Month: August 2013

Trying to watch all of the Ryan Gosling movies has taken me down some strange twist and turns. Thankfully, most of them are older movies outside of my range, so I don’t have to review them. But if you saw my review of All Good Things, then you know there is some fucked up shit out there.

Using fucked up is an over exaggeration for that movie. Because then I watched Only God Forgives, written and directed by the same guy who directed Drive. Which was an artsy movie, interesting, violence heavy, but overall pretty fantastic. Even compared to Drive, Only God Forgives is truly the most fucked up of his entire career.

Fucked is use in a different way from the way I use it for Lars and the Real Girl.

“Well howdy there pilgrim…”Julian (Gosling) is your average American. He doesn’t say much. He lives in Thailand. He runs a boxing arena that is a front for a big drug smuggling operation. Yep. Average American indeed. His brother Billy (Tom Burke) is a big dick though. Rapes an underage prostitute. Gets arrested.

Lieutenant Chang (Vithaya Pansringarm), aka the Angel of Vengeance, arrives on the scene and lets the father beat Billy to death for the deed. Shit, son. Not only that, he then cuts off the arms of the father, for letting his daughter in prostitution in the first place! At least he is just?

Julian was going to fuck the dad up, but hey, he lost his arms already, and Billy had it coming. It didn’t stop Crystal (Kristin Scott Thomas) from traveling to Thailand to identify the body. You know, Julian’s mom. They have a strange relationship, he is surprised to see her. She wants blood. He doesn’t care. She wants to take out the Angel of Vengeance. He doesn’t care.

Then a lot more fucked up shit happens then the movie ends.

Have sword, will slash.Looking up random stuff about the film, I found out that the director wanted to make a more modern and set in Asia cowboy movie. Or something. Which I can kind of see. I guess Gosling is the cowboy in a dangerous land(Thailand, not the wild west). Kind of a lone ranger. Doesn’t speak much. Fights a lot. Maybe crooked.

Whatever. The cowboy elements are there.

But the film could also be something about mysticism in Asia. Or something about anger and violence he felt when his second daughter was being born.

Really, it could be anything. This is all stuff the director said, so it seems to be all over the place.

Gosling’s character only speaks 22 lines of film. No one really talks a lot. But we do get some karaoke scenes, so we get singing as well! It is another visual heavy picture, with strange dark colors, set in the seedy parts of town. The whole thing seems to be set during the night as well. Daytime is for rookies. Thailand scares me cause of shit like this, and The Hangover Part II.

It is really hard to talk about this movie, so I kind of just want to shut up now. I don’t even know what to think anymore. Somebody hold me.

2 out of 4.

To The Wonder is another movie I accidentally waited a long time to see. It is that video on demand stuff, I tell ya. It came out in APRIL, and I realized a month later I could see it. Very exciting. After all, I knew the actors in it.

I also knew that it was Roger Ebert’s last review. Pretty fucking exciting. Then just like every other damn video on demand movie, I forgot about it and look where I am now. Reviewing it after it comes out on DVD, like a chump. Sigh.

Life’s a beach, and then you’re Ben Affleck.

The movie begins in France. Huzzah! Neil (Ben Affleck) is a non descriptive American traveling in Europe. While there, he meets a Ukranian woman, Marina (Olga Kurylenko), and her daughter Tatiana. They fall in love, kind of, especially at this place: the Mont Saint-Michel. Aka, where that picture from above is taken.

So he invites her back to the US with her daughter to the wonderful land of Oklahoma. Because when I think of the US, I think Oklahoma.

By now you will realize something about this film. There is a lot of beautiful imagery. There is a lot of voice over in another language (woo subtitles). There is a lot of not talking. Huh? Yeah. The characters don’t really talk. There is little to none actual dialogue in this movie. Ben Affleck almost has more words spoken in Clerks II, which is shocking.

For whatever reason (I guess we get to make one up), Neil is afraid of marriage, so eventually Marina gets sent back to France. Neil is left doing some vague environment work with problems that vaguely hurt the poor people. He rekindles with Jane (Rachel McAdams) who has had a recent rough past, and loves her up too. Just no marriage.

Marina has a bad time in France. Loses her daughter to her ex-husband, has no job. But eventually finds her way back in Oklahoma, with the man she loved before.

Also, there is a priest, Father Quintana (Javier Bardem). He is important? Somehow?

