Tag: Alexandra Daddario

Did anyone hear about The Layover? No? It wasn’t really thatrically released? Sort of buried? Mostly VOD/straight to DVD?

Huh that is strange. Because the two leads are pretty darn famous.

But let’s face it. The only reason I even heard about this film is because it was directed by William H. Macy. Before he directed The Layover, he directed Rudderless, which I actually really liked.

So even though the movie seemed like a bad sexy comedy, I figured it still deserved a chance.

BFF stands for breast friends forever.

Meg (Kate Upton) and Kate (Alexandra Daddario) are actually best friends, and not only that, live with each other in the same apartment! Two twenty-something ladies, totally successful, living with their friends, yeah! Kate is a teacher, and being asked to leave her job due to a student talking about anime tentacle porn, and Meg is involved with selling supplements from North Korea. So yeah, they both made poor choices.

Well, Meg made more poor choices. Kate is getting screwed over. Before they go and pout, Meg goes and spends more of their money on a trip to Florida! On the way there, on the plane, sitting right between them, they get to meet Ryan (Matt Barr), who I guess is a cutie with a bootie. Kate is in a funk and might need a good shag, and Meg is used to getting what she wants. So they join into a little game, to seduce this Ryan man.

And good news, they have plenty of time to do it. Due to weather concerns, their plane has to land far away from their destination. You know, a layover. And now they can hang out with him outside of a plane, and I guess do a slut-off to see who can seduce him the best.

Get it? Layover? Get it?

Also featuring Matt Jones and Kal Penn.

I think he is trying to secretly take pictures for his sex wall.

Welp. No. Just no.

The Layover did not end up being a better film than the cover suggested. Macy be damned, but this is not a good follow up to Rudderless at all.

I mean, what you see is what you expect. But technically, if you are a perv watching a sex comedy for titillation, you expect at least some nakedness, but of course this film doesn´t have any of that either. This is like a strip club version of a sex comedy, just a big tease.

Want to see two ladies jump into a pool in a bad diving competition? Or to just sabotage each other over and over? Or even just have a straight up fist fight near the end, you know, over a man? Then sure, give this film a chance.

Everyone else will just give this film the obvious hard pass it deserves, because you wouldn´t even known it existed.

When We First Met is a time traveling based Netflix original movie, and honestly, one I only really went out of my way to watch because of the cast members.

Because it sounds like Friendzone the movie, and the friend zone is fucking stupid.

I told my wife the only way that this film could be maybe good is if he realizes this whole time travel thing is bullshit and that he needs to let life happen as it is, so that it feels a lot less rapey.

In general I prefer my comedies to not get rapey.

Apparently they time traveled back to World War II.

Noah (Adam Devine) really loves Avery (Alexandra Daddario). She just thinks he is a friend. You see, three years ago they met at a party and had a wonderful night. It was special. They had so much passion! And yet it ended with a hug. The next day, Avery met Ethan (Robbie Amell), they fell in love, and now they are getting engaged to be married soon!

Sad times, guess it wasn´t meant to be, Noah! Time to take it all back in, count your chickens, whatever, and move on. Psyche! Time to get wasted, cry, and be a nuisance. Somehow, this leads him to a photobooth that takes him back three years to the day they first met.

Oh wonderful! Time to fix everything and make them fall in love, or at least have some sex. But, shenanigans, it turns out that messing with time can have some consequences.

Also starring Shelley Hennig and Andrew Bachelor.

These business outfits probably came from my closet.

Look, I don´t need to waste too much time on this review. The film never really feels original. It never really feels super funny (although occasionally amusing). Our main character is a total dumbass. He believes he had the perfect first date with this lady, except he couldn´t kiss her to seal the deal. So one would imagine if he goes back in time to ¨fix things¨ he would recreate everything the same, but also, you know, kiss her or make his intentions clear.

