Tag: Evan Rachel Wood

Seven years ago, Frozen hit the world one Thanksgiving week, and we weren’t ready for it. I don’t recall a lot about the trailers, but I do recall the teaser trailer, and it was very basic.

And you know what? I loved it. Most of the soundtrack was really good. They didn’t use Menzel enough, and Groff was ignored stupidly, but they could have done better. It was still a really good sign of Disney amping up their animation department, and led to the also quite perfect Moana!

And let me say, that for Frozen II, I wasn’t dreading it at all. I loved their first teaser trailer. It made this movie look darker, more plot focused, more adventure full. I was ready to be blown away.

A water horse in water? That makes sense. Land horses are on land.Three years after the events of the first film, everything in Arendelle is going so darn swell. The gates have been open, people are happy and prosperous, and oh golly gee gumdrops, everything will stay the same.

Except… Elsa (Idina Menzel) is starting to hear a strange calling in the distance, and only she is hearing it. And Anna (Kristen Bell) is helping run things, she loves having all these freedoms. Kristoff (Jonathan Groff) is about to propose to Anna, but she is so preoccupied with her sister things keep coming up. And Olaf (Josh Gad) is dealing with his strange existence, getting older and more mature.

All of this only slightly matters. What matters the most is that voice, and all of the exposition the beginning of the film talked about. There used to be an enchanted nearby that the old King saw when he was a boy, and the two groups tried to be friends. But, betrayal! Sadness! And a lot of magic left the world.

I guess Elsa just has that magical adventure itch, because she gets the gang together after a disaster in their city to try and enter that blocked off enchanted forest to see if they can figure out what is going on, or maybe just that voice.

Also starring various voices by Alan Tudyk, Ciarán Hinds, Sterling K. Brown, Evan Rachel Wood, Alfred Molina, Martha Plimpton, Jason Ritter, Rachel Matthews, and Jeremy Sisto.

Reindeers rush better than people, Sven wouldn’t you say that’s true? 

Really early on in Frozen II is when I realized things weren’t going to be as good as I had hoped. It started with a scene from their childhood, pre trolls interfering with memory. And it had the long story their dad said about the forest, and a bonus mom song. And the entirety of the movie relies on the scene.

The entirety of a sequel relying on a scene that didn’t happen in the first film? Ugh. There were a lot of plot points they could have naturally done based on the first film. Hell, they could have done most of this film without that scene. But really this just feels like changing the canon. Sure, that kid conversation could have happened in their life and not changed the first film at all. But it now just feels tacked on.

Another downgrade for me is the music overall. Now of course, I love that they gave Groff his own song and parts of other songs, keeping true to his character. They also used Menzel more. But most of the songs don’t capture the spirit to me like they did in the first film. I already listened to the soundtrack a second time and I am not left with whimsy, I’m not wanting to hear and sing a long over and over.

Again, overall, the plot is okay. It has some good parts, some lame parts, some rushed parts, and some tacked on parts. Some of the Elsa and Anna scenes are really strong, but the film overall feels a lot weaker. And that is a shame. It will still probably win an Oscar for animated awards because the Academy is usually really lame though.

2 out of 4.

Where does one begin when talking about Strange Magic? Well, first of all, it basically came out of nowhere. There were two main “kid” movies out in January. Paddington, which had tons of press and was actually pushed a little bit from December, and Strange Magic which had maybe 1 poster hung up somewhere in America.

I mean seriously, I saw no trailers ever, nothing on TV, no screening events, no kiddy toy promotion with a major realtor or fast food store. Did anyone know this movie was happening? Oh, George Lucas apparently knew it was happening. It was a Lucasarts film, which is now owned by Disney, but apparently it has been in development/production for FIFTEEN YEARS.

Anything that takes that long has to have some bad moojoo on it. Remember Duke Nukem Forever? There is attempting to make sure everything is perfect and forcing a boulder up hill.

And then there is this awkwardly realistic and equally awkwardly not dude.

The movie begins with the (world?) divided into two lands, a fairy land that’s all light and happy, and a bog land that is dark and scary. Immediately you might be thinking of Epic or even Secret of the Wings, it is a popular trope. The movie then begins with a very familiar tune.

