Tag: Drama

So I just learned that Step Up: Revolution is not the original name of this movie. Nope, originally it was called Step Up 4: Miami Heat. Wow. If anything, I can say that they did a good thing with the name change.

After all, who doesn’t love a good revolution? Wait. One second. Turns out people in power don’t like revolutions. Hmm. This title could be a controversy then.

Well that is good, after all, who doesn’t love a good controversy? Oh what’s that? Shy people hate controversy? That is fine, we can ignore shy people. They generally aren’t going to be dancers anyways.

Pictured above: No shy people

Miami has a lot of things going for it. One of those things is that people like to live there. But in this world, they have this crazy never heard of thing before called Flash Mobs. But instead of a regular flash mob, it is the “same people” every time, and they are a public disturbance, because they are the only type of Flash Mob. Heck, they even call themselves The Mob, for creativity purposes.

Lead by Eddy (Misha Gabriel Hamilton, who has past roles as Dancer and Detroit Dancer) and Sean (Ryan Guzman, first role!), they rock the streets and get them recorded and put on the youtubes. Why Youtube?

Because for whatever reason, they are in a competition to be the first to get 10,000,000 views on a video (or overall their videos? Not sure). Because the first to do that gets $100,000, so they do these dance flash mobs to get hits. But what if they can turn their mobbing into a message?

Emily (Kathryn McCormick, formerly Dancer, Audience Member 1, and Sexy Girl 1) is in Miami to audition for some fancy dance company, but her father, Mr. Anderson (Peter Gallagher, yes he gets no real name) doesn’t really approve. In fact, he is a real estate grabber, for his new and fancy hotels, and he plans on buying up a huge plot of land in Miami to renovate and make awesome luxury spots. Turns out this involves some of the best hang out spots and homes of some of our main cast, and that is bad.

So after she secretly joins their group (because she needs to learn to let her wild side out more in her classical /modern dance stuff, by adding some street moves), they come up with the idea to protest this stuff, making them become bigger and more powerful. But I mean, can dancing stop commerce? Also featuring Cleopatra Coleman as their DJ and Stephen Boss as another main dancer.

Just imagine how uncomfortable standing in the middle of that would be. Closeness on an escalator, gross!

You know what, there are a lot of plot problems in this movie. I could ignore them, but fuck that, lets talk about them.

First off, the youtube competition makes no sense. Everytime they mention it, I cringed because they made it seem like they didn’t even know how the internet worked. Was a vague competition, and tons of videos already have over 10,000,000 views in real life. Similarly, a video wouldn’t take months to reach that high either.

Secondly, what the fuck Emily plot line. Really? She needs to add more fire and passion to her dances? And so she starts doing hip hop crazy stuff on the streets? How is that not pretty much the entire plot from the first Step Up?

Anyways, this is a dance movie though. That is what is important! Well, first off on that, I hated the music. Pretty much every time. The best DJ in Miami my ass, what was that shit?

The dancing to the music? I wasn’t impressed. I am pretty sure I have seen dancing like that before, and well, it wasn’t as cool watching it in this movie. The only dance scene I really liked was the above fedora/business scene, their first protest dance. But hey, I might have just liked that more for the outfits and props.

Should I have complained that the movie theater staff never came out and flash mobbed our theater? Probably.

I am shocked that it took me so long to watch Vicky Cristina Barcelona. First off, it has actors/actresses I like in it. Second, I actually kept putting it on my schedule, and just putting it off. Thirdly? Someone once called it ‘Ménage à trois: the movie” to me. I mean, seriously. How did I just not stop what I was doing and watch it immediately?

The other fun note about this movie? While I worked at Blockbuster, there was like, eighteen copies of this movie for sale the whole time. Eighteen! I ended up buying a Wal-Mart copy, because it was the same price and new.

Is this the trois moment? Is it?!

Vicky (Rebecca Hall) and Cristina (Scarlett Johansson) are going to Barcelona! And now we have the movie title. They are going to stay there for a few months with relatives of Vicky (Patricia Clarkson, Kevin Dunn) because they have a big house and their children are all gone. Sweet. Vicky actually has a legitimate reason, some how her masters studies involves Spain. Cristina is just there for the support and adventure!

They also have different views on love, complete opposite, so much so that the narrator deems it important! Cristina is a free spirit, and rushes through things, flames out quickly. Vicky likes real romance and patience and long commitments. That explains why she has a fiancé (ramping up the French here people. For a movie about Spain) with Doug (Chris Messina).

