Month: September 2013

I can say with most certainty, that two months ago, I definitely had no urge to watch Stomp The Yard in my life. Ever. I forgot it existed, and my life was fine with that. But then two things happened.

1) One of my students said it was their favorite movie. Out of 48, only 5 students picked a movie that I hadn’t seen before, and that was one of them. Grrr… Kind of have to watch it now.

2) I saw Battle of the Year, made a joke about this movie, and realized I should hurry up and watch it.

I am not expecting really anything, some sort of college dance movie. Let’s do it. I mean, shit, I liked Drumline.

Hey, at least we have people doing flips. Like a cheerleading movie!

DJ (Columbus Short) and his brother Duron (Chris Brown) used to be street battlers. They had a crew who would battle other crews in clubs for cash. They also used to be alive.

After the battle at the beginning, they go cocky and accept a double or nothing offer. They win, pissing off the local crew even more, who want revenge. In the fisticuffs, Duron is stabbed and killed (Yes, Chris Brown dies). Well, that kind of puts a damper on things, so DJ quits the crew, moves out of LA and into Atlanta to live with his Aunt and Uncle (Harry Lennix, Valarie Pettiford), who got him into Truth University.

He gets a roommate, Rich Brown (Ne-Yo), and a new group of friends, but he doesn’t care about anyone. He just misses his brother.

Anyways, long story short, Truth University has two fraternities who are on top and great at stepping, both making it to the nationals every year. Unfortunately, one of them has won seven years in a row, and the other always comes up short. Guess who DJ ends up choosing? Well, after he is convinced that stepping isn’t just some pussy dance stuff.

He picks the underdogs, lead by Sylvester (Brian White), mostly because the girl he wants, April (Meagan Good), is dating Grant (Darrin Dewitt Henson), second in command of the other frat, and a total douche.

Then dance movie stuff happens, predictable plot turns like his past coming back to haunt him. You know. Normal stuff. Jermaine Williams is also in this movie, with a face that looks like I have seen him everywhere, but basically just in Fat Albert.

This movie is about step team dancing and colleges. Holy shit, why did no one tell me about this before?

I love watching step teams perform. Going to college in NC, I was actually able to see fraternities do this kind of stuff live. Probably not the high quality presented in this film, but it is still cool to see live. Honestly, only mainly black fraternities do this, so if you don’t live at a place with them, you won’t really know much about them. There are zero step teams in Iowa, for example. Just a guess.

As it is a dance movie, I must judge its dancing. Early on, when they were battling? That first part of the movie was horrible, a mess. The camera was all shaky, you couldn’t tell what was going on, just ugly. When they started stepping? Hell yeah. It got good then. But it could have been a lot better. The camera shouldn’t cut away as much, because part of it is watching the unison and everyone working together.

The plot was predictable, and some major drama moments just came up short. The overall story wasn’t too original. Pretty typical of a similar sports movie, about a kid getting off the streets. So there are no bonus points for the story. Only bonus points for the really fun dancing to watch and every once in awhile, a joke that actually made me laugh.

Well, Dexter had its series finale a week ago today and it was pretty much shit. Seriously. One of the worst series finales ever.

In honor of that, I decided to watch Quarantine for the day!

What…? Well, look at the main star, that is why. Quarantine itself is a remake of [REC], a Spanish horror movie, that has made at least four films on its own. Quarantine was only given a sequel, and that one has nothing to do with the rest of the [REC] films. So it must be lamer.

Quarantine is also famous for being a horror film that decided to spoil the ending in basically every format possible. The trailer, the tv spots, the poster, the dvd film cover. Every single way. Later The Apparition decided to try this method too, but no one watched The Apparition.

Oh, and I have decided to spoil that ending here as well. Because fuck it.

Angela Vidal (Jennifer Carpenter) is a news reporter, trying to make it big in the world, but stuck so far with side stories. Lame. Like tonight, she is doing a piece on firefighters. I guess it is a fluff piece, because she is just sent to interview the workers, and hopefully follow them on a fire or two, that would be awesome footage. Along with her cameraman (Steve Harris), they eventually get a call out to an apartment complex where there were reports from the manager that a woman has barricaded herself in her room, and she was making a lot of noise. Alright, boring issue, but sure, let’s film it.

