Tag: Foreign

I was just as shocked as everybody else that The Book of Life and The Lego Movie didn’t get nominated for Best Animated Film. But also, I did give the former a 2 and the latter a 3, only. The two I gave 4’s made it and the other was a 3. So clearly, I was really on my game with the Academy.

But how was I to suspect that some foreign animated films would make it?! Crazy talk!

The Tale of Princess Kaguya is a Studio Ghibli movie, which tends to mean quality. I didn’t even know they did movies without Miyazaki, but there ya go!

I would describe this animation style as “moving painting.”

The story begins with an old bamboo cutter (James Caan), being in the forest, cutting bamboo. He sees a glowing plant, and from it drops a tiny little princess girl that can fit in his hands. Shit that’s weird. He obviously brings it back home to his wife (Mary Steenburgen), and bam. That tiny thing turns into a regular sized baby. And hey, his wife suddenly has milk inducing boobies!

That stuff is crazy. The baby grows quickly too, so the local village kids nickname her Little Bamboo. Soon, the princess (Chloe Grace Moretz) is running around with all the kids, singing songs, playing games, going on adventures. Her best friend is Sutemaru (Darren Criss).

But her dad takes her away from the forest to the city. They get a big house with clothes and someone to teach her how to be a real princess (Lucy Liu). That means being a super obedient girl, basically. Seen but not heard. Never showing emotion. Never doing fun things. Terrible.

Kaguya doesn’t want that, no matter how pretty she is. She will avoid suitors at all cost and fight the good fight. You go Glen Kaguya.

Excitingly, the art matches the emotion really fucking well.

The story is actually based on a famous Japanese folk tale, The Tale of the Bamboo Cutter. Clearly western influence made them focus more on the princess than the boring old wood cutter. It is very close to the main narrative, but in all honesty, this version is probably way better. I see there are tons of movies based on this tale already, mostly live action. But again, this is one is probably way better.

Because this one was fucking awesome!

Like, incredibly. I talked about how crazy The Wind Rises, using “Traditional 2D Animation” but feeling like a 3D CGI wonderland. This one instead felt like a living painting, like I was watching an artist make each individual scene in front of me. Just super quick. I guess actors were hanging around too to talk as the characters. The metaphor isn’t perfect, but the animation is.

Foreign movies are so hard for me to finally get to watch, but there are sooo many of them that I have to see for the Oscars. Booo. And it isn’t even just things nominated for Best Foreign Film! We have things that are foreign nominated for best Animated Film (which I will review in the next week), and we have Two Days, One Night, of which had Marion Cotillard nominated for Best Actress.

Best Actress! My weakest category! And this was literally the last one I had to watch to get all of the acting categories down. So of course I made this a priority outside of all the foreign movies.

So I grabbed my tissue, and prepared for the worst. After all, foreign movie nominated for Oscar and straight drama? I assume someone is going to make me cry.

Even the ice cream looks depressing.

Sandra (Marion Cotillard) has an issue. She might be losing her job. She works at a plant that only has 17 employees. They make solar panels for whoever wants solar panels. Sweet gig I guess. But Sandra has been having some emotional and psychological issues lately. She had a nervous breakdown and took time away from her job, spending time at home with her kids and husband.

But the company employees have found out they totally don’t need her at the job. Everyone overall works roughly 3 hours more a week, but they still get the job done, and it isn’t a big deal that she isn’t there. They can do it with 16. So the higher ups put it to a vote for the remaining workers. They either vote to keep Sandra as a member of their company, or they vote to receive their yearly bonus. Yep, they put her against about 1,000 euros. That’s pretty hardcore.

So it comes to no surprise when the vote goes 14-2 against her. However, they say that the company man being at the vote and it not being secretive influenced it heavily. They convince them that Monday there has to be a re-vote, a secret ballot, without outside influences in the room. So Sandra has the weekend to find her co-workers, appeal to their better nature, and hope they will keep her around too.

Also with Fabrizio Rongione, Catherine Salee, Olivier Gourmet, and Shaun Weiss. And obviously more, but some people have smaller roles or only one scene.

Trying to save your job while being silently judged. That is probably worse than sad ice cream.

Great acting alert, great acting alert!