But one night at a museum, they run into a local artist Juan (Javier Bardem), who looks like he just wants to seduce whoever is easier. Even invites them to an Island for awhile. Clearly things are going well for Juan and Cristina, but she gets sick, so Juan has to spend a lot of time with Vicky instead. Moment of weakness, and boom, sex. Awkwardness arises when Cristina then gets better and continues her relationship with Juan, whoops. Even moves in with him. He kind of likes both, with Vicky realizing that she doesn’t love her husband anymore.

But nope. Then the crazy ex-wife Maria (Penelope Cruz) shows up. She has to stay with them too, because she is on suicide watch. And well, maybe Juan has feeling still for her. And Vicky. And Cristina.

Damn, that is a lot of lovin’.

Yeah, jokes on you, that previous picture had Cruz not Hall.

Of course this is a Woody Allen movie. For whatever reason I didn’t know that before hand, but now that I do afterwards it makes perfect sense. He does have that mini obsession with Scarlett Johansson after all, like a lot of men. Most of us don’t put her in movies though.

This film was definitely both quirky and natural, which is a weird feeling. But after it all, I wondered what was the point. Is it to live life however you want, regardless of what other people think? To always question where you are in life? I don’t even know.

What I did see was an okay story, that did go places I wasn’t expecting, but doesn’t seem like the type of film I’d ever see again.

If you went to the movie theaters this summer, you might have heard about Girl In Progress, because really that is the only time I heard anyone ever talk about it. I think I saw the preview for the movie maybe seven times in a single month. SEVEN TIMES. So as you can see, watching this movie as soon as possible was a priority, because damn it, I wanted to know what the trailer kept teasing at me.

Huh, I wonder if this picture is a metaphor.

Ansiedad (Cierra Ramirez) is just a girl, who kind of hates her position in life. She at least gets to go to a private school, but her mom Grace (Eva Mendes) is having problems paying for it. Grace works a few jobs, including house cleaning for a Dr. Harford (Matthew Modine) and waitressing at a local crab shop. Their relationship is pretty strained, because Ansiedad feels her mom spends all her time working or sleeping with married men (Yep, the doctor) and not enough time just being a good mom.

But (and we are about to get super meta here), when she starts to learn about a genre of novels that tell of coming of age stories, she makes it her desire to have her own “coming of age” story, so she can become and adult and fix her situation in a flash. With her only real friend (Raini Rodriguez) they develop a list of tasks that most occur in order to have the appropriate experience. Everything is on that list, from first awkward kiss to virginity loss, to changing her lifestyle from nerd to badass (including intentionally losing her old friends), to hopefully moving out of her home and escaping to NYC!

While at the same time, Grace’s life is getting more stressful, as she is put in charge of the restaurant while her boss is at a festival. On top of that, Dr. Harford is willing to elope and take their family far away from the area. Sounds sweet, but can easily backfire. But all of these stresses make it harder to see the changes her daughter is going through, until her teacher (Patricia Arquette) is able to point them out.

Additionally, a middle aged hispanic individual nicknamed Mission Impossible (Eugenio Derbez) is a part of both of their lives, and might be willing to fix there situation at any cost.

The real star of the movie. Anyone else think he looks like a Hispanic Matt Berry?

So what happens when you get a coming of age movie, about a girl attempting to create her own coming of age story? Well, it could either go amazingly well, or amazingly bad as far as I can tell, and I think this film falls on the latter. I wouldn’t describe any of the main cast performances as bad, but it actually just felt like they didn’t care.

That Eugenio? He was excellent. A lot of it might have just been in his facial expressions, but he is really the only person who made me enjoy the film. Although the film itself is about character growth, it felt fake or forced the growth that occurred. Arguably, a forced growth in a movie about forced growth could also be intentional, but I doubt the creativity of the director in this case.

For a hilarious read, I suggest the outline on wikipedia of the plot. If anything, it makes my writing look awesome, so clearly checking it out only leads to positives!

I will admit, this movie also took me quite a long to watch. Why? Because it takes quite a long time to watch. The Curious Case Of Benjamin Button clocks in at about 160 minutes, so watching it late at night or if you have a short attention span seems like a bad idea.

Bad idea? Like starting a relationship with someone who ages weirdly?

