Tag: Hugo Weaving

Peter Jackson‘s name is super attached to the project Mortal Engines, despite it not seeming like a project up his ally.

Okay, it is based on a book, and he has done quite a few movies based on books or other sources.

But it also looked like a CGI hellscape of a movie. Practical effects were Jackson’s bread and butter in the early 2000’s, outside of some monkey business. Sure, he Hobbited it that aspect up in the future, but there was some attempts to not make it one big green screen, right? Right?

Well, needless to say, this movie isn’t actually Peter Jackson’s baby. He isn’t the director. He is one producer and one writer of the screenplay. He is just a big name and probably involved himself very little in the project. Whew. That was a close one. Can’t have too many duds in a row, or else no one cares about your past.

This is our main character trying to find Robert De Niro‘s dignity for similar reasons.

Mortal Engines takes place some 200-300 years in the future. Instead of sleek future design, we had to go a bit dystopian, and a bit steam punk. Of course some resource concerns exist, and apparently that lead to bigger and badder weapons, which wiped out a lot of technology. Now that is a thing of the past. And instead of resorting back to a feudal farming society, they realized that having a farm is lame, and they needed to be more nomadic. And when you are a nomad but the Earth is too big to wander, you just gotta take your whole house with you. And city.

And uhh, we have cities with giant wheels now, moving across the landscape, in search of places to temporarily settle, to get more resources and then, move, or whatever. And the bigger the city, the more resources they need, so they can’t just like, sit still and gather up enough to move. So instead, they invest in bigger stronger wheels and straight up try to “Eat” smaller community city/town/buildings. They can convert the people into new workers and citizens, and tear up the building material to burn into fuel.

Okay, so this is terribly inefficient. These predator cities can’t possibly survive like this unless they are munching up settlements all of the time. And these settlements are sparse. There are some settlements that don’t move, but they are behind a large wall in a pass, separating let’s say Europe and Asia, with big boom makers, so they can’t get close. Or can they…

Anyways, most of this plot is world building, because that is really the most important aspect, trying to figure out what the hell is going on.

In terms of plot, we have Hester Shaw (Hera Hilmar) trying to kill famed London Energy Guru Thaddeus Valentine (Hugo Weaving). Why? Revenge. Sweet. Sexy. Revenge.

Also starring Colin Salmon, Jihae, Leila George, Patrick Malahide, Robert Sheehan, Ronan Raftery, and Stephen Lang.

“Excuse me, did you forget to drop me off in the 1960’s on your way to the future?”

Absolute garbage. That is a nice way of putting Mortal Engines. A CGI slugfest of nonsense.

Mortal Engines is what happens when you take all of the good to excellent parts of the last decade of teenage dystopian films, then throw them out the window, filling the gaps with terrible B- or C-movie plot, bad acting lines, no worries about making sense, and even more terrible plot lines. It is like the creators of Sharknado saw a book, bought its rights, and then realized Sharknado might be actually more plausible so didn’t try to make sure this movie made sense. It is what happens when you live in a green life, with a green house, green car, green girlfriend too, and then it is totally a good idea to have probably no real sets at all in your movie. It is what happens when you assume to be a success, you just need some ridiculous premise and it will make people thing you are edgy, fun, and new.

I can’t talk enough about how much of a dread this movie ended up being. At over two hours in length, it certainly had a never ending feeling and my mind certainly believed it was three hours plus. It had the nerve to both feel not fully fleshed out/rushed, and yet too long. At no point can people derive an emotional connection with these characters, as so much of the plot needs to be told in needlessly polished flashbacks from our main character. Thousands of people die in this movie, and there is barely ever a thought about them. Characters only show up at the perfect time because of poor writing, without any chance of appearing natural.

Mortal Engines has no redeeming qualities, and when you try to analyze aspects of the plot or story, it will either break apart or just completely get even more confusing. I assume this is a series, and more books/movies will maybe clear some things up. Unfortunately, that doesn’t work well with a standalone movie (Which had no sign of a sequel set up either).

And what in the flying fuck is up with the Shrike robot? I barely understand how they even exist, and just have to accept their near god level power. And it mostly implies it is a bad guy, despite clearly doing a good thing, until the very end when we are supposed to suddenly flip our switches and feel sad? The graphics and voice behind him were also, seemingly, left behind somewhere.

