Tag: 1 out of 4

After the (lame) success of Bohemian Rhapsody, and then Rocketman, I figured that we might get a George Michael movie also at some point. I mean, he is also British and famous from the 80’s and 90’s.

I just didn’t think it would be like…this.

Last Christmas is a RomCom that is inspired by a George Michael song and also other George Michael things? So it is not a story about George Michael. But I do find it sad that a gay man’s song has been turned into a heterosexual romance movie. But that is what happens when you die. People do whatever they want with your legacy.

Ew, kissing. Life is not going well for Kate (Emilia Clarke). She is technically homeless, in that she crashes on the couches of her friends until they get sick of her. Which is often, as she is klutzy, she likes getting drunk, and she brings strange men to their apartments without permission.

She could live with her mother (Emma Thompson) and father (Boris Isakovic), but since they moved to London from Yugoslavia during the war, they have been too extra. Distant and worrisome. Overbearing. And her sister (Lydia Leonard) hates her as well.

So Kate lives her life couch to couch, working full time at a Christmas store for Santa (Michelle Yeoh), and badly auditioning for musicals with her heart not being fully into it. She loves singing, she wants it as a career, but she can’t get her life together.

And then she meets a man, a Tom man (Henry Golding) who is incredibly weird. He wants her to see the world around her and take things…slow? What the hell is this?

Santa’s made up, so Santa can be an Asian old lady too.

Last Christmas has some positives! Like Thompson, who is incredibly delightful as an older Eastern European worrisome mother. She is fantastic and completely wasted in this role for the movie. She is one of the main saviors from making this a 0.

I also enjoyed Golding, another one of the leads. I have seen him in a few roles, but in this one he really struck for me. He was a really good ideal dream hunk.

Unfortunately, the rest of the movie exists, and what we got on the screen is not worth watching unless you are on the Hallmark channel working on a Christmas movie marathon. We all know that is where this one is destined to be.

Clarke is playing the lead in an anime with her level of klutz, and her transformation doesn’t stick in my eyes. As I thought the movie was building up to be something more endearing, the ending happened and it totally ruined my evening. I won’t go into more details there, but it literally went too dumb.

Also, it clearly didn’t go enough into George Michael. Kate is obsessed with him, and sings like, one of his songs? They went out of their way to say this took place in London, 2017, so we had a setting. You’d think they’d also go out of their way to talk about his death in that same location the year prior. Just seems weird.

1 out of 4.

Harriet coming out in 2019 is one of those surprising things that you didn’t expect. How could one of the most famous black women ever not already have a real, state of the art, biography film? The woman who saved so many slaves in the underground railroad? The woman who won an informal contest about replacing Andrew Jackson from a $20 bill.

The most surprising thing about that internet contest is that it sort of worked! The secretary of treasury at the time said sure and was going to do some things. And then Trump happened, and well, there are “more important things to worry about” according to the new secretary of treasury, and she got the shaft again.

This movie might have been made just to help expedite the whole process. I’ve heard about movies being made for worse reasons!

Like, “My best friend was mysterious and hid behind trees, here is there movie!”

Araminta “Minty” Ross (Cynthia Erivo) was born a slave, to slave parents, and only knew working for the man. Her sisters were sold off at a young age, and she was left lonely with out him. She was a similar age to the slaveholders son, Gideon (Joe Alwyn), and knew him her whole life.

After a plea for freedom, based on the wishes of the former owner, Minty knew that she just had to get out of there. So she ran. And with help from people along the way, but on a journey by herself, she made it to Philadelphia, land of the free. There she met slavery abolitionist William Still (Leslie Odom Jr.), who gave her new papers and let her pick her new identity, Harriet Tubman. And for a year she lived a free woman, learning how to be free and live well for once.

But it wasn’t enough. She had family down south. She had a husband. And if the movement up here wouldn’t go and save them, she would just go and do it herself. Again. And again. And again. And again.

