Category: Uncategorized

Would you go to prison for other people? Would I? Ehhh, I really doubt it. I don’t think I could last in prison. I’d freak out like that fresh fish in Shawshank probably.

I have seen people take the blame for others actions before, doing quite the noble thing. One kid in my high school got busted for weed, that belonged to him and his roommate. He said it all belonged to him, not the roommate, and so he got kicked out of school, while his roommate got to graduate. Crazy noble.

I’m not noble.

Taking The Fall is about a guy who was just so nice he did something just like that and what happened next.

Being stuck in prison so young. Better hit the button labeled Turbo, kid. 

Tyler (Munro Chambers) is getting out of prison after six long years! Hooray! He has a felony charge, because of a whole lot of weed. This was in college, where they got to party all day. It wasn’t really his weed, and it wasn’t even his idea, but he took the fall (The movie name!) so his friends could graduate and make something of themselves.

So his best friend Justin (Roland Beck III) picks him up and takes him to a nice rented house for a small get together. It was supposed to just be him, and one more, but they invited a few others to have a bit bigger of a party.

One of his older friends Peter (Chris Sturgeon) with his new fiancé (Kristin Zimber), his ex (Katie Gill) and her boyfriend (Jonathan Dylan King), and another friend (Avalon Penrose) who is a mom now!

Now Tyler can uncomfortably, reconnect with everyone he was close with at the same time, and listen to complain about their lives, how they feel stuck, how little they have done since he went away, and all of the bad decisions they made and continue to make. But come on. Tyler went to prison. Get over it.

Ah yes college. Where people drank beers uhhh….beers!

The main reason I wanted to see this movie is to figure out the rest of the description. Guy comes back from prison but and is ready to be happy, but… “only to discover that they’ve nearly all veered off course under the pressure of millennial culture.” What’s this? Millennial culture? What does that mean? Are they going to eat Avocados with Toast? Is this something about crippling student loans?

I was ready to be angry at the presumed anger at the main character. And honestly, his backlash went at them a little over half way through the movie, and it was so totally not work it. Yes. He was in prison. And he is mad because his friends don’t have jobs that they like. That they are burdened with child. That they feel trapped in relationships and don’t want to make their lives better.

It isn’t even a good rant. It is disappointing.

And I am surprised there is so much movie left after that. It is a low budget flick, it is designed to be full of long takes and conversations, but they really needed a lot more to drive the point home. Which is I guess….follow your dream and take risks? What is some debt if you already have student loan debt. Or something like that.

But again, it was extremely tame in topics. I don’t know. They really needed something more to add to the pressure the main character felt. Maybe a couple more characters with some other issues to pile it on. But he got mad at like, three old friends and one new person he doesn’t like. Overall not worth the time or story.

I don’t know how I can take seriously someone with the last name of Burger. Talkin’ bout Neil Burger that is, director and writer of voyagers. He has been around the block once or twice in movie land. I have reviewed a few of his films before. He did The Upside, Divergent, Limitless, and even The Illusionist way back ago, which he also wrote unlike the previous few.

None of his films I have loved, some of them I have disliked, but at least one I did like overall. It just didn’t go as far as I had hoped (but it did launch a TV show eventually, so good on him).

Now going into Voyagers, I knew nothing about it. Some movie set in space. So what? That isn’t special. Earth is in space, so everything set on Earth is also set in space. But seriously, I heard about this movie two days before watching it, only seeing a single poster, so going in almost as blind as possible to this one, and I hope this one will not muddle about and get me into that “love” territory for one of his films.

Picture of me teaching how to love movies during the pandemic.

In the future, our Earth is gonna be fucked. We know this, and all the movies know it, because it is a popular topic. So we have to get off this rock and find a new rock that could support our life, but this time, try not to screw the planet up. But we haven’t gotten that sweet cryosleep technology figured out yet, so any travel to the planet would have to be real time, with those at the start not going to likely see the planet in their lifetime, with over 80 years of journey time.