The movie begins with an old lady, probably about to die. Oh just hanging out in New Orleans, in the mid 2000s. Sure it won’t turn into a big deal. This woman, Daisy (Cate Blanchett) wants her daughter, Caroline (Julia Ormond) to read to her from the diary of Benjamin Button

He grew up under abnormal circumstances. Haven’t you heard? He was a creepy wrinkled baby. His dad Thomas Button (Jason Flemyng) was scared, the birth killed the mom, so he leaves him at an orphanage/old folks home thing. Weird enough. But once he gets bigger, his old body shall fit in nicely. Especially when a worker there, Queenie (Taraji P. Henson) agrees to raise him as her own.

Benjamin Button (Brad Pitt) begins to learn about the world, but disguised as an old guy. That’s good, just makes him seem forgetful. He grows up more and more, learns to walk, discovers sex, love, and sin. Including on and off again meeting of Caroline. I am sure that will lead to something. He also gets a boat job, with a Monsieur Gateau (Elias Koteas) which gives him a skill, a hobby, and even puts him involved with post Pearl Harbor World War 2 shenanigans.

But love. Love is all he really needs and wants, and only a few people know about his condition, thankfully one kind of is his same age. Kind of. Maybe they can figure something out and make it work.

Like all young kids, he became fascinated with himself in the mirror as a teen.

This movie took me forever to get in to it. I mean, it was odd and weird obviously, but he beginning when he was just an old man learning stuff for the first time? I just didn’t seem to care at all. Was just weird. Setting the narration during Katrina was more or less pointless.

I don’t think it became truly interesting to me until he was attacked on the ship. From then on I was pretty much hooked. And the last third? I might have been accidentally emotional last night, but it seemed like the saddest of all sad things in sadville. SUPER SAD. I can’t even describe the sadness. But it took so long for that plot line to really develop. Not until BB was at least distinguished gentlemen old looking.

Also, the whole thing sort of felt like a reverse Forrest Gump. Kind of weird. Follow follow up, I thought about this movie. Would it be interesting at all, his life, if he wasn’t aging backwards? Would the events without that warrant a movie? Probably not. So overall its just okay. Not the best. Should have been a lot better, and maybe a better hook at the start. But damn, something.

So a strange part of this website is that I am now in a position where I have students. Weird right? My icebreaker is pretty easy, I make them state their favorite movie, and out of 75 students, only six of them I had not yet seen before. I put them on my short list, and I was even more stoked to find out that some of them are in the useful range for reviews. So I picked The Brothers Bloom, because its the only one I also hadn’t ever heard of. Woo mysterious films!

The Bloom Brothers actually end up playing an important role in this movie. Funny, eh?

Stephen (Mark Ruffalo) and his younger brother (Adrien Brody) grew up as orphans, and shipped from foster family to foster family. They were interested in illusions and magic, but they became quite adept at being con artists, starting when they were kids. Gotta love making cash.

But many years later? They are still up to it. Their schemes are way more elaborate, lead by Stephen who plans them perfectly. He loves it the most, and is great at it, but little Bloom is getting tired. Wants to quit. Alright, well one more con.

And this one involves a woman! They’ve never conned a woman before. One Penelope (Rachel Weisz), a weird shut in rich heiress. Easy scam, pose as antique dealers and get all her monies. But as any con movie you have ever seen goes, those cons are generally several layers deep and go wrong. Well in this one, it is of course true, but that ‘main’ storyline ends kind of early. Then crazier shit happens, and it builds and builds, getting pretty damn serious and having no knowledge on what is the actual con anymore. Fun eh?

Rinko Kikuchi is also in this as their main woman assistant, and Robbie Coltrane as another ‘foreign’ helper.

Hey, who cares if they are get conned if they at least have fun, right?

One of the main aspects of Stephen’s cons is he, at the end, wants everyone to walk away satisfied in some way. Sure they get conned, but hopefully the experience was worth it. Similarly, he generally wants to make his brother happy, and that is his biggest driving factor.

Which is awesome. And I loved the first half of the movie. But as I pretty much already said, it gets kind of dark and serious, and it is hard for me to really understand and grasp it all. I couldn’t follow the ‘cons’ or potential cons, and I felt time moved pretty weirdly.

It was a definitely a bold move and experience, but something I couldn’t really follow well. Adrien Brody was kind of meh for the movie, but I did like the charisma of Mark Ruffalo.

Sometimes the Japanese don’t produce their own original content. Seriously, did you know that? I learned that last night. I never even considered that fact! But damn, it can happen.