And shit, one day, maybe lead a goddamn army regiment during the civil war.

Also starring Jennifer Nettles, Janelle Monáe, Tim Guinee, and Vondie Curtis-Hall.

And introducing for the first time, this GUN.

Sigh. Okay. This is a standard biopic, somewhat boring at times, with good acting from the lead. That is what I am now going to say in more words right after this sentence.

Erivo has been a great acting addition since she hit the scene seemingly last year, and ended up great in our titular role. She would be the reason to see this movie in theaters, as she carries the film.

The cast of supporting characters doesn’t work as well. Seeing Odom Jr., was great, as someone historical other than Aaron Burr, but he felt too goofy in his role and it took away from some of the seriousness of his scenes. Monáe stood out way too much also to feel believable in the role.

The slaveholders are once again turned into cartoon characters instead of villains that both intimidate and induce real scorn. Alwyn never feels natural in his role, and the final confrontation between his character and Tubman is just so fake feeling that the story seems to be wasted on that.

When doing a biography film, it is important to steep it in as much truth as possible if they want to make it something schools will buy and show for education reasons.

Other important notes: I am glad they included her civil war victory. I am glad they showed the various members of the railroad who helped her along the way. And this movie has Fredrick Douglas in it, but they never say his name. It’s great he has such an iconic look that we can tell without doing the awkward name dropping thing lampooned in Walk Hard.

Harriet features great acting from the lead, but the rest could have had improvements to make this a truly great film.

1 out of 4.

I was not looking forward to Abominable. We all know about Doppelganger films, and it can feel very awkward, but usually the films involved at least come out a few months apart.

Instead this time we got three, and it took almost a whole year. I mean that literally. Smallfoot came out Sept 28, 2018. We had Missing Link come out April 9, 2019, about a very similar topic, but different, sure. And now we have Abominable, coming out Sept 27, 2019. That is literally a year later on the same Friday as Smallfoot!

How many large humanoid animated films do we actually want? Because I assure you, when Smallfoot came out I did not care to see it at all, but despite that ended up liking it. When Missing Link was announced, it felt like such a lame film compared to their last one, Kubo and the Two Strings.

Given this, to me, Abominable just feels dead on arrival, and I can’t even tell you if they tried to advertise this one.

Hopefully they aren’t dead on arrival on this train. That’d be graphic.

Yi (voiced by the very white Chloe Bennet), lives in what I assume is Hong Kong and has her own tragic story. Her father passed away at some point recently, living her to just live with her mom (Michelle Wong) and Nai Nai (Tsai Chin). She has decided to keep busy this summer, working odd jobs all day for money to save up. She has plans to travel around China, to the sites her dad promised to take her.

And nearby, in some crazy secure facility, a yeti escapes! It was owned by Burnish (Eddie Izzard), a rich man who wants to prove to the world that yetis exist, and has spent his life trying to catch one to prove. He has a head zoologist, Dr. Zara (Sarah Paulson), who wants to just protect these endangered animals.

Either way! Yeti escapes, finds itself on Yi’s roof, and they bond! Yi is determined to help get him out of the city from the scary helicopters. And maybe she will just join him along the way.

Also starring the voices of Albert Tsai, Tenzing Norgay Trainor, and Joseph Izzo.

How many kids could that thing fit in its mouth?

Abominable is not giving us a story we haven’t already seen before. And no, I am not talking about yetis this time.

Youth finds magical creature and has to hide it from those looking to kill it/capture it. Somehow with gumption, luck, and magic, they are able to save the creature and get it home. Ho hum. A lack of originality is not the problem with this movie. Its the lazy writing.

In this movie, the yeti has nature magic. What does that mean? Well, it starts with just can grow things fast. And then becomes whatever the hell they want it to be. It gets “stronger” the closer he is to home, and basically, if they are ever in danger, he can use the magic and the creators write some way to advance the plot. Over and over and over. That’s really shit.