OH SHIT WOMAN HAS GONE CRAZY AND BIT ONE OF THE COPS. Bitch has foam in her mouth! They race downstairs, the two fire fighters (Jay Hernandez, Johnathon Schaech), and the other cops to rush him to a hospital, but the apartment complex is boarded up. The fuck? They can’t get out. That doesn’t make any sense.

Apparently the apartment complex is under quarantine now, and they have no idea why. No worries, they will be out shortly, just one crazy man. A local vet who lives in the hospital, (Greg Germann), does his best to stop the bleeding.

This is still all sorts of fucked. Especially when the lady is still going crazy enough that they have to put her down. Apparently, according to the vet, her symptoms appear to be rabies which have no cure once they take over. But the affects of rabies normally take months to occur, this must me some sort of super rabies. Well shit, how did they know to quarantine off the building so quick? Who the fuck started it? How unlucky is it to be Angela?

Super Rabies. Worse than Hitler.

Oh no, a shaky came found footage movie! The end of the world! People tend to ask during these types of movies: Why the fuck are you still recording? Well, there are a few reasons here. 1) Journalistic integrity. This shit is the scoop of a lifetime. 2)That camera has night vision on it, could be helpful. 3)That camera is also the only light source once they knock out the power. So, shit is important.

So how did it do outside of ruining the ending? Well, eh, it was okay. Dramatically different ending from the [Rec] version, I have been told. That one involves religion. This one involves cults and super viruses. I guess religion trumps, since that series has more movies. Oh well, its in Spanish, don’t care.

It was kind of neat watching all the characters at the beginning of the film start out as alive, and then you know, become dead later, so you get to see tore up versions of people who we already met. In a zombie movie, most of the zombies you don’t know. In this film, each person “dies” to the virus, and then has to be killed again with the rabies. I think that made it feel a bit better.

Near the end it got pretty confusing, but I will say I was impressed with Jennifer’s scared shitless acting. Her character did feel different from Deb, and she didn’t just bust out swears every sixth word. It is an okay thriller. Things jumping out of the dark, basically every time you’d expect it. Hooray zombie rabies!

I definitely picked up Room 237 on a whim. The cover looked interesting. I was guessing it was an indie romp or some sort of hippie horror film. All of those hexagons yo. Who knows what was going on there?

Maybe indie hippie horror? Who knows.

Well, I was wrong. Room 237 is a documentary. A documentary about a movie. What movie? The Shining, of course. There are a lot of theories about this movie, it turns out, and I am about to watch a documentary going over a lot of them…

…

Yay!…

Ah, now I understand the hexagons.

Alright, so the whole movie is basically dialogue, spliced over mostly scenes from The Shining. Either randomish scenes, or scenes directly being talked about, with helpful arrows and slow motion when necessary. There are other scenes from Kubrick films too, and then a few random ass ones, but mostly The Shining. That makes sense.

The people talking? We don’t see any of them. Just hear their voices. Who are they? Mostly all random fans of The Shining, with their own forms of analysis and what they got and saw out of the film. Some of them might be actual “film experts,” hard to say, since we are just flashed their name and given their words.

So you are probably wondering what theories they had, yeah? Well, I won’t spend any time explaining them, but here are some thoughts!

The Shining is about the Slaughter of the American Indians. It is about the Holocaust. It is about sexual demons and desires, and their attractions to humans. It is about ghosts that love watching us. Someone made a map of the hotel based on the movie, and found many fake/impossible hallways/windows. That of course means something. There are parts that would generally be considered continuity error, but not in this film, because Kubrick. It could be about a minotaur and his lair. It is about the past…which past? All the past. Or its about how the moon landing was fake.

What?! Okay, that theory I have heard before, and a lot of those clues are pretty exciting.

One guy watched the movie twice at the same time. Once in forward, other in complete reverse, right on top of each other. He found apparently a lot of interesting scenes that mean a lot more, but come on. A man can’t design a movie like that.

Forward and backwards image. Pretty haunting, sure. But intentional? Ehh…

By now I bet you looked at the rating. You might be wondering why.

