Tag: 4 out of 4

Rodney Ascher is a weird guy. I don’t talk about directors of documentaries a lot, but this is important. I have technically reviewed three of his works on my site. He did the Q segment of The ABCs of Death 2, which I honestly barely remember. He also did the documentary Room 237 which felt a lot like torture. That is a very polarizing movie and whatever a lot of people got out of it, I got none of it.

And now he is directing The Nightmare documentary, which is a bit of a hybrid documentary. It involves real people, telling presumably real stories and anecdotes, but also recreations of what they are talking about. At this point you might be asking, “Well, what are they talking about?!” and if you were, you aren’t very good at context clues.

They are talking about nightmares of course! But not any of your sissy girl falling out of bed nightmares. No, a much serious and scarier phenomenon known as sleep paralysis which affects dozens of people world wide. Dozens!

It is also one of the scariest things I have ever heard about that could potentially be a giant elaborate ruse to scare me.

Holy fuck, it is working too!

I don’t remember when I first heard about sleep paralysis, but it was probably 4 or more years ago on the internet. A lot of people told similar stories, about how they would sometimes dream of themselves lying in bed but they couldn’t move their body at all. They would try to, but nothing would work. Some of them would imagine some dark entity/cat/demon sitting on their chest, preventing from moving. That sounds terrifying enough, but it isn’t even the scariest parts.

Others could see intruders in their room. Literal dark shadow shapes, static shapes, alien shapes, whatever their messed up psychosis wants. It could involve the creepiest conversations. It could involve other people they know and love. But they just have to lay there and take it.

I don’t think my crazy ramblings trying to explain it all are the best way to learn about this stuff though. Personal anecdotes from those who experience it with vivid detail? That is the way to go. Or better yet, anecdotes with recreations just to terrify you even more.

The editing on this hybrid documentary was great. The music department and the recreations were very on point and would have had me on the edge of my seat the entire time if I was in a chair. If you must know, I was definitely laying down as I watched this documentary.

Of course, this documentary might not be the best idea either. There are reports of people gaining some sleep paralysis after hearing about it from someone else. So I might have screwed a portion of the readers of this review, and for that I don’t apologize. These are the type of risks you must take when you go to a site owned and operated by Gorgons, after all.

As this is my intro, instead of talking about Inside Out (and how sad I was there was no 2014 installment), I will just talk about the intro to Inside Out, a short called Lava.

Lava is about love, volcanoes, and tectonic shifts with hot spots. HOT SPOTS.

Obviously some liberties are taken, but it tells a wonderful love story, to great ukulele music, featuring real Hawaiians, and it will win Best Animated Short this year. You are hearing it first. It is better than Frozen Fever. It is better than Feast and Paperman.

It united all of my emotions into the orgasm phase of existence.

Fine, fine, back to the movie. Inside Out is really about a girl named Riley (Kaitlyn Dias), growing up and trying to find her place in the world. She has a loving mother (Diane Lane) and father (Kyle MacLachlan), and enjoys the long winters in Minnesota where she can play the greatest sport ever made: Hockey. But all of that is about to come to a comical screeching halt, when suddenly they are moving to San Francisco for some “work reason” that is stressful and new and different.

To find out what is really going on inside Riley’s head, we have to go inside her head. Heyy brain stuff! That is where her emotions live! Right when she popped out of the womb and opened her eyes, she giggled and laughed, because Joy (Amy Poehler) was her only worker. It was almost instantly followed by gloomy as fuck Sadness (Phyllis Smith). As she got older, she gained more emotions, including Anger (Lewis Black), Fear (Bill Hader) and Disgust (Mindy Kaling).

Together, working in harmony, they can make a fully functional girl. An honest girl, with friends, and family, and hockey, and a goofy side, all making up her core memories. They also work on putting her memories into long term and bring back appropriate memories when appropriate.

But with a half cross country move to a smaller house, no friends, no frozen lakes for hockey, whats a girl to do? Well, apparently have her emotions go all crazy and bad things start happening to her right when she needs them to work together the most. Of course!

And where the heck is her old imaginary friend, Bing Bong (Richard Kind)? He is important, damn it!

“Bing Bong is dead now, sweetie, so eat your imitation Chinese food please.”

Did I mention how good Lava was? Five out of four stars. I want to buy a Blu-Ray with it on it, just so I can get a digital copy and watch it with ease wherever I go.

