Tag: Horror

Totally Killer

This is a review for Totally Killer, out on Prime Video on October 6, 2023.

Oh Jinkies! Living in the year 2022 is so swell. Even for the people in the relatively small community. You know when it wasn’t swell? In 1987, when a masked individual, dubbed the “Sweet 16 Killer” terrorized and killed three sixteen year old ladies! That was totally uncool, and also fun fact, he was never caught.

For Jamie Hughes (Kiernan Shipka), she doesn’t care that much about it. How could it affect her life that much? Well her mother (Julie Bowen) for one. Because those three girls were her best friends, and she has been frightened ever sense. Sure, she has a nice supportive family now, and a protective husband (Lochlyn Munro), but that makes her mom overprotective of HER so Jamie can’t have any fun.

Anyways, SURPRISINGLY, the killer comes back, and comes for her mom. That is totally not cool. 35 years? What the hell dude. Because of plot reasons, Jamie actually ends up going BACK IN TIME, to 1987, a few days before the murders happen. Seems like she knows what to do, stop the killer before he can start! And thankfully, this was after Back to the Future came out, so she can reference that movie and maybe people will just totally get it.

Also starring a lot of people, some of them playing the same character in two timelines! Woo time travel! We have Olivia Holt, Charlie Gillespie, Troy Leigh-Anne Johnson, Liana Liberato, Kelcey Mawema, Ella Choi, Stephi Chin-Salvo, Anna Diaz, Jeremy Monn-Djasgnar, Nathaniel Appiah, Randall Park, Jonathan Potts, Zachary Gibson, Kimberly Huie, and Nicholas Lloyd.

tk
I forget she did Sabrina and can still only think of Mad Men

Hey kids? Do you like Freaky? And Happy Death Day? Because this is definitely the movies they want you to compare it too, very much going for fun and death at the same time. Maybe some gnarly deaths, maybe some quirky references. The director, Nahnatchka Khan, is known for comedies, and not her horror, so you can tell that is clearly the bigger focus here. Always Be My Maybe was a wonderful, beautiful, and funny film.

But this is a movie that seems to just completely drop the ball on the scares aspect.

I think the only kill and chase that was only exciting was the first one in the film, when Bowen was attacked. She seemed legitimately afraid for the character. Everything else after that was just a disappointment. Even the final climatic potential scene, where our hero is trying to return to her time finally, with a killer coming towards her. It just felt bloated and didn’t actually live up to its location, where it could have been amazing.

Totally Killer is a GREAT idea for a horror/comedy. And it has the nostalgia element. The film itself looks nice, it just didn’t offer amazing kills, nor did it go beyond the low hanging fruits in terms of joke quality. It is certainly a movie, and you might still like it if you liked the other recent horror comedies. But I don’t think anyone will walk away saying its better than them, which is a shame.

2 out of 4.

There’s Something In The Barn


There’s Something in the Barn was watched as part of Fantastic Fest 2023!

Bill (Martin Starr) is taking his family to Norway! You see, his Uncle owned a cabin and land out there, but he passed away, and Bill was left the property. So why not upend his whole life to a new place to start over.

You see, Bill’s original wife died in the past. So he had gotten a new wife, Carol (Amrita Acharia), but he had two kids before that, Nora (Zoe Winther-Hansen) and Lucas (Townes Bunner). His new wife, the kids don’t really full accept as a replacement mom, but she is trying. She is into self help seminar speaking. Bill is excited to open up a bed and breakfast place with their new land.

However, and forgive me as I say this, but there appears to be something in the barn. Only Lucas sees it at first, so of course no one believes him. But a local tells him about the Barn Elves that supposedly live in the land, and how they are different than those silly American lawn gnomes. They have rules, they hate noise, they hate bright lights, and will leave you alone if you leave them alone.

So no one cares, there are parties, and sure enough, the elf gets pissed. Time to get revenge with a bunch of his elf friends. Just like they did to the last owner.

Also starring Calle Hellevang Larsen, Jeppe Beck Laursen, and Henriette Steenstrup. And of course some elves were played by actors like Kiran Shah, Paul Monaghan, and Alexander Karlsen El Younoussi.

uncle

“I’m not even sure how the debt collectors found my new place in Norway!”