So we have The Secret World Of Arrietty (or just Arietty if you have the fancy non American version), which is based on The Borrowers! And maybe I also just learned that they were a series of books before that movie in the 90s. Holy crap, there are like three Borrowers movies.

Fuck it, today is a day of learning and facts. It has been declared!

Don’t spray your house for bugs ever. Might end up killing a tiny human, you monster.

Shawn (David Henrie, some 23 year old who was a Wizard in a Disney show and the SON in How I Met Your Mother), is a 12 year old boy with a bad heart. So he goes off to live with his aunt for a week before his surgery, in the nice peaceful countryside.

At the same time, we have Arrietty (Bridgit Mendler who was…also a Wizard in a disney show?), who has just turned 14 but you know, is only a few inches tall, a borrower who lives in the house with her father and mother (Will Arnett and Amy Poehler, who formed an incestuous relationship in Blades Of Glory).

Well on her first borrowing mission, she ends up dropping a sugar cube and accidentally waking up the delirious Shawn, who wants her to stay, quite creepily. But she runs away, and her parents are freaking out. Especially when he leaves the sugar cube near their home with a note “You Forgot Something”. Shit, this might turn into a horror movie soon, or the weirdest relationship ever.

Either way, she becomes more and more curious about the human, despite the parent warnings. Humans kill Borrowers, or other evil things. Especially that shady housekeeper, Hara (Carol Burnett, who I have nothing clever to add here for your knowledge), who thinks they exist but has no proof (yet). But if their shenanigans continue, they might have to move anyways. Especially if Hara gets involved. Hopefully they meet some savage Borrower who can help them find a new home, like that Spiller guy (Moises Arias, who was someone on a Miley Cyrus show and…maybe a wizard. What the fuck?).

To me this whole movie, her crazy mean face reminded me a bit of Stich’s face.

Now I am going to base this off the dubbed version of course, but I think unintentionally they made a lot of this really creepy. Like, having a 23 year old male voice a 12 year old kid. His voice was strangely deep, and spoke super slow. I felt scared that he’d turn out to be a serial killer or, you know, worse.

That with the ending are really my only complaints. It kind of left it super open ended, and didn’t really do much for my plot questions.

But outside of that, loved pretty much everything else. Especially the animation. I watched it on DVD and was still floored away with it. Obviously it wasn’t CGI, but it was just really really well done and processed I guess. If I had seen it on Blu-Ray I wouldn’t have believed it possible.

But the characters were nice, the music was nice, and the story was simple and only slightly felt stolen. Hey, its all good.

Movies about male strippers aren’t very common in the world for whatever reason. Women strippers? Sure. But men? Nah. Which is shocking, given the large success of the last male stripping movie I’ve seen, The Full Monty. So why not Magic Mike? Only like a 14 year difference or so. That is incredibly small amount of male stripper movies.

But when you also decide to make this movie pseudo-biographical? Yes. Apparently it is inspired and slightly based off of Channing Tatum‘s early life, when he was a male exotic dancer. Well, that just makes it heartfelt. I guess.

We at Gorgview.com would like to note that we are not sexist, and as such we are fine with men being turned into objects, just like women.

In the heart of Tampa is a dangerous part of town. Sexydangerous. A male strip club, that is only open three nights of the week, where women go to flip a shit over men getting almost naked and dancing. Lead by Dallas (Matthew McConaughey), a now slightly older showman who never strips himself, he brings on energy and a good time to any lady who has the cash. Their biggest act is Mike (Tatum), now 30 years and still showing off his strong dance moves. Other dancers include Tito (Adam Rodriguez), Ken (Matt Bomer), Tarzan (Kevin Nash), and Big Dick Richie (Joe Manganiello).

While working on a construction gig, Mike runs into Adam (Alex Pettyfer), just a 19 year old kid, who is pretty down on his luck. After a few run ins, he has him stop by to help run props for the dancers, and due to an accident, he is thrown onto the stage to strip without any real training! Well it works out, kind of, so he joins full time. And he has a sister, non approving Brooke (Cody Horn). Mike would totally persue that, you know, if she wasn’t so stuck up, didn’t already have a boyfriend, and if he didn’t kind of have a weird thing going on with Joanna (Olivia Munn).

Either way, Adam is introduced to the living large lifestyle, and gets pretty deep pretty fast. Mike himself would rather stop stripping eventually, and work with his hands, building customer furniture. Once banks give him a damn loan (shitty credit dealing only with cash), and you know, if he didn’t have to pay off other miscellaneous purchases. Oh yeah, and Gabriel Iglesias is the club DJ, but as he is Hispanic, he is also a drug dealer.