Then there is singing. Singing of old songs. What is happening. Oh, not only was this movie mysterious, but it was also a JUKEBOX MUSICAL. So many of the characters sing real popular-esque songs. However there is no theme here like in Mamma Mia and they are just all over the place.

Ugh. Anyways. Marianne (Evan Rachel Wood) is a fairy princess. She is going to get married to Roland (Sam Palladio) but finds him kissing another fairy on their wedding day. So she goes a bit gothic and swears to never love again. Years later, her sister Dawn (Meredith Anne Bull) is in love with everything and everyone, much to her annoyance. Roland is still around, trying to marry Marianne just to control the army and become a powerful ruler.

So what does Roland do? He convinces Sunny (Elijah Kelley), an elf with a crush on Dawn, to get a love potion made so that they both can use it and get what they want. The only person who can make a love potion is the Sugar Plum Fairy (Kristin Chenoweth), who was captured by the Bog King (Alan Cumming), because he hates love and love potions, or something.

I mean, he has a point. They are pretty rapey. Needless to say, shenanigans happen thanks to the Bog King also kidnapping Dawn after she gets hit with the potion. So back and forth they go, singing and dancing, and stopping overall bad stuff from happening. Hooray kids movies and learning to love again!

There is also Alfred Molina and Maya Rudolph voicing royal parents, and Peter Stormare and Bob Einstein voicing random shit.

First we battle in an epic fashion, and then we dance!

How much do you really want to hear strange covers of Sugar Pie Honey Bunch and Stronger (What Doesn’t Kill You)? You don’t, you are right. This movie is full of songs you might have got to sing for public school middle school chorus classes or hear all the time at karaoke bars. Not having a theme isn’t an issue. Moulin Rouge! had no theme for the songs and they kicked butt.

Honestly, this movie in a vague description sounds like something I would love. I love musicals. I don’t mind fairies. I like nice CGI movies. But somehow this movie managed to fire on zero cylinders. Nothing felt like it worked. Parts of the animation were nice, and other parts looked like complete shit. They had really good voice talent, and wasted it on one of the most boring lists I have ever seen. None of the songs are really trying, they are all super safe and lazy. I Want To Dance With Somebody? Great song. Terribly easy to put into one of these and force a context for though.

Ugh. It ended up not being funny, not looking very pleasing on the eyes, and even made me dislike singing. How that is possible, I won’t ever know. I mean, I even gave Walking On Sunshine a 2 out of 4. This one just felt like an awkward mess. Knowing that Disney now owns Lucasfilms, it must have been in the buyout that they had to help fund or release this movie, and they just tried to sneak it out hoping no one would notice.

0 out of 4.

Beatles. People love The Beatles. I can understand their cultural impact on rock and music afterwards, and appreciate it, while not caring about their music at the same time.

Now that that is out of the way, moving on!

Across The Universe is a musical, not adapted from Broadway (original (almost!)), and features only Beatles music. Yay! Well, more or less that means nothing. I knew I’d watch it one day, just wasn’t rushing to the stores when it came out to see it. They can’t all be Mamma Mia!

I bet if I showed random pictures, hardcore Beatles fans could guess the song associated with it, even if they haven’t seen the movie.

Across The Universe is a few different stories wrapped into one, about different people in the 60s/70s America. Each character has its own plot, and gets wrapped up in the rest but all come from their own different backgrounds. Jude (Jim Sturgess) (Come on, you knew someone would be named Jude) is a individual from Liverpool, who has never known his dad, an American who was came over during WW2. So he gets to the USA, illegally, to look for his dad.

At the university where his dad works (janitor), he meets Max (Joe Anderson) a rebellious spirit, and eats dinner at their house, where Max’s dad is very angry about his sons lack of prospects. Jim also meets Max’s sister, Lucy (Evan Rachel Wood) who is upset because her boyfriend is going off to war. After an argument, Max leaves the house and Jim agrees to get an apartment with him in NYC (BFFs instantly!).

They find a loft sharing with the much older, trying to make it as a female rock star Sadie (Dana Fuchs) who provides a nice outlet for singing Beatles songs if there is no good context. Yay bands in musicals. Jo-Jo (Martin Luther) leaves Detroit after the 60s riots, where his younger brother was killed, and eventually finds and joins Sadie’s band as a lead guitarist before she hits it off big. Also interracial loving.