The good news is, Inside Out was also awesome! Given its subject matter, it should come to no surprise that my emotions were all over the place. Thankfully Anger didn’t really show up, but maybe I did have a little bit of Disgust and some Fear. But hey, the Sadness came into full fruition too. I cried three times during this screening. Once for Lava, twice for this movie. Using literal emotions, it did a fantastic job of controlling my own emotions to make it an overall wild ride.

The film starts out cute, gets happy, stays happy, then gets into the sadness/fear territory, but by the end, it returns you back to the cute/aww feels by the end. A perfect journey, basically. The voice actors did a wonderful job, Lewis Black and Mindy Kaling in particular felt perfect for their roles. And of course Phyllis Smith, a wonderful choice for Sadness, who I assume they also based her design around.

The “hero” of our story in young Riley is a nice change of pace. She is a normal girl and one that most people can probably relate to. Not to mention she plays Hockey, which I must again note plays a significant role in this film. Hockey is slowly creeping its way more and more into mainstream, and I thank Pixar for doing something different.

Last but not least, this movie is for everybody. There are plenty of jokes and fun parts for the kids, but also of course a lot of higher concepts for the adults out there. When dealing with the brain, you should be prepared to use yours, for at least a little bit.

Another movie that attached it itself to the Hype Train Caboose, It Follows was able to to launch itself from limited release to a full scale wide release in a matter of weeks. Weeks! With a wide release, unfortunately, came a lack of VOD release which was also supposed to happen.

Which is why I took so long to see it! Family life, very busy.

I made sure when I finally got to see it though that I maximized the potential scariness factor. I watched in on the scariest of days at the scariest of times. You know, Wednesday afternoon.

Although watching a horror movie in the middle of a pool might have Wednesday beat.

Girl Jay (Maika Monroe) meets boy Hugh (Jake Weary). Girl dates boy a few times. Boy is a bit weird. Boy lied about his name and home. Boy and girl have sweet sensual car sex. Boy chloroforms girl and ties her up.

Things are not going good for Jay! So when she finally wakes up, Hugh is acting even weirder than normal. Apparently having sex with her has passed “It” on to her. What is It? Well, he doesn’t really know. But apparently It is an entity that will walk towards her always and eventually try to kill her. Yep. And if she dies, it will then go back after Hugh. He got it from a random one night stand. See. Jay just needs to pass it on to someone else, tell them the same thing, and hope it travels far enough from her to never bother her again.

If she believes him. Until then, it is just a terrible rape from a crazy man who lied to her.

Until you know, she actually sees this thing coming toward her at several different times, and no one else can. She enlists her friends help, but they can only do so good, not being able to see it and all. She has her sister (Lili Sepe), a boy who crushes on her (Keir Gilchrist), a neighborhood boy with a car (Daniel Zovatto), and another friend (Olivia Luccardi).

Do you see It? DO YOU SEE?

Alright, imagine if you will a regular-ish person walking towards you, potentially naked, maybe slightly hurt. Just walking. That isn’t too bad. It is like a single zombie that only you can see. Mike Myers was scary because he was a fast walker, had a weapon and a mask.

Well, I was surprised at how frighting it could be. It Follows implores basically zero cheap jump scares. Everything is open and obvious. Sure, a lot of fear comes from the fact that the entity is now suddenly in the general area, but it is never “suddenly there in front of the camera omg scary!”. But this movie isn’t just about fears, or just an interesting STI allegory. It is about the fear of death. It is a bit about the fear of the future in general.

But also this movie is about EXCELLENT camera work and a killer (heh) soundtrack. Most scenes are nicely set up to feel both how big and small the world around you can feel. If you like synthesizers, you will feel at home in this movie.

Again, let me reiterate. I was terrified at many different times throughout the film, fearing for the protagonist and wondering how she could get out of the mess. You know, without sleeping around and passing on the curse to other people. That would be rude, to trick people into sex knowing you would put something like that on them.

Fuck. It Follows was so good, it blew away everything horror wise in 2014. I didn’t give a single scary movie last year a 4 out of 4. Half the year done and I already have one! Maybe Sinister 2 can recreate its predecessor. Highly unlikely, but you never know!

Day 5 of Yay Women Week! Wait, what. This is about MAD MAX. And how FURY the ROAD is. That doesn’t sound go power women ya ya ya at all. But hey, what do you know. You probably haven’t even seen it yet.

After all, early reports about Mad Max: Fury Road is that it actually passes the Bechdel test. So take that haters. Let’s say it fits the theme.