So what is the human race going to do? Well, the plan is to send a big group of kids, slightly genetically picked to be smart and efficient. They will be test tube babies. They will under go schooling and training together. And then they will be sent in the rocket. And one adult (Colin Farrell) as a guide, so they can go earlier than planned, and he can help out, knowing he definitely won’t see the new planet.

And sure, things go well for a bit. But once a student discovers one of their supplements was a lie, and actually used to suppress their hormones to keep their emotions and sex drives very low, things start to get bad. Distrust begins to happen. And a death. And now with no trust, and factions, and SO MANY EMOTIONS, they are going to have to see if they even want to continue this mission at all.

Starring so many young actors and actresses! Like Tye Sheridan, Lily-Rose Depp, Fionn Whitehead, Archie Madekwe, Archie Renaux, Chante Adams, Isaac Hempstead Wright, Madison Hu, Quintessa Swindell, Viveik Kalra, and Wern Lee.

This is not a good touch, get your puberty off of her! 

Sure enough, this ended up being one of those movies where I really got into the story and dug it, and found myself along for the ride at several points. The beginning had a good chance of dragging on too long with the set up, but it zoomed through everything pretty quickly. Before and after sexy puberty time, the aura of the ship was noticeable and getting darker.

Is this movie saying sex emotions are bad?! Nah, it is just telling a story with some thrills (and just a little little bit of sex, it is just a PG-13 flick), on a very unique ride through space. I will say the movie got really close to making a really good point about growing up, or “society” or whatever, but never seemed to land that point just right, which is probably why a lot of people left this movie annoyed.

Basically, it feels like Lord of the Flies, in space. And honestly, I had to pause it multiple times just because I was getting  stressed out for some of the characters who couldn’t get out of their situation. They were literally trapped on the same ship, and I didn’t know if the movie would end on a good or a bad note.

And hey, maybe this movie is just an allegory for pandemics. A few selfish people who don’t want to listen to the rules can ruin things for everyone. Literally the future of our species too.

Oh yeah, come on director. Gonna have a lot of test tube babies and can’t get more diversity in this film? It has like the bare minimum, but we are talking about a future colony going to settle all the humans. I’d expect a bit more of an effort.

I got a feeling, inside my bones. It goes electric when I turn it…on? (Wait, it should be electric before being turned on. To be turn onable one would assume you have electric capabilities already, but what do I know).

Sorry, I am not here to criticize Mr. Timberlake, that was a different review. I am here to talk about different feelings a person might have, or at least, different sensations.

The movie Sensation is made in not-America (this time Canada!)  and it is an independent film that deals with themes of superhero potential and potential virtual worlds. What is real? What is not? It can be the next mind explosion or it can be a drop in the water and no one care for it. Which will it be…which will it be…which will it be…

Ah yes, time to get on roofs, look out on the city, and think about feelings. 

Andrew Cooper (Eugene Simon), no relationship to Anderson Cooper (probably), does have some questions about his genetics. He submitted his DNA to a testing facility, to find out about his medical history and real history, all of that, and apparently things have gone awry since then.

Long story short, he is special. More special than the other special people. He might even have some super powers. He might be able to see that his reality isn’t a reality, and be able to distort things because shit isn’t real anyways. Can he get powers from emotions? We shall see!

But what even is reality? Maybe everything is a lie and this shit is fake.

These mind fucks also feature Emily Wyatt, Jennifer Martin, Marybeth Havens, Alastair G. Cumming, Anil Desai, Kai Francis Lewis, Alex Reid, and Lorraine Tai.

Is this bus real? If it is a real bus, where did the roof go? Hmm?!

If that plot description sounded vague, that is because 98% of this film went in my brain and out the other. It never once made me care about the people in it, or what they were saying. I remember only a few scenes, just days later, and the ending, but it is not like it is an ending I want to remember.

This movie takes ideas from other films, crams a few of them together, and leaves nothing desirable at the same time. I wouldn’t say the ending is predictable in that I knew how it would end. But it was predictable in that I knew it wouldn’t feel satisfying or justify the time spent watching Sensation.

