Tag: Drama

If you wanna have a good time, every time you say Looper, you should pronounce it as “Loopah”. Reminds me of Zelda a bit.

It is a good idea to laugh. Especially when you see Looper, and feel all sorts of weird feelings during it.

The year, 2044. The setting, Kansas, because why the fuck not? Joe (Joseph Gordon-Levitt) is a Looper. Probably want to know about that, eh? Well, in the future, time travel is invented and immediately banned. Naturally then, only criminals have time travel at that point. So they sent a representative back to 2044 (Jeff Daniels) to set up a system to their advantage. Bodies are hard to dispose of in the future, so they send back the people they kill at predetermined times and locations! The loopers job is to kill them right when they appear. They get paid with silver bars strapped to the back.

They work until their loop is closed. How does a loop close? That is when the mob sends back the future version of yourself. They are always bagged, so you don’t realize it until you see that you received gold bars instead of silver. Then they know they have 30 years left of their life, and to take their huge wealth and enjoy it. But things start to hit the fan for the Loopers. Loops start closing quickly. Joe’s good friend, Seth (Paul Dano) ends up letting his future self go, causing problems! Apparently the future is scary. Some new guy is taking over and closing up shop.

But what happens when Future Joe (Bruce Willis) gets sent back. Will Joe do his job, kill his future self? Or will he help him figure out how to change the future for the better, with every action they take changing it in some way? And what does the future have to do with a local single mom (Emily Blunt) and her kid (Pierce Gagnon)?

Tell me I am not the only one who immediately thinks of Bangkok Dangerous when I see this?

Shocked. Shocked is basically how I felt after watching that movie. Not at the ending. No, I could see it coming, just still didn’t expect it. Hell, there was many options the ending could have chose. The film did a nice job of keeping you guessing, and leaving you with a feeling of wonder.

I know what you want to know. Time travel? Does that mean this movie will be confusing? Does their time travel make sense? Hard to say really. I’d say there is some confusing elements. Comes with the territory. Is their time travel without paradoxes? No, not really. Especially when dealing with loops and stuff. I would say their metaphysics isn’t perfect, but it is good enough for the movie.

The science in the movie isn’t the main feature though. It is the characters involved. Lot of serious questions get asked when dealing with your future self and the implications of it, of which I think the film handled wonderfully. Everyone acted pretty amazingly, and I was on the edge of my seat wondering what was next. They also did great job with the makeup work to have Levitt look like a younger Willis.

Finally the movie does a few things that few films outside of horror ever do. Have the potential death of multiple children, and the use silence in the music and action to convey feelings of isolation/being alone. I love it when a film steps out of a normal comfort zone. It is great when a film makes you think too, and focuses a lot of energy into character development in arguably a short time. Just don’t go in expecting some action heavy flick, and you will be set.

From what I can tell, Trouble With The Curve seems to have snuck up out of nowhere. It is Clint Eastwood‘s first acting role in four years, and the first time he has acted in a movie he also wasn’t directing since 1993!

It is quite understandable that he is slowing down, right now clocking in at 82 years old and generally can only play the “mean old man” roles at this point, which doesn’t give him much diversity. But what does it mean that he is willing to act in a movie he has no control over? I guess he believes in that film’s message.

This is a shot of Clint Eastwood doing whatever the fuck he wants.

Eastwood plays Gus, a scout for the Atlanta Braves baseball team. He is a pretty big name in the scouting world, signing some of the greats and having an incredible eye and ear for future potential. Unfortunately, his wife died almost thirty years ago, when their daughter Mickey (Amy Adams) was only five years old.

Not being one for emotions (he is Clint Eastwood, after all!) Gus has had a strained relationship with his daughter throughout the years. Originally sending her off to live with her aunt/uncle, he began to take her on the road with her for about six years. She learned a lot about baseball, scouting, and potential, but when she hit 13 she was sent to boarding school (and later college, and law school), with barely any contact with her dad.