But no. He wants to recreate himself every time. Ultra cool, ultra dick, ultra successful, all these iterations are just awkward and pointless. He is apparently a man of extremes only. It was like a really bad version of Bedazzled. Yes, I am saying that Bedazzled isn´t bad.

The film is very predictable as well, which is only an issue because nothing else really works for it. The acting is poor, the plot is poor, the jokes are poor, and if you also already know what is going to happen, then you are left wondering why you are watching the thing in the first place.

When We First Met reminds us that just because it has a time travel component does not a complex movie make.

Never watched Baywatch, never watched Baywatch Nights, but I understand the appeal of it all. Womens, womens, and David Hasselhoff. Sure, good.

And then they said they would do a movie reboot of Baywatch, decades later. My initial thoughts: FUCK YES!

But why? Well, history has shown to me that taking a serious show and putting it in a comedic modern reboot leads to extreme laughs. Sure, I only have 21 Jump Street and 22 Jump Street to base that opinion off of, but what if Baywatch is as good as those two films? It has the actors, it has a lot it can work with, it should be a sure sign of success!

Then I will eventually realize that it is just Phil Lord and Christopher Miller being an insanely funny directing duo, and not anyone else pulling the strings.

I didn’t want this generic photo, but it was one of the few that actually was decent.

Over somewhere in California, I guess, is a bay that totally needs to be watched. The lifeguard team is led by Lieutenant Mitch Buchannon (Dwayne Johnson), his second-in-command Stephanie Holden (Ilfenesh Hadera), and CJ Parker (Kelly Rohrbach). There are other people on the team too, apparently, but they are background characters with no names or words. Normally they only add a single member to their team a year, but this year they have spots for three people!

Spoilers, the spots go to Matt Brody (Zac Efron), an Olympic swimmer who needs community service and sort of just gets the spot against the wishes of Mitch, Summer Quinn (Alexandra Daddario), a girl who just likes life guarding I guess, and Ronnie Greenbaum (Jon Bass), a guy who doesn’t give up, is basically a tech person and lusts after CJ.

Anyways, Mitch likes to go above and beyond his duty, trying to solve crimes outside of his jurisdiction. Because he has no jurisdiction, because he is a lifeguard. This gets him into problems, with the above people and all of that.

Starring Priyanka Chopra as the villain, Yahya Abdul-Mateen II as a cop, Amin Joseph and Jack Kesy as Chopra’s bodyguards, Rob Heubel as the boss, along with Hannibal Buress, Oscar Nuñez, David Hasselhoff, and Pamela Anderson.

The sexiest shot in the film.

Goddamnit, Baywatch. You could have been something special, but all of the worst components were overplayed, and they didn’t try to make it better.

First of all, the humor, sure jokes were made, but it wasn’t a laugh a minute riot fest like I had hoped (again, comparing to 21 Jump Street). They decided to feature a lot more action and serious moments that weren’t really impressive, nor did they really bring the viewer in on any emotional level.

Secondly, there are only six~ characters in the Baywatch team they decide to highlight, 3 guys, 3 gals. And guess who gets all of the plot, character development, and good scenes? Yep, the guys only. Hadera as “second-in-command” has absolutely nothing memorable happen, she is basically a background character. Daddario is brought in to have someone else famous hang out with Efron and Johnson, but she is the third wheel. And Parker exists only to be a sexualized object to Bass’ character, an ideal woman in her looks and kindness. And yes, they hook up by the end.

Yes, when people think of Baywatch, they think of slow motion women running and bouncing, sure. But that show also had a lot of woman characters with a lot of backgrounds and plots. This movie somehow decided to be WORSE for women than the 11 seasons of a show for people to get their jollies off. That is unacceptable for a modern remake. It is not hard to give six people real characterization throughout a film, but they didn’t even try.

Those are the main two points of contention. If the film was at least funnier on many levels then I might have been able to get around the weaker characters. But because it isn’t that funny, the problems stand out a lot more. The plot was also weak, the “bad guy plot” felt pointless, and everything was just so obvious.