Fuck. I went in a little excited based on the plot line of this one. No one made me know of this films existence, I found out about it on my own from a VOD release site. I didn’t go in wanting it to be bad. But it was just so full of drivel and rehashed other plots that it had no chance of keeping my interest.

You all probably won’t see it, because you probably didn’t know it even existed, so this warning won’t mean much. But definitely do not waste your time.

There is a chance that this movie might have snuck on by me, and that would have been a travesty. It came out last weekend, both in theaters and on VOD. Shiva Baby is based on a short film of the same name with the same lead from a couple of years prior. People liked the concept, and hey, it was expanded, with some bigger names added to the cast overall. It went from 8 minutes to 77 minutes. Definitely a full length movie now, but shorter than most movies that are released, meaning it will still feel short in some aspects.

So how did I hear about Shiva Baby?

Just word of mouth. Another friend said they heard it was “More Stressful than Uncut Gems.”

Whoa. Calm on down now. Uncut Gems was by far one of the most stressful movie experiences I have ever had in my life. It involved guns and death, gambling and high stakes, women and jewelry, athletes and bookies.

Just by comparing the two, you have my attention.

The face you make when you don’t inherit your parent’s height.

Danielle (Rachel Sennott) was just trying to get her sex on, when she gets a voice mail from her mom reminding her of a funeral that day. Fuck. Okay. She missed that, but she is expected to show up for the Shiva, and be there for hours, talking with all of her relatives, and old friends. But everyone there is so nosy. They pry. They want to know if she has a job lined up. How is college. What her major is. Who is she dating if anyone. And she has to answer these questions, with her parents (Polly Draper, Fred Melamed) there who know some of the truths too, so she can’t just lie.

But you know who also shows up? The guy (Danny Deferrari), she was sleeping with, who gives her money for things. Her “job” that she says she has for her parents and friends to get off her back. Turns out she was lying to him. He was lying to her too. Turns out he has a wife (Dianna Agron), and a kid.

And to top all of this off, her best friend Maya (Molly Gordon) is here, and she is seemingly being a complete bitch to her in all of her moments of woe.

Cramped spaces. Relatives. Family friends. Food. Old people. Babies. Who wants to be trapped in this situation when your entire reality is crumbling?

It is hard to see someone looking more miserable than our lead here.

To start with the comparison, no, it is not more stressful than Uncut Gems. That was an unreasonable bar to start at for any movie, so I quickly adjusted my expectation on stress levels early on and it was a wise decision.

Because Shiva Baby was still quite stressful. The run time being under 80 minutes was perfect for the situation we were in at the Shiva. The level of claustrophobia felt very real and very high. The viewer will feel stuck in that house with all these people that you also, do not want to talk to. Not just because of Covid, or your own levels of social anxiety, because you know you also won’t have any answers to their damn questions. Each one making our lead character, and us, feeling uncomfortable. Their disappointment in their tone and eyes.

And that is only one aspect. All of the drama about the job, college, the relationship, just really adds up. The main reason this all works so well has to be the score used throughout the film, full of quick violin bursts, almost feeling like a horror film at times from the sound alone. The acting across the leads as well is great. Timing and realistic conversation is what makes this thing work, and they put their skills together to make it work great.

Emma Seligman, the director, showcased a strong film for her first feature length project. I don’t know how much of the movie drew on her own experiences growing up, but you can tell this story was handled by someone who wanted to make sure that various messages were given care. That grief is strange. That sex work is not only okay, but not a big deal. That sexuality in general can be a spectrum and that relationships aren’t always straightforward and need time to work out for some.

Shiva Baby is an overall great film to add to the “Stressful Jewish Cinema” collection. Not above Uncut Gems. But slightly beside it. Let’s get some more in this genre, please?

There is a Crisis in America! And no, don’t go running to Ted Cruz, he won’t care.

But I should be more specific — there are a lot of active crisis’ in America. One crisis at a time is for small time nations. We have problems that span hundreds of years, so we are pretty good at having bad things happen, whether they are naturally occurring, or due to systematic issues.