Mickey is now an associate lawyer, close to reaching a Partnership, making her both the youngest partner ever, and only female to have done it. But there is competition, and problems at home. Gus has problems with his prostate, and his body seems to be failing him. Most notably, his eyes. What good is a scout that can’t see the prospects?  Mickey is convinced by Pete Klein (John Goodman), the head of Braves scouting to head out with her dad to North Carolina to check out Bo Gentry (Joe Massingill), a potential future star in the MLB. The Braves have the number 2 overall pick, so if the Red Sox pass, they can nab Bo, but they have to make sure it is the real deal!

While in NC, we are given the perfect storm of dramatic potential. An aging man, going blind, too stubborn to care, and unwilling to tell his organization as his contract is coming up. A daughter, who wants nothing more than to talk with her father and finally clear the air with some of their issues. Coniving young people with fancy computers (Matthew Lillard) trying to take over the scouting department without even leaving the office. Not to mention a former pitcher that Gus signed for the Braves, who had his career end early, and is now scouting Bo for the Red Sox and scouting Mickey for himself (Justin Timberlake).

Also, there is some baseball in this movie as well.

The first thing I noticed about this movie is that it felt like the anti-Moneyball. Moneyball is a true story about how different advanced statistics could be used to determine players better than the old stats and ways of scouting. Trouble With The Curve is about how computers don’t know a thing and that the only good way of scouting is by being there in person watching them play.

The obvious real life answer is that both parts are important, computers can’t predict how a players hands move during a swing, or if they have trouble with certain situations, or their ability to bounce back. But to ignore computer stats completely is also ridiculous.

I think the movie had a good idea behind it, but didn’t execute it to its full potential. One scene early on, involving Eastwood singing “You Are My Sunshine” is one of the saddest things in awhile. It made me cry, and I thought I was in for a depressing movie. But it lets off from that sad feeling and just kind of rides neutral until the end of the film, with a happy ending and everything getting resolved. One plot point that they were clearly building towards early in the film was then ignored and brought back by the end, seemingly forced and not natural.

I will say the film had some great acting, but the way they got their point across at the end didn’t flow as well as I’d have liked.

End of Watch (I hate that there is no ‘the’ there) is another of those movies that I felt bombarded by trailers for. Unfortunately they only made a single trailer for this movie, so I saw the same two minutes over and over again. But from that trailer, I was definitely curious about this movie. Filming style was different, might have been a buddy cop movie, but at the time with very serious overtones. I do love genre bending movies!

Oh man, look how happy they are! If only they knew…

Brian Taylor (Jake Gyllenhaal) and Mike Zavala (Michael Peña) are partners working the hard streets of South Central LA. They are great at their job, if not a bit reckless. Brian is slowly taking classes, working on a Pre-law degree, with high aspirations. Mike is happily married (Natalie Martinez) with a child on the way.  The beginning of the film opens with a chase scene and subsequent shootout, causing the two to be suspended for a month while they make sure it was a legitimate shooting.

But no worries! They make sure they follow the book, mostly. Brian is also taking an ‘art’ class, where he has to make a movie so he decides to document his life. Why not? Cops are exciting! So he has his normal hand held camera, and some ‘spy cameras’ on their shirts, along with other footage from police scanners to make up the majority of the film.

They are like most stereotypical cop units, there is a hardass equal who always gives them crap (David Harbour), a lieutenant who only cares about results (Frank Grillo), and some other friendly cops who actually appreciate what they do (America Ferrera, Cody Horn). Heck, even Brian has started to see someone, a smart girl who is more than just a booty call (Anna Kendrick).

But when the two start an investigation on a Hispanic gang shooting, they soon find themselves deeper and deeper in the dealings with the drug cartel, who have expanded their operations out of Mexico.  Discovering mass murders, cocaine, golden guns, cash, and human trafficking have put them as the number 1 priority for the cartel to deal with. What they just assumed was a normal shift will turn into a fight for survival to just make it to the end of (the) watch.

