Tag: Alexander Skarsgård

Hey kids, do you love Spider-Man?

Then why not check out The Northman!? He does whatever the…cold North can? Hmm. Nope. This is not a super hero movie. This is just a movie about Vikings!

We don’t really get a lot of Viking movies. A lot of them are trash, remember Pathfinder? I unfortunately do. I wish I could forget. We are luck that the How to Train Your Dragons films are technically Viking inspired. But they are animated and they don’t do a super lot with the Vikings religion and atmosphere. They are cute, they are good, but they aren’t what you think about when you hear a Vikings movie.

We also very recently had the new Assassin’s Creed Valhalla game, to get people in the spirit. I don’t know if the God of War reboot counts as a Viking game, but it does deal with Norse mythology, so close enough. Not to mention we had several seasons of a Vikings show, which probably disappointed a lot of people without going too hardcore with it.

All of this to say, that time for something like The Northman to come out has been building up for a few years. And I know I was ready.

This was me screaming like a giddy little school girl.

Set sometime before the year 1000, we start off in some Viking kingdom. The king of this land is King Aurvandil War-Raven (Ethan Hawke) and he is a mighty warrior. His village often gets loot and slaves and plunder from their conquests. His son, Amleth (Oscar Novak), looks up to his father despite rarely seeing him. His wife, Queen Gudrún (Nicole Kidman) is loyal and true. And his brother, Fjölnir The Brotherless (Claes Bang), well…Let’s just say that he earned that title by betraying the King and killing him to take his kingdom. Damn Auvandil, sorry to see you go.

Luckily, Amleth is able to escape by boat. He promises to enact vengeance for the life of his father and rescue his mother, who was taken by Fjölnir. He just has to grow up and get strong. So, several years later, Amleth (Alexander Skarsgård) does just that. He was found as an orphan by another tribe, and eventually joined their elite wolf fighter unit, and he was a mighty warrior. But thanks to a prophecy, he was eventually told about how he could find Fjölnir and finally complete his vows.

He just now has to journey to Iceland. He pretends to be a slave. A big strong man like him? Yeah. He just does what Clark Kent does. He hunches his shoulders and looks down a lot. But this gets him to Iceland, so he can find Fjölnir, complete his promise, and fulfill his destiny.

Also starring Anya Taylor-Joy, Gustav Lindh, Elliott Rose, Willem Dafoe, Eldar Skar, and Björk!

The face you make when you need this little weakling to avenge your future death. 

I think I need to talk about Robert Eggers. Outside of a few video shorts, Eggers has now directed three motion pictures. I think most people who have seen his work would agree he is hitting all of the right notes. The Witch was terrifying, unique, and really felt accurate to the area, which was a nice surprise. It helped introduce the world to Anya Taylor-Joy. The Lighthouse was an strong follow up, an impressive visual film with excellent performances from the leads. I didn’t love it as much as The Witch, but I recognized its ambitiousness. 

The Northman however just takes the ball that is already knocked out of the park, and he knocks it into another park. The Northman is a lot of things, except for boring. This is a film that the trailer does justice for, while still giving you very little of the story. It is a revenge flick. It is kind of like Hamlet. It is not just a straight action fantasy film, it has a lot of deeper and slower moments. The film is tense, and intense at various points. 

Honestly, I was surprised at so many moments of the plot. Big strong Amleth finds his uncle pretty early on in the film, I was assuming that it would be over fast. But the set backs that occur are not expected. They do make sense, and it just helps build up some of the bigger events, while still allowing teases along the way.

The Northman is just such a visually stunning film. It is gorgeous, and we get to see many different scenes and locations. There are some battles and scenes that take place in night, with unfortunate authentic lighting, but it isn’t a majority of the film. It is a film that wants to be seen. 

All of this build up from Viking properties have given me what, frankly, is probably the best movie about Vikings ever made. I don’t think Eggers can keep up this pace. He might have to retire before Marvel has him make a film where he has no control in the output. 

Godzilla. King Kong. Lizard. Ape. Will buildings get destroyed? Yes. Buildings will get destroyed.