Which crisis is this one going to tackle? Well, let’s just say that it involves the cops.

That literally narrows it down zero. 

See, drugs are bad, mmkay. And this is a movie that is going to talk about all of the badness of drugs, specifically, Opioid based drugs, since they are the hot commodity now that is fucking up things more than other substances.

What we have is three slightly interconnecting stories.

There is Agent Jake Kelly (Armie Hammer), who has been undergoing drug stings and trying to get not just the local dealers, but the suppliers, which requires the long wait and time.

There is Claire Reimann (Evangeline Lilly), a mother, whose son, who wasn’t perfect, was found overdosed with the drugs, and she didn’t even know or he had drugs before in his life!

And of course, Dr. Tyrone Brower (Gary Oldman) who is a professor of medicine stuff, and is helping do clinical trials for drugs as part of his research. And he is finding a new opioid, that is supposed to be less addictive, might not be as advertised.

Also, some other people and criminals and cops and more! Starring Greg Kinnear, Michelle Rodriguez, Luke Evans, Veronica Ferres, Kid Cudi, and Lily-Rose Depp.

Someone covering up science? Unheard of!

Ahhh drugs! We have to fight the drugs, the war on drugs is killing us!

That sentence is meant to sound extreme, because the war of drugs has been a big failure for many reasons that this review has no reason to get into. But that doesn’t mean this movie doesn’t make good points, because it does. This opioid thing mostly sucks because the makers of it claimed it was great, without knowing the addictive properties (or maybe they did?!) and got a lot of people hooked on painkillers, doctor prescribed.

But I do have a hard time getting really annoyed at the real life aspects they want me to be pissed at, when also parts of it are made up. I know for legal reasons, they probably couldn’t name a real drug. But did this professor research story actually happen? Like for something else? If so, that does bring an extra level of fuckery to the mix. I know in my life opioids are addicting and not as advertised, but it is hard to draw that conclusion when it is also paired with exaggerated or potentially made up plotlines.

What truth should I go out and shout?!

Overall, the plot is okay. I do wish it had some more edited out of it, as it dragged in parts for me, and strangely, the cop parts were the weakest for me. I did get sort of lost before the end. I couldn’t remember who backstabbed or pissed off who. Is that on me? Maybe. But Crisis could have been more entertaining as well.

Happy is a fun word. Most words with 2 ‘p’s in a row in them end up being fun, I think. Well not disappointment. Or apprehension. Or inappropriate. Or whippersnapper, which has two sets of 2 ‘p’s. 

Okay, I am not sure where I was going with this, except that my initial understanding of a concept (2 ‘p’s’ means fun) was wrong in closer expectation.

You know. Sort of like the movie Happily. Whereas with a lot of inspection, my ideas about it have changed after my initial thoughts of it. I thought this would be a happy film. Or maybe the title would be sarcastic, and it would be a terrifying film. But we definitely got something well in between both of those extremes. 

Red Light Sexy Time, a new cologne, for very specific occasions. 

Tom (Joel McHale) and Janet (Kerri Bishé) have a secret. They are in love. Love? Is this a bad secret? Are they married to other people? Is this a crush? Did they just meet? No. They have been married for 14 years, and they are still going through that extreme lust phase, where they want to bone everywhere and go out of there way for big acts. All of their friends find it weird and uncomfortable and they hate it, they literally have told them this. They got kicked out of a couples weekend because everyone is sick of them.

The next day, a mysterious stranger (Stephen Root) who works for the city shows up to discuss something important with them. He says that every once in awhile, someone has a defect, and they aren’t built like others. It doesn’t matter most of the time. But both of our main characters have the same defect. They never lose that desire, that happiness. They don’t have diminishing returns. So he is here to fix it, just has to give them both a nice shot and they will wake up the next day fixed.

Well, one dead body later, they are certainly not going to let whatever this is happen. 

