Tag: Alan Alda

Marriage Story is somehow both a film I wanted to see for so long, and also never. I knew the plot, I knew it was sad, and I didn’t want to feel sad in that way.

I love it when a film can make me cry. It usually means it had me invested in their story to care about these usually fictional characters. But to cry about a divorce and losing love? That seems like something I can totally go out of my way to avoid if at all possible.

And I waited what felt like forever for when some of my critic friends saw in theaters, and when I finally had time to see it on its Netflix release AND when I had a good span of two or so hours to try and watch it.

Not only was the wait a pain, but so were parts of the watch.

And now the powerful moments are meme’d.Love is a fickle thing. We have seen it in plenty of movies. Different ways that people fall in love, how they plan their wedding, how they spend their post marriage life rekindling that lost spark. But what about for those who do not ever rekindle that spark? For those lost souls who actually can no longer make it work with their soul mate, and need to move on with their lives with very difficult decisions to make?

Marriage Story is about the end of a marriage, and how hard it can be to let go and change. When both sides want drastically different things, there can only be one solution that works, through the courts, but it opens up a dark and dirty underside to marriage.

Nicole (Scarlett Johansson) wants to move back to LA, to work on a TV show, and live closer to her family again. Charlie (Adam Driver) wants to keep his life in NYC, where his theater company is flourishing and culture is a walk away. Their son (Azhy Robertson) is not a strong source for his feelings one way or another, because he’d rather his parents stay together.

Marriage Story is about tearing apart people, past their breaking point, and finding out truths about themselves that they kept hidden for so long.

Also starring Laura Dern, Alan Alda, Ray Liotta, Kyle Bornheimer, Julie Hagerty, and Wallace Shawn.

Meme’d and parodied into submission. Director Noah Baumbach has done an incredible job of giving me movies that I liked a whole lot, and some I did not, and rarely any in between. And this film goes on his excellent pile, like most of his work with Wes Anderson and his movies about relationships.

Without getting too hard into the details, because you should just go and watch it yourself, it thrives in its realism. Both people feel strongly in their decisions and both feel they are right, even if we can see the flaws in their ideas and plans. Longer scenes are there to make us experience the awkwardness of all levels of the divorce, and you just will feel bad/sad/angry about the whole thing.

As soon as the movie finished, I knew I had to see a few of the scenes again, and I was surprised at how many of them flowed from one into another. It basically turned into a most of the movie re-watch.

Driver and Johansson are incredible at these leads. I am so angry at them for their fictional divorce, and I will always associate them with their non-real break up. Well, Driver with Outer Space, but Johansson is stuck with this one despite so many films under her belt.

Outside of the fictional money spent in this movie, it really feels like the best ending they should have had after I could reflect and revisit aspects of the film. Rarely does a film strike so hard at the realities of two people whose paths no longer coincide. And I am just so happy it is on a wide enough format for a lot of people to grieve over as well.

4 out of 4.

Lies have got to be very sturdy. Lies can make a foundation for buildings and relationships, so lies have a lot of use. The more you lie, the more weight it can hold, I guess.

After all, you can have a throne of lies. So they must be able to support your weight and be at least a little bit comfortable.

I just don’t know if I’d trust a bridge of lies. Bridges usually have to hold dozens of cars at once, including the things that cars hold. Those bitches need to be super sturdy.

I’d want more than lies. I’d want some cement too. And I dunno, a couple engineering and psychology students to supervise the mixing of cement and lies. And if that isn’t enough, the actual physical embodiment of lies, to make it mostly a Bridge of Spies. Then it becomes something I’d stand on to hang out and shit.

I wasn’t even considering weather. Snow can add a lot of weight to it all.

In the 1950’s, everyone was afraid there would be a Nuclear Holocaust across the globe thanks to the cold war. Hell, people (including me) still are hugely afraid of this occurring. But back then it was new and caused kids to cry and shit. The information age was rampant, so there were spies everywhere. We sent guys over there, they sent Keri Russell over to us.