Yes, the same Cody Horn who helped ruin Magic Mike is a cop in this. Same disgruntled face.

I know my description of the plot made it seem like a pretty serious action movie, but surprisingly I would instead describe it as a “Comedy Drama Action Thriller” film. It is seriously all of the above. I laughed, quite often, I cried once, there was the obvious action, and I felt scared more than once.

The film isn’t a typical ‘found footage’ film. I believe the director originally wanted the whole thing to be in police camera / hidden camera footage, but there is plenty of actual camera work thrown in as well. So that means we have a movie that fits multiple genres, and doesn’t even keep its camera use constant, but yet it works really really well.

Frankly I thought the movie would be stupid, but I ended up loving every minute of it. Gyllenhaal and Peña had excellent chemistry together, and it shows that they spent months shadowing LA cops and hanging out for inspiration.  My only suggestion for watching this movie is to be prepared to have scenes change suddenly. It may go from hilarious banter to scary cop moments in an instant. This form of ‘genre shock’ is pretty rare, and now something I hope to see more often in movies after this. End of Watch is a definite must see.

The Great Buck Howard is definitely one of the movies I bought just because of the cast list on the front, and not really knowing anything about it.

I can definitely say I have heard zero things about this movie ahead of time, which means I can ruin that moment for you if you watch it with this review. Hooray!

Kind of like ruining a mentalists act. The claps will fade :(.

Turns out, this movie is actually about Troy Gable (Colin Hanks). He doesn’t like his place in life. Law School just is not fun. It sucks. His dad (Tom Hanks, yep) forced him to pick this path though. So he says enough is enough, walks out of law school, and time to find his calling.

Maybe a writer? Sure, but it doesn’t pay. So he needs a job for bills while he thinks about writing. Why not the stage manager of the Great Buck Howard (John Malkovich), a mentalist who he has never heard of. Sure, he has apparently been on Johnny Carson 61 times, but that is old.

Now he just travels from small town to small town, with a loyal fan base who love his acts and cheesiness. Troy quickly learns what to do from Alan (Adam Scott), the soon to be former tour manager, who eventually quits and leaves in a rage. Okay, so apparently Buck is not really so great, but more of a dick. But its a job, and why not stick around?

Well, he gets to see a struggling mentalist make it through life, without missing a beat. Just takes it all out on Troy. He even has an amazing act, where he has audience members hide his “fee” for the night, while he and his staff is away, and without fail he can find it every time. If he cant, it gets donated back to the town.

Even the build up of his new trick, putting a record number of people to sleep at a time. The problem is, shit keeps going wrong. His press person is out of town, so he is stuck with a rookie girl (Emily Blunt), has crazy drivers (Steve Zahn), and a generally apathetic manager (Ricky Jay).

Here is a look as shit hits the fan. Pretty hard.

I was worried about this film, just because it was John Malkovich in a PG setting. But what the fuck was I thinking? This is John Malkovich! He does things awesomely, and you can’t help but watch.

His character of Buck Howard was definitely an interesting one to watch, and clearly the most important part of the movie, despite it being a journey of discovery for Colin Hanks’ character. He is based on the The Amazing Kreskin , who was known for finding his fee pretty much every time (but nine, oddly enough).

Did I mention Malkovich kicked ass as this character? The rest of the cast was pretty decent as well. Especially the outrageous locals at some of the shows. It is hard to describe why this film is so great, but the only word I can think of is charming, I guess. The cast works well together, and it is strangely interesting despite the subject matter. Give it a chance, and maybe you will love it.

So I just learned that Step Up: Revolution is not the original name of this movie. Nope, originally it was called Step Up 4: Miami Heat. Wow. If anything, I can say that they did a good thing with the name change.