Awkward awkward, dead body, ahh. Good thing they don’t fight and can work together to deal with this situation! However, after this, they get re-invited to the couples weekend. Weird. I guess the couples don’t care anymore. But also. Wait. Fuck. What if they sent the guy as a prank? What if there is no actual shot? Or what if it was a real thing that they all knew about except for Tom and Janet, and they are only inviting them because they are normal now? Shit, now this weekend is going to be suspicious. 

Also starring Breckin Meyer, Charlyne Yi, Jon Daly, Kirby Howell-Baptiste, Natalie Morales, Natalie Zea, Paul Scheer, and Shannon Woodward. 

I hope all mysterious strangers are played by Stephen Root in the future.

One of my friends uttered that they would never watch Happily again, and to this, I tend to agree. If anything, I could watch it to find out if I missed something during the movie, but I wouldn’t watch the whole movie to find that out. I would watch just a few scenes and the ending again. I don’t think I missed anything, yet I find myself still confused and underwhelmed by the end.

I guess the message of the film is that people aren’t perfect, everyone has secrets, and life moves on? I don’t know.

I honestly don’t fully understand all the intrigue that happened by the end, and I don’t know if the makers of the film did either? As far as I know, multiple aspects weren’t explained (and I am not talking about Root’s character, which makes since to be more mysterious). It had good ideas, but the execution was lacking.

It felt like most of the movie was just an introduction, but when the plot finally got going, it rushed through it and left us longing. I don’t want to be left longing if I also feel unfulfilled.

I am keeping it at an average rating, because it did raise some interesting questions with some interesting scenarios, but it never felt properly together in one piece to really do much else. 

Godzilla. King Kong. Lizard. Ape. Will buildings get destroyed? Yes. Buildings will get destroyed.

The attempts to combine these franchises (well, one recent Kong Movie and two recent Godzilla movies) into one ultimate destruction battle was a lofty one, but clearly not one unheard of in our connected universes strategy of films. It was a guarantee, I imagine, to one day occur. I tried to come in ready for it, but honestly, I still never saw Godzilla: King of Monsters from two years ago, and at this point, I can’t imagine I will.

I was hoping that seeing the other two intro films would be enough, but it looks like this film made mostly throw backs to that last one, versus the other two. Damn it.

In Godzilla vs. Kong, the director promised there would be an obvious winner and not some bullshit tie overall. That is an important claim to make and really one of the main reasons I decided to even watch this one.

Oh, Rave Godzilla has to be one of my favorite Godzillas. 

Rawr! Let’s get it on! Wait, no, not yet. First of all, Godzilla has been firmly established as some sort of Alpha Predator, whose sole purpose and existence is meant to make sure no other threats ruin the world. Godzilla doesn’t want to destroy, it wants to keep the balance and go back to the depths.

Kong though is another alpha predator thing. So some people are worried that this means Godzilla is going to come and destroy him at some point, so they have him in hiding, sort of.

There are also some corporations doing corporation things. There is a theory of a Hallow Earth where these beasts must have come from, that is likely to have huge power sources. So some companies want that power. Some want to just return Kong to his home. Some want to destroy all the monsters. You know, typical stuff.

Overall, they are going to have to fight, multiple times, and we are going to have to see things get fucked up along the way.

Also starring some humans like Alexander Skarsgård, Brian Tyree Henry, Demián Bichir, Eiza González, Julian Dennison, Kaylee Hottle, Kyle Chandler, Lance Reddick, Millie Bobby Brown, Rebecca Hall, and Shun Oguri.

Is this his “fuck around, find out” face?

Hey? Do you like monsters fighting? Then this film has some of that! Honestly, I did think there would be more fighting overall, so I am surprised that there wasn’t even more. But I guess only two main monsters can wail on each other for awhile. There are some minor monsters in the Hallow Earth area too, but they don’t do much for the action or the plot.

Of course the plot is weak. And again, I am disappointed about how much of it is based on the King of Monsters film, just because I hadn’t seen it. Literally any returning characters (outside of the giant ones) were from that movie. It did have some surprises in store, which helped keep things interesting. But at least early on, the slowness of the plot, and even the first battle, failed to keep things super interesting for me.