They also allegedly sent to us Rudolf Abel (Mark Rylance). He did some USSR spy stuff. He was also found by the US Government, so everyone in America collectively wanted him dead for being a traitor. But to prove we are better than them, we have to put him on trial with a real lawyer. They settle on James B. Donovan (Tom Hanks), an insurance lawyer who did some criminal stuff in the past. Thankfully, Donovan is a good man and he does the fuck out of his job to defend his client, even if all of America hates him for doing his patriotic duty.

Since this is a true story, allow me to go further. As Donovan is the only man that Abel is willing to trust after awhile, Donovan starts getting used as a pawn by the USA government. He is brought in to try and trade Abel for a captured US Soldier, Francis Powers (Austin Stowell). He has to go to East Germany right as the wall is being built, while the East Germans have captured a US college student, Frederic Pryor (Will Rogers). That is two FPs. I smell a conspiracy. And Donovan wants to get both of them back, and not leave one to torture or worse.

Man, what’s a scumbag insurance lawyer going to do? How bout be a hero! FOR AMERICA! And one Russian spy.

Amy Ryan plays his wife, Alan Alda his boss, and Sebastian Koch / Mikhail Gorevoy are his main negotiating partners. I was going to mention the main US Agent in East Germany too, but I can’t find him on the list at all. Generic white dude.

That perma-frown face, if turned upside down, somehow stays a frown.

Steven Spielberg is the main reason I wanted to see this film. He hadn’t directed a film in about three years, and damn it, I wanted more. Lincoln could only hold me off for two of those years. He is a magical little man that can make phenomenal movies.

With Bridge of Spies, he tried a little bit hard and didn’t come across as honest as some of his past films. Maybe done intentionally, given the subject matter. The filter to make the film look like it was “set in the past” generally bugs me, and this time was no different. Despite the color scheme, the film was beautifully shot. I especially enjoyed the rain scene.

The acting from the big names was acceptable, but Rylance stole the show. Quite a few realistic jokes and an unflinching sense of awareness that nothing he could do could change his situation. Nothing ethical, a least from his point of view. Hanks was pretty good too, but the last third of the film just featured him playing sick with coughing during negotiations. The character itself was annoying at that point, somehow making it seem like he both didn’t care about the exchange and cared more than anyone else.

My overall complaint with the film is that it just felt far too long. The true story subject is quite a long one, but it seemingly skimmed over areas I thought would be more prevalent (court scenes), and spent far too much time on other plot points(the US Pilot training to be a spy, in particular). Thankfully they didn’t also spend a lot of time trying to humanize the college student. The one scene before he gets arrested felt like it was too much already.

A decent movie, but one that only excels in smaller doses and doesn’t feel as grandiose as the subject matter deserves.

2 out of 4.

Sparky spark sparks.

Nicholas Sparks. Famed romance novelist who writes a book and then immediately turns it around to also make a movie. A genius. Basically gets a movie a year!

Even better, these films don’t usually have crazy budget requirements. He really just needs two young fresh faces, maybe middle aged, depends on his story. Just needs some attractive people, a couple of flash backs, and a romance.

So now we have The Longest Ride. And don’t worry, I saw The Best of Me the day before, I just wanted this review to come out first because it was more relevant.

I went in seeing no trailer or a plot description. Just a hope that it was about a rodeo and not a road trip.

Rodeo confirmed! Excitement technically more than zero!

This isn’t just about the rodeo, this is about Luke Collins (Scott Eastwood), who is one of THE best bull riders out there, from a little old state called North Carolina. Well, Luke had a big fall, he couldn’t conquer the biggest baddest bull Rango [I have found out this bull is a real bull for bullriding competitions and actually was one of the best. I say was, because he passed away before the premiere of this film after 7 years]. Now, a year later, Luke is back in North Carolina and ready for his come back. He had to take quite a bit of time off, but he wants to get into that big championship tournament again, so he needs to get back to riding.