See? He gets his own cool artsy shots and stuff.

Fuck. What in the fuck. Artsy movies sometimes really piss me off, when they go all art and no…substance? I want to say substance. It seems harsh, but it feels appropriate.

I found out there wasn’t a real script for this movie. Just an idea. Which explains how the entire thing is void of any real dialogue, minus one scene between Rachel and Ben. The actors were told to use body language and act a much as possible. You know what happens when you only use body language? A lot of strange scenes where two people are standing near each other, but looking off to the sunset or the hills, and then back at each other, then back at the scenery. All spliced together with other imagery.

Gah. I should I have paid attention to the director. Terrence Malick. I’ve reviewed one other movie from him. The Tree Of Life. A very polarizing movie, with good imagery, that people either loved or hated. I wonder if this is the same? I’ve actually only heard negative things, but I still wanted to watch for Ben.

Yes. A lot of the movie is visually pleasing, but I don’t want to see characters stand around during voice overs for two hours in pretty scenery. It is just not worth it.

The fact that I could write that plot summary only came thanks to the wikipedia article on it. Without it being explained, a lot of it just seemed up in the air and for anyone to interpret as they would like. I interpreted it as a shitty movie.

0 out of 4.

Fruitvale Station is the true story of the last day of Oscar Grant’s life in 2009. Who is Oscar Grant and why should you care?

Good question.

This Wikipedia article sums it all up nice and…well in great fucking detail. So much detail. Not an easy read at all.

Basically in an arrest, police officers were being rougher than usual early on New Year’s Day. One of the officer ended up firing a shot into the back of Oscar, killing him later. Thanks to technology, a lot of videos quickly surfaced on the internet, and brought the case to the national spotlight. Then, you know, this movie.

SPOILER. Someone dies in this movie. Side note, this movie is hard to explain. You know what happens at the ending. Hell, if you didn’t read this review, you know how it ends? Why? Because this is how it starts:

Actual footage of Oscar Grant at the Fruitvale train station. One of the cell phone cams, about a minute long, a brief altercation, and the shot. Then the movie starts.

This is a pseudo-fictionalized last day for Oscar (Michael B. Jordan). December 31st also happens to be his mother’s (Octavia Spencer) birthday, so a lot of the day is prepping for dinner at her house and then plans in the city for midnight.

He recently lost his job as a butcher, and has gotten back into dealing drugs, but he wants to turn his life around. He has been in prison twice before, but just got out again a few months ago. He has a daughter, with his long term girlfriend Sophina (Melonie Diaz). He has a big family and a nice support network.

Shit, what else do I say? I don’t. He had a rough life, then he got shot. Kevin Durand also made a surprise small appearance as a cop. Not the asshole cop, just one of them.

Plenty of imagery to make sure you got the full emotions out of it too.Some movies are just hard to describe, for sure. And after all, with a movie like this one where you KNOW how it ends, the experience is the entire point. But what kind of point was it trying to make?

Anytime someone dies, it is a tragedy. The death is worse if the age is low (he was 22) and the circumstances unjust (shot in the back during an arrest) and even worsier if it has authority overstepping their bounds. The timing of this movie couldn’t be better, with a different famous death just finishing its trial, with the George Zimmerman / Treyvon Martin case.

This only feels relevant because it is a movie distributed by The Weinstein Company, who are well known for advertising. Aka, the best money spent on advertising is free advertising. Just look at their Bully nonsense.

So I think it is unethical to release this movie around that trial for more money and exposure, but I think the movie itself is worthy of being made on its own merits. I don’t like lumping the two things, because the situations are very very different. I won’t get political, I will end it there.

The movie itself is VERY well acted, especially Michael B. Jordan. Everyone else is fine, but he is the only character basically on the screen 100%. The middle of the film had its boring moments, but that was necessary for the buildup. I think it was strange for them to show the actual footage at the beginning. It really took a lot out for me, since they recreated it at the end of the movie anyways. It seems like it could have been better incorporated somehow. Random scenes had extreme elements of shaky cam, just from walking through a room, or a quick run down a street. Those were annoying, not helpful.

I hope some of the smaller details were actual events. They had nice graphics for every phone call and text he made, all of which are records that could easily be gathered, so it would be nifty if they were the actual texts and phone calls he made that day.