And you know what? I won’t even get into the Chinese propaganda in this movie. There are enough articles online and I am not an expert enough to bring it up and explain it, so it has no effect on the review, but it sounds really shitty.

Definitely a skippable movie.

1 out of 4.

When The Angry Birds Movie came out a few years ago, I expected to hate it and to trash it and talk more about how many animated movies were crap.

And then I liked it surprisingly enough. Yeah, I don’t get it either. My current theater is that I just like things with Jason Sudeikis attached far more than other people.

So now it is time for a sequel! A great title of The Angry Birds Movie 2, and technically I am not dreading watching it? I now have higher hopes for the sequel instead of zero hopes the first time around, and that will probably change my entire outlook. I still don’t play the game anymore, and thought the sequel game series was terrible.

Ah look, a cast and crew of ragamuffins ready to overcome the odds.

At the end of the first film, Red (Jason Sudeikis), Chuck (Josh Gad), Bomb (Danny McBride) and friends helped lead an assault on Piggy Island. The pigs, led by Leonard (Bill Hader) had stolen all of their eggs and were gonna eat them. Despite being flightless birds, they were able to use slingshots to fling themselves to the island and destroy the hell out of that place.

This led to modern day. Red is now a hero! He is loved finally and not hated. There is a big prank war going between the two islands but Red is always on the lookout keeping things safe. Until Leonard wants…a truce?

It turns out they are now sacred over a third island, an Icy cold island further away named Eagle island. There, a strange purple bird named Zeta (Leslie Jones) is somehow able to send giant ice balls to their island, with the intent of destroying them so they can move in an rebuild. Once they realize this threat is real, both sides do have to come together and expand their teams in order to infiltrate the base and stop that cannon.

But they need someone smarter, and Chuck has an engineering sister named Silver (Rachel Bloom), who is super smart. Smart enough to be the leader. And being a leader is the only thing that is keeping Red in the limelight, so that will lead to conflict.

Can they save the day before every little piggy and birdy is wiped out by ice fire balls?

Ahem, also starring the wonderful voice work of Awkwafina, Sterling K. Brown, Eugenio Derbez, Tiffany Haddish, Peter Dinklage, Pete Davidson, Zach Woods, Maya Rudolph, Dove Cameron, JoJo Siwa, Tony Hale, Nicki Minaj, Brooklynn Prince, Lil Rel Howery, Beck Bennett, and Gaten Matarazzo,

Fish. Fish is sad.

Again, I fully know that I liked the first film more than others, but this sequel drops so far in quality. If you hate the first film, this one is likely to be one of the worst films of the year for you. Easy. And as someone who liked the first film, I am incredibly disappointed with the sequel.

A large portion of the jokes are just based on current pop culture, which is not a good indicator of comedy. It will date the movie, firmly place it weirdly in 2019, and not age well. A really good joke actually occurred in the movie with Bomb about “taking out the guards” for their mission. It was clever and unexpected. And then the scene went on too long and they added Baby Shark to the mix, completely making it cringey.

Ferdinand was a bad animated movie and the worst part was an extended dance scene in that movie between the heroes and others, and that almost happened in this film as well. A dance off occurred, it just wasn’t as long, and still completely pointless.

The jokes aren’t as funny. The plot doesn’t naturally follow the first film. The entire point of the ice/eagle island is strange. I could ask 20 questions they didn’t explain, and its all just…pointless. The villain is not good, and the mission is not good, and they way the day is saved in the day is really weak. It sure does try to bring back women characters to the 1960’s.

But let’s make one really big irritation clear. At the end of the first film we got to see three tiny blue birds hatch. Those birds are in the game, and are used to help destroy ice structures. Oh hey, this movie involves an island full of ice structures. Clearly they would…NOPE. Those birds aren’t in this movie at all.

THEY TEASED US WITH THE ICE DESTROYING BIRDS, GAVE US A SEQUEL WITH ICE, AND THEY NEVER APPEARED IN THE SEQUEL. What is wrong with the creators? Are they Satan? How could they fall so low??