The attempts to combine these franchises (well, one recent Kong Movie and two recent Godzilla movies) into one ultimate destruction battle was a lofty one, but clearly not one unheard of in our connected universes strategy of films. It was a guarantee, I imagine, to one day occur. I tried to come in ready for it, but honestly, I still never saw Godzilla: King of Monsters from two years ago, and at this point, I can’t imagine I will.

I was hoping that seeing the other two intro films would be enough, but it looks like this film made mostly throw backs to that last one, versus the other two. Damn it.

In Godzilla vs. Kong, the director promised there would be an obvious winner and not some bullshit tie overall. That is an important claim to make and really one of the main reasons I decided to even watch this one.

Oh, Rave Godzilla has to be one of my favorite Godzillas. 

Rawr! Let’s get it on! Wait, no, not yet. First of all, Godzilla has been firmly established as some sort of Alpha Predator, whose sole purpose and existence is meant to make sure no other threats ruin the world. Godzilla doesn’t want to destroy, it wants to keep the balance and go back to the depths.

Kong though is another alpha predator thing. So some people are worried that this means Godzilla is going to come and destroy him at some point, so they have him in hiding, sort of.

There are also some corporations doing corporation things. There is a theory of a Hallow Earth where these beasts must have come from, that is likely to have huge power sources. So some companies want that power. Some want to just return Kong to his home. Some want to destroy all the monsters. You know, typical stuff.

Overall, they are going to have to fight, multiple times, and we are going to have to see things get fucked up along the way.

Also starring some humans like Alexander Skarsgård, Brian Tyree Henry, Demián Bichir, Eiza González, Julian Dennison, Kaylee Hottle, Kyle Chandler, Lance Reddick, Millie Bobby Brown, Rebecca Hall, and Shun Oguri.

Is this his “fuck around, find out” face?

Hey? Do you like monsters fighting? Then this film has some of that! Honestly, I did think there would be more fighting overall, so I am surprised that there wasn’t even more. But I guess only two main monsters can wail on each other for awhile. There are some minor monsters in the Hallow Earth area too, but they don’t do much for the action or the plot.

Of course the plot is weak. And again, I am disappointed about how much of it is based on the King of Monsters film, just because I hadn’t seen it. Literally any returning characters (outside of the giant ones) were from that movie. It did have some surprises in store, which helped keep things interesting. But at least early on, the slowness of the plot, and even the first battle, failed to keep things super interesting for me.

Now one major plus is that the fight scenes were all incredible visible and detailed, and I loved that. Giant monster fights and CGI have usually meant a lot of dark fights, or messy blurs, where your mind has to put in the action, but that only happened a little bit in the first major fight, due to the underwater aspect. The major fights that mattered where very clear and that added a huge amount of awesome to the film.

And what about the winner? Did the director lie? No. Not really. I can understand the moment they are saying that there would be clearly one winner, no takeaways. But we still had to fall into some similar versus film tropes that I also wanted out of my movie. From what the director said is the definitive answer, I agree with who was chosen, as it is the one that makes the most sense.  However, again, still, they make it super definitive either. It isn’t as final as I would have hoped based on the remarks, so really, the director remarks set up my expectations to be higher than they would have been otherwise.

Godzilla vs. Kong is still a lot of fun, especially in the last third. Just have to slog through the human stuff, and the early battles.

After the decade plus of revitalization, comic book movies have finally given me what I have always wanted.

A live action film over the best mutant super hero ever in existence, Longshot. Longshot is an alien/cyborg futuristic dude, who deals with M.O.D.A.K. What is his mutant power? He is lucky. Things go his way. As long as he has pure motives, the hard to fathom things will just work. What a fun power!

Wait. Shit. No. This is a RomCom from the creators of Superbad. And it is Long Shot, two words, meant to show the likiehood of this couple working out. Ah damn it. If this film stays popular over time, we might never get a self titled Longshot movie now!

They say couples will start to dress like each other. Just a guess on which way it goes.

Also starring June Diane Raphael, Bob Odenkirk, Alexander Skarsgård, Randall Park, Andy Serkis, Ravi Patel, and Tristan D. Lalla.

They say couples will start to dress like each other. Just a guess on which way it goes.

The Legend of Tarzan came out in the coveted July 4th weekend, because…well, I don’t know why.