Good movie, sad ending, great acting, some dull parts and questionable advertising. Very excited for Michael B. Jordan to be in more movies, that is for sure, brah.

3 out of 4.

I almost saw Frances Ha two months ago. For real. I was going to drive an hour to see it and do some other things in the capital city.

It was the only movie at the indie theater that I hadn’t already seen, or knew I was going to see shortly after. It was all going according to plan.

Then I ran out of money and said nope. Also, the prospect of watching the movie didn’t appeal to me. I knew it had Greta Gerwig, who is in like, every indie movie now. But it was also in black and white. Ehhh, black and white…

Frances Hi!

Frances (Gerwig) is a 27 year old woman living life in the NYC! Yah! She lives with her best friend, Sophie (Mickey Sumner). They are basically the same person in different bodies and hair colors. Good times are had by them all. Until Frances has to leave her boyfriend and also can no longer live with Sophie.

Shit.

This movie takes place roughly over a year. It is her trying to survive in NYC, without her confidant, as they drift farther, and closer, and farther apart. No one likes losing a friend. But she is getting less work at the dance company, and times are tough.

She ends up finding a room with two men, Lev (Adam Driver), who tried to sleep with her and every other woman, and Benji (Michael Zegen), who would describe Frances as undate-able. She lives temporarily with a fellow dancer Rachel (Grace Gummer, currently on season 2 of The Newsroom). She also will have to move back to California, live in another country, and live in the woods and her old university before she gets back on her always dancing feet. Maybe.

At the same time, Sophie is getting very serious with her boyfriend Patch (Patrick Heusinger) who may be a good guy. Not really sure. We see everything from Frances’ point of view.

Frances Ho?

Fun fact. Greta Gerwig cast her parents as her parents! Ahh! What fun!

Description for the movie was hard. A woman in NYC. But the plot moved really fucking fast. The movie itself is under 90 minutes, so it has a short time frame, but it feels even shorter than that. It flies by so fucking fast.

Why is it fast? The way the movie was cut. Many short scenes, all spliced together to show a passing of time. That’s right. It is basically a shit ton of montages. Without the sports. Whether it be awkward dates, or awkward dinners, everything is quickly paced, and still conveys the appropriate emotions to the viewer.

You will feel awkward, uncomfortable, and sad. Which is great.

It didn’t end up being super artsy. The art direction and black and white was some sort of love song to Woody Allen probably. More importantly, I think that most people who watch this will find their time well spent.

3 out of 4.

To answer the first question on everyone’s mind, yes I did dress up like a Smurf for the premiere of The Smurfs 2. It was smurftastic!

Initially, watching the trailer, I was enraged at the plot. In a nutshell, Gargamel (Hank Azaria) tried to create a couple of Smurfs, but they turned out grey and evil. He needs to know how to make them blue, to extract their essence and then become a powerful sorcerer. But they can only get the formula from Smurfette (Katy Perry), who they have to convince to be naughty and join their force.

NAUGHTY. NAUGHTY. NAUGHTY.Why does that upset me? Because I know that Smurfette was a Gargamel creation in the first place (Despite the first movie contradicting that statement). He wanted to create chaos in an all male Smurf society, by introducing a woman. That makes sense. So why did he have problems creating more Smurfs? Oh, because the movie changed things up a bit. More importantly, they explained it all and made it completely reasonable.

In this world, Smurfette was also originally gray, until Papa Smurf (Jonathan Winters) turned her true blue and into a happy go lucky Smurf. Yay! Now everything is okay! Only her and Papa Smurf know the formula, which is why they steal her back into the real world to beat it out of her…with kindness. It is also Smurfette’s birthday, and as the Smurfs tried to keep the party a secret, she assumed no one remembered and felt quite sad. Poor Smurfette.

Due to some miscalculations, the rescue team consists of Papa Smurf, Vanity Smurf (John Oliver), Grumpy Smurf (George Lopez), and Clumsy Smurf (Anton Yelchin).

Oh, but they aren’t alone. No, they have human friends from the first film! Patrick (Neil Patrick Harris) and Grace (Jayma Mays), their son, and Patrick’s step-dad, Victor (Brendan Gleeson).

Can this rag tag group of Smurfs find and convince Smurfette they love her before time runs out? Or will the Naughties, Vexy (Christina Ricci) and Hackus (J.B. Smoove) get to her first?