1 out of 4.

1994’s The Lion King is one of my favorite movies of all time. Anyone who knew me as a child will tell you I watched it constantly. I remember having to buy a second VHS copy due to wearing the first one out. Because of this, I of course had high expectations for Disney’s remake.

These “live-action” remakes Disney has been making recently have varied wildly in quality. Some have been quite good (The Jungle Book). Some have been awful (Beauty and the Beast or Alice in Wonderland). Some have been bizarre (Maleficent). I regret to say that The Lion King is unfortunately one of the bad ones.

Simba can restore the pride lands, but he cannot restore this dumpster fire.

First let’s start with the positives, because there are a few. Timon and Pumbaa are delightful, maybe even more entertaining than in the original. Billy Eichner and Seth Rogen nearly break their backs carrying the film from the minute they come on screen. Some of the other supporting characters are also fun. John Oliver is great as Zazu, while Alfre Woodard does a lot with little to work with as Sarabi. The hyena characters were expanded upon and given a truly sinister edge that I liked a lot.

The music (with some glaring exceptions) is also very good, capturing the same spirit of the original film, but with a cool spin. “Hakuna Matata” and the new expanded version of “The Lion Sleeps Tonight” were especially good.

Scar was also a highlight. He carries the appropriate amount of menace and I enjoyed the added bits of backstory give to him. Chiwetel Ejiofor is clearly going for a more Shakespearean bent to the character and I think it works well.

Lastly, the effects are gorgeous. The vast majority of the film is photorealistic and looks as if they just took a film crew to Sub-Saharan Africa to film. However, this is a double edged sword, and leads me to the negatives.

Clearly the best moment and all down hill after this.

Hoo boy where to begin? So let’s start with some nitpicks and go from there. “Can You Feel the Love Tonight?” is set during the day. That might not sound like a big deal, but it took me completely out of the movie. The whole time the song was playing (and the recording itself is great) I couldn’t stop saying to myself “But it’s broad daylight…” It’s the title of the song! One of the most famous love songs in Disney history! How do you make that decision?

“Be Prepared” is just completely butchered. It’s very clear that when people heard it was being left out and people complained, they hastily put it in last minute. The tune is bad. The rendition is bad. The whole sequence is really bad and is the exact point in the film where I started to turn on the film completely.

There is also an original song here from Beyonce. I like Beyonce as an artist, but this song just completely sticks out like a sore thumb. It’s also not that good, especially by her standards.

I won’t get completely into plot details, but some changes made here and there are very odd and take some emotional power away in key scenes.

Lastly, but most importantly, the truly fatal flaw of this movie is also one of its strengths: the effects. Somewhere in pre-production, a decision was made by someone to make this movie truly photorealistic in every way, including the animal faces, so that at times it appears you’re looking at a nature documentary. For some scenes, such as the iconic (and still great) “Circle of Life” scene, this works amazingly well. However, the minute any dialogue scene occurs, especially ones requiring a lot of emotion, this decision literally kills the movie dead. Now I know it’s possible to animate realistic animal faces to show emotion. Disney themselves did it in their Jungle Book remake a few years ago. Here, the lack of expressiveness, especially with the lion characters, is definitely a purposeful decision.

The problem is that because the lions aren’t shown being that emotional, the voice actors are clearly having to tone down their performances to match. This is most clearly heard with James Earl Jones, where the difference in emotion between this film and the 1994 film is just staggering. Some of the actors still manage ok. Jones is still Jones so he’s not bad. Ejiofor manages a lot with subtle voice inflection. Donald Glover does a decent job. But for the most part, the lion characters fail to properly convey the weight of what we’re watching. The big test for me is the film’s ending. The original Lion King’s ending never fails to give me goosebumps. With this one, I felt nothing. That is nothing short of failure.

In short, go rewatch the original film this weekend instead. You’ll have a far better time.