Apparently this movie is bombing, so we won’t a Baywatch 2. But if it does, it should go the Baywatch Nights route, just get it over with.

Oh hey look, a Nicholas Sparks film. There have been ten of these before The Choice, and most people would start to wonder if he has any originality left in the tank.

Every single one of them are about romance. Most of them are about a death or a tragedy and bringing the unlikely couple together. Some of them do feature twists and interesting angles I have never considered. I still like The Notebook and I thought Dear John was quite clever, but still not living up to its potential.

And I didn’t see The Choice when it came out to theaters. I didn’t even see it when it hit DVD. His 11th attempt at a movie didn’t even try to advertise itself that much. Were there posters? Were there trailers? Is there another of his movies coming out this year?

I have no idea, they sort of just show up and we have to accept them.

Look at the happy couple. I wonder what Sparks will do to fuck it all up.

Gabby (Teresa Palmer) is a medical student, living with her dog, in the most romantic place in the world, Wilmington, NC. She has her own small place, despite being seriously involved with her boyfriend, Ryan (Tom Welling). Ryan is already a doctor, Gabby needs to still pass her exams, so she picks a quiet place to be alone to study without distractions.

Until she finds out her neighbor is playboy Travis (Benjamin Walker). He likes to party, sleep around, has a pseudo girlfriend (Alexandra Daddario), and he loves to blast his music at night.

And then Gabby’s dog gets pregnant, so she blames it on Travis’ dog. She goes to the vet angry and hey look, Travis works there, a vet himself, son of the head vet (Tom Wilkinson). And Travis’ dog is fixed! Oh ho ho, how silly.

Anyways, needless to say, they both fall in love, ruin each others relationships, and despite the starting of their relationship being over 2/3 of the film, none of what I said involves the titular Choice and it will just eventually show up. Also starring Maggie Grace!

Cold beer. Red shorts. Lazy dog. This man loves to party!

The Choice ends up being like a lot of Sparks stories, except somehow feeling overall trashier and dumber than most.

First of all, one of our two characters is in a committed relationship. He might not 100% entirely get her needs, but she is the one who starts fooling around with our main guy, with her boyfriend away for business reasons. In fact even after this, she still gets engaged to her boyfriend. So Gabby doesn’t really feel like a great gal. And Travis doesn’t look or seem to fit the charm that people say about him in this film. I don’t see it, and I can fully admit to understanding the charm of charismatic men.

Their chemistry isn’t super apparent either, so they have to hide it behind montages. And once again, the main crux of the movie, what is the choice and why, doesn’t happen until way late late late into the film. So much of the film is about their initial meeting and relationship (Sparks’ bread and butter), they have to rush the prequel to the choice into another montage showing them getting married and having kids.

Now this choice has no emotional context for us. It is jarring seeing them older (while looking identical of course), but suddenly kids. And of course “The Choice” ISN’T A FUCKING CHOICE AT ALL. He doesn’t make a choice, he keeps things the same as they were, and of fucking course he would. They hype up this god damn choice, so when it happens, I was just sitting there annoyed because it offered no additional tension.

This movie needed to take place with them already married with a family. Throw in some SMALL flashbacks if you want to show how they met, but let us really get to see them being in love and how their lives are before anything bad can effect it. But then Sparks couldn’t have enough romance in it.

This is a romance film that they didn’t know how to make different or tragic. The last act feels stapled on, isn’t heartfelt, and the whole thing becomes a waste of time.

Get out of the way, motherfuckers. We got a GEOLOGY MOVIE to talk about. YEAHHH.

Sure, as a professional (in the case that I make fat stacks of cash), geo-scientists, I could use these movies to bemoan the lack of good science in film and to talk about everything that they got wrong. But in reality, Geologists don’t give a fuck and love the shitty geoscience movies. (Honestly, this could be true for most scientists, but I am not them so I don’t know). We haven’t had a decent CGI science fest in awhile though, mostly stuck with crappy intentionally bad movies which aren’t as fun.