Christmas horror comedy flicks. Is this genre on the rise or what?

Now, I like the idea of a good multi-genre film. For example, we didn’t really have a lot of Christmas horror comedies, besides like, Gremlins sort of. Then eventually we got a Krampus and it became a big hit. And last year we had Violent Night.

I would put There’s Something in the Barn solely between those two movies. Better than Krampus (which was just okay for me), and not as fun as Violent Night. It IS a fun movie in its own right though. There are creative deaths, and a lot of silly moments. I mean, these elves are so dumb looking, it is hard to not find it humorous. But Starr is no David Harbour, when it comes to the physicality and outrageousness of his Santa.

Of course of course, this is not the point of Starr’s character. He is playing the classic screw up father, who is trying to make everything nice, when nothing is. In fact, this might be the first time he has ever played a dad on screen? He was a nerd on Freaks and Geeks and has been sarcastic asshole for so long, its weird that we are getting to that stage in his career.  Am I old now? (yes)

But back to the film. This film is 100% going to join the rotation of others of the similar genre. If you like comedy horrors at Christmas, you will like this one as well. I think it offers something new and interesting, including a bit of a rewatchability factor.

3 out of 4.

The Coffee Table (La mesita del comedor)


The Coffee Table was watched as part of Fantastic Fest 2023!

Can a piece of furniture ruin a marriage? Ruin a family? Of course it can. But is it really the tables fault? Probably not.

You see, for Jesús (David Pareja) and his wife (Estefanía de los Santos). See, she just had their baby. And they have been redecorating their apartment. But according to Jesús, she has decided everything. All the decorations. When they should have a kid. What to do with their free time. Even their son’s name, is a name that he despises. So they have had their arguments. For whatever reason though, she said in their redecorating, that Jesús can pick a new coffee table for their apartment.

So what does he do? Well, he listens to a salesman about a very exotic and recently on sale table. It is glass on top, unbreakable! And the legs are just two naked ladies, plastered in gold. It is absolutely gaudy, and his wife doesn’t like it, but he takes it anyways due to pride.

Now he just has to put it together. But it is missing a screw. These dang Scandinavian designed furniture, and it doesn’t even have all the parts!

It turns out, the missing screw is just the first and smallest of problems. Literally and metaphorically. Things get bad, and get bad quick. The coffee table was a bad choice.

Also starring Paco Benjumea, Eduardo Antuña, and Claudia Riera.

coffee
As you can see, the wife was right to judge her husband. 

The Coffee Table, if I had to say anything, is a hard film to recommend. It classifies itself as a dark comedy. And the DARK element of that is super true. I am used to dark comedies dealing with death, and things spiraling out of control. And usually I can find humor in this as well. But holy shit, this one went really dark, really fast. I wasn’t sure where the comedy part was hiding?

I mean, it is awkward still. There is an uneasy chuckle in a few scenes, and the beginning scene is played out for laughs. I was still downright horrified at the events and stayed horrified for the rest of the film, watching as things continued. The conversations were unbearably uncomfortable. I almost turned it off early on, after a scene. I didn’t think I could handle much more of the film. At the same time, I figured the impacts of the scene would move on and we’d see the spiral. But it actually never really moves on. It lingers and it makes you feel and deal with the events.

The ending is a bit predictable. You can tell where things will end up, and it does not disappoint.

The Coffee Table is not for everybody. Hell, it isn’t for most people. But it is for people who want an experience about why not all relationships can just wash away their problems.

3 out of 4.

Dark Windows

Check out my interview with director Alex Herron here!

Did you know that every week of the year, all 52, there is likely one or two horror movies coming out?

It’s honestly kind of wild. If one wanted, they could dedicate their entire website to reviewing horror films, from festivals, random streaming services, and VOD releases, and probably easily fill out 20 plus a month. Everyone is making horror films, because its a lot easier to be scary, than funny.

Is that why Alex Herron is releasing Dark Windows, his second horror film, after doing more than 100 Music Videos before that? Probably not, but the introduction sounded nice enough for a film I would know one else involved in. So I am going to make my pictures lyrics from music videos he directed instead.

candles
“Shining through the city with a little funk and soul
So I’ma light it up like dynamite, whoa oh oh” 

Tilly (Anna Bullard) is sad. Sad might not be enough. She is downright devastated. Her friend Ali just died. Unfortunately, it seems to have been from a car accident, when things got out of control one night. And Tilly was driving the car.

