Tag: Henry Winkler

Seven years, Wes? SEVEN YEARS?

No. Don’t blame this on the Pandemic. The French Dispatch is your first live action movie in 7 years. Honestly, I thought The Grand Budapest Hotel came out earlier than that, so 7 years is a little shocking, because it certainly feels like a decade. Yes, I know we had Isle of Dogs, but that was stop motion.

Come on Wes. You used to churn out these films like buttah.

And it took a long time for this quirky little number to get made and released. This should not have been a 7 year wait. Did you have to wait for Timothée Chalamet‘s schedule to clear up?!

That Timothee, so hot right now.

The French Dispatch is sort of about a newspaper insert from a small town in France, that tells news of the world and Europe in their periodical, specifically for the people in Kansas, due to very specific plot reasons. You know. Quirkiness.

The writers for the paper are great though, and the main editor, Arthur Howitzer, Jr. (Bill Murray), has been running it for 50 years. He wants his writers to not be unlimited in their potential and will not try to limit their word count or cut sections out if it ruins their vision. As long as their articles sound like they wrote it that way on purpose and they don’t cry in his office, he will be fine.

This movie is actually about its final issue, because with Arthur’s death, in his will was to dismantle the paper and cease operations completely. This movie is about the final three main stories of the paper, a smaller city piece, and of course, an obituary.

Starring literally ever actor ever a Wes Anderson movie and more, a whole lot of people are involved in these three stories. Benicio Del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Steve Park, Owen Wilson, Bob Balaban, Henry Winkler, Lois Smith, Tony Revolori, Denis Ménochet, Larry Pine, Christoph Waltz, Cécile de France, Liev Schreiber, Willem Dafoe, Edward Norton, Saoirse Ronan, Elisabeth Moss, Jason Schwartzman, Fisher Stevens, Griffin Dunne, and Anjelica Huston.

A lot of people close together staring towards the camera. Classic Wes shot. Alright, so was the wait worth it? Or did I overhype it?

I probably overhyped it. I went in not knowing anything about the film, and honestly, a few smaller stories is not usually what I hope for in a film. A bigger plot with subplots, sure.

Technically there is one bigger plot, but it is also relatively minor compared to the three main stories. So why do I care if it is three main stories? Well, if two of the stories are great, and the other is okay, then the whole film doesn’t feel really great anymore.

I definitely feel the stories weren’t even in quality or whimsy. The middle story in particular left a lot to be desired for me, despite elements I liked. My favorite would be the first one, in the prison, although narratively, I don’t know how this person became a normal writer for the paper, and why they are telling this story in their issue that is so far in the past. The third story was fine, but confusing for a bit and that is…less fine.

Overall, this might be the most Wes-Andersy film ever that he has made, and it is incredibly weird. Probably his most black and white and just…strange. He did try a lot with this film, and I guess wanted to tell stories he didn’t think were strong enough for a solo film.

The cinematography, colors, and dialogue are superb of course, but that was to be expected.

3 out of 4.

Regardless of how good or bad the movie Here Comes The Boom ends up being, I think we all should give Kevin James some serious credit. He lost over 80 lbs for this movie, trained with MMA fighters (already being a big fan), and actually grew the muscle you see in the film.

You see that? That is perseverance if anything.

Scott Voss (James) is a down and out high school biology teacher. He gives zero fucks right now about his life, and is late quite often to teaching his own class. How does he teach? He lays back and lets them do book work, very little interaction. Ten years ago he was teacher of the year! He used to care then! But with budget cuts and changes in policy, he has lost all will to care. But you know who does care? Marty Streb (Henry Winkler), the music teacher. Not only that, but at his old age he has a kid on the way! So much passion, so little time. However, the school budget is being cut, and his job is gone after next year.

Well, Scott can’t accept that. He loves the orchaestra music he hears. They need to raise the money! But with out any other teachers willing to help, except for the school nurse (Salma Hayek). After teaching a few nigh time citizenship classes for extra funds, Scott agrees to tutor Niko (Bas Rutten), a large man from Holland who introduces him to UFC and other MMA events. What’s that? Even the loser makes cash? Well, shit! Scott used to wrestle in college, twenty years ago, he can just do that to earn money much faster!

Here Comes The Boom is one man’s quest to lose (and hey, maybe sometimes win) to save his new friends job at a high school that just doesn’t seem to care anymore. Also featuring Joe Rogan as himself, and Charice as a school girl in his class, who you might recognize as Sunshine for a few episodes on Glee.

Oh there is no way he doesn’t make it to the big times with this all star talent in his corner.

I know this may come as a shock, but the song Boom – P.O.D. is actually featured quite heavily in this movie. Who’d have thought?!

As expected, this film doesn’t offer much in terms of unique never before seen moments of film. It has its Rocky moments, but its hard to do a fighting movie without them. It even reminds me a bit of Warrior, one of the better/underrated films of 2011, as one of the main characters was a teacher who was trying to raise money through MMA fighting. That one being a lot more realistic, having him lose his job once the school found out about his second life and all.

But hey, this is a family movie with a happy ending. The drama that happens is expected, as is the conclusion to the story. I wouldn’t describe this as Kevin James’ worst movie, but it isn’t his best either. Henry Winkler brought a lot of heart to the movie though, and Bas Rutten had enough energy to be exciting as well. Basically, without reading a review, most of you could guess on how the movie would turn out, a pretty average film.

2 out of 4.