Well, just like I gave The Gatekeepers a low review, this one has horrible horrible horrible production quality. We don’t learn anything about the people talking, so we never get really any qualifications unless they decide to tell us. They switch between some talkers, or talkers come back later, but they expect us to remember what they said earlier in the film and who they are, without even getting to see them? JUST their voice? Shit, that is worse than The Gatekeepers.

The other main issue? It is boring as fuck. I tried to stay interested early on, but then eventually you get people with bigger axes to grind, who want to talk about everything, but none of it is in a really constructive way. Like, cool, a chair is missing between scenes. It is on purpose? Fine. Then they don’t tell me what they think it means? I can only hear the same shit so much. This movie is 100 minutes and it is insanely boring.

The same clips over and over and over again. Only hearing voices. It sure does make me feel like a dull boy…

One thing I can say about Rush going into it, is that it sure had a lot of trailers. At least three, maybe more, in theaters. They were also very long. This gave me two thoughts.

1) There are a lot of events in this film that just seem like a more serious Talladega Nights: The Ballad of Ricky Bobby. Dude gets burned, big rivalry, one is more foreign than the other one, lots of jealousy, comeback, whatever.

2) The trailers gave…a lot away. Sure, this is a real story, but I can tell you that most people do not know this story. It is different than Lincoln, in which we all know what happens. I am afraid I know everything that happens just from the trailers, which bugs me. Could be a cool story, but I want some mystery still you know.

Besides the mystery wondering why someone with such lush hair could think about dirtying it up.

I was wrong. The trailers didn’t give a lot away, at all. Sure, some major points, but fuck, a lot happened in this film.

The movie takes place in the 1970s, roughly 70-76. In 1970, James Hunt (Chris Hemsworth) and Niki Lauda (Daniel Brühl) were both Formula 3 racers with big dreams to race in the Formula 1. Both outcasts by their family, they took different approaches to racing. James lived life every day as if it was his last, laughed in the face of danger, and burned out a lot on races. Niki was intelligent, not a risk taker, but good at driving. He was also a bit of an asshole, because he was honest, and cared most about winning.

Years later, both men were in F1 and constantly at the top of the pack, a fierce rivalry between the two, although both racers definitely respected each other.

1976 was the year when the most dramatic events occurred. Fiery crashes, a close finish for world championship, rain storms, disqualifications, you name it.

We also get some insight into their personal lives. Both had wives, James with Suzy (Olivia Wilde), Niki with Marlene (Alexandra Maria Lara). Pierfrancesco Favino played the role of a teammate of Niki’s, and he rocked the mustache well.

Our other star? No lush hair for him, so they can cover it up more.

Holy fuck. I really do mean it, a lot happened in this film and in this rivalry, and I didn’t feel like anything was really spoiled. Sure, that think that happened to Niki? That was kind of spoiled, but that was a big selling point to the movie, and they hinted about it right at the beginning.

I don’t know a lot about F1 racing, but I didn’t have to in order to enjoy this film. Major props to Ron Howard, who’s last film was The Dilemma and well, lame. I felt the fear that those riders must have felt during those difficult races. The way it was all set up really put you in the drivers seat at times. The dialogue was also really great, for both main characters, and I could hear them talk all day.

I think Daniel Brühl was the better actor of the two, putting his whole self into the role, although Chris did fantastic as well. Doing research, I was even more shocked to find out that Brühl was the main character in Good Bye Lenin!, one of the few German movies I own over ten years ago. The film was very graphic when it came to the crashes, accidents, and deaths, so when Niki got injured, it was incredibly cringetastic, yet I could not look away.

But here is the most amazing thing about this film. How close it matches the reality. These events were widely filmed in the 1970s, so I was able to actually watch a lot of the final race, of the race with the crash. I watched these soon after the film, and literally, the film filmed them EXACTLY as they happened in real life. The accident was like, frame for frame recreated the exact same way. How fucking nuts is that? Every race, I have to assume, was equally as correct and not made up. It is mind blowing that Ron Howard went into that much detail, and I am in awe of that ability.

The overall film experience is why it got the review. Sure, some parts I wish they explained better, like the different tire types, and other terminology. I had to ask a friend for some clarification, but holy fuck. Rush was an experience.

