Tag: Horror

I wanted to see Sausage Party, I honestly did. I loved the first trailer, avoided all other spoilers, and wrote it on my calendar. But then real life made me miss it and I had to wait weeks to see it. Having kids doesn’t help.

But I didn’t mean to see Sausage Party for today’s review. No, I went to the theater to see Hell or High Water, everyone told me I had to! Well, word of mouth is powerful and it was in a small dinky theater and sold out. Thankfully, Sausage Party was roughly the same time starting, so I easily went ther and just moved it up my schedule a couple weeks.

Hey. Sweet. Now I can have some laughs and review two animated films in a row this week! And also dick jokes. Dick jokes, sex jokes, death jokes, stoner jokes. Hilarious.

I haven’t seen food party this much since Foodfight!

Frank (Seth Rogen) is a sausage. Not just any sausage. A horny sausage, ready to fuck. He has some other wiener palls, like Carl (Jonah Hill), Troy (Anders Holm), and Barry (Michael Cera), who is a bit deformed and smaller than normal. His package is right next to a nice package of buns, including Brenda (Kristen Wiig), his soul mate.

Or fuck mate. They really wanna screw. They want to get picked together by one of the Gods to go into the Great Beyond, outside of the supermarket. And soon is “Red, White, and Blue” day, so their chances of getting picked are high! And of course, the Gods have spoken, and they were chosen together to live out their wildest fantasies.

But then the unthinkable happens. The Honey Mustard (Danny McBride) was returned and he went crazy. He said the Great Beyond was a lie. Everything outside was terrible. And he caused a cart accident. Food went flying, Disaster. Frank and Brenda were left outside the cart to survive on their own. With Sammy Bagel Jr. (Edward Norton) and Kareem Abdul Lavash (David Krumholtz), who keep fighting.

Can they determine the truth of the Great Beyond? Or were they punished by the Gods for touching tips? How will their friends survive in the outside world? Can I ask more questions about the food sex?

Also featuring Bill Hader as a Native American stereotype, Salma Hayek as a taco, Craig Robinson as grits, Paul Rudd as a nerdy sales clerk/jerk, James Franco as a stoner, and Nick Kroll as a big douche.

Some say a big douche is just the roll that Nick Kroll was born to play.

Sausage Party at its core is an insane film. Apparently it came out just wondering what a film would be like if food had feelings (something Pixar hadn’t touched on yet), and Rogen realized it would be an incredibly fucked up film. And a fucked up film is what we got.

It is basically the most adult animated film since South Park: Bigger, Longer, & Uncut and even has a musical number! And by adult humor, I don’t mean sophisticated tax jokes, but you know, sex, language and drugs. So 14 year old humor, if you will.

It will make you cringe, make you laugh, and maybe make you cry. The references are out of control, including an amazing visual from Saving Private Ryan. It was constantly surprising with the direction it went, including two different turn of events near the end. You know, when they fight for freedom and celebrate their potential freedom.

Because like I said earlier, they just wanted to fuck. That’s life in a nutshell.

Sausage Party is raunchy and honestly a film I can imagine watching and hiding from my own kids for years to come.

I am a huge fan of The Purge series. Or at least the first one, which I still think is the best, and The Purge: Anarchy. And The Purge: Election Year didn’t live up to the first two for me.

Anyways, because of this I was actually excited to see Meet The Blacks. It had virtually no advertisements, opened in only a little over a thousand theaters, and I think quickly left them. And now it is out on DVD and again, no one really knew anything about it.

I also would have ignored it, but someone else let me know that it existed and was actually a spoof on The Purge films. Shit, The Purge came out in 2013. How did it take three years for them to come out with a spoof film? It is just about the first film too, so just seems weird for such a delay.

And here is clearly a scene from the ending of the movie. Spoiler?!

Carl Black (Mike Epps) just wants to make a better life for his family. Sure, they have been living in the wrong part of Chicago, he has been super in the drug game and been a real dick, but he just wants what is best for them. So when famed criminal, Key Flo (Charlie Murphy) is getting sent to prison for a few years, Carl grabs a shit ton of his cash and moves his family out of Chicago.