2 out of 5.

I imagine that if you want people to enjoy your movie, if you think you have made a fine piece of art, that you realize you need to convince them to spend money and go to see it. So you need posters, advertisements, interviews, screeners, whatever.

And part of the equation just has to be a good movie name. Something long an exciting, something that is visually appealing, just anything, right?

Stuber does nothing for me as a title. Nothing positive.

It screams like a movie I’d want to actively avoid, if I was a normal consumer. Only reason this review exists is because I was invited to watch it. If it was up to me, I would have probably avoided it forever, just on the title alone. Clever joke potential or anything aside, I just hate hate hate this title.

Sitting up front? That means they feel DTT. Down To Talk. Stu (Kumail Nanjiani) is an Uber driver and a clerk at a sporting goods store. Yeah, big player. He isn’t even a great Uber driver, which is just his side gig to make more money. He is going to start a woman’s only spin cycle class with his BFF, Becky (Betty Gilpin), whom he is of course in love with.

Vic (Dave Bautista) has spent many months, years even, trying to bring down a drug kingpin named Teijo (Iko Uwais) in LA, bringing in the hard stuff, that heroin. After tragic events, he escapes and he still has to spend all of his waking moments thinking about Teijo. This puts a strain on his relationship with his daughter (Natalie Morales), and everyone in his life really.

Also he is getting old, and losing his eyesight. So he wants to get LASIK, which is great, minus the being blind-ish a few hours after the surgery. And that is of course when Teijo is finally able to get caught again, doing a big drug bust. Aw shucks. Good thing his daughter just taught him about Uber to get to her art show.

Also starring Karen Gillan, Mira Sorvino, Jimmy Tatro, Scott Lawrence, and Steve Howey.

I often contemplate teaching my driver sex moves because I assume their lifestyle. Now that I have seen the movie and I am past the title, I have to admit, the movie itself also does nothing for me.

Excessive violence can be okay, but the amount of excessive violence in this film never felt believable. It could be partially because of the cop’s blindness for most of the film, but he never feels like he is a great cop, detective, anything. He is a big body that can look intimidating, but Bautista never seems to really match the role given.

On the other side of the coin, Nanjiani is also goddamn terrible. It’d be one thing if he was some sort of perfectionist character who needs that 5 star rating to keep it perfect. But holy shit, he is a bad uber driver and it makes the whole thing uncomfortable. Since he is playing such a passive character, it is hard to root for him throughout the film, just so he can show some growth by the end. But the character is just insufferable for most of it.

In Stuber, the twists are lazy, the violence is easy, and the message is missing. Don’t be a bitch? Go excessively towards your goals at all costs? I have no idea. I just know it was a waste.

1 out of 4.

Before I get too far into this review of Men In Black: International, I will remind you of what could have been. What we were promised and then what was taken away from us.

In the mid 2010’s, we were told that we would get a cross over movie with 21 Jump Street and the Men in Black franchise. It seemed so absurd and brilliant at the same time, I know I loved it. It would work out so nicely, it would help get MIB back on its feet and be crazy territory for Jump Street. It was somehow original to smash two things that already existed together. But plans fell through, and we instead just got another MIB.

Now the first MIB will always hold a place in my heart, whereas the sequel will always be forgotten. And the third one felt like a good return, missing some great details, but definitely on the right path. But it clearly didn’t lead to more, as this is a sort of reboot/reimagining anyways.

Suck it aliens, its blasting time. When Molly (Tessa Thompson) was a little girl, she saw an alien. Well, something cute landed near her house and in her room. And while her parents were getting the eye wash sequence from some dudes wearing darks in the street, but she was safely asleep upstairs. Since then, she was determined to be the best person she could be. Smarts, athletic talent, whatever it takes, to work with these soldiers in suits because the truth is so goddamn out there and she wants to meet goddamn aliens.