There is a serious problem happening in America. Right now! All around us! Unfortunately, most of us have closed our eyes to this problem.

We are no longer the best country at breakdancing, or “b-boying” despite the fact that we invented it. Hip-hop is losing its appeal in America, and it is sad. Grr, I hate it when we don’t win everything!

Because of these true indisputable facts, the movie Battle of the Year 3D was created. Sure, their trailer had the wrong release date until a few weeks before coming out (listing January instead of September) and looked entirely like a parody, but the director hopes to bring light to this definitely real tournament through exciting dance sequences, flashing lights, and Chris Brown.

Basically, the exact same thing he did six years ago with his documentary Planet B-Boy. (Except that one didn’t feature the internet’s most hated man.)

Step 1 to making a big movie? Cast this guy!

The movie starts off quite serious. A boardroom meeting lead by Dante Graham (Laz Alonso), a big hip-hop record executive who is worried about a decrease in sales. Why? Because no one in America cares about B-Boying anymore. Why? Because there is a big international tournament that we haven’t been able to win in 15 years (fact).

So he decides to bring in a coach this time to whip these young boys into shape. How about Jason Blake (Josh Holloway) who used to coach basketball successfully until he lost his family in an accident? Don’t worry, he isn’t some random scrub. He also used to B-Boy in the 80s with Dante.

Yeah. This will go well.

After hiring random office guy Franklyn (Josh Peck) as his assistant coach, he decides the only way to win is to get rid of the current team, and start from scratch. He wants to make a B-Boy Dream Team, the best dancers from the best crews across America. Then he will only have nine weeks to train them, make them a cohesive unit, and make very difficult cuts the entire time.

Of course during this time he has to go through almost every sports team problem in the history of sports movies. His two best dancers, Rooster (Chris Brown) and Do Knock (Jon ‘Do Knock’ Cruz) are at each others throat over a girl from years before. They have an openly gay dancer (Richard Maguire) and people who are pretty homophobic (Sawandi Wilson). They have players who sneak out at night consistently, last minute disqualifications, last minute injuries and a whole lot of ego that stands between them and the gold.

Let’s not forget the coach has a drinking problem! Crap, our hopes lie within a bunch of entitled young adults. At least they have a choreographer (Caity Lotz)? That will make a difference? Maybe?

“How do I reach these keeeeeds?“

Battle of the Year 3D is an interesting movie, in that you know the director actually cares about the subject matter, given he made the documentary a few years back. He also uses a a real event and real details. Of course the idea of the dream team crew is completely fictional, so I almost think that it is his own personal idea for bringing the gold back home.

At the same time, I feel like he also is just trying to promote his own stuff. There are many scenes in this film of the characters watching his own documentary, which one refers to as “The Bible of our culture!” Whoa now, Benson Lee, calm yourself down.

I learned that Chris Brown is actually a great dancer. Sure, I knew he was in Stomp The Yard, but who actually watched that movie? The majority of the actors in this film are actual B-Boyers so you know the dancing you get will be quality. The problem with this film is that it tries too hard to be a generic sports film instead of a dance movie.

What do want and expect out of a dance movie? Lots of dancing, of course! Unfortunately, most of the film is spent in the training, so instead of great dancing, we just get working out and small dance moves. Most of the dancing doesn’t happen until the end, leaving us only with sport cliches, and that is unacceptable. Also, the actual format of the competition means that the coolest dancing we see happen well before the finale, in the preliminary round.

A dance movie without a lot of dancing? What a mistake.

The crowd at the Battle of the Year events must be pretty bored. I think there was five shots of them throughout the film just standing around doing the wave.

Wait. This is a hip-hop competition that takes place in France, with the audience constantly doing the wave? Damn, that country is literally living 20 years in the past.

#900. Hooray. Not technically an important number, but it is 100 from 1000, which is sexy as shit.

For this milestone review marker, I have decided to tackle a movie that definitely falls outside of my time range. It came out in 2003, but was such a bomb, that I am pretty sure no one ever saw it, and it was given the Gigli treatment. The movie you know was bad before it came out, and were willing to trash it without seeing it.