Fuck. Cotillard did so good. I haven’t seen her in most things, like a lot of people, but I was super impressed. She lost a lot of work and constantly felt like she was on the verge of another break down. She was also incredibly realistic. And a good person. Which made her easily relatable. Her heart break and her sadness was our heartbreak and our sadness. The film itself is such a simple concept yet entirely captivating. It helps that they present you with such a simple goal too. She just needs to convince 7 coworkers to vote for her on Monday. Simple as that.

She doesn’t want to be an inconvenience, she doesn’t want to guilt trip people too much. After all, other people have their own problems and families to look over and had plans for that money. They don’t deserve to lose their bonus, yet she also doesn’t deserve to lose her job. It is real, it is relevant, and it is has a lot of gripping human drama. Man. Those French/Belgian people really knew how to connect to me on levels I didn’t even expect before.

Fuck, I guess I should watch The Immigrant now?

Ah yeah, Oscar Season!

As of this posting, I already have all of the Best Picture nominees, most of the Best Acting nominees, and 3/5 of the Best Animated films. But no Documentaries or Foreign Films!

So why did I pick Ida first? Well, this is one of the few nominees already on netflick. A-ha!

How could it be so simple? This one from Poland.

And it features women who hate fun things.

Not a lot of players in this one. The main character, Anna (Agata Trzebuchowska), has lived in a nunnery most of her life. She is about to say her vows though, which I assume is at 18 or 21 or something. But instead of sending her off to experience life, they send her off to her aunt, Wanda (Agata Kulesza), who could never pick her up for whatever reason.

Well, the main reason is that Wanda doesn’t want to be a mom, and that she is a Jewish person living in Poland as a respectful Judge in the community. Anna’s parents were killed, and that is all Anna knows. So she goes to visit with her Aunt and hopefully see her parent’s graves to say good bye for them before taking her vows and giving up earthly pleasures.

Those earthly pleasures which she of course has never experienced or thought about, living in a nunnery that long amount of time. Wanda thinks she should drink and party first, or else her vows mean nothing. But nope. Anna has one goal. Find out about her parents, and live her life alone. How sad, Anna.

Oooh, but there is a boy. Maybe they will do it!

Sigh. I get it, I do.

Ida is a well crafted/beautiful-ish movie. It is in black and white (if you didn’t notice), and the director clearly put a lot of thought into each and every camera placement. You could watch the movie and pause it and think, “Huh, that is a pretty scene” for most of the film.

That is great!

However the story is dull as fuck. The description makes it sound a lot more ominous than it actually is. The story goes basically everywhere I thought it would go, and it goes there slowly.

I haven’t seen every WW2 movie that exists, but even thought it seems to have maybe a different plot, it still just feels the same.

I kind of hated this movie, regardless of beauty. It just dragged on and on, despite not even being that long. So far, I am pretty disappointed with the crop of these foreign films.

Ah, I do love a good controversy to start a review off.

This movie is called Pride. For most of you, you can take a good guess at part of the subject matter of the movie. For others, it might come to a shock to you that this film deals with gays and lesbians.

In fact, it is about a true story in the 1980’s in Britain! But the US distributors of this film don’t want you to know that. Which is why they have seemingly gone out of your way to mention the gay/lesbian presence in the pictures and description of the film, despite being the main point.

Welcome to 2015, bitches.

And shout it from a megaphone!

1984, and Great Britain was under attack against the scary Iron Lady. Or at least that’s how I picture it.

Movies tell me nothing but bad things about Thatcher, and this one is another one of them. 1984 had a Great Britain Great Miners’ Strike. Thatcher was super anti-Union and so the miners went on strike to make more money. Well, this thing lasted a long time, with whole communities having no income. Kind of harsh, but they had to fight for what they believed in.

Which is what the gays and the lesbians were doing too. Mark Ashton (Ben Schnetzer) decides that they should support the miners openly. They even want to start an organization LGSM, Lesbians and Gays Support The Miners. Sure, the Miners stereotypically would be people who used to beat them up for being “perverts” but Mark knows that a group who people hate should partner with other groups that people hate in order to make bigger noises towards bigger and better changes.

So it is that simple. They will start collecting money for them so that they can afford food and pay the bills, as long as they will accept their money first.

Starring as the perverts, George MacKay, Faye Marsay, Freddie Fox, Andrew Scott and Dominic West. Starring as the pits, Bill Nighy, Imelda Staunton, Paddy Considine, and Jessica Gunning.

The stereotypes are entirely true. The gays dance better than the miners, every day.

A feel good story about overcoming differences between two groups of people to kick ass together! That is what Pride is about. Not just one side or the other, but both.