Now one major plus is that the fight scenes were all incredible visible and detailed, and I loved that. Giant monster fights and CGI have usually meant a lot of dark fights, or messy blurs, where your mind has to put in the action, but that only happened a little bit in the first major fight, due to the underwater aspect. The major fights that mattered where very clear and that added a huge amount of awesome to the film.

And what about the winner? Did the director lie? No. Not really. I can understand the moment they are saying that there would be clearly one winner, no takeaways. But we still had to fall into some similar versus film tropes that I also wanted out of my movie. From what the director said is the definitive answer, I agree with who was chosen, as it is the one that makes the most sense.  However, again, still, they make it super definitive either. It isn’t as final as I would have hoped based on the remarks, so really, the director remarks set up my expectations to be higher than they would have been otherwise.

Godzilla vs. Kong is still a lot of fun, especially in the last third. Just have to slog through the human stuff, and the early battles.

The Russo Brothers and Tom Holland go together like Adam Sandler and Drew Barrymore. Both of them have careers that sometimes intersect and sometimes produce good movies. Yes, I did come up with that comparison myself, why do you ask?

I have a big fan of the Russos since their episodes on Community, and honestly, don’t know if they have done anything bad up to this point. They have done basically all of the best Marvel movies, so it is good to see them move on to a different source material. A book I have never heard of before. And if they bring along someone hoping to break from their boyish and charming mold, then it would be hard to pick someone better than Tom Holland right now.

What is Cherry about? I bet it ain’t about fruit.

I think the Russo brothers intentionally made him look like Tobey Maguire Spider-Man here.

Cherry (Tom Holland) (I can’t really tell you if that is his first name or last or what) is a young college student, a bit off, a bit popular or cool, but still a bit out there. And he sees a girl, Emily (Ciara Bravo, also hoping to lose her kids tv channel roots) and he wants her. He has a girlfriend back at home, but she is the past, Emily is the future.

They begin to couple, and they have a time, but Emily doesn’t know if he is good for her, and decides some forced time apart is important. She goes to Montreal, so he decides to enlist, having not left in his life.

The rest of the film deals with his basic training, his time overseas, the amount of fucked up shit he sees over there, his PTSD from those events, and of course, some nice opioid and heroin addiction leading to a life of crime.

Is that not enough for you? It should be. It is quite a lot of topics for our hero (?) to hit and endure, and it is over 2 hours to make sure it has some breathing room. But not much.

Also starring Jack Reynor, Forrest Goodluck, Jeff Wahlberg, and Damon Wayans Jr.

Oh shit, and now he looks like Uncle Ben’s killer?

I described Cherry as a thrill ride already, but it really is a wild movie. A Wild Cherry film, if you will. I stole that joke from another, but it is okay, because I set them up for it when I was delirious. If I was a smarter man on that day, I would have made it on my own.

This film feels like it definitely was meant to get people to not think of Holland as some sweet kid (And so was the point of The Devil All The Time, right?).  We need to see if Holland can be a mega movie star on his own without the backing power of Disney behind him, and I truly do think he delivers. His character is fast talking, crass, and absolutely in love despite showing it in a weird way. I couldn’t catch a break for this film because the characters in the movie can’t catch them either. Some of the war scenes just totally made my heart sink, and were put in just to show the absurdity of everything in life and how people can just suck.

This is a much better film than the also recently released Chaos Walking, also starring Holland. It is so hard to describe outside of just the topics presented. It feels timely and fresh though nonetheless. It didn’t give me the same feelings of angst as other recent releases like Greenland, but it is still up there in quality. Not for the feint of heart. They use naughty language in this movie. t

You know what is exactly one week away from today? Whatever day it is today again! Hooray never changing cyclical weeks of 7 days!

The only thing I knew about A Week Away going into it was that it was about a troubled teen and maybe a musical. A musical I never heard about? You certainly have my attention, random movie drop on Netflix. In fact, its musicalness is why I decided to not watch it on my phone but instead at a better place/time when I could give it my full attention.