After all, who doesn’t love a good revolution? Wait. One second. Turns out people in power don’t like revolutions. Hmm. This title could be a controversy then.

Well that is good, after all, who doesn’t love a good controversy? Oh what’s that? Shy people hate controversy? That is fine, we can ignore shy people. They generally aren’t going to be dancers anyways.

Pictured above: No shy people

Miami has a lot of things going for it. One of those things is that people like to live there. But in this world, they have this crazy never heard of thing before called Flash Mobs. But instead of a regular flash mob, it is the “same people” every time, and they are a public disturbance, because they are the only type of Flash Mob. Heck, they even call themselves The Mob, for creativity purposes.

Lead by Eddy (Misha Gabriel Hamilton, who has past roles as Dancer and Detroit Dancer) and Sean (Ryan Guzman, first role!), they rock the streets and get them recorded and put on the youtubes. Why Youtube?

Because for whatever reason, they are in a competition to be the first to get 10,000,000 views on a video (or overall their videos? Not sure). Because the first to do that gets $100,000, so they do these dance flash mobs to get hits. But what if they can turn their mobbing into a message?

Emily (Kathryn McCormick, formerly Dancer, Audience Member 1, and Sexy Girl 1) is in Miami to audition for some fancy dance company, but her father, Mr. Anderson (Peter Gallagher, yes he gets no real name) doesn’t really approve. In fact, he is a real estate grabber, for his new and fancy hotels, and he plans on buying up a huge plot of land in Miami to renovate and make awesome luxury spots. Turns out this involves some of the best hang out spots and homes of some of our main cast, and that is bad.

So after she secretly joins their group (because she needs to learn to let her wild side out more in her classical /modern dance stuff, by adding some street moves), they come up with the idea to protest this stuff, making them become bigger and more powerful. But I mean, can dancing stop commerce? Also featuring Cleopatra Coleman as their DJ and Stephen Boss as another main dancer.

Just imagine how uncomfortable standing in the middle of that would be. Closeness on an escalator, gross!

You know what, there are a lot of plot problems in this movie. I could ignore them, but fuck that, lets talk about them.

First off, the youtube competition makes no sense. Everytime they mention it, I cringed because they made it seem like they didn’t even know how the internet worked. Was a vague competition, and tons of videos already have over 10,000,000 views in real life. Similarly, a video wouldn’t take months to reach that high either.

Secondly, what the fuck Emily plot line. Really? She needs to add more fire and passion to her dances? And so she starts doing hip hop crazy stuff on the streets? How is that not pretty much the entire plot from the first Step Up?

Anyways, this is a dance movie though. That is what is important! Well, first off on that, I hated the music. Pretty much every time. The best DJ in Miami my ass, what was that shit?

The dancing to the music? I wasn’t impressed. I am pretty sure I have seen dancing like that before, and well, it wasn’t as cool watching it in this movie. The only dance scene I really liked was the above fedora/business scene, their first protest dance. But hey, I might have just liked that more for the outfits and props.

Should I have complained that the movie theater staff never came out and flash mobbed our theater? Probably.

I am shocked that it took me so long to watch Vicky Cristina Barcelona. First off, it has actors/actresses I like in it. Second, I actually kept putting it on my schedule, and just putting it off. Thirdly? Someone once called it ‘Ménage à trois: the movie” to me. I mean, seriously. How did I just not stop what I was doing and watch it immediately?

The other fun note about this movie? While I worked at Blockbuster, there was like, eighteen copies of this movie for sale the whole time. Eighteen! I ended up buying a Wal-Mart copy, because it was the same price and new.

Is this the trois moment? Is it?!

Vicky (Rebecca Hall) and Cristina (Scarlett Johansson) are going to Barcelona! And now we have the movie title. They are going to stay there for a few months with relatives of Vicky (Patricia Clarkson, Kevin Dunn) because they have a big house and their children are all gone. Sweet. Vicky actually has a legitimate reason, some how her masters studies involves Spain. Cristina is just there for the support and adventure!