His family involves his new wife, Lorena (Zulay Henao) who is notably white, his daughter (Bresha Webb), his son who pretends to be a vampire (Alex Henderson) and cousin (Lil Duval). He gets them a sweet crib in Beverly Hills, a gated community, basically all rich white people.

And they are there right before The Annual Purge. Carl says rich people don’t do the purge, so they don’t have to worry. But they have made enough enemies in life to come halfway around the country to kill them. Let alone the racist old white people who don’t like their new neighbors.

Now they just have to survive the night and each other. Starring Gary Owen and George Lopez as President El Bama.

Whatever joke I made for this pic in The Purge, you should assume I said it here as well.

I went into this movie expecting a bad movie, but I honestly still expected to be better than what I was given.

Most parody films have sucked, a lot, in the recent years. They do bottom of the barrel jokes. They make references and think references to film and pop culture are good enough when it comes to humor. Meet The Blacks couldn’t even do that much.

For a 90 minute film, it dragged and dragged to set up the family and their situation. So much that the actual purge didn’t begin until about 43 minutes in, basically halfway. Shit.

And the purge part also dragged. They had a lot of different people coming after them it turns out, so each character had its own scare and introduction, story of why they were mad at Carl Black, and then altercation. It didn’t flow well at all. The film became just more and more ridiculous people looking for more petty revenge.

Damn was it boring. Damn did it suck. Damn did it no make me laugh at all once. At least Fifty Shades of Black, also out this year, made me laugh occasionally. This one has unlikable characters, unnecessary amounts of backstory and talking filler.

A good movie can make dialogue work. This dialogue just felt like they were stalling. It was a low budget film not getting a lot out of its budget.

Damn it. I knew there was probably going to be a Sharknado 4, I just pretended to live in a world where it wouldn’t happen. Once I knew I was watching this movie, I figured I had to review it too. Which means I am even more disappointed that my Sharknado 3 was written as if I wasn’t actually writing a review. Like the movie was beneath me.

I am disappointed, because that was my first idea when I set off to write this review. Damn it. I am an idea thief, from myself!

Oh well, there are worse things you could be. Like someone who wants to be part of Sharknado 4.

I feel like those nuts are a metaphor for myself.

Despite the third film ending with April Shepard (Tara Reid) potentially dying, we don’t get to find out right away. Apparently there was a fan vote to see if she lived or died. And now, this movie takes place five years later, with Fin (Ian Ziering) dealing with his family and no April in his life.

Oh, and since the last movie, no Sharknadoes either. A company, Astro X, has developed technology that lets them use weather science to stop any tornado that begins to form. Their leader Aston Reynolds (Tommy Davidson) is now super rich and famous, and he even made a shark themed Vegas hotel and casino to show how baller he was. Well, now that Fin, his son (Cody Linley), and his son’s fiance (Imani Hakim) are in Vegas to have a wedding, things of course go bad.

Because a sandstorm happens. A big one. Astro X cannot stop a sandstorm. It hits the hotel, sharks happen, they call it a sandnado and everyone loses their minds.

Because in this movie, it isn’t tornadoes getting formed. It is a sandstorm and blizzard and water spout stuff. All of which gain sharks somehow, they don’t even try to explain it well this time. Except these things also gain boulders, lightning, fire, oil, and yes, nuclear bombs, just so people can name them worse and worse names.

Other people in this movie include Masiela Lusha, David Hasselhoff, Gary Busey, and Gilbert Gottfried.

Also pirates! Kids are still into pirates, right?

Fuck me gently with a chainsaw, Heather. As expected, this film was a painful 90 minutes of my life. The plot moves so quickly, nothing important is really ever to develop. The action scenes are shit, the CGI is bad, and the acting is worse.

“But Gorgon Reviews!” someone might wail. “That is the point of this film, to be bad and funny because of it! Entertainment, popcorn fun!” Hey, straw man, go fuck yourself. There is a god damn difference between so bad it is enjoyable, and so bad it is bad. The difference lies in intent.

In the so bad it is good field, the movies that were being made were made by people who truly thought they were making something wonderful. Tommy Wiseau thought he was making a serious, amazing drama with The Room. I do not mean that they are only good if someone is incredibly wrong in their vision. But in these films you have some heart and attempt to make a good product and well, shit goes wrong.