I spent most of the time with this movie trying to fight off sleep, and writing down lines that were delivered extra terrible/cheesy. That, and counting down the minutes until I could get out of the theater and try to put this movie behind me.

The Dressmaker is about someone who makes dresses.

Review done!

Oh, and it is from Australia! How exotic.

So god damn exotic up in this introduction.

Okay, okay, here are some more details. This takes place in a small outback town of Dungatar, a close knit, everyone knows everyone community. And Tilly (Kate Winslet) has returned to take care of her sick mother (Judy Davis). Tilly was sent out of the town at a young age, to live elsewhere. She became a really great maker of dresses and is ready to return to her roots.

But then she is called a murderer. What? Apparently she was banished for killing another kid at the local school house. The local head councillor (Shane Bourne) and father of the dead boy made the decision. But now that she is back, her home is in shambles and they call her mother mad. She doesn’t remember the circumstances around the boys death, but deems she needs to find out the truth.

What follows is romance, lies, outright bitchiness, competition, and more. Hell, once she starts getting people to accept her again, some higher ups go and bring in a rival dress maker (Sacha Horler) to stop her spread of good will

But even if Tilly finds out the truth of her past, will it make things better? Or is the town too spiteful and angry for there to ever really be a cure.

Also featuring Liam Hemsworth, Hugo Weaving, Julia Blake, Kerry Fox, and Rebecca Gibney.

The cop can’t arrest her for standing out in a crowd. Nor for looking fabulous.

The Dressmaker is not for the feint of heart. Wait, no, it is relatively mild. That’s not right. The Dressmaker is full of romance and wonder! Shit, that is wrong too.

Oh here it goes. The Dressmaker is a weird, quirky film. It is about small town life, but you know, Australian. And set in the 1950s or so. Those who grew up in small towns will be able to more readily relate to the gossipy nature of everything, regardless of country it is set in. It isn’t a completely unique element in film, but given that this movie deals with an old murder involving kids, it does sort of grow quite rampantly.

But really, the reason to watch this film would probably just be the dresses themselves. They are extravagant by any means, but look bizarre when compared to the dusty, small town, 1950s vibe. Just another quirky element of the movie, the juxtaposition of the fancy dresses with the poor farmer. They are quite wonderful and this film has potential, if any, to be nominated for costumes.

But outside of the dresses and some fun Winslet movies, it didn’t really offer me much more. The ending started to get carried away with itself, as everything suddenly happened much more quickly than the earlier pace of the film. Some crazy things happen, they keep happening, and then Winslet’s character goes out with a bang.

A bit of revenge, a bit of mystery, a lot of weird, and a movie that is forever going to be hard to recommend.

Hacksaw Ridge, like most movies I saw in the month of October, I went in without knowing the actual plot and without seeing a trailer. I love it.

Here is what I did know, though. I knew it was about World War II. I knew it was directed by Mel Gibson, who hasn’t directed a war film in a long time. You know, Braveheart. And I naturally assumed it was at least 2.5 hours long and it would be unexpectedly graphic.

Oh and hey, it of course has Andrew Garfield. A generally solid actor, who has been solid post Spider-Man. 99 Homes was a surprising treat and I expect great things from him here.

Like I expect him to be able to take a hit from Private muscles over there.

Desmond Doss (Andrew Garfield) is a weird guy. His dad (Hugo Weaving) served in WW1 and has never been the same, making him an alcoholic abuser of both his kids and his wife (Rachel Griffiths). After an incident where he almost killed his brother (Nathaniel Buzolic) in a fight, Desmond vowed to never hurt a soul again, going full Christian.

Years later, World War II is starting and his brother had left for the war. In fact, all of Desmond’s friends left for the war. It is his duty as an American Patriot to join his friends to help stop an evil threat right? But can he do that and NOT kill? Well, he has always been interested in being a doctor but didn’t even graduate high school. After he meets and falls in love with a nurse, Dorothy Schutte (Teresa Palmer), he is able to gain some knowledge.