To further clarify our non-sexism, here is some women potentially being objectified as well.

So, surprisingly I guess, the movie wasn’t completely terrible. Was there lots of eye candy for the females? Sure. But the dance moves / performances were generally mostly good, with some big exceptions. Even some funny moments. But the biggest problems really came from a technical stand point.

Generally, I found the transition between scenes to pretty bad in this movie. It opens to the McConaughey “do not touch” monologue from the trailer, but then goes to a black title screen with JUNE on it. Alright. I have no idea why though. I guess the first scene wasn’t June, and now it is? Or we are in a flash back? No, they just arbitrarily decided to tell you the current month that way, fine.

But besides that, scenes would end a little bit too long after the joke, or just at other awkward moments, never flowed too naturally. They also tried to do a lot of long shots for conversation scenes, which were hit and miss. Most of the time they were a miss if they involved Cody Horn, who was pretty bad in this movie. I guess her character was supposed to have a disapproving look 100% of the time on her face, but holy crap was it annoying.

Finally, Kevin Nash. What the fuck. He played the bigger male stripper, but whenever there was a group dance scene, I couldn’t pay attention to the sweet break dancing, because every time he was on camera he looked out of place. Dancing like a robot, not doing much at all. They could have easily gotten a big guy who can actually jump, no idea why they went to shit with him.

I’d say the plot wasn’t the best, but the (mostly) well choreographed dance scenes earn it a watch.

Oh shit, we got a potential bad ass over here. Biutiful, nominated for best foreign film…AND BEST ACTOR for 2011? Say Whaaa. That seems rare. Usually they put the foreign films into a category and then ignore the shit out of them. This puts a lot of pressure on the film to live up to hype.

A joint Mexican/Spain film, 100% spanish, by the guy who brought us Babel. Which I still haven’t seen so whatever.

“Oh jeeeez, I hate pressure.”

Life is raining down shit on Uxbal (Javier Bardem). He is a single father, living with two younger kids, who cannot see their mother (Maricel Alvarez) because she is an alcoholic and bipolar, and a danger to them. He himself is an orphan, only having a brother Tito (Eduard Fernandez). He works with illegal immigrants, namely a bunch of Chinese people who make stuff, and a bunch of African people who sell the stuff. Oh, then he gets a terminal cancer and only has a few months to live.

And fuck it, why not, he can talk to the dead, or at least recently deceased, and passes on messages at funerals.

So he is going to die, guess time to fix up relationship with wife. Nope, she is crazy, and he has to leave his children in better hands! A lot of the Africans get arrested, and he ends up taking in the wife (Diaryatou Daff) and child of one of his (now arrested) friends in order to give them shelter. Hopefully she doesn’t screw him over too.

Speaking of screwing over, he is also able to find all the Chinese immigrants jobs. There is no way that can backfire! (This is funny, if you know what happens. Also sad. Also what in the fuck).

Fine. You can have a picture of someone else who isn’t Javier.

Most of this movie is Javier Bardem with a solemn look on his face, and just being super depressed about his life. He obviously really wants to make sure his kids are safe before he goes, but shit, everyone is making that so damn hard. No one is trustworthy, and in the part of Spain he lives, everyone just sketches me out. There is a scene in this movie that I couldn’t get a picture for, of a strip club, where they wore weird masks to look like more boobs on their heads. And fake nipples on their butt cheeks to make them look like nipples too.

Wasn’t even a hallucination! That shit came out of no where, and he didn’t do coke until a bit later in the club!

Personally, I thought the movie dragged on really hard. It is about 145 minutes long, and only in subtitles. It was a long almost 2.5 hours of my life, having to read the subtitles and all, too afraid to try to multi task. I think it moved too slowly, and was clearly too long. Shit, I think it would have conveyed just as much emotion and heart that they wanted if they cut out like 45 minutes. But I just didn’t care about the story anymore.

Not to take anything away from Javier Bardem, because he clearly put his all into that character and trying to resonate its humanness (that sounds intelligent yeah?). But uhh, I don’t want to see it again.

Savages!

There is a bunch of them in this town, and they are barely even human.

That is all the pop culture I can pick up from that word. Two is a fair amount, hopefully this movie gives me another.

Look at those BRUTES, those SAVAGES, sitting in California and looking fantastic. Sickens me, every time.

