Tag: 0 out of 4

Maleficent stormed onto the scene many years ago, one of the first of the Disney live action titles, outside of that bad Alice one.And it was pretty forgettable. A weak plot, a lot of time of just watching a kid grow up, and then some terrible CGI fight battles.

But hey, the whole reason for doing it is to say that someone with the name of Maleficent,meaning to cause harm supernaturally, isn’t actually bad. Oh okay. And sure, they made her seem misunderstood, and basically a revenge film about a rape, metaphors aside.

So why is this sequel, Maleficent: Mistress of Evil, doubling down on the badness? But she isn’t bad. Just bad looking. Now she is also the mistress of evil? I uhh, don’t know why they want to do this?

I’ll go ahead and say this early enough, that they don’t have a good plot reason for this title.

Ah, green fire magic. Magic-y. Evil. 
Alright, so Maleficent (Angelina Jolie) was a sort of hero, killing a king who was a liar and a bad person, and I guess everyone agreed? She magically got her wings back and restored some sort of order, and went back to her magical forest to chill with magic forest people.

But apparently in like, a year or two, the story changes so much that she is a bad guy again. Cool.

Well, Aurora (Elle Fanning) wants to get married finally though, to Prince Philip (Harris Dickinson), who was definitely recast between movies. So they get their parents together, Aurora finding Maleficent, and Philip getting King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer).

Neither set of parents like this at all, especially not Ingrith, who sets about immediately being a bitch. This leads to a curse being cast on a King, Maleficent noping the hell out of there, and then a war against the fey, again.

But hey, this time there are going to be lots of people like Maleficent this time, so you know, bigger stakes, and lots of CGI warring.

Also starring Sam Riley, Chiwetel Ejiofor, Ed Skrein, David Gyasi, Jenn Murray, Juno Temple, Lesley Manville, and Imelda Staunton.

The king has huge look of regret about this whole thing.

Without a doubt, this is a two hour movie that feels like four hours. On the first day of the year, ready to watch a bunch of films, I was completely warn out after this one, my 2nd film of the day, because of how much this movie dragged.

This felt like more of the same, with worse reasoning for existing. This time, the big CGI fest battle happened for a bigger chunk of the movie, if we start it with the very obvious double cross that started against the magical creatures.

This film tries to do more world building this time, but it is building a world, answering questions none of us had. Maleficent is stronger and better than others because. Just because.

Pfeiffer’s character is completely stupid in this film. An antagonist without a good reason. And honestly, Pfeiffer does nothing to really elevate the role at all, she is here for a paycheck.

Maleficent 2 is a movie with more CGI that is exhausting in his excess without being worth looking at. It has acting from all fronts that is forgettable. It tells a story that is very, very similar to the first one, but with “bigger scales” that don’t really matter either. It is a waste of what felt like four hours of my life.

0 out of 4.

Why am I doing this to myself? Why am I going to a theater to see A Hidden Life? It should offer me nothing. It is a Terrence Malick movie, and I swore I wouldn’t watch his stuff anymore! They just kept making my worst of the year list, and I never got an ounce of pleasure out of them, just pain.

I think I have missed one or two of his films since my declaration and my life has been notably happier.

So why did I decide to see* a three hour movie of his, in theaters, with subtitles? Because it had to go and get nominated for a Spirit Award for Best Feature. Damn it, I usually like those best features. Maybe this one is different? Maybe he is trying something new?

Maybe I won’t feel like quitting my job as a reviewer over it?

The waves of grass and aloof voice over is already calling me to the void.

Franz Jägerstätter (August Diehl) is just an Austrian dude, living in a super small community in the mountains, trying to live his best life. He meets a cutie with a booty, Fani (Valerie Pachner), they hit it off, and then start doing the house thing together. They do their farming, their animal raising and shit, have a few kids along the way. They have help when they need it, but they try to do their own thing.

Well, this takes place during WWII. That’s not good. Franz is sent to boot camp for a bit, when Austria is still sort of independent, but gets sent back when they realize they won’t need people because France surrendered and war should be done soon.