So he decides to sign up as a conscientious objector, refusing to even touch a gun, wanting to serve as an unarmed medic. And yeah, a lot of problems happen, in boot camp mostly, but he is able to metaphorically fight his way through and get sent to Japan to face horrifying conditions, with one goal: Save a few lives. Also featuring Vince Vaughn as the Drill Sergeant, Sam Worthington as their Captain, and Luke Bracey as fellow private and asshole.

You want your group of soldiers and commanders that also appear in this film? Well, hold on to your helmets. We got Michael Sheasby, Firass Dirani, Luke Pegler, Ben Mingay, Nico Cortez, Goran D. Kleut, Harry Greenwood, Damien Thomlinson, Ben O’Toole, Richard Pyros, Jacob Warner, Milo Gibson, and of course, Richard Roxburgh.

And countless more names play rag doll dying soldiers on both sides.

Gibson is a sunnova gun if there ever was one. Because Hacksaw Ridge is a movie that just seems to hit every note perfectly. It is cheesy and gory. It is loving and unforgiving. It is a few types of movies all rolled up in one.

The time just flew by as well. I was worried that the film would end right after he finished boot camp. Boot camp had so many issues and struggles for him to get through, after what felt like a very detailed introduction,
and also a courtroom scare. It had so much going on, and we didn’t even get him over to Japan yet! That is the main crux of the film!

Because he has to do something in order for his story to be told. They advertise he is the only person to win a medal of honor without ever firing a weapon, so he must have saved his entire division somehow in very difficult conditions. As to how difficult and what he did, well, that is what the movie is going to show. But the things he went through are basically awe inspiring to anyone who would watch, even knowing there must be some level of fib being told.

And yes, the main character is Christian. That is an extremely vital part of the film: his faith and his beliefs. We are told them again and again, but it never gets hokey, it never gets annoying. It feels real and earnest without rubbing it in our faces. This is what a Christian film should like. Something where someone’s actions speak louder than words without hearing Jesus every minute. It has been straight up probably decades since we have had an actual great movie with a strong Christian focus, and that is the most incredible fact about this film.

Desmond Doss is an amazing American hero, and Mel Gibson gave him an amazing movie for us to remember him with.

Ding dong the mother fucking witch is dead. That is how I am starting to feel about this franchise. In college, I wanted to do a semester abroad in New Zealand because it is a beautiful country, but now I think I have seen enough of it.

Everyone knows the Lord of the Rings are incredible, so I won’t mention them. I was really excited with The Hobbit: An Unexpected Journey, it was a bit longer, more CGI, but hey, let’s return to Middle Earth.

I completely hated The Hobbit: The Desolation Of Smaug. It was far too long, and it was a completely filler movie. I mean. FUCK. It didn’t end with the Death of Smaug. The obvious end point at least. It was just a long tease that made me bored and tired.

So, here we are, at The Hobbit: The Battle of Five Armies. Two things of note come up with the last part. First off, I really hate the title. I booed so hard and long once they announced the title change. It was originally The Hobbit: There and Back Again, a title taken from the book of his journey. Great title. This one is as lame as The Desolation Of Smaug (given that Smaug doesn’t get desolated).

Two, this one is going to be a lot more exciting than the second film. That much is certain. It is pretty easy to do when you leave like one cool aspect into the second film and delay the rest for the ending. The third film gives the end of the dragon and the big battle, so it will be super awesome. But at what cost? A shitty second movie. Given the connectedness of these films, it is important to look at them individually and as parts of a whole. So I don’t know if I can really enjoy this movie as much knowing that it was essentially delayed a year because the movies were broken up from two films into three films.

I think I am allowed to be a little biased and peeved going into this film, as I believe the second movie was 160 minutes of my life wasted.

But this one has tiny men on rams! Yay rams!

Okay so. Battle of Five Armies. Before that, we got a Smaug (Benedict Cumberbatch) to kill. And then they do that. Moving onnn.

Humans are all pissed off because their water town is destroyed. They have lost everything, their wealth, their homes. They need a place to go. Making Bard (Luke Evans) their de facto leader, they decide that they kind of want to head to the near by Dwarven stronghold for safety. And to get some of that gold that was promised to them.