I admit my experience with Mad Max is slim to none. I haven’t been able to see any of the previous three movies (and apparently they don’t matter to this one either).

No, my experience with the franchise are the obvious pop culture quotes, and the NES video game. It involved driving around a barren landscape, looking for gas I think, and getting shot at by cars. In reality, it was about me playing it for like, a minute and dying and stopping. That game was hard.

“Calm down, viewer! Now’s not the time for fear. That comes later.”

Max (Tom Hardy) is pretty crazy. Mad you might say. A loner, roaming the Australian barren plains on his own just trying to survive. He lost everyone close to him. His only care in the world is his survival. You see, the world sucks now. Oil became scarce. Wars, environment, all of that collapsed society. Shit, even water is hard to find.

But you don’t need to know a lot about Max. You just need to know that he has been captured by King Immortan Joe (Hugh Keays-Byrne) and his army of skin head pale War Boys. He has his own huge water supply, so he rules the world. The only reason Max is able to escape is thanks to Imperator Furiosa (Charlize Theron). She has decided to do the right thing and smuggle the Five Wives (Zoe Kravitz, Riley Keough, Abbey Lee, Rosie Huntington-Whiteley, Courtney Eaton) away from Joe, who wants to breed future war leaders.

And that’s all you need to know! Women get stolen, Max and Furiosa on the run throughout a wasteland, trying to get the ladies and themselves to safety. On their tail is several large war bands, with guns, flame throwers, bombs, and crazed thugs who are basically all suicide bombers. Here you might find some high octane dudes, like, Nicholas Hoult, Josh Heman, and Nathan Jones.

Metal as fuck.

Fuck fuck fuck fuck. The hype train is real. The. Hype. Is. Real.

I didn’t believe it and I didn’t want to believe it. This was my second choice to see this week after Pitch Perfect 2, and if I didn’t go to a screening I would have waited until DVD release. But I am glad I saw it on a giant screen. It helped blow my mind. Here is the thing. The acting? It is pretty darn good. Hardy and Theron were excellent as always and they were completely believable in their roles. Hoult was like an entirely different person and I would have never expected him to do so much. And hell, some of the actresses I saw associated with the film, namely the Five Wives, I felt very questionable towards but even they did a good job. It turns out that with a majority of our escape party being women, this actually fits the theme pretty well.

The plot also is a very decent one. Miller does a fantastic job at world building and creating so many unique elements to really make you realize how much effort went into this movie.

And the action. Hot damn. Most of the action of course takes place on dusty roads with armored dudes chasing each other on cars, but it doesn’t ever feel repetitive. The final chase/action sequence goes on for so long, it is probably longer than the final train scene in The Lone Ranger. And it just keeps on coming at you. Action, explosions, fighting, great choreography. I was amazed. Don’t worry, the film isn’t 100% action, there are quieter times. So let’s just say 85% action. When the action is going, it is going to 11.

I can’t even describe that enough. This is so far the best action movie of the year and one of the best of the last few years. I would say in terms of pure action, The Raid 2 is better, but in terms of extreme brutal violence, Mad Max: Fury Road is miles ahead of the competition. Man, all this bro talk, I feel like the dudes on Harold and Kumar Go To White Castle. I’m gonna go listen to Wilson Phillips.

I don’t care who you are. Where you’re from. What you did. You know the fucking Backstreet Boys.

The biggest boy band technically of all time. Not by number of members, but by album sales. Yeah, bigger than N’Sync, even though some of their members may be more successful now. And some of them branched out into other fields.

Hell, the Backstreet Boys have been making music since their decline from fame. Sometimes as four people, but now back again as the original five. Now they are making their own music, making their own decisions, not being owned and operated by a label. Backstreet Boys: Show ‘Em What You’re Made Of is about their renunion, their past, prepping for a 20th anniversary as a band, and more. They are showing us all they have to give. They are showing us when they were larger than life and when they were an unknown group of kids.

But now, Backstreet’s back.

Alright.

Technically I wasn’t super interested in a Backstreet Boys documentary. It seems strange to come out so late after the fame, but maybe their contracts and stuff wouldn’t allow them to be frank about anything. For most of these recent musician/tour documentaries, they aren’t very different. Mostly happy moments of the artists with fans, filled with concert performances in between behinds the scene footage. Usually a token sad moment or two to make you cry (The Katy Perry one was legit super sad). But they are all marketing by the record companies to increase sales for the movie, for concerts, and for CDs.