Also Prudence (T.V. Carpio), an asian cheerleader who just finished high school, left the area for being in love with another girl and unable to show her feelings. She also moves to NYC (and that apartment), falls in love with Sadie, but she doesn’t like chicks. She also is pretty emo, runs away a lot, joins a circus and shit.

Main storyline wise, eventually Lucy also goes to NYC after her boyfriend dies in ‘Nam, and develops feelings for Jude. Max also gets drafted and goes to war where everyone assumes he dies. Jude is a painter, and can’t get into protesting as much as Lucy does (who might be getting it on with some anti-war people), and eventually gets sent back to the UK for being here illegally. In the UK, Jude assumes Lucy dies in a home made bomb explosion, and lots of sad things happen, before some happier things.

Also are cameos by Bono and Eddie Izzard, both involving drugs and other free spirit hallucinogens.

And then stuff like this happened.

That was a shit ton of story lines, and plot, and I left out plenty. But lets face it, if I put another paragraph explaining the ends to all the storylines, you wouldn’t mind much. You want to watch this movie for the music, not the acting or plot lines. But still, plot wise, I found a lot of it interesting. I found the Prudence plot line a bit more confusing, must have missed it a bit in the beginning. I liked Jo-Jos a lot, and Max’s, but the main Jude/Lucy plot line felt weird to me. Just didn’t believe it all, too much weird angst.

The movie also movies very fast, and is over two hours to encompass all the plot (and more music, of course). Generally most of the songs were good, and as far as I could tell, most sounded a lot like the Beatles versions. There were obvious changes to some, and mixed songs, which were generally decent. My favorite parts would be the Let It Be/ Come Together scenes, involving Detroit riots, the brother, funeral, and Jo-Jo leaving. Felt pretty powerful to me. Also only click that first one if you want to be sad.

A lot of the choreography was really good as well, in particular the I Want You (She’s So Heavy) song, which I hadn’t heard before. But that one is also incredibly weird.

So hey, overall I will give it to the filmmakers for trying something different, direct to film musicals are always rare, and generally try for wider appeals. But jukebox musicals are an easy way to get it done. “Like the Beatles, then you will love this song!”. Overall, despite the decent singing, good choreography, I felt the film just had too much going on in it. Crazy ass visuals were distractions for me, and harder for me to grasp what was actually happening at times.

2 out of 4.

Hopefully when you first heard of the title The Ides Of March, you thought of the Ides of March. If not, I demand that you brush up on your Roman history. It is the time when Caesar was killed by the Senate, in the streets of Rome. Considered the ultimate act of betrayal in history, by some.

“Et tu, Ryan?”

The main star of the film is actually Ryan Gosling, not George Clooney. Must be getting too old. Clooney is, however, running for the democratic bid for president. If he can take Ohio, he takes it. If not, well, he still can win with the rest. His opponent is lame compared to him.

Gosling works on the campaign, I think second in charge, despite his young age. Philip Seymour Hoffman is running their ship though. And Paul Giamatti is the campaign manager for the other guy. Both of them are older and have been around the block before.

But when Giamatti calls Gosling to set up a secret meeting, and suggests the possibility of him jumping ship, Gosling says “Fuck that!” but more eloquently. Unfortunately (apparently) in politics, shit like that is bad news. If word gets out that the meeting even took place (possibly by Marisa Tomei, since she is a reporter), he could lose his job and hurt Clooney’s side. Oh, and there is also the other part dealing with Evan Rachel Wood, an intern for their campaign, and daughter of the Democratic National Convention head guy, who might be trying to get it on with Gosling. Politics suck!

I think this is the best real life example of the “:|” face I have ever seen.

Anyways, as expected by the title, there is a lot of backstabbing and treachery in the movie. More than I thought. To me it took awhile to build up, and through most of it, I just thought it was okay. Apparently all politician and politician helpers are cold and corrupt. Ryan should get out of there before it corrupts him too! After a point you really don’t know who is being played, and who can out bluff one another.

But the ending, I really really liked how it ended. The last 20-30 minutes were solid and unexpected. Everyone did a great job. I don’t think its perfect of course. Felt there was a bit of unnecessary stuff in the first half, that didn’t matter as much. But maybe that was the point? To throw you off?

If you like political movies, you will like this. I like political movies, but hate politics. Real people aren’t this clever.

3 out of 4