I guess generic action movies might make bank then. Well, it hit better than expected levels, given that it opened against The Purge: Election Year and The BFG, so there wasn’t a lot of real competition. It still failed to reach a positive number to break even given its extremely large budget and shit reviews.

And I avoided it because it just seemed extremely unappealing. It had that mostly-CGI lens behind it all, attempting to give a new retelling of an old story. It just made a lot of people shrug at its existence and ignoring it, not giving any fucks.

It is the sort of film that gives the bad name to summer blockbuster.

If we make it modern, we have to make it darker and edgier.

This takes place in Africa, during British colonial rule, specifically the Congo. Apparently the Belgians are close to bankruptcy, trying to bring roads and trains to the Congo, to get that sweet natural resource money. He sends down Léon Rom (Christoph Waltz) to secure the diamonds down there, but they are ambushed by a tribe, and the chieftain (Djimon Hounsou) will let him have the diamonds if they can bring him one man. You know. Tarzan

Turns out this story takes place after the normal Tarzan stories. Tarzan (Alexander Skarsgård) is now living in London with his wife, Jane (Margot Robbie). He finds out they want to send him down to the Congo to check on how things are going, as a sort of diplomatic trip, but Tarzan doesn’t want to go. Too dangerous. He is convinced by an American, George Washington Williams (Samuel L. Jackson), to go because he believes that the Belgians are abusing the Congo people as slaves in order to build developments, and Williams wants to find out.

Then of course eventually a raid happens, a trap! Jane is captured! Tarzan escapes with Williams! And they have to get her back, put a stop to the bad guys, and have some good old fashioned monkey fights.

Also featuring Jim Broadbent as the Prime Minister.

If I asked who represents Africa and who represents America here, would you know without context?

Reimagining a beloved character isn’t the worst thing ever. It can require creativity, but it always feels like a cheap story nonetheless. They are requiring the public to have certain thoughts and opinions on a subject so that they can be blown away. Reimagining so that a villain is a hero is usually shit. Reimagining in a modern context is usually lazy. But what about telling the story after the story? That can provide some interesting stories to discuss how things have changed and how the character continues their life in the world.

And theoretically, that is what this story is about. It could have led to amazing things! But you know what it led to? Tarzan, going back to the jungle, swinging on vines, fighting people, teaming up with apes, and standing shirtless rain or sun. What we got is a very standard Tarzan story, despit the premise of a different sort of Tarzan story.

And don’t worry. For those saying “Hey! It is different because we don’t see him growing up as a kid with the apes, learning to swing, meeting Jane for the first time!” Nope, we still get that. Because just in case you are unaware of Tarzan, they have flashbacks for us. Baby and young Tarzan. And meeting Jane. That makes this a regular Tarzan movie, plus some extra. You should definitely feel ripped off.

In addition to all of that, it looks terrible when they have to go full on CGI. The big fights with the apes. Swinging on the vines. Just background jungle scenes in general. It has a darker tone too.

I don’t want to compare this to The Legend of Hercules, because that film is definitely a far worse overall movie (and this one is at least coherent). But they are clearly going for the exact same market here, and that is probably the reason it has been so dumbed down and made so pointless.

The Legend of Tarzan is a waste of time, but not the worst thing in the world.

Growing up, I never really felt like a girl. No, I didn’t skip from toddler to womanhood. I am just a dude. But still, I don’t know what it feels like to be a girl.

I never found someones diary and betrayed their trust by reading about their deepest and darkest secrets. Except for Anne Frank, but apparently she was cool with it since she was dead and all.

Thankfully, I have movies that tell me what it means to be a girl. And I also now have The Diary of a Teenage Girl, so I can get those few years of middle and high school. That is definitely the years I understood girls the least, given my friendship and dating record.

What? Oh this is getting too personal. Sorry, I confused a prestigious movie reviewing website for a Live Journal again. Ahem.

Now let me put the rest of my secrets on audio. No one can get to them then.

Minnie (Bel Powley) just had sex for the first time and she is only fifteen. Whoa. This is already getting too personal for me.