Is that what this one is? Sure. Kind of. If people realize they have newer music, they might seek it out. But at the same time, they opened up a level at a level I have never seen before in a concert based documentary. The members speak like real people and argue and multiple F-bombs are thrown around. They also go to all of their home times to tell stories of their lives before the band and see old teachers/friends. Some members have to deal with not being up to par with their younger selves.

They also get to talk openly about their starts in the band, the good and the bad. The bad is public knowledge, sure, thanks to lawsuits and bad contracts, but it seemed refreshing to talk about how shitty their label and managers were, and how manufactured they were early on.

This documentary also doesn’t have a lot of filler of just the band performing songs on their 20th anniversary concert. They have some at the end, during the credits. And sure, we get some very old footage of singing and footage of them making songs for their latest album. But a lot more of this documentary is spent dealing with the five individuals and just them, for the most part. No Aaron Carter.

Comparing this documentary to the other music based ones, I would say this one is better. Yeah. I want it that way. And it was definitely a step up from a VH1 music documentary. I was worried it would feel like Behind The Music, but again, way better.

Fuck N’Sync and fuck Justin Timberlake for leaving them.

My first introduction to Me and Earl and the Dying Girl was described as “Like, The Fault In Our Stars, but better!”

Well, shit. Because I liked The Fault In Our Stars. It felt realistic, well acted, was surprising, and of course I cried. So I guessed this one was another teenage romance about dying kid(s). Or at least, this time the girl is the sick one. And judging by the actress, I can guess her fate since she seems to be type casted.

Regardless, this movie has an excellent title. It has a nice flow to it. So that gets my loins revved up regardless of any other factors. BRING ON THE DEAD TEENAGERS.

I meant literally dead. Not bored brain dead.

The titular character here is Greg Gaines (Thomas Mann) and he is a senior in high school. He is your typical high school movie loaner. You know, under the radar, tries to please everyone yet stay invisible. His best “friend” is Earl (RJ Cyler). Very similar despite their different upbringings. They like old classic films, are generally weird/antisocial, and have secret parody films of classics that they make together.

Nerd alertttttttttt.

And then there is Rachel (Olivia Cooke), the dying girl. She has leukemia now, and leukemia generally sucks. Greg and Rachel were never really friends, but their moms are, and Greg’s mom has DEMANDED that he hang out with Rachel and make her feel better.

Kind of awkward. Making someone hang out with a person just because they have got the cancer. But he has to do it. And this is the story of Greg, Earl, and a Dying Girl.

Don’t worry! There are more than just those three characters. After all, Greg has TWO parents (Nick Offerman, Connie Britton), and DyingGirl has a mom (Molly Shannon). There are other school kids, like Ill Phil the Drug Dealer (Masam Holden), Scott Mayhew (Matt Bennett) leader of the Emo kids, and Madison (Katherine C. Hughes) a hot girl whom Greg tends to get nervous over.

And everyone’s most hated actor from The Walking Dead, Jon Bernthal, plays the history teacher that everybody loves.

Fuck, that kid can’t smile in anything.

I guess the easiest way to describe this movie, after seeing it, is like The Fault In Our Stars, but better.

I kid. They are pretty different. They might fall under the same overall genre, but The Fault In Our Stars is clearly heavily romance based and this one is definitely closer to the discovery of friendship.

I cant even begin to describe all the things I liked about this movie, but I will attempt anyways because this is a review and that is the point of a review. Mann gives a great performance as the lead, his best yet. Cooke hasn’t been in a lot of films/shows, but she is usually decent and she gives a very raw performance here. This is the first real thing for Cyler and he was hilarious in this as well. But literally everyone is great in this movie. Every single person. Well acted all around, good unique characters, and a touching story.

But that’s not all! The cinematography in this film is great. So many well shot scenes, conveying emotion through just the character spacing alone. Because the two males love old movies, the parody films themselves are brilliant as well. It is clearly a movie that loves movies, and as a movie lover, your experience will be even more gratifying. And of course, my personal favorite, some long, one shot scenes with some intense arguments throughout.

At the end of everything, I think I am mostly surprised at how funny the whole thing ended up being. I laughed throughout, even just a bit during the very sad points. I love a good comedy. This is actually Mann’s second comedy/drama film dealing with intense subjects. I also suggest giving It’s Kind Of A Funny Story a chance.

I came upon The Invisible War by accident. Just dashing through the Documentaries on Netflix.