So she feels like all of her friends and Ali’s family blame her. Thankfully, two of her friends, Monica (Annie Hamilton) and Peter (Rory Alexander) have a getaway planned. Not a cabin in the woods, but certainly a big house in the countryside that they are able to stay in. To swim and be with nature and grieve and hopefully move on.

Things get a little bit uncomfortable right away, when Monica invites Andrew, the boyfriend of Ali who does not like Tilly right now. Then alcohol gets bought. Then the Wi-Fi goes out. And sure enough, a masked person is terrorizing the house.

Also starring Morten Holst, Rachel Fowler, Jóel Sæmundsson, Vanessa Borgli in various roles, and Grace Binford Sheene as Ali.

stalker
“All I ever wantedWas to see you smiling (smiling) “

One of the best parts of Dark Windows is its very limited cast. Outside of a few characters introduced in the earlier funeral scene, that give you enough to guess who might be terrorizing our older teens, its really just about these three individuals after their friend died. It really gives you time to learn not just more about them, but of course, why they all suck.

I mean that in the nicest way. But through some flashbacks, we do get to see that they all had some part in leading up to their friend’s death, and hey, sort of, maybe, kind of, deserve to be fucked around with from it. Since they lied about the events to everyone else and the authorities. I am not saying anyone DESERVES to die, or be stalked, but hey, no one is an Angel here either.

The movie benefits from a shorter run time, because honestly, once they are in the cabin, it takes awhile for anything to happen. Sure we get some glances of someone in the background occasionally, and every once in awhile a new realization about their past, but most of the frights and/or intense moments are saved for an avalanche at the end. Without the ending that we got, this movie would be certifiable dud. So I guess, saving it all for the end is a boon. I love the acting at the end, and I can’t namedrop who is involved for obvious reasons, but they deserve a lot of props for the emotion in that scene, and it really just elevated everything. For reasons I can’t say, I personally felt connected on a similar level almost. No, don’t worry, I am not going to murder or attempt to murder anyone.

Overall, the Windows in Dark Windows I found to be mostly normal colored. I liked the ending reveal and consequences the most, and I think it can be worth it on a slower evening.

2 out of 4.

Living With Chucky

Chucky has to be top five in terms of recognizable horror movie villains right? Right?
Freddy Kreuger I would assume is the top spot. Michael Myers/Jason lose points because people confuse them sometimes. Ghostface maybe. Hellraiser hasnt had as many movies for recognition.

I don’t know how I would rate this, but Chucky is certainly up there. Almost everyone knows him. Hell, I know him and I also know for a fact that I haven’t seen a single Child’s Play movie. I don’t even know if I have seen part of one on the TV before, just random clips from media and documentaries, like this one. He is iconic enough to exist outside of his films and in references. Big enough to appear in cartoons and for likely kindergarteners to know and fear.

My favorite aspect of this series is that it started out Child’s Play for the franchise, but people didn’t like calling it that. They wanted Chucky to be the name, because it is the villain. So then the movies changes their naming style to match the Chucky theme, instead of continuing to force Child’s Play on us. This might be the only franchise to do that.

Another great thing about the franchise? Since 1988, the same people have been involved with making the movies. The same voice actor, stars are used multiple times and brought back, the cinematographer, director, writer, animatronics team, all of that. This is like a family bringing this stuff on, including the TV show (but not including the random Reboot, which honestly, shame on them for doing when the original people were still wanting to continue their story. And hell, the fact that it is all connected should be celebrated more than anything).

chucky
This doll is so big, it can survive having a canon story for 30 years.

Now the name for this documentary is actually quite clever. It is directed by Kyra Elise Gardner, a name you wouldn’t recognize. But, she is the daughter of Tony Gardner, one of the main doll puppeteers of the franchise. So in all reality, she did grow up with and live with Chucky for a large part of her life. To add more family elements to the story, the main voice of Chucky, Brad Dourif, through everything but the reboot, has his own daughter in the movies, Fiona Dourif, playing a real character who has to battle Chucky and eventually gets possessed by Chucky. Spoilers? Kind of.