She has been wanting to explore her sexuality for awhile, but she is sort of shy, not the best looking girl and lacking confidence in her breasts. But she had sex finally after seducing Monroe (Alexander Skarsgård). For those who can read actor names in the parenthesis, you will realize that he is not a high school aged boy, he is a super adult. That is because he happens to be the boyfriend of Charlotte (Kristen Wiig), Minnie’s mom. Oh boy. That’s a rape.

Except they get super into each other. Like. A lot. And I do mean into each other. This ups Minnie’s confidence to walk down her school’s halls and know she can take on the world.

But again. This relationship is not appropriate and bad. He is manipulating her. Or fuck. Is she manipulating him? No, that’d be crazy…

Also starring Abby Wait as Minnie’s younger sister, Miranda Bailey as Minnie’s friend, and Christopher Meloni as Minnie’s father.

If you look closely, you will see this picture is very inappropriate.

I have never felt so much like a teenage girl in my life before. That should be apparent given the introduction. Powley did such a fascinating job as the lead. Powley herself is 23 years old at this point, but she was a teenage girl before and frankly looks very young. So along with acting the shit out of being an actual teenager, it made me feel quite uncomfortable. Uncomfortable enough to look up Powley’s age.

The film was rated R for a variety of reasons, including GRAPHIC NUDITY, but surprisingly no actual male dick. The only penises you see are drawn/animated. Lot of boobs though. And a lot of very uncomfortable sex. Sex sex sex.

Moving on. The rest of the film, outside of the awkward teenager ness and great acting from Powley, was also good. The supporting cast felt realistic, the plot felt realistic. It was all just about a girl finding herself. There a quite a few films that fit into this genre, but this feels like it should go directly to the top tier.

This film happens to be up for several Spirit awards, including Best Actress and Best First Feature, meaning the director hadn’t done a film before this one. Pretty crazy to think about. Marielle Heller, not only directed for the first time, but also wrote the screenplay, which is also her first. It clearly takes a woman to really understand all the weirdness it takes to be a woman.

Raise your hand if you never read The Giver?

Since I am writing this before you read this, and it is the internet, I can properly assume no one raised their hand when I asked the question. Seriously. This is one of those books that tends to frequent everyone’s elementary or middle school experience. I know for certain I had to read it twice in middle school thanks to moving in between.

I don’t have an issue with them turning a literary classic into a movie like a lot of weird people do. No. I am just annoyed that this introduces biases to my review. I try my hardest to make sure the movie review only takes the movie into account, not to compare it to the book or whatever. The best way to do this is to rarely read books. Hell, a good friend basically demanded I read Ready Player One, but I knew it was becoming a movie, so I had to decline a few times. But damn middle school. Messing up my biases. At least I didn’t love the book, only thought it was okay.

But turning everyone into a wannabe pirate was probably a good change.

In this future world, the world was ruined by something I think they called The Ruin. Now people live in communities and celebrate samness. They all dress the same, have similar households, age at the same time, all that fun stuff. No one gets extra toys or unique anything. Shit, they all get their bikes at 9 years old.

Jonas (Brenton Thwaites) is about to turn 18, and thus find out what his job is going to be for the rest of his life! He has no idea, because he has never really felt like he liked anything in particular. Well, turns out Jonas is fucking special. He gets to be the new Receiver of Memories! Yay!

Yeah, the job title doesn’t sound as cool as nuclear physicist or body builder, but apparently it is one of the highest jobs of a society. After all, his friends Fiona (Odeya Rush) and Asher (Cameron Monaghan) got stuck with nurturer and drone pilot (Wat) respectfully.

The Receiver of Memories is the only person in a community who knows about the world before hand. Who knows about colors, emotions, war, poverty, hunger, love, happiness, grief, warmth. All of this stuff. And Jonas is going to have to experience this all for the first time and become a member of the council to supply a wisdom that everyone else is secluded from. And the guy who previously had the job (Jeff Bridges)? Well, I guess he is The Giver now.

Also, Meryl Streep is the Chief Elder, Alexander Skarsgard, Katie Holmes and Emma Tremblay make up Jonas’ family unit, and Taylor Swift is also lurking around.

Yep! There she is! For her minute or so of screen time!