And while riding, this North Carolina boy meets this New Jersey girl, Sophia (Britt Robertson), who is about to finish up her degree at Wake Forest University. She falls for him, despite the fact that in 2 months she is moving up to NYC to start an internship as an art curator or something. Well, Luke, being a country boy from North Carolina trying to save his families farm, he wouldn’t get that art stuff. He is a farmer! Not an art-er!

Unrelated, they find a car crash one rainy night. In it is some old dude, Ira (Alan Alda) who has a special box, which unfortunately isn’t a surprise dildo collection, but instead, letters and shit. They were all to this Ruth (Oona Chaplin) chick. So we get a side story of his love with her during World War II, she an escapee from Italy, both of them Jewish. Super sweet I guess.

But yeah. North Carolina Rodeo boy! New Jersey art girl! How could they live and love? And what can they learn from that old dying man???

Also with Melissa Benoist randomly in another movie as sorority girl, Jack Huston as Ira in the past, and Lolita Davidovich as Luke’s momma.

I can never get over how much Scott Eastwood looks like his daddy.

Did I mention that Luke was a local boy, from North Carolina doing all this? Because the movie made sure you knew. Basically every time an announcer was talking about Luke, often multiple times in the same event, they would bring up his North Carolina-ness. I mean. It is a southern state. They have rodeos there too. They make it seem like he is the lone person to ever rodeo out of the place. As if it was a Hockey player from Kenya.

Lately, Sparks’ movies have tried to have more layers in them. I blame Dear John. Maybe it has always been a thing and I didn’t realize. But I guess he can’t write a simple romance anymore and just let it be a romance story. This one is plagued with flashbacks, in the form of the old guy/WW2 story. And it feels incredibly long and doesn’t add a lot to the story. Are parts of that plot line necessary? Sure. But to include so much and take us out of the romance promised to us, it felt annoying. This is the longest movie this guy has done too, so it really weighs on that parts feel cuttable. Especially when the side story seems to have its own side story included.

Parts of it are sloppy too. Some of these flashbacks are shown to us when character is reading a letter. However, thematically, these parts make little sense. If he is writing a letter to his lover, would its contents actually be a full on description of what they just did? Hell no. One letter he prefaces with the fact that the night was a great one. It was about their first kiss and dating. Yay. That same flashback letter also apparently included a long love montage and eventual engagement. Jeez. Some day indeed.

I just hate bad flashbacks. Later on they made sense because it was the old guy just telling a story to them. But fuck the early ones.

My other biggest issue is the actor who played young Ira. He looked nothing like Old Ira, he was painfully awkward on the screen, and sucked up the place. The lead lady had moments of weakness too. But flashback Ruth and modern Luke? They were pretty decent for the most part. I gotta stop talking about this, because I have almost hit 900 words. But overall it was okay, and its biggest weakness is Sparks’ trying to get too many layers in his stories. Sometimes simplicity can work.

2 out of 4.

Wanderlust is a movie I really didn’t know much about. But Paul Rudd, I am sure it is good.

Something about hippies, and lots of sex. Not expecting much, but potential for a lot, hooray! Too bad its previews began with lies!

This scene is no where in the movie. This scene is a lie. Yet this scene was heavily publicized.

George (Rudd) and Linda (Jennifer Aniston) are a couple in NYC! Just bought a “micro loft” which kind of sucks, and well, George’s company goes under and he loses his job. Yes, right after they bought the place. Linda doesn’t really work, but has different projects. Well they are fucked, so they head down to Atlanta on a really long and annoying road trip, to visit George’s dick brother, Rick (Ken Marino) and wife. But due to stress, and being tired of the car, they stop at the first place they find, a bed and breakfast.