But it ain’t. And that German influence sweeps over Austria, even in their small community. Everyone starts Heiling Hitler, wearing swastikas, signing pledges, but Franz doesn’t. That doesn’t make sense based on his values, he wants to just continue to stay out of it.

Then they draft him, but he refuses. So he is imprisoned by the war machine and has to write letters to his wife and kids and just wait out the war. And waiting he and us viewers sure do a lot of.

Also featuring Matthias Schoenaerts and Michael Nyqvist.

Mowing takes a goddamn century if you have more than a small amount of land.Sooooo. This movie. Basically it is like Hacksaw Ridge with out the entertainment value.

Knowing what I was going to get into and the length, I figured there was a good chance this movie makes me sleep. I told the rep, just let it be (and they always do), maybe record how much I sleep for this review. It turned out that only two critics came to this screening, including me, because others had it on DVD by then I guess and didn’t care for the big screen.

And you know what happened? The security guard woke me up. It was hard to pay attention early on, but I passed out, and I was shook awake with very little actually sleep. The nerve of that man. I didn’t want to be touched in the dark in my sleep, so then I had to battle and just force myself to stay awake which became a very unpleasant game.

At some point I needed to know how much time was left, feeling it was forever, so I went to the restroom, and found it at only half of the run time gone. Oh no. No no no no.

I got my stuff, wrote my note, and left. Yes, I walked out of the movie, halfway through, because of annoyance at security and getting very little out of the plot or story. It was more of the same from Malick. Maybe he dialed back a little bit of the whimsy for this one, but more of the goddamn same.

I read the plot outline on Wikipedia, and when I left he was already in prison and jailed in Berlin with his wife wondering where he was at. It seems very little happened after that, so I don’t know how it lasted another 90 minutes.

Oh wait, yes I do. Malick.

0 out of 4.

Cats.

I was looking forward to Cats! When the trailer dropped, I was giddy with how ridiculous it looked. People bad mouthed the CGI designs, which I can see, but I figured I’d get used to it.

I love musicals, so I was excited to see a new musical on the screen, especially from an established property. I knew very little about it, except some cat names, and the song Memories.

But most importantly, I saw the movie Six Degrees of Separation, based on a play of the same name, with Will Smith in one of his first film roles. Why are they related? Because there is a long discussion about the musical cats being made into a movie, how it could not be done, and with Ian McKellen‘s character trying to get a role in the film.

It took 26 years, but he finally got that role!

Cat Boobs

Alright, so in this movie about cats, there is kind of a plot?

It takes place in the alley’s of London, where every year, these cats gather together and do a singing competition, where one of the cats is chosen one! The chosen cat gets to arise into the heavens and be reborn. There is a lot they could do about that plot if they wanted to, like questioning motives and stuff. Maybe something like Logan’s Run!

But they don’t, we and they accept all of this. We get to be told their story, because a new cat, Victoria (Francesca Hayward) gets thrown into their ally from a bag, abandoned on the same night of their festival. So we get some narrator cat Munkustrap (Robbie Fairchild) to take her under the wing and introduce people.

These cats are all about their names and having a purpose in their lives. There is a cat for a very specific focus, and I guess that is it. Only some cats want to be reborn though, and for what reason is mostly unclear.

Anyways, a lot of cats get together to sing about themselves, and one cat, Macavity (Idris Elba) is a bad guy cat who wants to eliminate the competition so only he remains.

Starring a lot of weirdly named cats. Like Danny Collins, Naoimh Morgan, Mette Towley, Laurie Davidson, Jennifer Hudson, Jason Derulo, Taylor Swift, Judi Dench, Ian McKellen, Rebel Wilson, James Corden, Ray Winstone, and Steven McRae.

More Cat Boobs. Assumption: I will get used to these CGI looks for the cats and maybe the trailers weren’t just super polished.

Reality: Oh my goodness, these CGI looking cats look terrible. Why did they not do cat costumes!?

Yes, it is really distracting/off putting. I can see a lot of work done on most of their faces, but the rest of them, neck down, just feel like poor animation for the most part. When they are doing elaborate dance numbers, taps, or flips…it does nothing for me. I don’t know if there are real people behind them doing that. They might be! They probably are! But it also feels like it could be completely animated and just a face, which makes it zero levels of impressive.