For all those book lovers, loving this book is not a good reason to see the movie. That’s right. It is very different from the book. Feel free to complain elsewhere on the internet, for I don’t care.

What I do care about is a movie telling a good story, even if it changes from the source material. And you know what? This one doesn’t.

First off, the film is rushed. The movie is 94 minutes with credits. That means it is under an hour an a half, and it has to spend time building up a world/society, having a character learn everything is wrong, and of course, try to change things. That is definitely not enough time. Some people say this movie was finally made because of the recent success of other dystopian teen movies. They have various qualities that make them a success, but they are all also well over two hours in order to tell a complete story.

A lot of this movie feels half assed, especially from Streep and Holmes. Apparently Bridges was trying to get this movie made for decades and I guess he was the best part, but he was surrounded by crap. On an overall spectrum, I wouldn’t even put his performance as great.

Shit, even the editing was bad. I remember a scene with the sister after dancing, she says a line but her mouth doesn’t move, only smiles. That was super awkward.

Fans of the book will hate this movie because it is different enough from the book. In reality, they should hate this movie because it is a shitty movie.

Here is a strange fact I learned about What Maisie Knew. Normally, when I find out it is a movie adaption of a book, I don’t give a shit. What movie wasn’t a book first, honestly? Just straight to movie is a rare, rare concept.

However, the book version, also called What Maisie Knew, came out in 1887. Holy poop pants! Sure there are modern movies being made off of old properties all the time, and updated for our technologically infused eyes, like random Shakespeare plays or whatever. But this feels incredibly different. The subject matter of the book is about divorced and its affect on the daughter in the household.

That is a really specific topic to be talking about over a hundred years ago, six years before we invented flight. If the book is anything like the movie, I will just be impressed at the level of thought that went into such a tale. Yes, I do think people in the 1800’s were generally stupid. They don’t care that I think that, because they are dead, yo.

Just like how everyone in this picture will be dead at some point. Err…

The story begins with Susanna (Julianne Moore) and Beale (Steve Coogan) having a bad time. They argue a lot. They are getting divorced. She is a rock and roll singer/performer, who travels a lot, and he is a British art dealer. The other thing they share in common is that they are not the main characters of this story.

Maisie (Onata Aprile) is! The young daughter of the couple, she has to now experience a divorce where neither side is really nice to their former lover. The story is in reference to what Maisie sees during the divorce, the pivotal moments of it all, that I guess adults assume she won’t understand. But she does.

Both of her parents find new lovers, Susanna finding a much younger Lincoln (Alexander Skarsgard) and Beale has found Margo (Joanna Vanderham). Thankfully, both of these people are at least super nice, so that should make the transition to living in two homes easier right? Eh…

Hey, Maisie. Neither of those people are your natural parents. That’s awkward.

Movies with divorce and broken families in them are always a bit uncomfortable or awkward. The drama between them sometimes feels too real. It is even worse when an entire film is based around a divorce, and not just a minor plot point in the greater story.

We get to see parents talking to their daughter badly about their other parents. Custody battles awkwardly taking place outside of court, and in schools and homes. Constant disagreements amongst the parenting agreement, as to who can pick up who, when pickups have to occur, etc. Learning to trust new people in her life, which I guess comes relatively easier to her. The step parents awkwardly in the background, trying to help their new spouses with these difficult fights, but you know, not knowing how to.

It was just all very real, and I can say the ending shocked me a bit. At times I felt the movie moved a bit too slow, but overall, a wonderful film that really puts the ma back in drama.

Sometimes, titles tell the entire story.

Other times, they tell you jack shit. Seriously. The East? I am a fan of cardinal directions as much as the next guy, but the title should try to grab in viewers. It should be special.

I feel like I know nothing going into this film! Oh wait, that is completely true. Sexy. I love blank slates. I just hope I don’t get it confused with The West.

Shit, that joke was so weak, it brought one of our main characters to drinking.

Eco-terrorism often gets frowned upon…and rightfully so. Fuck terrorism in general, but I kind of super hate eco-terrorism. Eco-terrorism punishes humans for crimes against the environment or animals, which is never never okay. Seriously. Humans are far more important than both of those things, so I really hate it. Fuck PETA, fuck Whale Wars, fuck all of that stuff.