Where they find a naked guy, Wayne (Joe Lo Truglio) and immediately try to run, messing up their car. So they have to stay, thankfully he is the only nudist. And in the middle of the night they are woken up by strange sounds, a party downstairs. Full of drugs and craziness. Turns out this is a place where a bunch of free spirited people live and just be happy.

Currently lead by Jesus looking Seth (Justin Theroux), the place features everything. Truth circles, sex orgies, whatever. But when a government company is planning on using the land to build a casino, because no one can find the original deeds to the land, what will happen? Lots of shit. Other hippies include Malin Akerman, Lauren Ambrose, Kathryn Hahn, and an elder, Alan Alda.

And because you wanted to make sure there was more naked people in this movie.

Wanderlust had all the potential to be an amazing film, but to me fell short when it only relied on dicks and lame sex jokes. That is dicks in the “hey we will keep showing you dicks” sense, and the “hey, a few of these people are super dickish, and thus funny” sense. The sex jokes end up disappointing, probably due to the lack of sex that actually occurs (aka none?).

Although moments did make me chuckle, I found them to few and far in between. It is hard to find a likeable character in this movie, and the ending just doesn’t seem fulfilling.

Not much else to say. Paul Rudd, stop doing very similar characters. I want some variety damn it.

1 out of 4.

From the start I think Tower Heist got a lot of bad publicity. Why initially? Because it planned on releasing itself for download only a month after going to theaters, before coming out on DVDs. Apparently a lot of theaters were mad about that, and were refusing to show it. So of course it backed down.

But then after that, people are generally “Ben Stiller? Gross, next.”

That is the face Ben Stiller makes every time someone walks away and calls him gross.

I think the trailer did a bad job of explaining the overall plot. So here we go. The Tower is actually some large sky scrapper building in NYC, that is basically just apartments. Large staff, super secure, and they don’t accept tips.

Ben Stiller is the overall manager, runs the day to day, keeps his staff in tip top shape and helps all of the top clients. Casey Affleck is his second in command. Matthew Broderick is a formerly rich guy getting evicted and divorced, Michael Pena plays an elevator operator, and Gabourey Sidibe is a Jamaican maid.

And they all get fucked over. The penthouse belongs to rich wall street investor Alan Alda. And he has just been arrested for stealing investments, and getting people trapped in Ponzi schemes. And he also handled everyone who works in the Tower’s pensions!

Stiller gets mad. And he takes it out on Alda’s apartment (as he is now stuck there for temporary house arrest), getting himself and other fired. He then takes the drunk advice of a special agent on the case, Tea Leoni, and decides that the old school method of pitchforks and mobs to storm the castle were appropriate. But instead of storming, they should rob him.

The amount of money he should own versus what they found didn’t match up, so it is likely that Alda is hiding a batch in his apartment, in a safe in a secret wall. Can his team get the maybe 20 million dollars in the safe, escape without jail time, and divide it up amongst the workers to get their money back? Not without a criminal. Thankfully Stiller “knows” a guy, Eddie Murphy, who steals shit!

Potted plants, cash, and scenes, mostly.

Seriously. Eddie Murphy is hilarious in this movie. This is best classified as an action/comedy, despite the action not being that much, and the comedy not being…that much. Oddly enough. There was only a few times I really had a good laugh, some of Eddie Murphy’s scenes, the thing about lesbians, and a few others. But I could just classify it as a “movie” and maybe that genre is specific enough.

But I really enjoyed it as a whole. When I saw the preview, I assumed it wasn’t an apartment, but just some big corporation in NYC. I assumed they were people who had lost their jobs due to budget cuts, and I assumed Stiller used to be a big fat cat, but got screwed over. But they really do a good job of making you feel for and root for them. There are many other workers at the building who aren’t part of the thievery, but they show enough of why their lives were affected by it.

Some jokes and situations, sure predictable. But not all of them, nor the ending really. I was surprised that I liked it that much.

3 out of 4.