With musicals I need to pay attention to the dances, the plot, the lyric choices, how they filmed various fun scenes, all of that. I can’t just give it a listen and a half watch.

It turns out, A Week Away is exactly worth an eighth of a watch.

At least they are all fans of black power. 

Will (Kevin Quinn) is some troubled kid. He is in the foster system, both parents dead, and he is just completely rambunctious. We are talking something ridiculous like, 80 schools in 2 years. That is an exaggeration on my part, but whatever they said in the movie was larger than what should be likely as well. He is about to go back to juvenile detention because no one else will take him in. Oh noooo. “Please I can change despite my arrests and saying I can change before!”

So he gets a shot. A mother (Sherri Shepherd) and a similar aged boy, George (Jahbril Cook). They aren’t taking him in, but they are going to take him to a week long camp. Will thinks that is quite dumb, but its better than Juvie, so fine. And when he gets there, he sees all the happy teenage kids his age, also wearing no branded clothing, and they sing a song together and mention…God?

“Wait, this is a Jesus camp” both Will and the audience will say together at some point. Did I misshear a lyric? Did they say God was a glorious leader? That sounds like North Korea stuff. Anyways. Not only is this a church camp that Will got sucked into. This is also a religious film that you got sucked into, and you had no idea! Me neither! At least the second song hints at the theme and the third song makes it quite damn obvious.

Anyways. Will has to do camp things, which is great, because he likes a girl Avery (Bailee Madison), and he will lie about his past, to help his team win the camp stuff against the other teams, and also help other romances.

Also starring Iain Tucker, Kat Conner Sterling, and David Koechner. Wait, Koechner? Todd Packer from The Office? And all of those crude and crass roles? Why is he in a religious film? Is he part of the trickery to swindle people into watching it?

Is there anything more dangerous than a white boy with a guitar?

I feel duped, I really do. I was excited to watch a musical about who knows what, that came in under the radar and no prior hype from me. I was ready for it. Musicals are a rare commodity. But faith films are not that rare, and generally most of the time, they are pretty darn bad. I do actively avoid most of them it turns out for that reason. Every once in awhile you can get a big movie that is faith based and not terrible, but they are huge exceptions, for many reasons. 

A Week Away is not a bad movie because it is a faith film, however, it is just a regular bad movie. I am not sure if it is going for the High School Musical crowd, if so, they are like a decade too late. That is definitely how I can describe this one, with better camera work (like from HSM3). But it turns out half of this movie is a Jukebox musical, as they take already existing songs. Did I know any of these songs before hand? No. but I know how to research and I know how many of the songs felt very shoehorned in.

Darn it. To make a good musical, the songs need to give the characters growth. It needs to express things that words cannot do on their own. It cannot just be generic music, which a lot of the songs in this film end up feeling generic. Oh we want to do a remake of a song named Dive? That mentions rivers? Let’s just have the characters sing it on the beach of the lake, because water references. Boom. Musical song made.

Jukebox musicals are easy because hey, music is already written. Jukebox musicals are hard, because you need to take something already written and it has to adapt super hard to your work in a unique way so that it isn’t just a song being sung that kind of sort of deals with the topics. What would happen in RENT if instead of La Vie Boheme, they just sang some pop song about never giving up or whatever? It would have no emotion or feeling behind it. And that is true for most of the songs in this movie. They feel like they just want to do pop (slightly elevated Kidz Bop) religious songs that don’t help the story. 

The story itself is weak. I don’t know why it is a religious camp with so little religious stuff going on. It seems to be just an activity camp focused entirely on sports and games between three teams. And I guess that is church camp now? They go out of there way to even call a day Sunday, and no church happens that day. There is one scene around a bonfire that is Church-y, and who knows when that is supposed to take place. It can’t even commit to its theme.

I will say, the point system doesn’t make a lot of sense for the camp. The final talent show is crap. Having every single event center on our main people, in their boring sort of romances, including every game and activity is bizarre. Why did they have moment to even have sign up for events at the beginning if ever team already did every event? Come on now.