I’m sure you could tell all of that from reading the description, no matter what country release you had. And hey, sure, it felt a bit standard at times. There were moments that felt like a made for TV film, and then other moments that made sure you knew it was rated R. I wasn’t sure what I would give it rating wise until the very end, when sure enough, they messed with my emotions enough to give me a little bit of a tear or two. Dicks.

And we had a few stand out performances, namely Dominic West/Andrew Scott, and Bill Nighy/Imelda Staunton. Both play couples and both amazing in different ways. Namely also that Dominic West looks like some strange version of Richard Branson in this movie. (I say that about anyone with an accent and long man hair).

Of course, more importantly, I learned a lot about one year in Britain. I have more reasons for movies to tell me why I should dislike Thatcher. And I got to talk about a controversial movie but not in the way it should have been controversial. Diary, today was a good day.

Despite Halloween being a thing weeks ago, horror movies are still coming out and existing. I gave horror movies a whole week! What gives?

Apparently I have to see horror movies outside of October too, which is dumb. Wouldn’t it be nice if every month had a genre theme? December would be my favorite month, because it clearly would belong to Musicals. June would be animated musicals.

That is all nonsense. I am now going to talk about The Babadook, an indie movie outside of Australia with a budget that all went towards making the creature. That’s right, it’s a creature movie.

And a movie involving books. How scary!

This is a simple story about a mother and her child. You see, Amelia (Essie Davis) is a single mother, because en route to the hospital to give birth they got into a car accident and the husband didn’t make it. Kind of a bad thing to happen on a day of life.

So life has been rough. She works at a nursing home, which pays enough for them to get by, although they aren’t rolling in the dough. And her son, Samuel (Noah Wiseman), he is a weird one. My guess is some sort of autism, but they never really say anything. He is definitely a loner, likes to yell, has behavioral problems in school. He pretends he sees monsters and wants to fight them, so he builds crude imaginative weapons to fight the invisible ghouls.

Well, Amelia likes to read to her son before bed. And today he wants to hear “Mister Babadook,” a pop-up book she doesn’t remember getting for him. Well, it is really odd and eerie, talking of a boogie man that once you know of its existence, will never lead, and it freaks the boy out.

And guess what the book unleashes. Guess. Come on. Guess. You probably couldn’t even tell.

Also with Barbara West and Daniel Henshall. They are important to the story. I guess.

Yeah, this picture alone just looks like autism to me.

This is not your typical current horror movie. It doesn’t really feature jump scares, it features a unique new creature, and it is pretty frightening at times. Aka, what you want in a horror movie!

Many different aspects of this film are unsettling, including just how Amelia/Samuel look throughout the film. Clearly the kid is creepy, with those big popping eyes and pale skin. The mom does a great job too, always slightly disheveled, conveying the emotions of someone who just can’t take it anymore. Someone who thinks they are literally going insane.

It was eerie and great. And hell, The Babadook didn’t even look that silly. It had a clear lower budget feel to it, but based on the animated from the books, from the boogieman stories and from nightmares in general, the style really worked for me. Even the creepy noises and voice he made seemed great.

The Babadook is on video on demand, and you most likely won’t see it in theaters anytime soon. But if you want a relatively unique and decent horror, this is one of the better recent ones to check. The theaters/Hollywood have been failing us over October, so this might be your best bet.

What if I told you that sometimes movies are called different things in different countries. That wouldn’t surprise you in the slightest. You knew that.

After all, it is Gojira in Japan, and Godzilla in America. “Hey that doesn’t count, that is just another different language!”

Alright fucker. How about Frozen? We got the clever/unique title, while countries in Europe got stuck with the generic The Snow Queen, which the movie is “based upon” (aka, both have a woman with ice powers and…?). “Well, that one changed its name to appeal to different cultures where The Snow Queen story originated, to get more money!” Okay. Well, I don’t blame them for that I guess. I do blame them for saying it has anything to do with The Snow Queen, but I digress.

That leaves us with the movie for the day, What If. No question mark. It’s original title in Ireland/Canada was The F Word, and for whatever reason that title was found to be too risque or something for American audiences, so we get a much more romantic comedy-esque name to maybe get the ladies in? I don’t know. It is fucking stupid. If I hear it was the MPAA’s fault for alluding to maybe the word Fuck, I will be angry though.

See, there isn’t even any fucking in this scene. That would be impossible for them in their positions.