I mean, I am not saying this movie didn’t warrant that treatment, for so many obvious reasons. But just how bad was From Justin To Kelly?

I mean, these two kids look like they are at least clean right?

But first, let’s make sure you all understand where this film came from. In 2002, American Idol was born. A huge sensation and hit, it captivated audiences, because it honestly brought something new. The viewer was given the power, it was live, not some just random panel of judges. Oh, and that Simon, he was a mean one.

Well, our final two contestants were Kelly Clarkson and Justin Guarini and America was left wondering who would win, who!? Well, clearly we know the winner now. Kelly Clarkson is a big star. Justin Guarini is better known as Sideshow Bob from The Simpsons. Despite that, a year later, they decided to ride their fame to the ground and release a movie that probably cost $5 to make, to make America love them even more!

They also had two announcers that year. Did you forget about Brian Dunkleman?!

No, fuck that. It is movie time.

Spring break movie time.

Unfortunately, this movie is rated PG, so any closeness to Spring Break will be missing from this film. Either way, this movie takes place almost entirely in the sun, on a beach, where people sing dance and sing some more!

Where a bro, can be a bro.

First we have our guys! Of course we have Justin, who gets to play himself, from Philly originally but now lives in the beach area. He and his bud, Brandon (Greg Siff) are working on starting a business. A party business, and what better place to start than Spring Break. They can make cash and have fun at the same time. Justin is the type who has a different woman every night, so this is just more opportunity for hot passionate hook ups!

Brandon keeps getting in trouble with the law, a hottie cop (Theresa San-Nicholas) giving him ticket after ticket. The third friend is Eddie (Brian Dietzen), who is a nerd and has been dating a girl on the INTERNET. Hah, what a creep! He plans on meeting her over the break, but he just can’t find her.

She ain’t one of these ladies, that is for sure.

Then we have our girls, straight from Texas. Our main lead is Kelly, and she is a bit shy and doesn’t get out that much, so her friends are responsible for bringing them along. Kelly isn’t really looking for anything, just a break from the mundane. One of her friends is Kaya (Anika Noni Rose), falls in love with a random bus boy, gross. Her other “friend,” Alexa (Katherine Bailess), likes to reject boys and play a tease. Ah, teenagers.

If you haven’t noticed, despite the even numbers, no, we don’t have three friends hooking up with three friends. That is good!

I really am telling a picture with these stories. Look how alone Justin is. He hasn’t found Kelly yet!

Well, eventually Justin meets Kelly, and it is love at first sight. Just kidding, then the movie would be over. But there is some interest, so Kelly gives Justin her number.

Too bad he loses it somehow! Shit, she is also complaining about whipped cream bikini contests. He is totally running one of those later in the week. Oh well, might as well lie.

Oh no, she is also dancing alone. God, why can’t they find each other and have the best love of all the times!

Well, he tries to get her number again from Alexa, who agrees, even though she is kind of interested in him too. Except she gives him her own number just to fuck with him. Alexa is a bitch.

So he is texting her for days but she will not meet up with him, despite their in person conversation. What is up with that? Kelly is left thinking that Justin is a player who didn’t really want her, just a trophy number. Neither side is having any fun. Even when they do meet, they fail to mention the lack or awkward text communication, and end up having their own real life problems. Jeez, why can’t it just work out perfectly?

Well, there is progress here. At least they are dancing near each other.

Long story short, EVERYTHING WORKS OUT FOR THE BEST. Kelly finds out Alexa is a whore. Kira gets with the bus boy who also doesn’t lose his job. Eddie makes other friends and his online girlfriend is for real! Brandon, after shenanigan after shenanigan, is able to meat the cop in her off time and she totally digs him too.

Oh, and Justin and Kelly found out they love each other or something. Time to give up those player hater days and foster this love that will totally last forever, since they live in Texas and Pennsylvania. Also, singing!

Boom. These pictures were a metaphor. And all basically the same bullshit beach.

Big cash cow organization makes a movie, and I am left wondering a few things.