Heed my warning. Do not be fueled into the musical that is bad, but also a faith film that even tackles the subject of faith poorly. 

For the longest time on Gorgon Reviews, we have not bothered to watch most made for TV films. There are of course exceptions. For example, I did watch and review A Deadly Adoption on the Lifetime Channel because it was also a parody of lifetime channel films, and had some big names attached.

But Hallmark and Lifetime churn out so many romance and drama films that go straight to their network, with very low budgets, and some famous names, but basic scripts. It is a known joke. If I started to review them, I would have to dedicate basically all of my movie time towards them and nothing else. Or cancel all of my hobbies and jobs. Either way. I think it is easier to ignore them. If we all already accept they are bad and nothing has ever changed that fact, then we don’t need a weekly reminder.

But yet here I am, now reviewing, unprompted, a Hallmark channel movie. This one being called Taking a Shot At Love. I did it because I saw it existed, and saw it was a love story involving hockey and said fuck it, let’s take a shot at Taking A Shot At Love.

And take a walk at Taking a Walk At Noon. 

Jenna (Alexa PenaVega, oh shit, the Spy Kid!) is a ballet instructor to the youths of a very rich New England small town community. You know. One of those extremely white places. And I don’t say that just because it is set in winter and there is snow. It is small enough that she is one of two ballet/dance teachers, while the other one is a dance TEAM who goes on to compete. And she just wants to teach dance for the love of dance, because she hates competition and putting that extra anger and stress on others/kids. But, she is losing dancers to the team, and the time commitment, and rent is going up, and and and and.

In New York City, we have famous hockey player Ryan “Coop” Cooper (Luke Macfarlane). He is battling some ankle injury, that affects his skate. He has seen a lot of specialists and had the surgeries, but there is something still off about it. He wants to get back on the ice and help the New York Rangers win stuff, and he is a great scorer, but if he can’t skate well, he can’t play.  His agent (Kurt Long) happens to be cousins with Jenna, and she went through the same injury but got 100% better. How? By going back to the basics of ballet, and reworking her skills from the ground up.

So sure, lets send Ryan to her guest house and studio for a month of 1 on 1 ballet training, to see if that will work for him, since they tried everything else.

And sure enough, these very different people, are gonna grow to hate each other and blow up the small community. Wait. No. Opposite. Love and stuff. Got cha.

Also starring Nolen Dubuc so we can have a main kid figure for them to bodn of, Heather-Claire Nortey so it isn’t 100% white, and Andrew Dunbar to give side plot problems to this story.

I guess air hockey is like a bonus hockey reference.

If I focused entirely on Lifetime and Hallmark movies, I could tell you if this one was better or worse than the majority of those sort of movies. And I haven’t, which is a good reason why I won’t just randomly try to pick and choose any of these in the future too often, because it just isn’t fair to the genre. Because I have to compare this movie just to all movies I have seen before and well, it is definitely not great.

Anyways. Compared to other films, Taking a Shot at Love is indeed bad.

There never feels like any real conflict in the film, in terms of ways for the characters to grow or overcome anything. The entire film just feels like filler. Oh, we don’t have enough actual romance to work between our leads? Let’s have a side character be bitter about hockey in general because of real life circumstances kept him from getting drafted. (These real life circumstances were a choice and….a very bad choice in terms of helping his family it seems like). Let’s have literally one kid on the ballet team, one of the two boys, be able to recognize him and need help with hockey so that there is a kid figure but neither of their own kids.

The romance happens because the script says it happens. I can’t say there is real chemistry between the characters, outside of them be youthful-ish and attractive and good at their skills. There is no performance from anyone in the movie worthy of note. I am surprised the New York Rangers let them use their image.

Also, this takes place in winter, but unless I misunderstood a conversation early on…they implied the team was already done with round 1 of the playoffs. Which wouldn’t be happening until April in a normal year. Not during winter. The player wanted to get back on round 2, so he could help with that round. And instead is sent for a whole month to get fixed. Are they still in the second round of the playoffs then? Is this the finals now? Who knows. Definitely not the writers of the movie.