They also have different views on love, complete opposite, so much so that the narrator deems it important! Cristina is a free spirit, and rushes through things, flames out quickly. Vicky likes real romance and patience and long commitments. That explains why she has a fiancé (ramping up the French here people. For a movie about Spain) with Doug (Chris Messina).

But one night at a museum, they run into a local artist Juan (Javier Bardem), who looks like he just wants to seduce whoever is easier. Even invites them to an Island for awhile. Clearly things are going well for Juan and Cristina, but she gets sick, so Juan has to spend a lot of time with Vicky instead. Moment of weakness, and boom, sex. Awkwardness arises when Cristina then gets better and continues her relationship with Juan, whoops. Even moves in with him. He kind of likes both, with Vicky realizing that she doesn’t love her husband anymore.

But nope. Then the crazy ex-wife Maria (Penelope Cruz) shows up. She has to stay with them too, because she is on suicide watch. And well, maybe Juan has feeling still for her. And Vicky. And Cristina.

Damn, that is a lot of lovin’.

Yeah, jokes on you, that previous picture had Cruz not Hall.

Of course this is a Woody Allen movie. For whatever reason I didn’t know that before hand, but now that I do afterwards it makes perfect sense. He does have that mini obsession with Scarlett Johansson after all, like a lot of men. Most of us don’t put her in movies though.

This film was definitely both quirky and natural, which is a weird feeling. But after it all, I wondered what was the point. Is it to live life however you want, regardless of what other people think? To always question where you are in life? I don’t even know.

What I did see was an okay story, that did go places I wasn’t expecting, but doesn’t seem like the type of film I’d ever see again.

If you went to the movie theaters this summer, you might have heard about Girl In Progress, because really that is the only time I heard anyone ever talk about it. I think I saw the preview for the movie maybe seven times in a single month. SEVEN TIMES. So as you can see, watching this movie as soon as possible was a priority, because damn it, I wanted to know what the trailer kept teasing at me.

Huh, I wonder if this picture is a metaphor.

Ansiedad (Cierra Ramirez) is just a girl, who kind of hates her position in life. She at least gets to go to a private school, but her mom Grace (Eva Mendes) is having problems paying for it. Grace works a few jobs, including house cleaning for a Dr. Harford (Matthew Modine) and waitressing at a local crab shop. Their relationship is pretty strained, because Ansiedad feels her mom spends all her time working or sleeping with married men (Yep, the doctor) and not enough time just being a good mom.

But (and we are about to get super meta here), when she starts to learn about a genre of novels that tell of coming of age stories, she makes it her desire to have her own “coming of age” story, so she can become and adult and fix her situation in a flash. With her only real friend (Raini Rodriguez) they develop a list of tasks that most occur in order to have the appropriate experience. Everything is on that list, from first awkward kiss to virginity loss, to changing her lifestyle from nerd to badass (including intentionally losing her old friends), to hopefully moving out of her home and escaping to NYC!

While at the same time, Grace’s life is getting more stressful, as she is put in charge of the restaurant while her boss is at a festival. On top of that, Dr. Harford is willing to elope and take their family far away from the area. Sounds sweet, but can easily backfire. But all of these stresses make it harder to see the changes her daughter is going through, until her teacher (Patricia Arquette) is able to point them out.

Additionally, a middle aged hispanic individual nicknamed Mission Impossible (Eugenio Derbez) is a part of both of their lives, and might be willing to fix there situation at any cost.

The real star of the movie. Anyone else think he looks like a Hispanic Matt Berry?

So what happens when you get a coming of age movie, about a girl attempting to create her own coming of age story? Well, it could either go amazingly well, or amazingly bad as far as I can tell, and I think this film falls on the latter. I wouldn’t describe any of the main cast performances as bad, but it actually just felt like they didn’t care.