It makes sense that the main song people know is Memory. It is probably the only song in the entire musical that isn’t very repetitive and full of a cat’s name over and over. Wanna know which song is sung by Rum Tum Tugger? The one with his name a whole lot. Shit, Pokemon execs probably saw Cats and thought them saying their name a lot was a good idea and launched the biggest multi-media franchise of all time.

This is a movie that is just a lot of introductions, and eventually it ends. It is visually appalling to watch not amazing CGI cat bodies dancing in front of pretty bad CGI backgrounds.

And one final note, how many times do they sing Memory in the musical live version? I feel like it heard it three times, or maybe one of those times was extra long. It did not have an amazing impact on me at the end when I already heard the thing 40 minutes prior. Such a strange decision.

Easily one of the worst films of the year, and a shocking (because of my naivety and love of musicals) one at that.

0 out of 4.

Oh X-Men, how much we weep for thee.

X-Men so bad now, they took X-Men out of the title.

X-Men so bad, they are trying to remake their previous worst main X-Men title with the same writer.

X-Men so bad, they make a movie called Dark Phoenix and don´t have Phoenix in the movie at all.

X-Men so bad, this movie killed the X-Men.

And no amount of Albinism can save it. 

X-Men: Apocalypse took place in the 1980´s, and this one takes place in the 1990´s and features no real aging of any of the mutants. That is the real superpowers here.

At this point, they are accepted by the public, a weird timeline indeed. And after the crew was sent into space to safe a spaceship disaster. And sure enough, some space dust gets absorbed into Jean Grey (Sophie Turner) making her feel all funny inside.

It turns out Xavier (James McAvoy) may have been lying to her about her past, and hidden some of her own memories from her. That makes her sad. And mad. And willing apparently to turn her back on all of the X-Men, even killing a few of them, just to showcase how mad she is.

Also aliens.

Featuring of various amounts Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Tye Sheridan, Alexandra Shipp, Kodi Smit-McPhee, Evan Peters, Halston Sage, Brian d´Arcy James, Lamar Johnson, Scott Shepherd, and Jessica Chastain.

X-Men so bad, their faces are breaking and not the box office records.

X-Men so bad, they keep having their greatest enemy be themselves.

X-Men so bad, that kindness saves the day, like they are care bears.

X-Men so bad, this is not the first time actors have asked for their characters to be killed in order to leave the franchise.

X-Men so bad, that they used time travel to fix the bad movies and still made more bad movies (and time paradoxes).

X-Men so bad, they have failed multiple times to make a hero turning bad in no way compelling for the viewers.

X-Men so bad, they are their own Greek tragedy in terms of a rise and fall of successful films.

X-Men so bad, their film qualities would make a better roller coaster than anything at the Island of Adventure.

X-Men so bad, I put off writing this review for months due to complete and utter apathy.

0 out of 4.

Christmas Break-In seems to be a straight to Netflix movie that they released, without really wanting to let people know it was released.

I only found it accidentally, going deep into one of the genre lists. When I saw it, I was surprised that it carried a 2019 label with it. They didn’t put it on any sort of recommended list that I could find. I am not sure how people would know it is there?

Well, based on the description, it would probably pop up for people who searched for Home Alone and were sad to find it not on Netflix. That is my only guess. I also imagine that the list of people looking up Home Alone is relatively high.

“Oh, this is like Home Alone but a school? Fine, that’ll do.”

It turns out no, it will not do at all!

The Red vs Blue series has gotten very realistic.

Izzy (Cameron Seely) wants one thing in her life for Christmas. An electric guitar. She dreams of being a rock star, and she has been taking lessons. The lessons have come from her school’s janitor (Danny Glover), who in his free time (and in her class time??) has been teaching her cords.

And you know what? Her parents (Denise Richards, Sean O’Bryan) are totally cool with it too. They are going to get her a guitar the day before Christmas when the local shop has a big big sale. It just happens to be on the same day as a big winter storm coming in, so they have to be right on time.