Ahem. And one day, she finally tracks them down, surprisingly. And Agent O (Emma Thompson) sees she has gumption, so she takes her in on a probationary setting. And then send her far away to London where shit is going weird. Agents H (Chris Hemsworth) and Agent High T (Liam Neeson) are kicking ass, and she is going to maybe get to the bottom of it.

While also learning a lot about aliens and kicking butt herself of course. Oh I hope nothing is going on wrong in Europe.

Also starring Kumail Nanjiani, Rebecca Furguson, and Rafe Spall.

Some would say this is just a movie of progressively bigger guns being shot. Unfortunately for everyone involved, and especially true for us watchers of fine cinema, this addition to the franchise feels more like the sequel than the first film. And I do mean that in the forgettable sense, because if I wanted to talk about this film with other people, I would mention a few negatives and struggle to talk about any great moment.

They desperately wanted an alien to be a sidekick in this movie, of which Nanjiani was the voice, and it went over about as well as any sidekick that merely exists for laughs. They JarJar’d him.

Early on during fight scenes I noticed a few errors in the scenes, with characters being in the wrong place based on the cut and it seemed to happen way more than normal. Shit, I almost never ever talk about the editing, as it would be something I don’t notice. And it never really gets better.

This is the sort of film where the comedy mostly falls flat, the action falls flat, only one alien life form seems to be unique and interesting, an ending that is resolved very quickly despite the perceived threat, and of course plot twists that anyone can determine early on. The type of twist that is “Oh, it is setting it up for this twist. I wonder how this is a red hearing now?” And then… stick with the obvious twist the whole time.

None of the actors and actresses of this film stick their head above the rest enough to save the movie, and it is instead just a film I wish didn’t end up existing in the end.

1 out of 4.

When I first heard about the Uglydolls movie, it was…when I got an invite to see the movie. I honestly had no idea this movie was coming out. I try to keep my finger on the pulse of the coming soon community, especially animated films, because I am looking always for the next big thing that will dethrone a Disney or a Pixar. And yeah, this one I knew nothing about.

Sure, it is based on a line of toy dolls I have seen mostly in comic book shops for a decade or so. The actual theme of them is “reject” dolls that would normally be trashed and sold anyways, despite obviously being made that way. Like a fake level of being unique. Okay, that leads to a pretty easy plot to anticipate and follow.

And I also figured out it had to be a musical of some sort, because over half of the main voice cast appears to be a singer. Even some I have never heard of before in my life, but singers nonetheless. A lot more B-talent in terms of voice acting singers, people you don’t see in the biggest movies, so maybe it is their chance to shine?

Really, what I figured from all these glances is that Uglydolls wants to be the next Trolls. Toy line, weird looks, bright colors, and of course, songs to entertain. But honey, this ain’t up to the Trolls level, and Trolls was only average.

Hello group of Not Trolls, whats up? Eating? Cool!Deep in a toy factory, many dolls are created and sent off to be loved by kids everywhere. Except, sometimes a doll is not molded correctly, for one reason or another. There is a mistake! And that doll is sent away down a series of tunnels to Uglyville. A happy small place with strange looking homes, citizens, and a party every night. Mayor Ox (Blake Shelton) makes sure everyone is having a swell time and living it up.

Now Moxy (Kelly Clarkson)? She is an extreme optimist. She believes that one day, every doll is sent into the big world to be with a “child” when the moment is perfect and right. Destiny will find them together. And every new day is the day where she will be picked!

Everyone else knows it is nonsense, until she finally goes exploring with her band of friends. And sure enough, she finds a bigger area, with a lot of dolls that look like people. They have to go through training before they can hit the real world. They need to be perfect. They need training before they can hit that child’s arms. And hey, are these the dolls to do it?

Also starring the voices of Nick Jonas, Janelle Monáe, Leehom Wang, Jane Lynch, Emma Roberts, Gabriel Iglesias, Wanda Sykes, Ice-T, Pitbull, Charli XCX, Bebe Rexha, and Lizzo. The last few I have confirmed are real people.