Relationships are hard. Just ask Wallace (Daniel Radcliff), who is finally getting over his ex girlfriend Megan after like, 3 years. So he is going to Allan’s (Adam Driver) party, his best friend. That is where he meets Chantry (Zoe Kazan), Allan’s cousin. They have some intense conversations, both of them a bit awkward, but it is nice.

Also, Chantry has a long term boyfriend of course, Ben (Rafe Spall), which throws Wallace off guard. Normally that information is given earlier in a conversation. But he is fine with being friends. She believes a man and a woman can be friends with no hidden motives. And you know what? Wallace is fine with that too. Fuck it.

Basically, this is a retelling of The Wedding Singer. Chantry even has a sister (Megan Park) interested in Wallace. Wallace is heartbroken after a long relationship ended. Chantry things she is in a relationship forever, but one that might start having issues. And there is at least one wedding occurring, when Allan hits it off hard with Chelsea (Mackenzie Davis).

It just has a lot less music and singing and no Broadway musical adaption yet. I say yet, because we all know Mr. Radcliffe loves Broadway.

He also loves diners, if you look at every poster for this movie.

This isn’t your grandmothers romantic comedy. This is a a romantic comedy for a more realistic newly mature movie watching crowd. Wait. It is only PG-13? Hmm. I figured it was R, but now looking back, I guess no real cursing or other adult stuff happened.

I say realistic, but in the end, this is similar to a lot of other romantic comedies, just with slightly different approaches. After all, the F word in questions ends up either being “Friendship” or “Friendzone” depending on how you look at the movie. Friendzone is a rather ugly word now, because it is pretty sexist in most cases, and used by people who think that being nice to the sex they are attracted to should eventually lead to a relationship and of course sex. Because not every relationship starts with friendship, a lot start romantically first. Unless its the movies.

So should I punish the movie for going the technically same cliche route of friendship with the intention of friendship leading to something more? Or should I ignore it and enjoy the acting, the chemistry, the comedy, and the ridiculousness of it all?

I like the ridiculousness route. Woo romcoms! Woo What If! A bit of it seemed forced, but I loved how uncomfortable everyone acted when they were forced into slightly romantic situations. I literally live off of awkwardness, and this movie may have extended my life at least 4 days.

Seduction is all about the hair wiggling.

What? You can’t wiggle your hair? Then you have to wiggle your hips. Can’t wiggle your hips? Then wiggle your fat stacks of cash, because that is the only other way you might be able to seduce someone.

Thankfully, I have the first two going for me, so I don’t need a guide to seduction, which hopefully The Grand Seduction isn’t about. I’d imagine it could be about seduction on a big level, like maybe a thousand people at once.

Yeah, that would be a grand seduction, wouldn’t it?

Or maybe it is on how to form the sexiest three way known to man?

Tickle Head, a quaint small island village in Newfoundland, Canada. Shit, even the setting for this film is arousingly seductive. It used to be a nice place to live, where the locals mostly fished their way into happiness, earning a living and a decent wage while doing what they loved. They are the type of people who live there their whole life and don’t ever want to leave.

Like Murray French (Brendan Gleeson)! His dad had a lot of kids, a loud loving wife, and earned his life of small town luxury. That is all Murray wants to do, too. But the fish cant be fished anymore for a wage, so all the men and town and Murray line up to collect their welfare checks and feel down right miserable.

But there is hope. Indeed. There is talks of a petrochemical company setting up a factory there. The mayor is offering a lot of incentives. They don’t want to work at a petrochemical company necessarily, they just want to work, no matter the job. The only (major) issue is that the town doesn’t have a doctor. They have been trying to get one for eight years but no one wants to live in their small community.

Well, through some underhanded means, they are able to line one up! Dr. Lewis (Taylor Kitsch), a cricket lover and doctor has to spend a month in their small town. If they can convince him that they are a special and unique place and like all the same things he does, then they can have him live there. Then they convince the company to come. Then they can earn a living. Yes. How excellent.

Also with random townspeople, like Mark Critch, Liane Balaban, Gordon Pinsent, and Matt Watts more.

“And this is where we stare out into the sea, noting the loneliness of existence.”

Without a doubt, I can say I probably learned a lot about seduction from this film. Getting that small village of only a hundred or so individuals to work together for a month on a common goal. Sure, some may see the entire thing as deceit or a lie. Some may say that it the spying on his phone line is down right despicable. Some may say a lot of things, but by golly, it was entertaining.