Speaking of people who want to go to the stronghold, the wood elves are dicking around too. Apparently there is some priceless treasure in there that they want back. And that is all. A bunch of the elves are played by these people (Lee Pace, Evangeline Lilly, Orlando Bloom). Hugo Weaving and Cate Blanchett are elves too, but they are in another part of the story. I don’t really understand what they are doing with Christopher Lee and Ian McKellen, so I won’t talk about it.

Oh yeah. Dwarves. Like Thorin (Richard Armitage). He is now a real King because he has a real Castle, but he is after his special stone and is kind of going mad. Mad enough to go to war with the humans and the wood elves. But also, the orcs that no one know are coming. And Bilbo (Martin Freeman) is kind of just hanging around.

There are also non Dwarven actors, like Ryan Gage and Stephen Fry. But also all those Dwarves? I still don’t feel like tagging most of them. Just Billy Connolly, Aidan Turner, and Dean O’Gorman. I think I am done talking about the plot. And actors.

BUT WHO IS THE FIFTH ARMY?

Orlando – “I heard you got a role in another franchise. Lucky. This one is finally owner.”
Luke – “Dude, no one is going to watch the Monster Avengers movies.”

Yeahhh, dead dragon and big army fights!

And some of that was really cool. Well, the dragon death felt kind of rushed and awkward. Like, somehow, the cartoon version of The Hobbit had a more intense dragon death scene than this movie. It kind of just happened, exactly as one would expect too. So that was actually disappointing. Just that it ended so quick and easy, they could have made the death way more awesome and also, you know…put it in the fucking second movie?

Now the army fight was pretty bamf. So that is good. Entertaining fight scenes, although it was hard to follow just how many humans were actually in the war and how the battle grounds were laid out. You just kind of had to go with it and accept it, although I doubt it was planned out. Martin Freeman still made a good Bilbo, so that was good. But of course, the focus wasn’t really on him this whole movie, despite the title. He gets super pushed to the side.

The love story is not as bad as the second one I guess, because of all the fighting going on during it.

And as I said above, I have no idea what the point of the necromancer story line was. Like, they resolved it I guess, but it was totally unexplained and felt incredibly pointless. It was really shitty.

Overall, that makes this movie just okay. Not the weakest of the series, maybe the best. Hard to say. None of these match the LOTR quality and I don’t think that was their goal. But I can’t help but feel the entire franchise was a let down. I haven’t bought any of them, because I know I want to wait for the cool extended package with all of them bundled. But also, will I actually watch any of these again? Probably not. I will probably watch the cartoon Hobbit more.

Watch out everyone, movie event of the year coming through.

Sure, that is debatable. After all, Twilight Ended, the year isn’t over yet, and the end of Batman Trilogy and Avengers went down. But The Hobbit still may have been a greater buildup. After all, the previous LOTR movies were all nominated for Academy Awards, and the last one won!

This is a new trilogy, taking in more than just the Hobbit book, with tons of lore, and stretched into three movies. I AM ALLOWING MYSELF SPOILERS IN THE SECTION IN BETWEEN PICTURES, BECAUSE WELL, most people know this story anyways. The Animated Movie was a thing, after all. That middle section is normally reserved for plot anyways, and I feel like its hard to really give away shit, because its so well known.

Either way, spoilers in the middle warnings!

Spoiler: Only one hobbit is really focused on in this movie. That’s 75% less Hobbits than LOTR.

As most of you know, The Hobbit takes place before LOTR. Bilbo Baggins (Martin Freeman) is a simple Hobbit, who doesn’t like adventure. Gandalf (Ian McKellen) comes by, fucks it all up, and without warning, thirteen dwarves have crashed the place and are eating all his food! Oh noes!

Why? Because they want to reclaim their ancient kingdom, that a terrible dragon named Smaug (Benedict Cumberbatch) has taken over! Thorin (Richard Armitage) is the last line of Dwarven royalty, and technical king of a home they don’t control. He sent out a call for dwarves to help him take back the mountain, and only 12 answered. But according to Gandalf, they also need a Burgler, and he has decided that Bilbo will fit the bill.