But hey, I didn’t know when I watched it that it was nominated for Best Documentary. This is just a bonus!

I have been pretty bad at watching any of the movies nominated for the Best Documentary, let alone the winners. So this really was a nice surprise. I also now have to just remember to check the large list the next time I am hurting for a movie.

The Invisible War is about an uncomfortable subject. Rape and Sexual assault in the United States military.

It starts off with a happy message. Yay! Women in the Armed Forces! Equality and all! But based on the reports, the military is still almost entirely a boy’s game despite the decades.

There are pros and cons on going to war with actual invisible beings.
Con: You can’t see them.
Pro: You can spray fire your AK for a real reason finally.

Let’s start by saying, the beginning of this movie is rough. It starts with one woman telling her story of her own assault/rape case and how nothing was done about it. Then they throw in like, a dozen or more people telling various parts of their stories, all similar, all terrible. They immediately make you in a really shitty feeling mood and it was uncomfortable to watch.

But it doesn’t stop there. It examines why this happens. It examines how the the military treats problems from within, how it treats those that have left it, and what changes need to be done to fix it all.

And in all honesty, it is very powerful, hard to watch, and important documentary. It is one of those that might actually be able to make a difference in the world. Just give it a chance, unless it brings up past bad things in your life. Then you will probably already know about this one.

And it also made me want to go back and watch A Few Good Men. Or finally watch that JAG show.

First off, no, I still haven’t seen Primer. Stop asking me. I will get to it eventually. My mind is ready for a mind fucking this early in 2015.

Time travel. A fun subject and one that is ridiculously hard to get right. Again, I am not saying I understand time travel and know how it should be. No. I just hate seeing a time travel movie that features it, then has inconsistencies within its own version of time travel, making it a bit confusing. The last movie to do that was Project Almanac. So close.

So, fingers crossed. Because now I am going to tackle Predestination, which hit theaters earlier this year. I didn’t hear a lot about it when it came out, but recently it has been gathering steam. And I really want to see a good time travel movie that isn’t Primer. So, extreme fingers crossed.

What’s this? A woman? In a movie about time travel! How surprisingly rare! But they only showed us Ethan!

Here’s the issue. The Fizzle Bomber. That dude is the issue. He is an American terrorist living in the United States. He is hard to catch. He makes bombs. He blows the bombs up. People get hurt and he has been hard to catch.

In fact, he blew up maybe ten blocks in NYC. Yeah.

So we should stop him, before he blows up NYC. With time travel! And thus, the Temporal Bureau is born! These Temporal Agents travel through time, in a limited range, to prevent major disasters and make our timelines a better place. There are many issues and problems of course. Things might change a little bit.

They have been slowly getting closer and closer to the Fizzle Bomber too. Each time jump they get closer to finding his identity and hopefully stopping NYC from getting wrecked. This should be the final time jump they need for their best agent (Ethan Hawke), disguised as a barkeep. But first, everything has to be perfect…

Also featuring Sarah Snook and much less featuring Noah Taylor.

The second time traveling movie I have seen to mostly take place in a bar. Coincidence? Or alcohol?

Looking at my astrological charts, we are due for a great Ethan Hawke movie again, and, yes, this indeed gets to be the one! Hooray! Don’t let Sarah Snook confuse you either. She was in the not so great Jessabelle recently, and is much much better in this movie.

By nature of it being a mystery and a bit of a thriller, Predestination obviously has some twists and turns. Some you can see a mile away, some that blew my mind. I loved it. And I loved even more than this wasn’t an action cop movie. It was a straight up Sci-Fi Drama with some mystery aspects about time travel. Excellent.

And from what I can tell, it covered up all of the loose ends. Literally everything. It was super careful about what it said and did in every scene, and the level of attention that went into it is impressive.

On another note, Hawke wasn’t that great in it. Not bad, not great, just decent or expected. He was the lead though and his character didn’t have to do a lot to excel. Snook is the one with all the acting and development and she does a fantastic job.

And well, its a movie that is a mystery. Stop asking for more details and just watch the dang thing.

I checked my charts and calendars, and I am pretty certain I have this whole thing figured out.

Yes. Indeed, it looks like we are on my first musical review of 2015! Hooray!

I don’t know how many will come out this year, but dang it, we at least got one. I think The Last Five Years was supposed to come out in 2014, but delays or something occurred. I couldn’t see this one in theaters when it came out around Valentine’s Day weekend, but it was released on iTunes as well. Thanks iTunes! You should be able to buy musicals always on a music organizing program. It just makes sense.