BUT EARTHQUAKES ARE CLEARLY MUCH COOLER. So in San Andreas we should get shit breaking apart, people freaking out, presumably parts of California drifting off to sea. I can only hope. This is a geo-nightmare! One I am fully ready to embrace.

And if you came in here expecting a GTA movie, then get the fuck out of here right now.

We don’t have time for any more wise cracks.

In California, if your life is in danger, there is only one man you want to save your life. Ray (Dwayne Johnson) and his helicopter crew met and flew together in Afghanistan and now work for the LA Fire Department and rescue people everywhere all the time like the polished rocks they are.

But not everything is smooth in his life. No, cracks are forming in his personal life. His wife, Emma (Carla Gugino) wants a divorce. Their lives haven’t been the same since they lost a daughter in a drowning accident. At least they still have one more, their family bubble not completely eroded, in Blake (Alexandra Daddario). Emma is about to move in with Daniel (Ioan Gruffudd) who has a much more solid foundation. A famous architecht, rich.

But fuck all that. Earthquakes. The team at CalTech, lead by of course seismologist Dr. Lawrence (Paul Giamatti) and Dr. Kim Park (Will Yun Lee) have been testing out a hypothesis that will allow them to predict earthquakes. Thankfully in Nevada there has been a series of miniquakes to hopefully test their theory out and hey, it works! Just in time, or not just in time, because it looks like all of their recent work stress is about to be tested when the earth’s stress gets released. All along the San Anreas fault. Through small towns, close to LA and right smack dab through San Francisco .

Also featuring a few British folks from up the river. Namely, Hugo Johnstone-Burt as an engineer looking for a job, Art Parkinson his younger brother, and KYLIE MINOGUE as a small role that totally wouldn’t normally be noted but it is Kylie Minogue people.

Hide! Kylie doesn’t like it when you call her roles small!

It has been awhile since there has been an earthquake movie released. The last two I can remember are Aftershock and Aftershock. And when I compare all three, I would put this a step below Aftershock, but one step above Aftershock.

That’s right. I liked a disaster movie. And I will only briefly talk about the science.

From my knowledge, the whole magnetic pulse to predict earthquakes thing is a solid hypothesis running around the community and relatively new. So that is fine. I think they made up a big fault that doesn’t exist as part of the main San Andreas fault having it go through Nevada, but honestly, I don’t know. But my biggest complaint science wise is the Tsunami. Part of the climax involves a tsunami post all the big earthquakes hitting the city. Buuuuuut, that seems silly. Do giant ass earthquakes cause giant ass Tsunamis? Sure! But not at the same place the earthquake hit. See, the giant displacement event would cause the water to shift away from the epicenter, not towards. A giant ass tsunami would totally head towards Asia/Australia, but it didn’t make sense for it to hit San Francisco.

Back to the earthquakes! I cried. I legit cried near the end of this movie. Because overall, this is a story about a man trying to save his family. A man who tries to save everyone but couldn’t save his daughter those years ago. A man who is a rock in real life, facing a force that literally breaks rocks.

I was surprised at the amount of action this movie provided. They went high with their Earhtquake and aftershock count and had the damage affect at least 3 cities separately, plus tsunami, so there was tons of near death (and death?!) scenarios. Shit, the body count on this movie is so incredibly high. Millions and millions of people die thanks to tall buildings falling over and streets ripping apart. It’d be a bloodbath if it was just rated R and we could show all the bodies in the flood.