The first hobbit movie ends after the encounter with Gollum (Andy Serkis) and the escape from the Goblins, and then the further escape from the orcs by Eagle Power. We also get an appearance of Frodo (Elijah Wood), Elrond (Hugo Weaving), Galadriel (Cate Blanchett), and a pre-evil Saruman (Christopher Lee). Balin (Ken Stott) is the next main dwarf, Azog (Manu Bennett) is the pale orc main antagonist, Figwit is now Lindir (Bret McKenzie). AND THEN WE HAVE RADAGAST THE BROWN (Sylvester McCoy). A mother fucking druid/crazy wizard?

Don’t remember him? Because like I said, this is more than the Hobbit. A lot of the Tale of the Necromancer is in here too, and was only set up in this movie. Gandalf left the Hobbit a lot to do his own shit, and he was doing the necromancer stuff. This added a lot to the movie that I wasn’t expecting.

One other thing I liked? Well, as most of you know the story, you know that Gandalf and the Eagles are a Deus Ex Machina on a stick. Rarely do they solve their own problems without one or both of the groups coming to save the day. Same thing happened in LOTR, and it was pretty annoying. One of the biggest examples is when they are in the trees with the orcs and worgs attacking, then the Eagles come and carry them away. Well, in the movie, that scene is QUITE longer and a bit more inspirational. Yes, it ends the same way, but damn it, the Dwarves don’t just sit their crying. They fight back, they give it their all, they show courage and bravery. I loved that change. Same result at the end, but I think the way they got there was a little bit better.

Pictured: Actual Trolls picking apart the Hobbit.

First off, no I didn’t get to see the movie in 48 fps. They decided to can the wide release idea, and only have it in select theaters. Sucks to suck, I might get to see it next week that way, all depends on if I want to see it again. The 3D on its own, was very nicely done, rounding out the movie in a good way, like Life of Pi did.

Martin Freeman felt really good as Bilbo. I understand the direction they took the character is a bit more witty and awesome, versus kind of a selfish asshole. Same with the dwarves, but really, I think it made the story better. There were like, three songs in this movie, maybe a throw back to the animated movie. None as silly as those songs, unfortunately.

I also read an article telling me the main 19 differences between the book and the film, and honestly, it mostly seemed like harmless fluff changes that didn’t matter. But when I left the theater, I heard lots of grumblings in regards to changes from the book still. Oh well, one day people might not have a shit. Just kidding, it will never got away.

It had its flaws, and some pacing issues in it. Personally the rock giant fight scene came completely out of nowhere for me, and didn’t really make…any sense. Just happened in the middle of traveling, no explanation, no buildup, and then it was done. Really disliked that scene.

And then there is Cloud Atlas.

What? Don’t like that I kind of just started this review mid thought? Well get used to it, if you want to watch Cloud Atlas. Featuring an all star cast, this movie takes place over time and space, to tell a simple message.

And by simple message, I mean you might have to see this movie multiple times.

Just like they might have to give actors multiple roles. For symbolism!

You might be wondering, “Hey, Gorgon Reviews. What the fuck is going on in this movie? It looks confusing! Do I have to think during my movie time? Is it really 3 hours if you include previews? Fuck that noise.”

Well first off, I don’t know what that last part means.

But hey, I can explain the structure. There are six different settings that the story takes place in. South Pacific, 1869, a lawyer goes to settle a transaction (slavery!), but finds himself extremely sick on the way back home. He befriends a stowaway slave, and must fight the poison.

England, 1936, a young gay musician travels to work for an old and dying composer, becoming an apprentice and making his own work entitled Cloud Atlas.

San Francisco, 1973, a crime story involving a young reporter getting a big scoop that things may not be on the up and up at a new nuclear power plant.

London, 2012, no Olympics. The story of an older publisher who gets into some crime trouble, then forced to live in a retirement home where there is no escape. Yes, this is the more comedic storyline.

Neo Seoul, 2144, a story of a clone who escaped her job and learned to develop feelings, knowledge, and become a god.

Hawaii, 106 years after “The Fall”, a goat herder, haunted by his past, has to work with a technologically superior human to figure out where they all came from.

Get all that? Those are rough descriptions of the eras, that have their stories interweaved throughout the movie, sometime simultaneously. If for some reason you didn’t know yet, all of the characters play multiple roles, some of the bigger ones being Tom Hanks, Halle Berry, Hugo Weaving, Jim Broadbent, Jim Stugess, Ben Whishaw, and Doona Bae.