But let’s not forget about dat cat.I actually left out a lot of the minor plot points in this one. You’re welcome, that means the movie will be a bit more surprising if you head out to see it. Honestly, it might be worth it if you have a family.

You don’t have to see the first film to understand this film, you just need to know that they have some human friends. Pretty standard for a family film.

What can you get out of the Smurfs? A lot of smurfin’ puns. Smurf this, smurf that, puns everywhere. Hank Azaria continues to be a smurfing excellent Gargamel. The work he puts into the voice and that character is beyond phenomenal. It is smurfing nuts!

I laughed quite a bit at some of the jokes. The fact that the plot made sense in this universe only made it better. However, there were a few smurf problems.

Vanity Smurf? I wish they killed off some Smurfs. As one of the three main personalities on the trek, being narcissistic, he ALWAYS talks. Unfortunately, everything he says is the exact same vain pun, over and over again. It got smurfing real fast. At least Grumpy Smurf had an interesting plot line. Clumsy Smurf was ignored completely. They had the chance to branch out and give us some newer Smurfs to highlight, but they didn’t.

Really, if they make another Smurfs movie, I hope they keep them in their own world. If they want, bring NPH and the other humans to them this time. Their world has plenty of lore, magic, and fun to be a great setting. Most of all, it has more than a handful of Smurfs, so everyone can fight for the metaphorical spotlight.

 

2 out of 4.

With The Smurfs 2 and 2 Guns releasing on the same day, I thought I would be clever and do a joint review called “Smurf 2 Guns.” Get it? Hilarious! Too bad Entertainment Weekly beat me to the scoop. Sigh. I will beat those guys one of these days, I swear.

Because of that, instead, we get a regular movie review! Hooray! I will jump right on in.

With two stars at their finest, we hope. Bobby Trench (Denzel Washington) and Michael Stigman (Mark Wahlberg) are about to rob a bank.

Let’s back up. These individuals are working for Mexican Cartel Kingpin, Papi Greco (Edward James Olmos). They just traded him 500 Passports in exchange for $100,000 in Cocaine, but he gave them cash instead. Lame. Now in order to take him down, they will have to rob a bank with his safety deposit box. In that box, there will be $3 million or so in cash that they can use for tax evasion charges, or something. Wait what, take him down?

Let’s back it up again. Bobby is secretly DEA, working undercover to bring Papi Greco in to authorities. He has been working on this case for three years, but his boss is about to pull the plug, and the only one who trusts him is his on again / off again secret lover Deb (Paula Patton), another supervisor.

Stig secretly works for the Naval Criminal Investigative Service. Yes, trust me, that’s a thing. You may be aware of its acronym, NCIS. Why is the Navy doing any sort of investigation into a Mexican Drug Lord, and in Texas? Don’t ask me. Don’t ask Stig either. He is just listening to orders from his superior, Quince (James Marsden).

However, after they rob the bank, they find more than $3 million waiting for them. In fact, there is over $40 million in the small town bank. Damn. Something isn’t right. When they try to reveal their actual identities right after, nothing goes right, and they are left on their own to find out just what the heck is going on. Things take an even bigger turn for the worse when the mysterious Earl (Bill Paxton) shows up in town, questioning just about everyone as to where HIS money ended up.

2 guns. 2 guys. 2 ropes. If you get what I am sayin’.2 Guns is billed mostly as an action comedy, a genre made very apparent from the trailer. A lot of nice one liners and wise cracks. Good show. While the action element is certainly there, the comedy element is incredibly light and sporadic in the actual movie. Wahlberg’s character makes a few jokes early on, but they quickly seem to disappear once all the betrayal starts. Heck, I found Paxton’s character to be the most humorous, but that was only because he was mysterious and a cowboy.

Speaking of characters, the secondary cast members weren’t used very well. Paxton (as I just described) was at least a bit interesting. The fact that James Marsden is in this movie almost feels like an oversight, with no real reasons for a big star to be in that roll. They also reduced the CIA to mere money hungry meanieheads, without any real explanation at all. In fact, the NCIS, DEA, and entire US government is seen as corrupt and inept, for no real reason at all.

In terms of plot, it is all over the place. They tried (very little) to explain why Stig was even investigating Papi in the first place, but it didn’t make any sense. The actual scene itself was quick too, just in case you wanted to understand the plot.