But apparently, Izzy’s parents are extremely forgetful of her all of the time and often forget about plans no matter how hard she reminds them. They will just work work work. What is a rich house without caring parents? So she is left at school, everyone gone, and who should arrive? Why, three criminals (Jake Van Wagoner, Katrina Begin, Douglas Spain) who are looking for shelter overnight after stealing bags of coins from a charity.

Guess she is going to have to hide from them and stop them, while hoping eventually she gets picked up.

Also starring Dawson Ehlke as the caring older brother.

Got a phone, and you are a genius now, eh? 

Christmas Break-In would be like Home Alone, if Home Alone had some burglars knock on the door, the kid tell them to go away there’s people here, and then the cops arrest them.

It feels like almost nothing happens. It does take forever to just get us to the point in the story, where we have girl and criminals in the school at the same time. It requires a lot of coincidences. Her parents work together in the same building, and both forget? The snow storm hits right then? The criminals were dumb and went the wrong way for awhile? The phone dies? Everyone fucking leaves the school knowing she is sitting there waiting? Unrelated, when the hell does she have time to learn guitar from the janitor during school? I can’t imagine they are all fine with her skipping classes so often for that, especially if they are paying the janitor (the only janitor in the whole school) for a different job.

Anyways. Once the criminals get there? She does like, two things. There aren’t fun traps, there isn’t a lot of ingenuity, there is really basic stuff that wouldn’t trick…well, anyone.

And eventually, this ends, the day is saved, and hooray, guitars.

Just a complete waste of a film. They could have made it fun and cool, but they went for pointless and dull.

Lastly, no one would ever believe that Denise Richards and Sean O’Bryan could be married.

0 out of 4.

Illumination entertainment keeps putting out movies, and they keep remaining less than stellar and below average, sometimes even bad and horrible. They rose to fame with Minions and forgot that if they want to compete with the big boys they need good stories, not just retreads of old movies.

The first Secret Life of Pets was basically just Toy Story, but with pets, and more violence to make it worse. Fun.

And in between the movies, we had all the bad Louis C.K. stuff, after they already announced The Secret Life of Pets 2! Oh no, will they recast the dog or replace him completely? They went with recasting. And they must have focused entirely on the recasting, because they couldn’t even come up with a single good story for this sequel to exist, with technically limitless possibilities.

Just dogs doing dog things.

Max (Patton Oswalt, a change!) and Duke (Eric Stonestreet) are now good pals, living together, being great. But there is going to be a change in the house. An addition??? Yes, a baby. Something that changes their lives, but something Max feels very protective over. And before the kid can go to school, they take the dogs to a farm to hang out? To have a vacation, I don’t remember at all.

While Max learns to be a better dog, he leaves a toy with Gidget (Jenny Slate) who has a whole big adventure with cats because of that.

And also Snowball (Kevin Hart), now a nice happy pet, likes to pretend he is a super hero. And by doing that, he has to help save a white tiger from a mean circus guy, which puts them on the run from these scary wolf guys who want the tiger back.

Also starring Harrison Ford, Tiffany Haddish, Lake Bell, Dana Carvey, Bobby Moynihan, Hannibal Buress, and Ellie Kemper.

Hey, that’s not a real cat. You’re a phony!

What do I mean when I say no single good story? Because this film needed to have three main stories instead, and loosely (read: Badly) bringing them together at the end to pretend this was a coherent thought.

It started off with our leads, but to be honest, the main story seems to really be about Snowball and the tiger. It is the plot that at least sort of brings everything together.

None of these stories on their own are enough to carry this movie. It keeps switching between plots, and honestly, the Max plot just feels like filler, and the Gidget plot has amusing moments, but not enough to be worth it. Hart’s character was the best part of the first film, and so it makes sense for him to have a bigger role, but he was less confident and exciting than the first film, for whatever reason.

I also complained that there was excessive violence in the first film, or at least violence being the solution to the problems. And well, same here. I also complained that we had too many pets driving vehicle ridiculousness, which was a theme for movies that year, and they only sort of did it this time.