I was quite surprised at how funny I found this whole movie. I put off watching the film for at least 2 days thinking it would be boring or elitist, but it was really none of those things. This is actually a remake of another movie, translated to Seducing Doctor Lewis, which came from the wildly distance area of Quebec. Sure, some would say it is weird for a country to remake a movie from the same country, but 1) Quebec is nothing like the rest of Canada (basically, it is their Texas), and 2) America remakes its own shit all the time.

The Grand Seduction has a lot of charm, wittiness, and charisma, while also maintaining that uncultured small town vibe. Which, I guess is even more so the point of a film titled like this one.

Brendan Gleeson is turning into an entertaining actor, and to think he is only turning 60 next year. Kitsch is playing a role unlike a lot of his other things as well.

If I was this movie, I’d be able to end this review less awkwardly too. Let’s just say that.

I am pretty sure I first saw a trailer or heard about The Dirties sometime in the early half of 2013. The only reason I remember it is because it was endorsed by Kevin Smith and I saw a featurette for some reason. I was interested in seeing it, because Kevin Smith told me to be, but just not interested enough in seeing it to go find it right away. Or anytime soon at that.

But hey, that is why dicking around on Netflix is a good thing.

Which is why I found myself laying down last Thursday night on my living room couch bed, watching a very meta movie, and eating my Americone Dream Ice Cream.

Because I was born into this lap of luxury.

Matt (Matt Johnson) and Owen (Owen Williams) are you typical shitty high school students. They think they are cool, but they’re not. They think that they are funny, but they’re not. They think girls should like them, but they shouldn’t. Matt in particular is kind of a huge ass face. He is just projecting though. Because they get bullied. By bullies. Some, sure, uncalled for harassment, but other times, their own fault.

They are in a film class, which involves learning film techniques and of course making their own movies. Their dream project is called The Dirties, a hard R picture, full of violence, swearing, violence, and vulgaralities. However, the extreme low quality and edits they had to make just make them seem like even more laughing stocks.

Fuckers. Someone should teach them a lesson. For real.

And boy howdy. Wouldn’t it be hilarious and fun, if for their movie, they actually killed the biggest bullies in their school? People would understand. They’d get the joke that the movie became reality. They wouldn’t care if they ensured people they were only going for the bad guys. Yeah. Ha ha ha. That’d show them.

Also Krista Madison as the love interest of Owen, who really finds her a cootie patootie.

Holes in your jeans mean you mean business.

The Dirties was an uncomfortable movie throughout its run, but for many different reasons. There was the awkward teenage aspect which is almost always cringe worthy. There is the unsettling transformation as our friends start to drift further and further apart. And then there is the school shooting, still with a twinge of teenage awkwardness to make the entire thing hard to watch. I can only think of using the term “unsettling” again.

Its very low quality gives a more realistic approach to it all, as it is a fake documentary of them making movies and makin plans. Given that, we have a guy always watching them with a camera, who isn’t a character we get to interact with. Was weird in that regard.

But not as weird as the ending. Oh man, that was shocking and brutal. Such a realistic portrayal of the school shooting, watching a twisted revenge fantasy play out in all of its glory. It was just messed up man. Awkwardly shocking to the final scene.

Other interesting aspects are that the characters are pop culture fanatics, so there are tons of references to other movies and tv shows in here. Hell, they even made the final credits interesting because of it.

The Dirties is not a movie with everyone, and a lot of people will find the style very strange. So I’d suggest just trying to watch it, and if you don’t think you’d like the low budget narture of it it all, then just move on, no worries. But if not, finish it and maybe you will feel uncomfortable.

If I named a movie The Rover, I would make it about an alien dog. One who knew how to speak and chose to live on the human world in disguise to learn and scout for his home evil dog planet. That seems like an aptly named movie title in my mind.

But instead we get one about a guy who wanders, who roves. And it is a subtle dystopian film?

And it is Australian?

Fine. You got me. I will give it a shot.

Hah. Looks like he will give it a shot too. Right? Right?

Set in Australia, this takes place ten years after a large economic collapse of the world that has changed a few things. That’s right, lawlessness won out not after nuclear war or global warming, but the fall of the economy. A whole bunch of different people moved to Australia to get away from it all, bringing more culture and more weirdos.