So half of the movie I am confused, trying to figure out how any of it makes sense. When they did finally explain why it didn’t make any sense, their actual reasons feel unacceptable.

Not a spoiler, but someone was pulling the strings secretly behind all of it, and set them up to rob a larger amount of money than they expected. Surprise surprise. But given how long these men have been working their posts, there is really no way anyone could have orchestrated any of the events that would lead them to rob a bank, without other people finding out.

The factual details are also out of whack. I could only shake my head during the “break into the navy base” scene. It felt comical, in the bad way, how little they cared about accuracy with it.

I initially thought I would forget about 2 Guns in a few months. Now I might forget about it within 2 weeks.

1 out of 4.

Uwe Uwe Uwe. Boll Boll Boll.

Potentially the most hated director in the world. More hated than Michael Bay.

He is known for two things. Making shitty movies hated by most people (like BloodRayne), and a few years ago saying he is willing to box any critic who says his movies suck. Well jeez. Although it gained him internet points, I won’t let something like that get in the way of saying whether or not a movie sucks.

So why did I watch this new movie, Assault On Wall Street, that went straight to video? Because that’s the whole fucking point of my website, damn it.

I make the pew pew pew joke too many times. But it is important here. To the plot. Pew pew.

Jim Baxford (Dominic Purcell) is your everyday normal guy. He works as a security guard for an armored truck company. You know, he works for a living, isn’t a Wall Street fat cat.

Speaking of Wall Street, the economic collapse thing happens. He loses a big investment he made with his stock dude, Robert (Lochlyn Munro). Why? Because the corporation saved their own asses, not their customers/investors. He tries to start a suit, but his lawyer fucks him over too, and does things without his permission.

Also his wife has cancer (Erin Karpluk). Or something, I forgot. Probably cancer. That is taking up a lot of their funds, because his small town job doesn’t give the best insurance. So they start going into debt. Credit scores go higher. In fact. This shit leads to him losing his job. He can’t have a job protecting money if he himself is bad with money.

Basically, shit is raining down on Jim. One thing after the other. One even bigger thing happens, that I won’t spoil, but it basically breaks him completely. He can’t stand it. He takes his severance package and spends it on guns. He practices. It is time to strike back. It is time to take out his own personal form of vengeance against these bankers. One at a time, and hopefully end up at Jeremy Stancroft (John Heard), the CEO that hurt him the most.

There comes a time when good man must wear mask.

Uwe Boll really did shit on Dominic Purcell’s character in this movie. That is the entire first half of the movie, which is less than 100 minutes anyways. Bad things happening, and him slowly breaking. Which is good, we needed a lot to happen to him for him to break. Although it was still a bit boring at times, and somewhat overly dramatic.

The killing spree in the second half was also a bit slow. To start. A quick snipe or two and hide. But it built up until he became a newspaper phenomenom, until he finally stormed in on an office, taking out a whole floor and more.

Sure, it could be considered mindless violence, but the actual ending confrontation between him and Jeremy Stancraft was pretty great. Some monologue-ing, and a twist I didn’t see coming.

If it wasn’t for the slower aspects, I would have rated this higher, because that ending was awesome.

2 out of 4.

I miss Twilight. Twilight made everything easy. I knew what I would do for my Milestone Reviews, and everyone would get why they received the extra attention. It made sense.

I worry a bit, just a little bit, you guys don’t see why these things are a big deal.

So for milestone #850, I knew I had to do Journey To The Center Of The Earth. This 2008 remake was an early use of the 3D craze that hadn’t yet fully formed in American cinema. In fact, it may have been in red/blue 3D, but I can’t confirm that.

But more importantly, I am a graduate student in Geophysics, if you missed that in other reviews. Or you know, you are someone reading this who actually doesn’t know me in person. So examining movies that I know will be very nonscientific is something that I just can’t resist! Especially those about the Earth.

And with that, let’s trash the fuck out of this movie.

Yep, that face is just asking for some movie fucking. This movie is not a remake of the book or movie. No, it takes place in a universe where those movies and books exist. Fucking Jules Verne meta up in here. But we will get back to that later.

Trevor Anderson (Brendan Fraser), is some sort of Volcanologist. Like a legit one, works at a university, (college?) teaches geology, and has a shitty lab to measure seismology. Only three sensors still work. He is continuing his brother’s work, but he hasn’t been seen in 10 years. Sucks to suck.