A few people have grew up with Chucky, but notably, the directors, writers, and crew, have lived with Chucky for 30 years of their life. So this is directed by someone who grew up with Chucky, and interviewing her family, and friends of family she has known her whole life with Chucky, over the movies they made, the memories they gained, and the fun they had.

This documentary is nothing like Never Sleep Again: The Elm Street Legacy. See, that one is 4 hours long and dense, with behind the scenes stories from the actors and film analysis. But each movie is almost independent. There isn’t a lot of carryover between the two. For this documentary we had the same people, talking about each film, because they were a part of it, and that is such a unique element.

I already mentioned I haven’t seen a single Chucky film yet. But honestly, the camaraderie and family nature behind these films has piqued my interest, and I think I might finally check off that aspect of pop culture before its too late.

3 out of 4.

Poundcake

Poundcake is part of Make Believe Seattle, and it is playing on Sunday, March 26, 2023. 

Heh. Poundcake.

If you want to make an attention grabbing movie, it always starts with an attention grabbing title. And poundcake would certainly make most people curious about your film.

I mean, there is a chance it is about actual cakes. Which would for sure be a win overall. But it could also be slang and go a lot of different ways. And I am here to let you know, it certainly goes those ways.

mask
Immediately, it is one of the more negative of those ways based on this image.

A new killer is out on the loose! Apparently. It is amazing that one could even find that out since it is in New York City, but these deaths are a bit different.

First of all there is a pattern. Everyone at that point had been a straight white male. Not too surprising there, I guess. They all had been strangled as part of their death. So there is some level of pattern there. Oh, and they also had been raped. Yep.

So despite no one seeing the killer, all of these happening in isolation, there is a clear theme and focus. And it has the city in, well, has them curious. Is this okay? Is this revenge? Is this a form of justice?

Who is to say overall, but those who have some level of minority are feeling a lot more safe about themselves during these times, for sure.

Starring Onur Turkel (also the director), Eva Dorrepaal, and Ron Brice. A lot of others too, but this isn’t on IMDB yet and I am limited in finding people.

work
People should talk more about serial killers at the workplace. 

To start off, this movie was a lot funnier than I thought it had the right to be. I mean, it was very low budget and its visual framings were never that creative. But it has got personality, friends. A lot of it. A lot of weird, oozing personality.

A large percentage of the film is framed through podcast recordings. Various different groups talking about current events in their lives and cities. Most of them themed around gender, race, or some sort of drug using identity. And from that we got to hear the discussions of “other New Yorkers” about their thoughts and feelings during these attacks, and how they affect their views on other people. The podcasters are real characters too, not just a narrative device, and their lives are explored for a bit in the film, including when groups break apart, change members, or share guests for interviews. Outside of the whole, murdering of white dudes angle, it was basically the other main plot in the film.

A film that also had some strange subplots, like the director playing a character really certain in his sexuality while exploring new things sexually. It related to the rest of the story, a little.

Honestly, the ending of the film, during the memorial, had me in all sorts of giggles. Quite a lot of scenes, but the ending went full ridiculous and I am happy that the film embraced the ridiculousness of the story. The write up on the festival site calls the director, “one of the most astute and fearless satirists of his generation,” which is obviously written by his team/PR group, but it is definitely some level of fearless satire going on here. In films we want originality, and if anything, Poundcake has some originality.

3 out of 4.

Pursued

Pursued is part of Make Believe Seattle, and it is having its world premier on Saturday, March 25, 2023. 

Pursued is one of the many films getting its world premier at Make Believe Festival in Seattle this week. What personally drew me in was not the few actor names I actually recognized, but the teenage sleuth feel of it all. I am sure it would have normal horror and thriller vibes throughout it. But high school students finding clues, and finding a killer? At the threat of their own lives? That could be fun.

I mean, I used to be a teacher. The high school students I know, for the most part, were very apathetic, even when it came to passing their classes, so it is always nice to see there are some students out there, even if they are fictional characters, who have passions and desires in SOMETHING.

Besides. Horror film that take place with high school students usually means we get to have deaths in the school, and hey, public schooling at this point already feels like death.

dinner
Is this old guy a clue? Is it her dad? Is it a killer? 