Hmm, I hope I am not biased.

The East is an secret Eco-Terrorist group that may be a complete fiction. The film starts with a few of their members throwing mass quantities of crude oil into a rich guys AC unit, probably ruining his house. He also was responsible for an oil spill and didn’t really try to get his company to clean it up. That is more acceptable I guess.

Sarah (Brit Marling) gets a job at the start of the film in a company lead by Sharon (Patricia Clarkson). Long story short, she is to find and infiltrate The East movement. They are a security company, and they want to prevent future attacks on their customers, while also proving that they have the best intelligence unit.

Guess what, she does it! Yay. Being smart is awesome. She is able to find their small mountain society, with a very free spirit loving culture. It is lead by no one, technically, but we all know it is lead by Benji (Alexander Skarsgard), because he is charismatic and has a beard. Other high members include Izzy (Ellen Page), Luca (Shiloh Fernandez) and Doc (Toby Kebbell), a doctor. Nice name, doctor.

As Sarah tries to work to destroy the society from within, she must first become one with their ways and ideals. Like every spy cult movie before it, she might have some difficulty keeping her own priorities straight and not getting lost in the message.

Kumbaya at 8, bottle spinning at 830, and sleep by 9! Hooray.

Yeah, I know I came in a bit biased, hating eco-terrorist groups, but really, I don’t think that affected my thoughts on this movie.

They don’t do too many acts in the actual film, because they don’t want the new girl knowing too much right away. Pretty smart, given the circumstances. The reason my biases shouldn’t matter is that the only two or so acts that they do in this film are all pretty reasonable. They are both related to punishing people for hurting other people, a noble endeavor. They both also prove a point in a way that makes sense. Again, I am fine with what the group did.

The acting itself is decent overall, but not anything I haven’t seen before.

I, however, hated the ending of this movie. It was a mess. I can say I didn’t see it coming, but eh, a shocking ending doesn’t mean it is any good. I say it was a mess, because there was so many ways it could have gone, that when it finally decided on a path, it then immediately ended and I was just left wondering why? Why is that the best actions to take? To me, it didn’t make a whole lot of sense, so I almost felt like I wasted two hours getting to that point.

Again, decent acting, I especially liked the Ellen Page “lake side” scene. That sounds pervy, but really it was for the good acting. Just it had a plot that I was unable to ever really get attached to, with a poor ending.

Disconnect was one of the many films to come out in the spring of 2013 to theaters, but never to my area. It is such a shame, really. However, this one was never given an advance V.O.D. treatment either, so I didn’t have it on the backburner for months stewing either. Nope, this review is coming out the first week I could literally get my hands on it. Boo yah.

I also literally got wet during this scene.

Technology. I love it. Some other people love it. Some people avoid it at all costs.

In today’s world, we are all really connected in some way or another. Social media has made connecting with someone incredibly easy, expanding social circles to sizes never before seen, even if they are structurally weaker than before.

This is all gibberish now. Disconnect tells three or so stories about technology, the dangers of too much information, and how the littlest thing can affect another human being without realizing it. How people looking for human contact might find themselves too hooked up to really meet they’re goal.

We have Kyle (Max Thieriot), an internet webcam model, potentially part of a large child smuggling operation, and the news reporter (Andrea Riseborough) who wants to bring light to his situation and rise further in her own work place.

We have Jason (Colin Ford), who with his friends, like to make practical jokes. They target another guy in they’re grade, Ben (Jonah Bobo), because he looked at them weird. What transpires eventually brings their families together in ways they would have never imagined, or liked in the first place. Jason Bateman and Hope Davis play Ben’s parents, and Haley Ramm his older sister, while Frank Grillo plays Jason’s dad, a detective.

Finally, we have Cindy (Paula Patton) and Derek Hull (Alexander Skarsgard). They lost their baby boy about a year ago, and they have been grieving ever sense. Cindy has turned to an online grief group, because her husband has become incredibly distant, while Derek has turned to online gambling. But when their identity gets stolen in the process by one of the sides, they have to finally work together and learn a lot about their other half. Michael Nyqvist pops up here, as the identity taker in question.