Hell, just to confuse you more, some actors play the same character, just in different times of their life. I’m looking at you James D’Arcy. There are other big names as well, with lesser roles, such as Keith David, David Gyasi, Susan Sarandon, Xun Zhou, and Hugh Grant. I was personally confused by Mr. Grant, as I only noticed one of his roles when I first saw it, and had my brain convince me that Hugo Weaving was doing a REALLY GOOD Hugh Grant impersonation.

Dude. Bro. The Future Bro. Dude.

Like all crazy movies, this one is not without controversy. Namely the Media Action Network for Asian Americans, because yes, some of the white actors were asian characters in Seoul. They complained of eye make up, and that they should have just found some nice asian actors for the role. You know, making one part of the movie completely different from the others because of people playing one role. But because they didn’t care about Doona Bae wearing white ginger make up, or Halle Berry as a white woman, I am calling their complaints racist and turning the table on them. Get out of her guys.

I actually did make a flow chart on my board, mostly as a joke. I’d suggest only looking at it, here, if you have seen it to avoid any spoilers.

The best way to describe this movie is Intense. There is so much going on, so much kind of connected, and so much feeling. When you are done with it, you are left only with feelings. Unfortunately the plot isn’t perfect, there were things I am still confused on today. I could read the book, but ehhh. There are a lot of themes, most of them relatable, but mostly I think it is about the emotions.

Cloud Atlas is going to be a movie that requires multiple viewings to get the full effect out of it, and I am glad The Wachowski Siblings made it, if only for the large mammal sized balls they must possess.

When I first saw Happy Feet, I loved it, minus the ending. Had an interesting plot, great jokes, some surprise pop culture references, songs/dance, and even some scary moments. Just the end was dumb and preachy, and felt super deus ex. Ending I hated!

I’ve seen it a lot the same, and I still think the same thoughts. That is good.

So what about Happy Feet Two? Well, as long as it doesn’t go preachy, and have a plot other than “baby penguin does something different, isn’t accepted, and eventually is accepted” then hell yeah, lets do this thing.

These penguins are unfortunately “bringing fluffy back”.

Mambo (Elijah Wood) and Gloria (now Pink, since Brittany Murphy died) have a child! Yay! He just isn’t as good at dancing or singing yet (damn it…). Thanks to Ramon (Robin Williams, who also still does Lovelace too) the kids get separated and taken back to his land (where he wants to find love, preferably with Carmen (Sofia Vergara)).

There they find a new penguin that everyone loves. Sven, the flying penguin (Hank Azaria! And German-ish). While they are out and Mambo is looking for them, some ice sheets melt and move around! They crash into each other and Emporer land is now surrounded on all sides by large ice cliffs, and they are trapped in a valley. No way out!

Noah the Elder (Hugo Weaving) is still in charge, and he tries to keep calm with Seymour (Common. That big rapping penguin played by Fat Joe last movie. ANOTHER ACTOR CHANGE!), after figuring out escape is impossible. I would like to note that still having Noah be alive and in charge is weird, since Mambo’s parents are NO WHERE in this movie. I can’t believe that they got old and died, if that old one is still there. They are just ignored then.

Eventually the day is saved, and not by the methods that you might guess. Somehow the power of dance must be involved, after all. They even noted the Deus Ex feel of the last movie, and I thought they were about to fuck me over on that again, but don’t worry, it doesn’t work.

But the real stars of the the movie are Will and Bill the Krill.

I think it’s obvious which one Bill is.

The krill are voiced by Brat Pitt and Matt Damon, respectively. Will is a Krill who wants to get out of the swarm, discover the world, live in the now, become a predator and escape the bottom of the food chain! Bill is his friend who reluctantly goes along with him, trying to bring him back to his senses and is gay?

Yep! I think so, or at least he wants to raise a family with Bill, tons of children, not caring if they are both male. The scene after that he even sings Wham! making it seem very likely that Matt Damon has now played a gay Krill in his life. Definitely a bucket list check off.

But seriously, these two krill are awesome. Their story is woven through the rest of the story, at first you are unsure of why, but once it fully connects at the end, you will see why their journey is overall worth it and integral to the story.