Lark (Madison Lawlor) is a high school girl, just trying to live her life, go to parties, and kick ass. Like everyone else. But one night she sneaks out, and when her dad was driving on the way to get her, he got into a car accident. Shit. Now her dad is dead, and it is sort of her fault. She has to carry that guilt.

Some time later, still in high school, we have her actively dating and doing things now, trying to live her best life. Her mom (Molly Ringwald), is finally in the dating game, and dating Mark Franc (Angus Macfadyen). Hey, that is a pretty generic sounding name. In general, Lark doesn’t like the sound of him, so she does her own googling.

And somehow, strangely enough, this leads her on a dark path. Where she finds out the identity of another Mark Franc, who just so happens to be a serial killer. But first she needs proof! She needs help! That way justice can be had. But soon Lark gets far too over her head, and her friends start dying, and she starts to get threats, and well. Hope she doesn’t ruin her mom’s new found happiness by also getting murdered, ya know?

Also starring Joel Courtney, Paul Sorvino, Sam Trammell, Miesha Tate, and Taylor Blackwell.

killer
Same question. Is he the killer? He could easily just be a teacher getting home after working with assholes.

Lark in this movie is no Nancy Drew, but to be fair, the movie didn’t advertise that element at all either. It is just something I wanted. Did the lead solve some clues, and do some nice breaking and entering to solve a murder? Oh, you betcha.

But she also was still a teenager, who made bad decisions, and dug herself into a hole she did not know how to get out of.

Unfortunately for this hole, it felt more laughable than scary. There is always a suspicion of disbelief in these films, you know, murderers who are strong and apparently the best at covering up their tracks. But there was too much in this film for me to get over that fact, unfortunately. It wasn’t giving a film with supernatural elements, so having the murderer go “Halloween Kills” on a group of people who were bigger, stronger, and had him already trapped felt more annoying than anything, at what felt like a good an appropriate ending. [Editor’s Note: That scene in Halloween Kills I hated so much, and this movie is not really that close]. But the film instead needed to continue, and go further. It already felt like it was dragging at that point, but to make it go even more further felt like an awkward decision.

If it broke some cliches in the process, it would have helped. But instead we got still a pretty standard ending, after a less than exciting film. Even though it ended on a weak note, its mediocrity of a story wasn’t going to save it either. I would not pursue Pursued into theaters at any time soon.

1 out of 4.

Razzennest

Here is an interview with the director of Razzennests, Johannes Grenzfurthner!

Razzennest is a snazzy title, and something that really makes me crave pizza. Makes me want to seek out that razzle dazzle. That is all of the double z words I can think of in a short span of time, I apologize for not being able to make that introduction joke go longer.

Razzennest might be a German word meaning Rat Nest, or it can be something very different on who you ask.

Regardless of who you ask on translating Razzennest, the film itself is a film that cannot be translated into any other film for comparison. It is a film unique on its own, and we shall see why in a moment.

chicken
This is a cock. 

The Thirty Years War (which lasted about 30 years) took place in Central Europe in the 1600’s. It involved the church, of course, people getting kicked out of windows, and just a lot of religious inspired death. Razzennest is about that war, kind of.

The imagery that starts the movie, landscapes, broken buildings, statues, fill the screen, until we hear a voice. Whose voice? Why Babette Cruickshank (Sophie Kathleen Kozeluh) of course. Because she is introducing us to the director’s film commentary of the film, Razzennest. Strange names aside, you would have been confused (if you didn’t read this description first) and thought there was a mistake, but do not worry, this is intentional. Because while you will see the film Razzennest with your eyes, you will quickly see the real Razzennest was not just the friends we made along the way, but the fake director commentary on top of it.

Because director Manus Oosthuizen (Michael Smulik) is an asshole, and has a vision, and hates dumb questions and mispronounced names. And the beginning of the commentary is full of conflict and angst. But unfortunately, darker forces are afoot in their commentary room, and things will only get weirder and scarier from there.