Totally getting judged right now.Judging really early on in the movie, it was already starting off on the wrong foot. The animation style was a bit safe, nothing to top of the line. It started basically with a song, that also needed to get some exposition and character introduction in, and seemed to go on just a bit too long.

Overall, none of the songs really stood out to me as being great. I didn’t want to go find the soundtrack afterward to hear something again, and that is a real shame. They are all mostly generic.

The plot is really easy to guess/understand for the most part. It is something that a kid will probably follow along and enjoy, but the older folks will be quite bored. It also moves along too quickly. We aren’t able to dwell on anything for too long before it is quickly resolved and moving on to the next moment. One scene similar to the ending of Toy Story 3 was fixed almost instantly and allowed no time for potential sadness to creep in.

Also, let’s be clear. There are dumb components. In the intro, we see all these animals being made for dolls, and then obvious messed up versions being sent away. And so we’d expect diversity when they climb up the tunnels. And instead we get only people looking dolls, perfect and the same, with just different skin tones and hair. How do these dolls accidentally create any of the Uglydolls? They weren’t even trying to make sense.

Uglydolls is a forgettable film, that is safe, and full of generic pop. The message is simple. Ugliness is on the inside. Next.

1 out of 4.

I was initially intrigued by Donnybrook a few months ago, solely on the title alone. It is a rarely used term for a brawl, and at this point, most used occasionally in a hockey game when the announcers are feeling frisky.

Now, in retrospect, this could just be a sequel/reboot of the movie Fighting, since its title isn’t really different. A movie about kicking the crap out of people, is that what I need to look forward to nowadays?

I know parts of the cast, I didn’t know the director, and I wasn’t sure where it might go. But theoretically, it could surprise me and go the way of Warrior, a film I probably watch at least once a year. Only time will tell!

Teach a kid to punch, and he will never be hungry for life.

Out there in the woods, somewhere, there is a yearly brawl. One that people come from all over to watch, to bet on, and to compete in. It is of course popular. Why? Well one, you get to watch people beat the crap out of each other in a cage. No boxing gloves, not many rules (outside of no killing), and a lot of people getting the shit knocked out of them. Oh and there is a $100,000 prize.

That’s life changing money, but not any fool can enter. It also has a significant entry fee, that way only people are serious about probably just getting wrecked.

People come for various reasons, revenge, to save their family, debt, whatever. A few people are going to make there way to the fight, some leaving destruction in their path, some relatively easily. Who wins? Who dies? Who just comes close and falters? We shall see.

Starring Frank Grillo, Margaret Qualley, Jamie Bell, James Badge Dale, Chris Browning, and Pat Healy.

Barbed wire adds a little more of an unnecessary danger. Yay!

Donnybrook is an action movie, but it is also a drama. In fact, it is more drama than action. A lot slower of a movie than one would expect with the title, with bouts of extreme violence to shock you along the way.

And I just didn’t get it. It never drew me in. I didn’t care about the characters. I didn’t care who won, or even if there would be a final fight, to be honest. It dragged and felt too violent without the payoff.

I guess it is sort of like life. It sucks, bad things can happen, unexplainable bad things, and people can get hurt along the way, their dreams crushed. But it didn’t feel like a message that I needed that hadn’t been given before.

Those who want to see the violence and some extremes might enjoy it, but I think this movie would have a hard time finding an audience.

1 out of 4.

Welcome to a Movie Roundup! A movie roundup features a few films that I didn’t feel like making full reviews for, but needed to get basic reviews out there for completionist reasons. It also helps me deal with my backlog. It may have a theme, and today’s theme is Indies 2018 (Part 1)! Basically, the indie movies I had missed, and need to really review, or else. Are these all really indie movies? Heck if I know. Some certainly are. Go with it.

Being on a movie round up doesn’t mean a movie is inherently bad, or good, or meh. I can feature any rating on here! So don’t assume the worst! I will also just post the reviews in alphabetical order.

