plot holes. If anything, I can say it is entertaining and a movie families will definitely enjoy.

2 out of 4.

Confessions Of A Shopaholic looked like a fun romp through fashion and credit debt. Pretty much the funnest things ever, like, omg, am I right?

I don’t expect to find anything profound with this movie (like credit debt is bad? excessive shopping is bad?) but hopefully at least I will laugh a bit and not find every situation entirely avoidable. I mean, if the character is smart at least.

She looks like a fairy tale woman. Somehow in NYC she never gets mugged wearing stuff like this all day.

Anyways, the lesson you are supposed to learn is the difference between price and worth. But they say that a lot, don’t worry.

Isla Fisher likes to shop. She works at a garden magazine, but wants to do fashion! Loves credit cards, but has a problem paying them off. She even lives with her best friend, Krysten Ritter, and her boyfriend, and they all seem to help her avoid the creditors. Her parents (John Goodman, Joan Cusack) tried to teach her to value money and shop at thrift stores and saved up, but their hippie ways failed.

So she tries to work at a fashion magazine, but the only magazine owned by the corporation with an opening is the financing magazine, lead by Hugh Dancy. Despite a bad interview, she gets drunk and sends a letter to the fashion people with a sample article about worth, and hate mail to Hugh, but gets them mixed up. Congrats! She now has a job with a finance magazine, despite knowing close to nothing and being 15k in debt.

When she eventually gets an article published, it sky rockets as the next best thing. The owner of the corporation, John Lithgow, personally loves it, and so does the fashion people. Including some famous fashion person, played by Leslie Bibb. But she is a villain in the movie. So is Robert Stanton, a “mean old” debt collector who she is avoiding throughout the movie.

But will everyone realize she was lying the whole time, like he has been her whole life? What can she do to fuck up her friendships too? Can she bang the main editor, or will Bibb beat her to it?

In the ‘zine world, sleeping with your employees is fine.

Let me be detailed with why I dislike the movie now. Hooray!

1) All of her problems are easily fixable, and by never thinking they escalate. And yet still even after initial escalation, they are still easily fixable. By avoiding her debt collector, she sets up for him to go to drastic measures to catch her attention. By not telling her work, she sets up a big fall. Well, despite being a finance magazine, it didn’t mean she had to be good at paying bills.

2) Her friend got mad at her, because she lost the bridesmaids dress to a thrift store, and a homeless lady was wearing it. How? Because of the shopaholics meeting the friend made her attend, not from unwarranted spending. No reason for them to be mad at each other, as it wasnt Isla’s fault.

3) There was a tape to stop being a shopaholic, and involved throwing out all the excess. Well she didn’t. Guess how she raised her bill money?
By (gasp) selling a lot of her shit back. HOW IS THAT NOT THE MOST OBVIOUS THING EVER. You will be mad because that is clearly the right thing to do, and pays the bills, and good to go. But she keeps trying to throw it out, despite the debt? Dumb as shit.

4) Why the hell is the debt collector a villain? She pretty much stole from these companies for months and continuously lied to them. Yet she “gets him” at the end? That is some bullshit. Accept responsibility and pay your bills with class, please.

And you know, also weird messages about giving up on your dreams, and accepting the simpler things in life. Blah.

1 out of 4.