Also featuring the voices of Roland Gratzer, Joe Dante, Jim Libby, Anne Weiner, and Bob Rose.

cave
This is a hole in the ground. 
Razzennest is a HARD film to talk about, because honestly, just mentioning the type of film it is feels like a spoiler, even though that happens immediately. It almost felt like telling people to “get ready for the fake trailers” in front of Tropic Thunder. Just let it happen. But I also know it would be hard for me to talk about anything else, than the commentary track, since that is 95% of the film.

Yes, it still has visuals. But the visuals were clearly chosen to not be distracting, but aiding instead. Real footage of places in Europe, of old destruction, of old structures, of nature, and former battlegrounds. But there are no characters on that screen. There is not other dialogue, or interactions. It is just scenes spliced together, sometimes aggressively, to enhance the commentary story. It often matches the tone and uncomfortableness in some ways with the commentary, clearly being extremely deliberate with the editing so that it is an enhancer, not a hindrance.

In terms of the dialogue, you know, the 95% of the film, it has a pretty varied cast of characters with distinct enough voices and mannerisms to not confuse the viewer. Without knowing exact amounts, the first 1/3 of the film is meant to just be uncomfortable, awkward, and a bit silly and funny. But there are hints of what to come. And damn it, I can keep at least that part a secret still. After all, this is a Horror Comedy, not just a Comedy.

The film’s goal is to both make fun of the pretentiousness of arthouse award winning indie films, while also, at the same time, being one itself. It is punching across, not down or up. It was done on a shoe string budget, with an idea that Hollywood would never try out, because it would be a hard sell for audiences.

I had to go back into my memory banks, the only experience I had that was similar to this was Sounds Dangerous!, which was a Drew Carey audio show attraction at Disney World. The audience was given headphones, and were mostly in the dark, to experience this audio story telling device, with many sound cues to make the audience get all weird feeling. It was unique, and yet, Razzennest is clearly unique-r.

Razzennest is adding complexity to it, by having visuals, by making it meta, and by both deconstructing a genre while partaking in the genre at the same time. There is really nothing like Razzennest, and I honestly can’t imagine too many things being like Razzennest in the future either. Unless this sort of film starts to take off, like Found Footage films did after The Blair Witch Project.

I fully recommend checking out this movie if it is ever in your vicinity, although I realize that will likely be hard for some time. Because there is nothing else like it available. Until we get Razzennest 2 in twelve years, to tell a similar story, but with water!

3 out of 4.

Everyone Will Burn

I don’t usually like to have my movie titles threaten me, but here we are with Everyone Will Burn. Damn, is that spoiling the movie as well? Haven’t had something like this since John Dies At The End. The journey of this movie better be worth it.

Everyone Will Burn is actually a foreign film from Spain, and I didn’t put the title as Y todos arderán, because they didn’t advertise it to me like that. Everyone Will Burn is premiering at Fantastic Fest this year, which has a lot of both foreign films, and horror/sci-fi/strange movies, this one technically falling into that first category.

Who would have thought a title like Everyone Will Burn would end up being a horror movie!?

fire
Well this is just one person burning. Get to the ending!

María José (Macarena Gómez) is done. She wants it all to end. So, she decides the best plan for her right now is to just jump off a bridge.

But then she shows up. Little Lucia (Sofía García). Whom starts referring to her as mother. And who is also covered with mud and maybe some blood. This is not a place for a little confused girl to be, so María decides, rightfully, she needs to bring her back to town to get her help. That is the right thing to do! But on the way home, she gets pulled over by the cops. The cops see the kid, and question her, and believe her when she calls her mom. Guess María will be in trouble now?

Nope. Lucia uses some mind magic, to have one cop kill the other, then burst into flames! Yay!

Oh, that is terrifying. What? Later in town, they apparently have a prophecy about something like this happening. A girl coming in and bringing about an apocalypse. And sure enough, the towns people gossip about this kid, and some mysterious deaths, and assume the kid has to be killed, or else they are doomed. You know, typical small town gossip. But María has taken a liking to the kid, and this gossip is just ridiculous. Right?

Right?

Also starring Rodolfo Sancho.

panic
Mobs are always useful against arsonists.

Now, I hate to admit it, but I need to steal someone else’s word, but they are accurate and they are more creative than I will ever be. This is like a horror film and a telenovela. We have a a standard story about a kid who might be evil incarnate with magic killing powers in a very religious narrative… and also, a lot of people acting very much like gossip is life. So much gossip. So many expressions. So much judging and assuming.