Indies 2018 Part 1

Arizona

Arizona is a weird movie to talk about, because it is a dark comedy. A lot of dark comedies go into just such strange corners of the room. And you know, are funny, but usually involve death, or extreme “edgy” jokes. It could easily just go into some crude territory that is a poor taste and lose its viewers. Arizona is a lot more grounded in reality and about one person who is clearly losing his marbles, and using his size and gun skills to try and fix things.

I was shocked by Arizona, surprised, and I couldn’t believe no on was talking about. Dark comedies are almost always a hard sell, but this one was a great one compared to other similar movies in recent years. Our leads were believable, the setting was something easily relatable (an empty residential community after the 2008 housing collapse), that is also a bit unsettling. Yes, some aspects of this are a bit terrifying. And hilarious.

Arizona I think really works and it is a shame that it had almost no push for visibility.

3 out of 4.

Bad Samaritan

Bad Samaritan is an example of a film that I really liked the idea about, but did not execute great.

We have a thief breaking in to steal and while there, they found someone clearly held captive. What do they do? A similar plot line was used in Don’t Breathe and used a bit better in that film. Instead, a majority of the movie takes place after the initial find and is more of a cat and mouse battle between our thief and the evil guy, played by David Tennant.

And the cat and mouse game is lame. The villain doesn’t seem smart, it seems ridiculous. He is flawed with a god complex without showing us why he even warrants a god complex. It goes completely ridiculous, moves away from a more grounded in reality movie, and doesn’t really give us the moral quandaries that the plot line suggests.

Forgettable film on every level, unfortunately.

1 out of 4.

Eighth Grade

Eighth Grade is an example of a pretty well known film, and one you’d be more surprised to see that I did not have a full review upon. It was an immediate success, and had all the praise, and has spirit award nominations!

And yet, that’s why I have the round up. Things happen.

Eighth Grade is a pretty great and uncomfortable film. I cannot say that this is an accurate portrayal of what middle school girls are thinking and go through, because I am not one of them. It seems very accurate, and our lead does a wonderful job of riding that awkwardness and navigating through her school life. Bo Burnham‘s transition from comedy musician to director/writer seems to go flawlessly, and I wonder if he just had a lot of smart people on his side to make this work.

Eighth Grade is uncomfortable, awwkard, completely modern and set in the now, and probably something that a lot of people will want to read.

3 out of 4.

Izzy Gets The Fuck Across Town

What drew me to Izzy Gets The Fuck Across Town is the title. Of course. I mean if you are going to be bold and swear at me, I think you need to bring it. It made me think of older films like Igby Goes Down, about these run down people with strange I names.

And hey, it had Mackenzie Davis, an actress who I think hasn’t gotten her fair shake yet. Haven’t you seen Tully? She is great! And despite how great she may be, this movie felt like a chore to get through. We have have movies about miserable people and they can be great movies, but this is one where I just wanted it to hurry and get to the final point. And once it did, it was lackluster.

I don’t remember much about this movie, but I do remember that it had no hype for a reason. The fuck did not give it notoriety.

1 out of 4.

Summer of 84

Finally, we are going to talk about a movie that I think we average, for most of the film. Set in the ’80s with a group of kids, trying to solve a mystery of missing kids. They think it could be the local, single middle aged cop. Maybe he is taking kids and killing them? No, that can’t be.

Well, I won’t say if it was, or was not, of course. But the story the story is not unique. However…the ending was pretty damn good. It amped up the intensity, it went places I didn’t expect, and it left me with a little bit of dread. It is not a common way to end a film, and leaves it open ended in a good way. It turned a middling film into a film that I wanted to talk to people about, just to see if they saw it for the ending.

3 out of 4.

Overall, this is a really good list of indie films to check with. At least three of them I rated highly, and two of them I did not. Indie seem to have a better chance of giving me quality, you just have to take a dive and go into them knowing that they have a lot less hype around them on average.