O (Blake Lively), short for Ophelia, is the narrator of this tale, and born rich local of Laguna Beach, California. She meets Chon and Ben, working for their pot empire. POT EMPIRE? This movie is about drugs oh no!

Chon (Taylor Kitsch) is a former marine, serving in Iran and Afghanistan, and when asked by Ben, he assured him that Afghanistan had the world’s best pot. Ben (Aaron Johnson) is a free thinker, okay hippie, with big world visions involving giving water to Africa and stuff. But also hey drugs. He has a degree in Business and Botany, and he gets Chon to get some of those seeds back to the states. They are able to grow them with great attention, giving them ridiculously high THC percentages, and make an empire in California where they are rich and can donate a lot to the world charities. Chon is also the muscle, he has a few Iraq buddies to help them out in dire situations.

They’ve been giving cutbacks to a local DEA higher up (John Travolta) for years to keep their business sailing, but when a Mexican Cartel from Tijuana wants to hire them for three years, to use their pot, resources, and people, they get a little bit worried. Especally when the offer presented by one of their lawyers (Demian Bichir) turns out to be more of a demand, and them saying no can get them in a lot of shit.

More or less, it results in the kidnapping of O from both of them. Oh who is O? Their mutual girlfriend. She sexes up everyone. And she loves them both for different reasons, but it leads to nothing bad between the guys so it should be fine. So now Chon and Ben have to try and save her, not die, avoid their really bad ass hit man Lado (Benicio Del Toro) and convince Elena (Salma Hayek), the head of the organization to let them go freely with O, at any cost.

What a fucking great character. No jokes for you, just that fact bomb.

Turns out this movie has a lot of unlikable characters in it. Pretty much no one is the type of person you’d want to root for. So it was hard to really watch the movie on that aspect, as it was a lot of gray area. Unfortunately, the character I liked the least, O, was also the narrator. The dialogue for the narration was bad, and the character was like a spoiled rich kid who has no problems, until the movie. And I don’t think really anyone would care about her, or her kidnapping and constant danger. It sucks, but its true. Let her die, I say. Solves most of the movies problems.

The other big issue I felt was the ending. It didn’t really seem to fit the rest of the movie, almost felt lame. It was different, for sure. But not what I would have wanted. If you see it, you will understand.

But other than that, great performance from Benicio Del Toro, who looked completely different in this movie. Also, Aaron Johnson? He looks ten years older at least than he did from Kick-Ass, and not at all the same. I was shocked when I realized it was the same guy.

I honestly don’t know what to say about $5 A Day based on what I guessed it would be about. Maybe prostitution. Very cheap prostitution.

But that is my go to thought for all films I’ve never heard of.

Oh well maybe its a ROAD TRIPPPP. With prostitutes?

Ritchie (Alessandro Nivola) is a health inspector and living the life with his girlfriend, Maggie (Amanda Peet). Nice. Good job, good pay, good living. Until he gets fired for lying on his resume about spending some years in jail earlier in his life. Maggie didn’t know this either, or that he lied about his dad being dead. Because he isn’t dead! Just dead to him. Something poetic. So Maggie leaves him too.

Apparently his dad, Nat (Christopher Walken) is dying from a tumor, and doesn’t have long to live. But he is apparently a bad guy, who has conned people his whole life. He even gets buy spending at most $5 a day, pretty nice. So Ritchie flies from LA to Atlantic City to be with his dad, who convinces him to go on a road trip to New Mexico for a potential cure. Oh fine.

Just along the way they have to drive in a sweet’n low car, and get free gas as long as they stop at Chevron stations. With hundreds of fake IDs giving him pretty much every birthday of the year, they are able to strategically eat at IHOPs for free! Crafty guy. Along the way they stay in abandoned houses, con some more people, run into their old baby sitter (Sharon Stone) and maybe even get lots of cash over a question of paternity.

What? Could Nat maybe not even be Ritchie’s real father, an exceptionally long con?

I bet when you saw Walken’s name, you knew he’d dance at some point in the movie.

TL;DR Version is this is a road trip movie about a dad and son, before the dad dies, rekindling their relationship, and also shenanigans.

But really I didn’t find it entertaining at all. Lots of cons happen, but to normal regular people who doesn’t deserve it (it feels like). So the main guy is just a jerk, and his son is a jerk too by helping. And that is about it. A 90 minute movie about jerks jerkin’. Yes, I do have a way with words.

This is just more of Christopher Walken playing the stereotype of himself, I think.