Even worse, his lab is going to get shut down and turned into someone else’s lab. Someone higher in the university, someone played by Seth Meyers! Oh no, life sucks!

This photo doesn’t fit anywhere. But hey, good clean family fun is upcoming.Speaking of his life sucking, he forgot his sister-in-law is bringing her kid over today. Fuuu. So messy. Sean (Josh Hutcherson) is there for ten days and about to be bored shitless. So Trevor looks for child toys to entertain Sean and finds an old box in his attic. What is in it? Why, Journey to the Center of the Earth of course!

But it is all covered with notes. Huh? Crazy. This must have been his brother’s. Strange strange. Apparently he thought the book was real and a guide to go under the Earth! Where crazy shit is, yo. That’d be surprising. Fuck it, let’s go to Iceland to check it out!

Still not at the part for cool pictures. So here is a big fucking plant. Iceland! They try to meet an old professor. Nope, he ain’t there no mo’. Just his Icelandic, hot daughter, Hannah Ásgeirsson (Anita Briem). Nice. Apparently her dad is gone too, he went with Max into a Volcano. Seems silly. Because it is silly.

Turns out they were “Vernians”, people who thought his books were real, all of them, not fiction. Huh. Okay. So that is enough reason for them to go check out a volcano.

“Yep, this is definitely a hole! Trust me, I know holes!” – TrevorFuck yes. Volcano. Abandoned caves. MINE TRACKS. Abandoned mines? Yes, abandoned mines. Mine cart racing. Yes. All this stuff. Eventually they find a shit ton of diamonds and jewels. Hurrah. But then they fall down a hole. A really long hole.

Seriously, he really knows a lot about holes. Aw shit, even though they fell for miles and miles, they didn’t die! Because water started to appear and that eased their fall? Who cares how fast they were falling. Water doesn’t hurt when you fall on it, not a bit!

But the good news is, the book was right. They found a completely different mini-earth where life is thriving and stuff exists at the center of Earth. Literally, at the center. Wait, they made it to the center? That is like, 4,000 miles down. How fucking far did they fall and not die?

Never fucking mind.

Just stare at the pretty looking mini planet or whatever the fuck is going on here. Well, they think it’s awesome, but they don’t want to die down here. Like assholes. So they want to escape and thankfully have a map like thing to get out. They just have to wait for an eruption and another giant tube. They will make a boat and ride the steam to the surface. Which is very, very doable. Why the fuck not?

They also have to sail across a giant underground ocean to get there, during a storm, with killer giant fish coming at them!

Just thinking about it all is getting me really wet.Well, in the ocean they lose the kid, he flies off. But thankfully they all somehow still meet up somewhere. WHILE GETTING CHASED BY A GIANT DINOSAUR WHAAT AHHHH! What the hell is it eating down there? We’ve only seen plants, fish and small birds. Da fuq?

They escape, but get to the tube too late. Oh no, water is gone. And no boat!

Thankfully a dinosaur skull can make a boat. And they can crack the wall to bring down a stream of water to the magma, to force them up before the volcano explodes to safety!

Safety? Fuck that.

Evolution worked almost identical to the earth thing. I guess. Just bigger everything else. And glow birds. They escape, life is good, and eventually we get another and another movie.

Yeah! More movies! But they won’t let Brendan Fraser be in them? That seems fucked up. Who let Josh Hutcherson stay?

The first few scenes in the movie made me realize I wasn’t going to have a good time. Trevor seemed pompous and elitist, with no reason to back it up. He gets lucky and thinks he is the hottest shit ever. He probably works at a community college, not a distinguished University.

Well, hey I don’t care for pompous people. He makes us look bad.

Okay, I am pompous too, but I feel like I deserve it. I run a successful movie review website!

If you have to watch any movie, watch the one from the 1950s. It is actually a lot better and not super fucking meta.

1 out of 4.

Black Irish is one of those random DVDs I bought when the local Blockbuster went under. Why? I saw an actor I knew on the cover, huzzah!

Shit, it was 99 cents.

Either way, apparently Black Irish is a famous term that means something else. What is that something else? Well, it is…

Yep. Literally a black irish person. Moving on.