Overall, this movie feels like they wanted to just make it a TV series, but were given a bigger budget and put a few ideas together. Gotta rush out those sequels, or else they might have to make more Despicable Me movies!

0 out of 4.

The first of the three Disney remakes this year, Dumbo has always felt like an odd choice for several reasons.

First, the original Dumbo doesn’t have a whole lot of plot going on for it. It is a simple story, so they will have to expand a lot of it in order to be worth a revisit.

Second, it was going to be directed by Tim Burton. For the most part, everything he has touched lately has been pretty shit. It has been five years since Big Eyes and 12 years since Sweeney Todd. A lot of forgettable things in between. Could he reimagine it, or will he just make it his basic Burton brand?

And thirdly, like…who the hell cares about Dumbo? Honestly? I can honestly understand most of the remakes, but I can’t imagine Dumbo was high on the list of the average viewer of something they wanted new and updated.

That doesn’t include the people who say no to every remake.

Our main-est adult character is Holt Farrier (Colin Farrell), an amputee from World War I (not called that during the movie) has returned home for work, and well, is going to work for the circus. His old boss (Danny DeVito) gives him the job to take care of the pregnant elephant, and Ms. Jumbo gives birth under his watch to a strange, large ear having elephant baby.

What a weirdo! And when they show him off eventually, the crowd makes fun of him, calls him Dumbo, and that makes his mom so mad, she gets angry and causes a ruckus, so they have to get rid of her. Damn.

Well, Holt’s kids are with him, and Milly (Nico Parker) and Joe (Finley Hobbins) take a liking to Dumbo. Shit, they find out he can fly if he has a feather. That sounds fun. That sounds like something that can be exploitable!

And exploit the circus does! More and more stunts, bigger and bigger audiences, more and more money!

Also featuring Michael Keaton, Eva Green, and Alan Arkin.

This frame went on to inspire the film Joker.

The original Dumbo came out in 1941, so that means two things. Honestly, a lot of people have probably never seen it. And sure, 78 years is probably long enough to wait for a remake. Much longer wait for more films. I won’t hurt them for that.

For those that saw the original, there is not a lot of film after Dumbo both learns to fly and learns to do it whenever he feels like it. So a lot of this film takes place after that, which is great. I need expanded stories.

However, they sure picked a dull way to expand his story. Just more exploitation and sadness, and corporations taking over corporations as some weird meta explaining what Disney is doing to everything.

The cast of characters are completely ones that no one will care about. Our lead girl to help inspire the youth of the world has the personality of “liking science” and apparently that is good enough.

And honestly, this whole thing was unappealing to look at. It felt too dark physically at times.The animation never grappled with me, and yes, this film oozes Burton.

I would say this is the biggest live action mistake Disney has done, but I would watch this film a dozen more times before I ever watch either of the Alice films again. Which are directed or produced by Burton too. Ah, now we know where the major problem lies.

0 out of 4.

“You know what we need? More movies about cheer leading.” – No one.

After Bring It On, our movies about cheer leading have been pretty sparse. Not of Bring It On films, we had five more of those that no one cared about. Since then, we had Sugar & Spice, which was more about crime, and Fired Up! which was…interesting.

So now we have Poms! Let’s do cheer leading, but make the cheers not exciting, and have old people do it. Go for that demographic wedge that is underrepresented.

Box office success guaranteed!

Martha (Diane Keaton) is going to die. Well, we are all going to die. But she is going to die sooner rather than later.

She has the cancer, it is a heavy level, and chemo isn’t a high guarantee of success at this point. So she says bump that, I’m just gonna die peacefully, and take care of my things so my family won’t have to. She sells her items, and goes to a retirement community to die.

Well, the head of the retirement community, Vicki (Celia Weston) says they have a reputation to uphold, so she needs to join one of their many clubs in order to remain active. And eventually, Martha gives in to her neighbors friendliness and gains Sheryl (Jacki Weaver) as a comrade. And due to reasons, they make a cheerleading club, because it’s never too late to follow your dreams.

Unless people are going to be haters for no damn reason.