There was also disappointment when douche looking Ioan Gruffudd ended up being exactly that, a douche. I was really hoping he would be a good guy, despite being the “new rich man” in their lives, and make it a bit more complicated of a love dynamic. But alas, if it looks like a douche…

San Andreas has everything I’d want in a disaster movie. Some extremely ridiculous scenes of survival. Some crazy deaths. Trillions of dollars of damage done to infrastructure. Ample cleavage because you have to have that in movies about geology for pun reasons. Not completely terrible CGI. Some actual factual science. Some extreme cringe worthy dialogue (including the most obvious ending dialogue to end the movie. Much cliche). And of course, last but not least, Paul Giamatti’s face representing my literal profession.

Buy it now from Amazon now on Blu-Ray or DVD.

This just in. The director of Percy Jackson: Sea Of Monsters is named Thor Freudenthal. What a bad assname.

He has done a few kids movies before (Hotel For Dogs, Diary of a Wimpy Kid), but that is it. Hopefully directing this movie is a sign of changes for this man. With a name like that, I want him involved in most action movies from now on.

Back to the movie, I am pretty excited for this sequel. I actually enjoyed Percy Jackson, The Lightning Thief. As an undergraduate, one of my majors was Ancient History, which of course gave me a love of mythology as well.

No, I don’t hate that these films change the Greek Mythology meaning and stories around. Because this is just another case of a movie not being identical to the source material. If I am fine with what happened in Iron Man 3, I will be fine with whatever they can throw at me here.

Besides, these mythologies are basically dead. I love it when anything can attempt to spice them up a bit. This one is promising to add a whole sea of monsters! Hooray!

Look! There is one right now! It looks nothing like a rainbow version of The Water Horse, either!

Percy Jackson (Logan Lerman) is no longer a big deal in the demigod camp after the first film, as teenagers are fickle. Who cares if he just saved Olympus/the world. What has he done for them lately? For fucks sake, Percy.

His friends, Annabeth (Alexandra Daddario) and Grover the Satyr (Brandon T. Jackson) believe in him, but everyone is else is obsessed with Clarisse (Leven Rambin), daughter of Ares. She wins all the events and challenges at camp.

Don’t remember her from the first movie? Well, presumably she was there somewhere. Maybe she just sick the two or so days that Percy visited in the first film, since at that point, Annabeth was the best warrior in the camp. Maybe they can’t handle two great female fighters at the same time.

Well, it turns out the protective barrier around their camp is falling, and it is all thanks to Luke (Jake Abel), son of Hermes, villain from the first film. Of course! He wants to do the unthinkable, and resurrect Chronos, the Titan, so that he can kill all the gods and ruin the world.

Classic villain strategy.

But that is not as important. They just want to restore the barrier to their camp, and to do that they have to find the Golden Fleece! Anything else is just gravy.

Oh, Percy also has a new half-brother Tyson (Douglas Smith), a young cyclops. His dad Poseidon just gets lonely sometimes, I suppose. Poseidon, Zeus, and Hades do not make any actual appearances this movie, but we do get Hermes (Nathan Fillion, technically a recast), and Dionysus (Stanley Tucci), who for some reason didn’t get to drink wine. Chiron is also back in this movie as the camp mentor, but he is played by Anthony Head (of Buffy fame), and not Pierce Brosnan. Boo recasts.

I would have raged the hardest if Brandon T. Jackson was replaced.

I would say that overall, Sea of Monsters is not as good as The Lightning Thief. But one major improvement was getting rid of the “& The Olympians” part out of the title. That title was long enough to be comical.

Here is one of my biggest issues. Luke as a villain doesn’t make a lot of sense in this movie. To resurrect Chronos, he also needs the Golden Fleece. Unless he didn’t think he could get it himself with his band of mighty demigod soldiers, it is silly to break the camp barrier, causing them to go after the fleece as well. Instead, he could have not done that, and succeeded in his plan as no one even knew he was alive.

Instead we have a movie where there is a ton of buildup for the great and powerful Chronos, who then gets easily “defeated” in a matter of minutes. It happens in a lot of fantasy films. I am surprised more people don’t get angry when they are teased about the destroyer of the world coming, but when he finally does, its a whimper. The Sorcerer’s Apprentice is another recent example of that.