This is Jason Bateman discovering Rule 34.

You can probably guess a lot of the ways these plot lines unfold, from my brief descriptions. That is what I thought too. And sure, the obvious stuff does happen. But I was constantly surprised with where they took this movie, from conflict to conflict. With how they connected their various stories. With the range of emotions displayed by everyone in the cast, there will be someone you can relate too.

Shit, I was surprised that the “random sister role” by Haley Ramm ended up being really good as well. Her major scenes came completely out of nowhere, and she kicked ass with very little to work with.

All of the plot lines are not equally powerful. The webcam one is clearly the worse of the three. I think they spend less time with it as well. Early on I liked it, but I think it was a bit more dragged out than the other stories. Despite that, the “climactic ending”, which had very well done cinematography, brought out the best of every plot line. Yes, even the weakest one. Well done, making me care and all.

This is definitely a movie that will stay with you for some quite some time, so when you watch it, I suggest you put full effort into watching it. A lot of “text” appears on the screen throughout, because internet yo, so you will have to pay attention. The movie may feel a bit preachy, but even this guy here, who loves all of this technology shit, could still enjoy the hell out of it.

Turning popular board games into movies is not a new thing, it is just not too common. Hopefully the next one is some disaster film by Michael Bay, involving Hungry Hungry Hippos. But really, why not board game movies? I can only think of one of the top of my head, Clue, and Clue is amazing. So why not Battleship? Sure, it is basically two naval units firing randomly into the abyss to hit the other, because fuck your radar.

Can they turn that into a full fledged naval war movie? Or will they just cop out and throw in some Aliens?

Yep. Fucking Aliens. Never mind the Michael Bay thing. He’d just make the Hippos become aliens as well.

Back in the mid 2000s, NASA has discovered a “Plant-G” with similar situations for life compared to earth. It is just super far away. So they send a giant ass beacon to that planet, hoping for a response. About six years later in 2012, they get one. But first! Alex Hopper (Taylor Kitsch) is a local slacker in Hawaii, and his brother Stone (Alexander Skarsgård) is a Commander in the Navy. He does not approve. Especially when he flirts with the Admiral’s daughter, Sam (Brooklyn Decker).

He does what anyone would do in this situation. He joins the Navy from the pressure, and six years later finds himself as a Lieutenant! Yeah. Even better, he has been dating Sam, and now wants to marry her. Just has to ask the Admiral (Liam Neeson) for his blessing first. This has a lot of nothing to do with Battleships, so lets move on. Woo, navy games with other countries involved in Hawaii! Too bad the Aliens show up and confuse everyone. Four ships, to be exact, land into the ocean, with a fifth one breaking apart and crash landing into Hong Kong. Whoops.

When the ships go close to investigate, a force shield is brought down trapping only three ships in its grasps! One lead by Stone, one with Alex on it, and the other lead by Captain Yugi Nagata (Tadanobu Asano) of Japan. Due to certain circumstances (death), Alex also finds him the new Captain of the ship, and he has to figure out how to bring down the Alien threat, while his girlfriend, a man without legs, and a scientist try and stop the aliens from signaling home. Also, Rihanna is here, doing some stuff.

Doin’ some stuff on some computers, gettin’ her pew pew pew on.

So here is something cool. You are probably wondering how randomly firing into the ocean makes this movie eh? Well, turns out the Aliens turn off their Radar, so they kind of have to blind fire. Because it is by Hawaii, there are tsunami warning buoys throughout the ocean. They access that information, to try and determine where the Aliens are currently swimming by the rise in elevation of the tide at that point. Then they fire at the buoys to hit them. Thankfully they have short quick names like, B7, allowing the firing to become quicker and more easier.

Cheesy? Yes. But I like that they incorporated the game in some how.

But that is all I liked. This did basically feel and look like Transformers, if all the Transformers were giant machines that became sea dragons. Dialogue and plot was crap. Epic sea battles didn’t really happen. Mostly ships got destroyed, and one was able to survive and fight back. Slowly. The scenes on the island trying to stop the aliens on foot? Eh, wasn’t a fan of those either.

Basically, it was another mainstream action movie that I found boring. Can’t believe anyone would be surprised at this point!