Also starring Alisha Boe, Charlie Tahan, Rhea Perlman, Phyllis Somerville, Pam Grier, Patricia French, Ginny MacColl, Carol Sutton, and Bruce McGill.

Face down, back up, that’s the way I like to —

Without a doubt, the only feeling I got from Poms is the same feeling you get when you have a pile of chores you don’t want to do. I didn’t want to finish the movie, I assumed it would never get better, and it never did.

Let’s be clear, the main conflict of this movie is some ladies want to do some basic cheerleader routines, and the head bitch of the retirement community is jealous of that fact and doesn’t want them to continue. That is it. They have various sports clubs, and dance clubs, and exercise and fitness clubs, but cheerleading is somehow drawing a line too far.

A lot of the conflict comes from that. We also have an upset son who doesn’t want his future money being wasted at all. He is a lame secondary conflict. And that is about it.

Some women want to cheerlead, and some other people say no. They end up cheerleading. And all aspects of viralness the movie try to add in are completely ridiculous. A very much waste of everyone’s time.

0 out of 4.

Ted Cruz likes this movie, Unplanned. Ted Cruz hyped this movie as it came out in theaters. Ted Cruz talked about how wonderful it was to see this very powerful movie early. Ted Cruz encouraged people to see this movie to see the truth about abortion. Ted Cruz was happy to see its numbers. Ted Cruz hyped the movie again when it came out on DVD.

I think it is certain to say that any movie Ted Cruz decides to talk about is pretty damn bad. In at least the last 3-4 years, I haven’t seen Ted Cruz talk about any movie, at all, ever, as a regular person or a senator. And he obsessed over this one.

Clearly, Ted Cruz was given some financial incentive for this film.

It is also clear that any movie that Ted Cruz likes is likely a colossal waste of time.

Ted Cruz is just another part of the cog.

You want an abortion movie? Well you got it! This film decides the best thing for it to do is give us part of the ending first, so it can do something graphic, and then give us the long story of her life before then. And in this scene, Abby Johnson (Ashley Bratcher), director of a Planned Parenthood, has to help with an abortion by just holding an Ultrasound. And during the process, she believes the fetus is running away/trying to escape, so she realizes she is terrible and time to quit.

Before that moment though? Abby as a college student always believed in women rights. She actually had two abortions, once from an accident, and the other time from a marriage that ended up not being a good fit and she needed to escape. So she appreciated Planned Parenthood despite apparently everyone in her family being extremely religious and anti-abortion.

So she also decided to volunteer with the company. She walked women from their cars to the doors to not have to deal with the protesters. Eventually she worked her way up, got an official job, then became a counselor to help people decide what to do, and eventually also run the dang facility.

The whole time, her new husband (Brooks Ryan) is incredibly disappointed with her. There is almost never a scene of him just being happy. His religion means that she is wrong and he hates her and is kind of a dick. Not physically. But constantly judging? Definitely a dick.

Oh, and Abby’s boss, who is also climbing up the corporate ladder, Cheryl (Robia Scott) is apparently just driven by profits and loves loves love abortions. But Abby got in this job to help women who need it, but prevent them from getting to the abortion step if possible. You know, the mission of Planned Parenthood. to help women at all costs along the way.

And, spoilers, after the beginning scene, and after all this other mess and being judged, Abby quits her jobs and joins a protest group, deciding to also now shout at those women who leave their cars, but use her position of former director to give more credit to her words.

A turncoat, if you will.

In this movie, Planned Parenthood is a big boogeyman of a corporation that is driven to make lots of money. They apparently thrive off of abortions, and the more women who get abortions, the more rich they get, and the more powerful they get. They don’t care about women, they care about getting those fetuses out for that paycheck.

They are compared to Big Oil and Pharmacy companies, and driven by huge donors to get this anti-Christian agenda off and running, because of dealing with all of these bad people! And of course the boss character is just a manifestation of all of this. Needs more abortions, needs only loyalty, needs money! And it is ridiculous.