1) Why the fuck did they not cast more members of the final six/eight. I know they have them all under contract, they signed most of them to deals and forced them to go on tour. They’d do anything to get their names out. Why cast even less well known people to star in the other roles. It’d make sense if they threw in a Matt Damon or someone real somehow, but this is just two formerly unknowns getting to sing and dance with a bunch of extras. That is it. How lame.

2) Half of these songs are not unique in anyway. The CD for the film didn’t even end up getting released, due to the large mass of boos and poor numbers. The only reason we know about some of them (because no one saw the movie) was their appearance on Clarkson fan sites and the main song, Timeless, appearing on Guarini’s first (and only?) album. Despite that, no one wants to hear a cover of That’s The Way (I Like It). No one. No one ever really wants to hear the real version either.

3) Where the fuck is my Ruben Studdard and Clay Aiken movie? They could have turned them into buddy cops who brought the southern soul to the streets of Memphis, or something. Fuck. I wish there was a movie for every season, especially because I’d watch them all.

The dancing was bad, the music was bad, the plot was pointless as fuck. The hate was well deserved, and we all knew it from the start. Time to go back to judging books by their covers.

Here is a strange fact I learned about What Maisie Knew. Normally, when I find out it is a movie adaption of a book, I don’t give a shit. What movie wasn’t a book first, honestly? Just straight to movie is a rare, rare concept.

However, the book version, also called What Maisie Knew, came out in 1887. Holy poop pants! Sure there are modern movies being made off of old properties all the time, and updated for our technologically infused eyes, like random Shakespeare plays or whatever. But this feels incredibly different. The subject matter of the book is about divorced and its affect on the daughter in the household.

That is a really specific topic to be talking about over a hundred years ago, six years before we invented flight. If the book is anything like the movie, I will just be impressed at the level of thought that went into such a tale. Yes, I do think people in the 1800’s were generally stupid. They don’t care that I think that, because they are dead, yo.

Just like how everyone in this picture will be dead at some point. Err…

The story begins with Susanna (Julianne Moore) and Beale (Steve Coogan) having a bad time. They argue a lot. They are getting divorced. She is a rock and roll singer/performer, who travels a lot, and he is a British art dealer. The other thing they share in common is that they are not the main characters of this story.

Maisie (Onata Aprile) is! The young daughter of the couple, she has to now experience a divorce where neither side is really nice to their former lover. The story is in reference to what Maisie sees during the divorce, the pivotal moments of it all, that I guess adults assume she won’t understand. But she does.

Both of her parents find new lovers, Susanna finding a much younger Lincoln (Alexander Skarsgard) and Beale has found Margo (Joanna Vanderham). Thankfully, both of these people are at least super nice, so that should make the transition to living in two homes easier right? Eh…

Hey, Maisie. Neither of those people are your natural parents. That’s awkward.

Movies with divorce and broken families in them are always a bit uncomfortable or awkward. The drama between them sometimes feels too real. It is even worse when an entire film is based around a divorce, and not just a minor plot point in the greater story.

We get to see parents talking to their daughter badly about their other parents. Custody battles awkwardly taking place outside of court, and in schools and homes. Constant disagreements amongst the parenting agreement, as to who can pick up who, when pickups have to occur, etc. Learning to trust new people in her life, which I guess comes relatively easier to her. The step parents awkwardly in the background, trying to help their new spouses with these difficult fights, but you know, not knowing how to.

It was just all very real, and I can say the ending shocked me a bit. At times I felt the movie moved a bit too slow, but overall, a wonderful film that really puts the ma back in drama.

Honestly, when I first saw the trailer for Prisoners, I wasn’t really impressed. It didn’t look like it was going to offer anything new. Sure, a torture scene. But despite the high star count, it just looked like it would be a lot of people yelling at each other, and then eventually somehow a crime gets solved.

Yeah. I was wrong. It is wonderful and unique. Fuck trailers, seriously.

He probably deserves everything that happens to him. He wears GLASSES, the nerd.

Ah, Thanksgiving. A time for eating food and watching the Lions lose a football game. A whole week of buying electronics cheaply on Amazon.

Well, the Dover family (Hugh Jackman, Maria Bello) and their two kids have decided to eat at their neighbors house down the street. The Birches (Terrence Howard, Viola Davis) also have two kids, of similar ages to the other kids.