Musicals! Keeping jazz hands in business since 1932.

The Last Five Years has a rather simple plot. It is about a couple, who dated, got married, and lasted a whole five years. We know it doesn’t end up well, since the first scene is our female lead, Cathy Hiatt (Anna Kendrick), crying over Jamie (Jeremy Jordan) being gone. Very sad.

But it wasn’t all sad. I mean, he was Jewish and stoked to be in love with someone who wasn’t Jewish for once! She was an actress who had a hard time finding gigs, but didn’t have a hard time with Jamie. He was a writer of moderate success, but in five years, hopefully he gets something published right?

Long distance, early love, dreams and aspirations. These are all real words, and filler words, because honestly, it is hard to talk about this movie outside of a relationship that lasted five years. Oh, and that it isn’t told in order. You see, everything in Jaime’s point of view is told chronologically, however Cathy’s POV in the story is told in reverse order. We get to see various wins and losses in their relationship, but it shouldn’t be too difficult to follow.

When you can’t even look at each other, you know there is a problem.

You may have noticed that I only tagged two people in this review. Sure, there are technically others in the movie. You saw a flower of actors in the first picture. But I think maybe at most, 2-3 other people have speaking lines. Definitely no singing lines. This is about two people, in and out of love, fighting and loving, singing and loving. A whole lot of love, really.

As they are the only two real characters, they are the only two singers. In fact, most of this movie is singing, very little talking dialogue, which is a nice surprise.

This is not the type of musical I can find myself ever singing along with. The songs are, for the most part, very wordy and emotional and don’t always have easy parts to sing with. It isn’t as hard as something like Sweeney Todd, but it still seemed really difficult at times. Despite that fact, right after I watched the movie, I went on youtube and listened to most of the album again. It was just that emotional and strong. I was really impressed with the lyrics and the story told here.

The acting for our two leads I could describe as phenomenol, but I did cry by the end and got close to it several toher times. And hell, the first two lines of the musical, I kind of figured I would already like it. They really have a “Hey, stop what you are doing and fucking pay attention to the screen, multi-tasking assmuncher!”

It is kind of cute if you read it in Anna’s voice. Speaking of Anna, the only other musical I know coming out this year is Pitch Perfect 2. Jeez, when did she become the singer for everything?

It feels good to be out of my weeks of Oscar/award related movies. Now I can watch anything I want! Shitty comedies, shitty sex comedies, shitty sex romance movies, shitty dramas. Literally, the sky is wide open.

So many shitty movies I had to ignore for weeks!

But instead I watch Rudderless because it was requested of me. Sure, I saw the cover once and wanted to watch it. Why not do that before the shit storm.

The only thing that can scream out “indie” more than this scene would be a couple of gay cowboys.

Sam (Billy Crudup) has hit rock bottom. He has been living on a boat, a drunken mess, for the last two years. You see, his son (Miles Heizer) died as a result of a campus shooting, and his life kind of crumbled.

But things change a little bit, just a bit, when he is given a lot of his son’s journals and cds. Turns out he was writing songs and recording demos of his feelings. The material was really good, emotional, dark, and all sorts of just real.

Looking to get over his death, or honor it in some way, Sam plays one of his songs at an opec mic night. It is met with mixed reviews. But Quentin (Anton Yelchin) loved it. He worshiped Sam and his song writing playing and wanted him to do even more and put more out there. He kind of wanted him to start a band.

But that is weird. Sam is old and living on a boat. He can’t start a band with young kids. His life is a wreck. Even if he has a full notebook of material. I am uncomfortable.

Also with Selena Gomez, Kate Micucci, William H. Macy, Laurence Fishburne, and Ryan Dean.

Don’t worry, she only has like, two scenes max. Completely forgettable.

Another movie I can’t describe well without giving it all away or making it sound like shit. My bad.

Because in all honesty, I friggan loved it. All of the music, all of it (except maybe the last song) was enjoyable. The bringing together of the band and creating a sound, it was great as well.

I can’t say normally I am a fan of Crudup’s work, but he was tolerable as the lead in this film. Yelchin was really good, but I always enjoy him. Also, this might be Fishburne’s best role in years and he was just a side character.

William H. Macy did a fantastic job his first time directing a film. He told a powerful story, full of good music and good conflict, about a hard to discuss subject. Reminds me a bit of Beautiful Boy, but of course more music.