Song wise, there seemed to be a bit less. Only the first song intro featured mash ups. One song in the movie at least was entirely original too, and was my least favorite. The first movie though had a whole lot of songs in the first bit, and then felt like it had nothing until dancing at the end. This one spreads them out a bit more, and the final song is “powerful” and almost made me cry in happiness.

The movie also has a lot more going on with the Elephant Seals, who were pointless in movie one, but also bring out a better ending and a very sad part about 1/3 of the way through.

Hey look. It is Sven! But what dark secrets does HE hold?

The sequel has a lot more plots than the first movie, a change I loved. Thankfully they don’t change who the main character is in this movie, and you know it is still mostly about Mambo. Overall though I felt like the songs in this movie were drastically weaker than the first. Improvement in that area would push the rating to the top, but everything else is great.

Especially the krill.

When I first saw the trailer for The Wolfman, I assumed it would be like all of the old werewolf movies, with nothing really new behind it.

Then I realized I hadn’t really seen any actual older werewolf movies, just a bunch of dumb cheesy ones. Looks like I should give the Wolfman a try!

Alright, so maybe my only werewolf movies are Underworld, Van Helsing, and Harry Potter 3. Sue me.
And yes, I will ignore that other one I just reviewed.

The movie stars Benicio Del Toro, a Shakespearean actor who is sent back to his home for his brothers funeral. Some people think it is from the trained dancing bear that the gypsies had (err) and others think a Werewolf (equally implausible, I guess). Wanting to get some answers himself, he goes to the gypsy camp where he is of course hurt by a werewolf, gaining its curse. Now he has to both try and live with his curse, and try to stop the man who killed his brother. His dad is played by Anthony Hopkins, his brother’s lover is Emily Blunt, and Huge Friggan Weaving busts out the mutton chops for a detective role.

The acting in this movie is fantastic. While watching it though I had no idea why a werewolf would go on a crazy rage killing spree. I always figured it was just for food, but it seemed like the werewolves were killing just for killing sake. It could also be explained by people shooting at them, but eh. Who knows.

The special effects and make up were pretty top notch. Makes sense that the film won best make up. I loved the scenery and music too. Not to mention Hugo’s mutton chops.

But overall I thought it was still lacking. Maybe it was the ending, wasn’t my favorite. Didn’t care about the main dude that much either. Probably because I am heartless, but he went for his brothers widow pretty damn quick. Predictable stuff happened also. But the asylum was also pretty damn cool. But still lacking.

Did I mention Hugo’s mutton chops yet? They’re kind of a big deal.

Alright! The long awaited Captain America movie that people would assume would not do well internationally. I mean, who cares about American Patriotism, outside of Americans and Terrorists who want to find its weaknesses? Most importantly for this movie is the last set up movie before every nerd boys dream, The Avengers, which if you missed, had a large preview at the end of Captun AMurrika.

Chris Evans plays the titular character, making this the 5th comic based person of his career. He was of course Johnny Flame in Fantastic Four movies. But he was also in The Losers, a graphic novel, Scott Pilgrim vs the World, a graphic novel, and the voice of Casey in the TMNT movie, originally a comic. This guy better love comics. The next closest person would be Ryan Reynolds, who is just trying to be in everything these days.

A lot of talk on the CGI used to display Evans before and after the serum. He looks weird scrany, but it wasn’t actual CGI but some other complicated method. It was actually his body the whole time though, so at least we get that. Movie was long enough with enough action in it to give the complete story, even his return to the present. It sucked knowing his relationship would never last. I liked how they showed his conquests throughout Europe, giving small detail, but leaving enough room for a Captain America 2 to take place during this time, pre Red Skull as well.

Speaking of Red Skull, how about that Hugo Weaving? How good is he at sci-fi, fantasy, action movies?

Multiple personality disorder is serious business.

Also this film does a good job of tricking you. You think one thing will happen, and not only do they do the opposite, they kind of tease the fact that you just guessed wrong. See: kid being thrown in the water. We also have Tommy Lee Jones as a big army dude, Hayley Atwell as a love interest, and Dominic Cooper as Howard Stark.