Nothing like some mysterious murders to really make people turn against each other. And you know, want to murder a child. It is that Christian Charity if anything.

Despite the strangeness of these two genres, it feels like a really fresh and unique molding together. I wasn’t bogged down in silly exorcism level horror, which I am pretty much done with. Instead, I got gossip and drama, so I was happy when more people were getting killed. The type of town in this movie made the backstory of our lead make more and more sense, which made her motives in the main story make sense. It was well crafted drama, and not just drama for dramas sake. It helped and made sense for the plot. It gave me different motives to care about other than “oh demon kid = bad, everyone else = good.”

I really, really, don’t care about exorcism movies at this point in my life. So being able to see a sort of demon kid movie in a religious environment without worrying about those scenes, was just bliss.

In particular, the ending of this film is also very strong, due to the above. I didn’t know where it was going, but it surely hit a satisfactory mark.

Hell, and there is a chance that not everything burned at the end. But I won’t spoil that.

3 out of 4.

Men

Alex Garland has been around for awhile in the movie business, but at this point with Men, he has only directed three films. The first two are Ex Machina and Annihilation. But he was a writer before that, writing all of his own movies, but also classics like 28 Days Later… and Never Let Me Go (which was based on a book already).

And yeah, people love him. I was a decent fan of his first movie, and Annihilation didn’t win me over as much as others, but it was definitely creepy. With Men, this will be my first time seeing one of his movies in actual theaters, before I can already hear the hype (or anti-hype as it may be) from others. A fresh new experience! I love it.

As someone who identifies as a man, I am excited that this writer/director has decided to make a movie honoring and praising the life of people like me. Finally. It has been so long since we had any film cater to men, am I right fellas?

panic
Is this the titular Man? No, there has to be more of them.

Harper Marlowe (Jessie Buckley) just needs to get away. She used to live in the city, and used to be married. But things sure did go south with her husband, James (Paapa Essiedu), and she needed a huge change of scenery.

So she rented a fancy, fancy, old school cottage in the middle of nowhere. I am not sure if it is an Air BNB type deal, or just some British thing, but she has this wonderfully large house with a lot of land, so she can unwind and chill.

The owner Geoffrey (Rory Kinnear) lives a little bit away, and he can head over if there is any issues, but he expects it to be quiet and lovely time for her. And it is! She goes on a walk, frolics through the fields, and even finds a cool tunnel that has some sweet echo capabilities. And while she is having a grand old British time, a figure appears at the very end of the tunnel. And it starts to come after her.

Now, some people might think a naked grime covered man in your yard is a good time, some may not. Harper was definitely not okay with this, and it was just the start of her very bad experience in the country.

Also starring Gayle Rankin as friend on the phone!

forest
Who decided to make walks in the woods a scary deal? Assholes, probably. 

If there is something Alex has been able to for sure do in his recent films, it is to make a wooded area pretty darn unsettling. It isn’t even a giant part of the film, because hey, the church, the village, the people, they are all unsettling as well in different ways. Just an unsettling small village with a lot of maybe evil in store for our poor heroine.

Buckley is a strong lead here. The entire movie’s weight and emotional turns are on her shoulders, and a lot of that is while she is alone and dealing with the unknown. I do love Kinnear as well, and I love him a lot more after the fact because I realized how dense I was. Kinnear actually plays every man in the village who is important to the plot. All of them. I didn’t realize that the whole movie, it is technically probably obvious in it, but I am a dense motherfucker. I just honestly didn’t realize it, so his performance is even more impressive, and it totally works for the themes of the movie.

Men deals with abuse — abuse that is often performed by men against women. Both physically and mentally/emotionally. At some points it is subtle, and sometimes it is right there on the nose. Once again, it really fits strongly with the themes of the movie.

The ending is a different matter. It goes balls to the wall, wild stuff there. Horror tropes and just weird shit. It was glorious and ugly (or even Filthy Gorgeous). It is a very creative film, and one that tells me I shouldn’t go out and rent a country side mansion by myself for a few weeks if I am a woman in Great Britain. Yep.

3 out of 4.
T