That Eugenio? He was excellent. A lot of it might have just been in his facial expressions, but he is really the only person who made me enjoy the film. Although the film itself is about character growth, it felt fake or forced the growth that occurred. Arguably, a forced growth in a movie about forced growth could also be intentional, but I doubt the creativity of the director in this case.

For a hilarious read, I suggest the outline on wikipedia of the plot. If anything, it makes my writing look awesome, so clearly checking it out only leads to positives!

I will admit, this movie also took me quite a long to watch. Why? Because it takes quite a long time to watch. The Curious Case Of Benjamin Button clocks in at about 160 minutes, so watching it late at night or if you have a short attention span seems like a bad idea.

Bad idea? Like starting a relationship with someone who ages weirdly?

The movie begins with an old lady, probably about to die. Oh just hanging out in New Orleans, in the mid 2000s. Sure it won’t turn into a big deal. This woman, Daisy (Cate Blanchett) wants her daughter, Caroline (Julia Ormond) to read to her from the diary of Benjamin Button

He grew up under abnormal circumstances. Haven’t you heard? He was a creepy wrinkled baby. His dad Thomas Button (Jason Flemyng) was scared, the birth killed the mom, so he leaves him at an orphanage/old folks home thing. Weird enough. But once he gets bigger, his old body shall fit in nicely. Especially when a worker there, Queenie (Taraji P. Henson) agrees to raise him as her own.

Benjamin Button (Brad Pitt) begins to learn about the world, but disguised as an old guy. That’s good, just makes him seem forgetful. He grows up more and more, learns to walk, discovers sex, love, and sin. Including on and off again meeting of Caroline. I am sure that will lead to something. He also gets a boat job, with a Monsieur Gateau (Elias Koteas) which gives him a skill, a hobby, and even puts him involved with post Pearl Harbor World War 2 shenanigans.

But love. Love is all he really needs and wants, and only a few people know about his condition, thankfully one kind of is his same age. Kind of. Maybe they can figure something out and make it work.

Like all young kids, he became fascinated with himself in the mirror as a teen.

This movie took me forever to get in to it. I mean, it was odd and weird obviously, but he beginning when he was just an old man learning stuff for the first time? I just didn’t seem to care at all. Was just weird. Setting the narration during Katrina was more or less pointless.

I don’t think it became truly interesting to me until he was attacked on the ship. From then on I was pretty much hooked. And the last third? I might have been accidentally emotional last night, but it seemed like the saddest of all sad things in sadville. SUPER SAD. I can’t even describe the sadness. But it took so long for that plot line to really develop. Not until BB was at least distinguished gentlemen old looking.

Also, the whole thing sort of felt like a reverse Forrest Gump. Kind of weird. Follow follow up, I thought about this movie. Would it be interesting at all, his life, if he wasn’t aging backwards? Would the events without that warrant a movie? Probably not. So overall its just okay. Not the best. Should have been a lot better, and maybe a better hook at the start. But damn, something.

So a strange part of this website is that I am now in a position where I have students. Weird right? My icebreaker is pretty easy, I make them state their favorite movie, and out of 75 students, only six of them I had not yet seen before. I put them on my short list, and I was even more stoked to find out that some of them are in the useful range for reviews. So I picked The Brothers Bloom, because its the only one I also hadn’t ever heard of. Woo mysterious films!

The Bloom Brothers actually end up playing an important role in this movie. Funny, eh?

Stephen (Mark Ruffalo) and his younger brother (Adrien Brody) grew up as orphans, and shipped from foster family to foster family. They were interested in illusions and magic, but they became quite adept at being con artists, starting when they were kids. Gotta love making cash.

But many years later? They are still up to it. Their schemes are way more elaborate, lead by Stephen who plans them perfectly. He loves it the most, and is great at it, but little Bloom is getting tired. Wants to quit. Alright, well one more con.