Three criminals are on the run after a robbery goes wrong. Henry (Scoot McNairy) and his two friends (Tawanda Manyimo, David Field) are arguing over something that went wrong and get into an accident because of it.

They need new wheels and stat, so they hot wire a car and skedaddle. But that car belonged to Eric Rover (Guy Pearce), who doesn’t actually have that last name. That’s a joke. They don’t tell us his last name (so I guess it could be Rover?). Eric really likes his car so he chases them down, they knock him out, and he is fucked. He really wants his car…

So he does whatever he can to find it damn it. And when he finds Henry’s brother, Rey (Robert Pattinson), all bloodied and angry, he uses the kid to find out Henry’s whereabouts. You know. To find his car.

One day I hope I can look so grizzled yet charming.

The Rover, despite its subtle nature, is in your face with its dark nature and completely unforgiving. By far more drama than action, it focuses on the mysterious characters and is vague on details on purpose.

Gritty in many ways, as a lot of these people are ruthless. People die without a second thought. The economic collapse did a lot to people. People lost their livelihoods, maybe their families, their jobs, their purpose for existing. Hard to not turn to crime, especially when no police force.

I liked the world that was built in the film. It was a unique way of looking at a world gone mad while also keeping it simple (stupid).

Guy Pearce is an interesting individual. He picks usually such unique and interesting roles, and for the most part, knocks it out of the park. He was the best part of Lockout and he was so good in this as well. This might be the best acting Robert Pattinson has done, but I still really liked him in Water For Elephants.

I think the most important aspect of The Rover is that it feels entirely unique without going to such grandiose scales to present itself. Despite it being pretty good, it is also a movie I can’t see watching too many more times in my life or even buying. So that is probably a notable factor.

Locke came out a few weeks ago but something about the title or the dvd cover just bugged me. Based on name and cover alone, I figured it was some sort of slow crime movie. Had to push it back. Too much energy to appreciate a slow crime movie.

The reason I finally decided to give it a shot is because I saw The Drop, and gosh darn it, Tom Hardy just keeps impressing me with the roles he has produced. He isn’t just some guy who can bulk up and do action scenes. He is an actor, so I want to see the man act.

Well, it turns out this movie is much better defined as drama. Not drama crime, not drama thriller, just straight up dramatics.

“Hell, I’d watch Tom Hardy just driving a car and talking on the phone.” – Locke’s director

Ivan Locke (Tom Hardy) is a construction foreman who lives and works about 90 minutes outside of London. It is late, another hard days of work, prepping for a huge cement pour job the next day. The biggest in all of England really. A lot of things can go wrong and he is one of the most qualified men to handle it.

You see, Ivan is a hard worker. He has been doing this job for a nearly a decade, he is reliable, a nice guy, a stand up citizen, someone who could do no wrong. His wife and son are waiting for him at home to watch a football match. But as he leaves work, he is heading for London, not for home.

You see, Ivan had a moment of weakness. Seven months ago he had a sexual relationship with a woman. It was incredibly uncharacteristic of him, but it happened. Even though he barely knows her, she is in London now undergoing a premature birth. So now he is trying to make things right. He is going to be with her and see the birth of his baby.

During this time, he had to email that he won’t be in at work tomorrow, one of the most important days. He has to call his wife and tell her of what is going on. He has to call the hospital as the woman is all alone and has no one else to talk to but him. And he has to help the work operation go off without a hitch with a lot of bosses getting mad at him.

The other characters are voiced by Olivia Colman, Ruth Wilson, Andrew Scott, Ben Daniels, and Tom Holland. But you know, we only get one face.

You will get no diversity in pictures from this movie. NONE.

At least from my point of view, Locke was everything that Cosmopolis wanted to be and more. Cosmopolis felt like a weird fantasy film thriller thing, with a lot of it taking place in a limo. It suffered from vagueness despite the good ending.

Locke takes out any vagueness and lays everything bare on the table in front of you, like one of those Nantaimori models.

Technically a type of bottle movie, but also a sort of one man show. Other movies like Buried or Brake feature one man as well, but those men are literally trapped in boxes versus Locke where he is trapped in a sort of moral quandary. The character Locke is very clear with his convictions and unwavering with his goals, and you can’t help to respect that despite his dickish act of betrayal.

It is hard to feel so attached to a character normally, but when truly watching this film you will feel like a silent passenger in the car with him. It is an extremely morally resonant film and one where you won’t necessarily know how to feel by the end.