This is all supposed to be a true story. And sure, maybe Abby had a bad boss and attributed things to the whole company? That’s fucked up. But the “disasters” shown in this film, the medical emergencies, and whatever, that seem to make it look terrible, also take place over 9 years I think. If that is the case, then it seems like for the most part a nice ship has been run. All companies have hiccups.

I don’t want to say Abby Johnson is a terrible person. She was driven to this eventually to societal peer pressure. Besides hearing protesters daily for years, her husband was always extremely disappointed with her, and her parents hated her as well. Of course she’d eventually stop and “see the light”. What is messed up is instead of just abandoning it, she tried to use her former authority to convince people it was bad, when really it was just her religious doctrine getting in the way, not her authority and knowledge.

This is an annoying religious film, because 97% of the people who watch it will be those who already are anti-abortion. The other 3% are going to be people who thought it was about something else, or people like me. It won’t change a mind, it is just one of the Christian films where Christians stroke their own egos about how right they are to be Christians. A lot more of them are popping up in big amounts lately, but they are not great films, and Ted Cruz is a goddamn idiot.

Wait. No. He is not an idiot. I don’t fathom he believes all this. He is just motivated to be on this side, politically and financially (most likely), and so he is running with it. He knows it sucks too. He knows.

0 out of 4.

It is going to be very easy to get the movie, Skin, confused with the Oscar winning Short Film, Skin. After all, they both are about tattoos, Nazis, and race relations. They are about indoctrining the youth to hate. They are about revenge. They share a main actress. And they are written/directed by the same guy, Guy Nattiv.

Wait, a short and a film of the same name about similar topics with similar actors from the same person…and they are not the same thing?

Nope! The movie (which this review is for) is based on the TV documentary from 8 years ago called Erasing Hate. So this is a true story. The short is just an idea that they ran with and people really liked. I can’t tell you what was made first, but the short definitely was released first.

And I think this bares repeating. Despite all of the similarities, these stories are in no way related. They are different ideas, the film is not a long version of the short. It is just so bizarre. If it confuses people, it will really only confuse people int he know.

NO! That’s a shot from the short film! Not this one! No! Our story is about a man named Bryon Widner (Jamie Bell), who was a teenager when he was recruited to join the skinheads in the Midwest. He found a place that accepted him, and he went with their ideology, and he helped with counter protests and marches against other races. Pretty much a shit person.

But then he met Julie Price (Danielle Macdonald), a woman with three kids and no man in her life, just trying to raise them right. She isn’t even like a looker, but he liked her personality and wanted to get to know her.

This relationship led to him joining their family and expanding it, while drifting away from the movement that had captivated him for decades. He didn’t really believe any of this nonsense. But he couldn’t get a good job with all these tattoos and mess on his body.

So he removed them. Hour by painfully expensive hour. Thanks to generous anonymous grants and activists groups encouraging people to see the error of their ways and change and have a way to normalcy. But the group doesn’t want him to leave…

Also starring Daniel Henshall, Bill Camp, and Mike Colter.

Oh he just looks like a tamer Zombie Boy.

Now given the theme of this movie, you are probably shocked to see the rating. Does Gorgon Reviews hate people who fix their lives and stop being so racist/xenophobic?

No, he just doesn’t like this movie.

It. Was. So. Boring. Oh my god.

I didn’t feel any of the leads giving a captivating performance, I didn’t care about the man who saw the light and was lucky enough to get to fix it. It felt a lot like white privilege, that he was given a second chance, against so many people of color who barely even get a first chance.

This movie is another case where I feel the real story is better than the fictionalized movie version. I have not seen the documentary it is based on, but I bet the truth is better even if it is more messy. Real accounts and real lives affected. This one could never captivate me and felt like it was an eternity long.

And let’s be clear, there is a person in here more deserving of the movie. Daryle Jenkins (played by Colter), the African American man who started the One People’s Project, to publish information about hate groups and the far right, as warnings and to not let their hate go unnoticed. He is fighting for all of these important things, and was a key person to help Byron. But damn, Byron should just be a part of the greater movie of activist Jenkins. I am ready for that movie right goddamn now.

It is basically Green Book, but not as egregious with its choice of leads.

0 out of 4.