And this one involves a woman! They’ve never conned a woman before. One Penelope (Rachel Weisz), a weird shut in rich heiress. Easy scam, pose as antique dealers and get all her monies. But as any con movie you have ever seen goes, those cons are generally several layers deep and go wrong. Well in this one, it is of course true, but that ‘main’ storyline ends kind of early. Then crazier shit happens, and it builds and builds, getting pretty damn serious and having no knowledge on what is the actual con anymore. Fun eh?

Rinko Kikuchi is also in this as their main woman assistant, and Robbie Coltrane as another ‘foreign’ helper.

Hey, who cares if they are get conned if they at least have fun, right?

One of the main aspects of Stephen’s cons is he, at the end, wants everyone to walk away satisfied in some way. Sure they get conned, but hopefully the experience was worth it. Similarly, he generally wants to make his brother happy, and that is his biggest driving factor.

Which is awesome. And I loved the first half of the movie. But as I pretty much already said, it gets kind of dark and serious, and it is hard for me to really understand and grasp it all. I couldn’t follow the ‘cons’ or potential cons, and I felt time moved pretty weirdly.

It was a definitely a bold move and experience, but something I couldn’t really follow well. Adrien Brody was kind of meh for the movie, but I did like the charisma of Mark Ruffalo.

Sometimes the Japanese don’t produce their own original content. Seriously, did you know that? I learned that last night. I never even considered that fact! But damn, it can happen.

So we have The Secret World Of Arrietty (or just Arietty if you have the fancy non American version), which is based on The Borrowers! And maybe I also just learned that they were a series of books before that movie in the 90s. Holy crap, there are like three Borrowers movies.

Fuck it, today is a day of learning and facts. It has been declared!

Don’t spray your house for bugs ever. Might end up killing a tiny human, you monster.

Shawn (David Henrie, some 23 year old who was a Wizard in a Disney show and the SON in How I Met Your Mother), is a 12 year old boy with a bad heart. So he goes off to live with his aunt for a week before his surgery, in the nice peaceful countryside.

At the same time, we have Arrietty (Bridgit Mendler who was…also a Wizard in a disney show?), who has just turned 14 but you know, is only a few inches tall, a borrower who lives in the house with her father and mother (Will Arnett and Amy Poehler, who formed an incestuous relationship in Blades Of Glory).

Well on her first borrowing mission, she ends up dropping a sugar cube and accidentally waking up the delirious Shawn, who wants her to stay, quite creepily. But she runs away, and her parents are freaking out. Especially when he leaves the sugar cube near their home with a note “You Forgot Something”. Shit, this might turn into a horror movie soon, or the weirdest relationship ever.

Either way, she becomes more and more curious about the human, despite the parent warnings. Humans kill Borrowers, or other evil things. Especially that shady housekeeper, Hara (Carol Burnett, who I have nothing clever to add here for your knowledge), who thinks they exist but has no proof (yet). But if their shenanigans continue, they might have to move anyways. Especially if Hara gets involved. Hopefully they meet some savage Borrower who can help them find a new home, like that Spiller guy (Moises Arias, who was someone on a Miley Cyrus show and…maybe a wizard. What the fuck?).

To me this whole movie, her crazy mean face reminded me a bit of Stich’s face.

Now I am going to base this off the dubbed version of course, but I think unintentionally they made a lot of this really creepy. Like, having a 23 year old male voice a 12 year old kid. His voice was strangely deep, and spoke super slow. I felt scared that he’d turn out to be a serial killer or, you know, worse.

That with the ending are really my only complaints. It kind of left it super open ended, and didn’t really do much for my plot questions.

But outside of that, loved pretty much everything else. Especially the animation. I watched it on DVD and was still floored away with it. Obviously it wasn’t CGI, but it was just really really well done and processed I guess. If I had seen it on Blu-Ray I wouldn’t have believed it possible.

But the characters were nice, the music was nice, and the story was simple and only slightly felt stolen. Hey, its all good.