Well, due to some confusion, the two youngest daughters are able to go back to the Dover home on their own…and then not seen again hours later. Shit. Fuck. Missing kids. That is never good. In fact, they think the kids were abducted. They were seen playing around an RV earlier, and the brother is pretty sure someone was inside. But when they find the RV later, the driver is Alex (Paul Dano), an IQ of a ten year old with no physical evidence of the kids in his vehicle.

Well, Detective Loki (Jake Gyllenhaal) is on the case, and he has never left a case unsolved. He just doesn’t have a lot to work with, with Alex being clean, and his mother (Melissa Leo) explaining his circumstances. No, there is a lot more at work than what we know. It just takes piecing a lot of different puzzle pieces together.

But time is of the essence, and when your daughter’s life is at stake, what would you be willing to do to save her?

“Hey you should just show pictures of people being rough with Paul Dano.” Okay!

Well, here is something I realized. Unfortunately, it is only for the male stars. I really love these guys. For three of the four male stars, their last movie on my website was given a 4/4. The only one who doesn’t match this criteria is Hugh Jackman, because I had to sit through The Wolverine and Movie 43, but he still had Les Miserables right before that. My last movie for Jake was End of Watch, for Howard it was The Butler and Dead Man Down, and Paul Dano it was Ruby Sparks.

Looks like these men get another highly rated movie to their resumes. No offense to the ladies, but they have been in a lot more crap recently. Oh well.

So yeah, this movie was incredible. I thought it would be a joke from the trailer, honestly. It looked overly melodramatic. When I found out it was 2.5 hours long, I groaned. How could they fill it with 2.5 hours of content?

Apparently it was really easy, because the time flew by and I was captivated the entire time. They don’t waste time either. The girls get kidnapped within the first ten minutes of the film. The torture scene alluded to in the trailer happens within the first hour as well. Yet somehow, there is more to it than those few events.

The director does NOT hold your hand throughout the film. There are some plot lines you have to figure out on your own, through flashes of story and connecting the dots. It is a great film to go with others just to make sure you can figure out all of the looser ends. The ending itself is a bit controversial. I will admit initially I was kind of pissed off, but it has grown on me, and now I like it a lot.

The acting is fantastic in this film. Hugh Jackman and Jake Gyllenhaal carry it on their backs with exceptional performances, but even though Terrence Howard had a smaller role, he worked it well. One scene in particular, the fists and hammer torture scene just was so powerful, it will stay with you for some time. Howard was in the background of that scene, but his face says it all. Paul Dano also was pretty great in a role where he wasn’t given a lot to work with dialogue wise.

The women were for sure underused, so I am just not sure if the writer knew what to do with them. Viola Davis had one pretty intense scene, but then wasn’t really talked about much. Maria Bello’s character was pathetic and on drugs, so she wasn’t given much to work with either.

Oh well. Go see Prisoners. Probably the best movie to come out this month for sure.

Originally, I planned to release my review of The Canyons alongside my review of Lovelace, but traveling and conferences got in the way.

Seriously. It would have been a double review.

Why them together? Well, Lovelace is a story of a porn star played by a regular actress.

The Canyons is a “regular story” being lead by a porn star.

In one of those films, there is a different type of smoking. Pole smoking. Okay, both films have that.

Christian (James Deen) is a movie producer, living in LA. He has some trust fund money, so he is living large, doing coke, and having wild sex parties. He also funds shitty movies. Sometimes he makes his own. Of course when I say he makes his own, I mean adult based film. Bow chicka, good sirs.

Well, he is currently dating Tara (Lindsay Lohan), someone else who is now related to the film industry, thanks to Christian. He likes her a lot too, more than any other skank he has slept with. He also likes that she likes to swing with him and other couples as part of his strange video film. She likes him too. Just not as much as she likes Ryan (Nolan Gerard Funk).

Tara might have been seeing him for years in secret, and now she was able to get Ryan a job on an upcoming movie Christian is funding. Probably a good idea.

Just kidding, that just makes Christian rage. Like, a lot. He gets jealous, thinking she is cheating (which she is, but so is he). Like really jealous. Like, someone might die jealous. On snap.