The McKays are a normal Irish-Catholic Boston family, accents and all. Desmond (Brendan Gleeson), the dad, is drowning himself with alcohol and pity, while keeping deep guarded secrets. The oldest brother, Terry (Tom Guiry), is turning to a life of crime and drugs. Kathleen (Emily VanCamp) got pregnant, but not married, and kicked out of her house. Cole (Michael Angarano) got Catholic schooling and is a great pitcher, but no real love and his parents are hitting low times, so he wants to transfer to a regular public school and get a job.

Margaret (Melissa Leo), is just standing back watching it all crumble beneath her.

But mostly, this is a story of Cole, trying to get his family to like him more by giving up the privileges that were given to him. Go to the same school as his brother. Get a girlfriend maybe. Get a job at an Italian restaurant with Joey (Michael Rispoli). But when you return to the streets, the streets sometimes doesn’t want you back. No matter how hard you (base)ball.

Also, check it, Francis Capra is a thug in here, just like he was in Veronica Mars.

Theory: They are using the term black in a negative term. Like bad Irish. Because that family is white.

My metaphorical hat for this movie would be tipped toward Mr. Gleeson. An actual Irishman, he had to speak the same accent with a more Boston drag, and did it well. His character gave the most feels for me.

Angarano was good too, sure, especially in the “shoe shining” scene. Great emotion. Not as good as other movies I have raved about in other reviews on this website though.

Unfortunately not all of the plot lines are good. The sister one? I was kind of confused by how little time they devoted to telling the story. Melissa Leo is nice, but I think she was completely underused. This was mostly the two brothers and the dad story.

Overall, it is an okay story. It could have been a lot better, if the plot was a bit better and more polished. After all, the main actors were good. Just. Needed. A Better. Story.

2 out of 4.

Jim Rash and Nat Faxon wrote The Descendants, and graced our screens with its presence in 2011. It was nominated for Best Picture and eventually won Best Adapted Screenplay. It basically made these writers pretty hot commodities.

That is why I was excited to see The Way, Way Back, their next film. No George Clooney this time, but they have plenty of other actors to fill his void.

Look, here are three now!

Summer can suck. Especially if you are Duncan (Liam James). Your parents are divorced, your dad just moved from NY to CA, and your mom (Toni Collette) is dating the biggest douche in the universe, Trent (Steve Carell). Unfortunately for Duncan, he has to head out to Trent’s summer beach house to pretend to give this new family idea a chance.

Did I mention Trent is a douche? He talks down to Duncan, constantly goes off with his friends (Rob Corddry, Amanda Peet) to get drunk or high or both. It is basically his personal summer vacation, where Duncan and his mom are afterthoughts.

But eventually, Duncan finds friendship in the local Water Park. Slacker manager Owen (Sam Rockwell) has decided to take pity on Duncan, give him a job and help him find a purpose in this long dreadful summer. With the help of Owen and the other workers (Maya Rudolph, Faxon, Rash), Duncan learns that there are non sucky things out there in life.

That is great, sure, but will this new found joy in life at all help him with his horrible home situation? Will it help him woo over the neighbor girl (AnnaSophia Robb), who has to deal with her constantly drunk mother (Allison Janney)?

Oh god. He is staring into my soul. What do I do!? Just act natural. Ho hum…AHHH!

Comedy/Drama movies are actually quite hard to pull off successfully. After all, even the strictest of dramas tend to have some minor elements in comedy, and vice versa. But most movies labeled in this category are clearly still one genre over the other, or even worse, weak in both areas to try and find a balance. One of the best examples I could list of a real comedy/drama would be 50/50, a film that made me both laugh and cry.

Nat Faxon and Jim Rash wrote a decent comedy/drama with The Descendants, very enjoyable, but it could have been more dramatic. For The Way, Way Back, they decided to amp up their game, and created a much better film. Not going to lie, I cried three times during it. I can’t say I relate specifically to the scenes in this film, but thanks to an excellent build up with terrific acting from everyone on the cast, the emotions quickly took over.

Steve Carell had to play the biggest jerk in the world, and he pulled it off well. It was quite surprising. Sam Rockwell and Allison Janney carried the comedy for me, while at the same time their characters felt real. Everyone felt real. I love real, even though real characters lead to uncomfortable moments.

Major props as well to Liam James. I can’t say I recognized him in anything before, however he pulled off the awkward/lonely teenager role really well. But hey, apparently he was Young Shawn in the Psych flashbacks, so that is kind of cool.

 

4 out of 4.