It does have a lot of cool effects still. Caribdis was gorgeous and they had a manticore! However, the manticore went out in a single hit. Caribdis ended up being comparable to the whale from Pinocchio. I didn’t feel scared for any character, because the solution was always immediate or obvious. Plus, you’d think there would be more monsters in the sea of monsters. At least more than one. Maybe.

They did have some good attention to detail for the minor mythologies though. I loved the gas in the Oracle scene. There are many references to The Odyssey. Just showing Caribdis without bringing up Scylla is unique. Tyson the cyclops seemed like a horrible addition early on, due to the awkwardness of his CGI’d eye, but I got over it, and he became a funny/sweet character.

Overall on its own, it is a decent family movie. Minor continuity issues arose, but they can be ignored easily by most movie goers. The ending was cliffhanger-ish, which generally feels tacky when used in movies.

I mean, what if we started allowing cliffhangers in everything? Like songs, movie reviews, and

Texas Chainsaw 3D? Fuck it, lets go.

Okay, so far not disappointed.

Like most of the movies after the original Texas Chainsaw Massacre, this one takes place after the first one and ignores the rest. Like, directly after the first. Didn’t see it? Well don’t worry, in the intro credits, you will see flashes of the first, a lot of the kill scenes, and the main heroine escaping covered in blood in a pick up truck.

Well she called the cops, and one Sheriff Hooper (Thom Barry) is the first on the scene. He convinces the family, who are fully stocked with ammo, to send out Leatherface (Dan Yeager) and he will get a fair trial. But then the townsfolk show up, lead by Burt Hartman (Paul Rae). They don’t give a fuck about the law right now, that family is fucked up and evil. So they torch the place and shoot it down. Everyone is dead, they are heroes!

Except one yokel finds a woman and his baby escaped to the barn. The baby is fine, but the woman is close to death. So he finishes her off and takes the baby as his own!

Twenty or so years later, Heather (Alexandra Daddario) is finding out she has a dead grandmother, even though she thought she was out of them already. AND THERE IS A WILL? IN TEXAS? WHAT?? She is adopted, whoa whoa whoa.

Good thing her friends were already going to New Orleans for a trip, so they are willing to stop by that small Texas town to sign the will papers and move on. This includes her boyfriend (Trey Songz), her slutty friend (Tania Raymonde from Lost), and her new boyfriend/friend of other guy (Keram Malicki-Sanchez). Heck, they even pick up a friendly hitch hiker Darryl (Shaun Sipos) who pays for gas and food and everything! What can go wrong!

Oh shit, free house? Hells yeah. It is a mansion. But is she really the last of her original family alive still? Will she find the truth about the incident all those years ago? Will bitches be killed by chainsaws? How about that cute new cop Carl (Scott Eastwood)? What is his deal? MORE QUESTIONS?

If the movie can exploit T&A then so can Gorgon Reviews.

I feel like going the PRO/CON list.
PROS:
The movie ties itself into the original movie, and ignores the previous fails, nice.
Alex Daddario and Tania Raymonde are hot.
I really would not have expected the ending or the second half plot of the movie. Trailer did a nice job of leaving a lot of surprise.
It is a bit humorous at parts, the death scenes never feel scary. Hard to really make a straight scary one of these movies now a days.

CONS:
Gratuitous teasing. No nakedness in this film, just a lot of closeness. Come on people, an R rated slasher flick, someone needs to get naked. It’s a rule.
3D was bad, very bad. Had no real purpose, was pretty shitty. Not Silent Hill: Revelation shitty, but close.
Bad acting throughout.
Questionable main character motives. At the end of the movie, the main characters decision doesn’t make a lot of sense. Her friends are dead and killed! Why would she do /that/? Come on now.

Despite that, I still think the movie was average and not just a shit storm. Definitely had some entertaining moments, and it really doesn’t take that long to get into the killing.