Also Amanda Brooks and Tenille Houston are in here. One is a lying ex, the other works on films. Take your guesses!

In situations like this in real life, I’d wonder who is happier: the porn star having sex with an actor/actress, or the actor/actress having sex with a porn star.

In case you missed it, James Deen is the porn star. One of the biggest male ones of the day, he has recently starred in DP My Wife With Me 2, Don’t Tell My Husband 3, Anal Buffet 8, Jack Attack, and James Deen Loves Butts. Yeah, pretty big deal.

Lindsay Lohan, not a porn star, just a crackhead, and she is very naked in this film. Lots of people get naked, and you can see dicks too. Overall, this film is definitely not worth if just to see this woman naked. Just google that shit, weirdo.

This is a film that decides it wants to make it as uninteresting as possible, despite the huge naked sex factor. I had to tag this film as “Erotic Thriller”, which might be a first. The acting isn’t necessarily bad, just non important. There are no real plot twists or turns at all. The only thriller aspect comes near the end, when James Deen does bad things to people, and then we end shortly after.

His character is fucked up, and we got a fucking lame movie. That is all.

Sometimes, titles tell the entire story.

Other times, they tell you jack shit. Seriously. The East? I am a fan of cardinal directions as much as the next guy, but the title should try to grab in viewers. It should be special.

I feel like I know nothing going into this film! Oh wait, that is completely true. Sexy. I love blank slates. I just hope I don’t get it confused with The West.

Shit, that joke was so weak, it brought one of our main characters to drinking.

Eco-terrorism often gets frowned upon…and rightfully so. Fuck terrorism in general, but I kind of super hate eco-terrorism. Eco-terrorism punishes humans for crimes against the environment or animals, which is never never okay. Seriously. Humans are far more important than both of those things, so I really hate it. Fuck PETA, fuck Whale Wars, fuck all of that stuff.

Hmm, I hope I am not biased.

The East is an secret Eco-Terrorist group that may be a complete fiction. The film starts with a few of their members throwing mass quantities of crude oil into a rich guys AC unit, probably ruining his house. He also was responsible for an oil spill and didn’t really try to get his company to clean it up. That is more acceptable I guess.

Sarah (Brit Marling) gets a job at the start of the film in a company lead by Sharon (Patricia Clarkson). Long story short, she is to find and infiltrate The East movement. They are a security company, and they want to prevent future attacks on their customers, while also proving that they have the best intelligence unit.

Guess what, she does it! Yay. Being smart is awesome. She is able to find their small mountain society, with a very free spirit loving culture. It is lead by no one, technically, but we all know it is lead by Benji (Alexander Skarsgard), because he is charismatic and has a beard. Other high members include Izzy (Ellen Page), Luca (Shiloh Fernandez) and Doc (Toby Kebbell), a doctor. Nice name, doctor.

As Sarah tries to work to destroy the society from within, she must first become one with their ways and ideals. Like every spy cult movie before it, she might have some difficulty keeping her own priorities straight and not getting lost in the message.

Kumbaya at 8, bottle spinning at 830, and sleep by 9! Hooray.

Yeah, I know I came in a bit biased, hating eco-terrorist groups, but really, I don’t think that affected my thoughts on this movie.

They don’t do too many acts in the actual film, because they don’t want the new girl knowing too much right away. Pretty smart, given the circumstances. The reason my biases shouldn’t matter is that the only two or so acts that they do in this film are all pretty reasonable. They are both related to punishing people for hurting other people, a noble endeavor. They both also prove a point in a way that makes sense. Again, I am fine with what the group did.

The acting itself is decent overall, but not anything I haven’t seen before.

I, however, hated the ending of this movie. It was a mess. I can say I didn’t see it coming, but eh, a shocking ending doesn’t mean it is any good. I say it was a mess, because there was so many ways it could have gone, that when it finally decided on a path, it then immediately ended and I was just left wondering why? Why is that the best actions to take? To me, it didn’t make a whole lot of sense, so I almost felt like I wasted two hours getting to that point.

Again, decent acting, I especially liked the Ellen Page “lake side” scene. That sounds pervy, but really it was for the good acting. Just it had a plot that I was unable to ever really get attached to, with a poor ending.