It is the reason why Birdemic is amusing and Birdemic 2 is not. In the sequel, they set off to make a shit film, and you know what, it was a shit film and not worth anyone’s time. If they are so bad, you cannot even appropriately rip on them with your drunk friends, because the films do everything for you already. You cannot be clever about it and you would say the same thing that anyone else watching it would say.

The Sharknado and other recent SyFy terrible movies are basically the physical moving representation of this comic. Fake praise from internet fanboys needs to stop at this point, because damn it, the joke wasn’t good the first time, and now this is the fourth time we have heard it.

Not surprisingly, this will make my worst of the year list. Surprisingly, there are still films that were worse.

The Purge franchise is a weird one. It was extremely unique in concept and it had the ability to go in so many ways. The Purge received mix reviews and I enjoyed the crap out of it. The Purge: Anarchy received slightly better mixed reviews and I enjoyed the crap out of it.

But I know there is a lot of potential in this as a franchise. Especially if they don’t try to tell a single story over and over again in different films. Give me different characters, different unique settings, and see how this shit went down. Maybe, just maybe, eventually give me that prequel film I know you are just dying to get out. But only one damn it.

The Purge: Election Year apparently wants to try and end it. They say this could be the final purge night due to (plot) reasons which will be noted below. But if anyone imagines this is actually the final Purge movie, they are probably delirious.

Oh well, I just hope they are more subtle about certain aspects than with Anarchy, where they literally had a no-name government character explain it all in the last five minutes of the film.

This one technically spells out the Purge for us as well.

Alright, I had to do a bit of math because they didn’t want to give me the year, but I think this is set in the year 2035. That is a really long time from now. The first Purge was in 2021 and Anarchy was 2022, so recurring characters are 13 years older and the Purge itself has been happening for 18 years. So alright, HUGE jump into the future, a lot of things happened I guess.

This is about Senator Roan (Elizabeth Mitchell), someone who has dedicated the last 18 years of her life to politics and ending The Purge for good. Why? Well, during the first purge (I assume, or else this takes place even more in the future), he family was tied up, tortured, and she was the only one left alive thanks to a sadistic game. Oh okay yeah, that seems like a good reason to hate it. She is an independent Senator, but people love her, and damn it, she is now running for president. She would be the first President that isn’t a member of the New Founding Fathers party since The Purge started.

She is running against a guy (Kyle Secor) who also is an actual Minister, for not so on the nose comparisons. Her head of security though is Leo (Frank Grillo), from that last movie! I mean, sure, this means that it is literally like a decade later or something, but whatever, he is still pretty good at thinking on his feet and killing bad dudes. But security isn’t too bad, what with the low crime rates and all.

Oh shit, guess what! There is a Purge in March, like normal! And the New Founding Fathers have heard the concerns of the citizens and decided to lift the clause saying that government officials Class 10 and Higher are no longer immune to the Purge. Timing is everything of course, because they want to totally just kill Roan and make the election an easy one. Roan of course refuses to go to an underground bunker and instead deck out her house like a normal American.

Oh and there is another plot. Joe (Mykelti Williamson) runs a grocery store and his Purge insurance premium went up thousands of dollars the day before the Purge. So now he can’t just let his store get robbed and get it paid for. He is going to wait up on the roof, joined by his business partner Marcos (Joseph Julian Soria). There is also a girl (Betty Gabriel) who rides around in a specialized ambulance to help out despite no protection. And a girl (Brittany Mirabile) who really wants a candy bar. And Edwin Hodge returns again, this time as the leader of the main resistance movement!

No one has been this obsessed over candy bars since Bill Murray in Little Shop of Horrors.

The Purge: Election Year is arguably the weakest film in the series, despite what people say about the first film. Horror is only sort of an element here, it is replaced even more with just bloody gun fights and action sequences. The horror scares that exist aren’t so much the depravity of human beings, but more just people jumping out of the dark.

I will say that this film does the best “world building” of any in the series. They had smaller elements in Anarchy, but on almost every street we saw glimpses of people purging in grotesque and eerie ways. It added unique moments to the franchise. On the other hand, all of the creepy and disturbing moments that are advertised in the trailers and posters are mainly bit parts in the actual movie. The people dressed like Washington, Lincoln, Liberty? That scene was maybe 2-3 minutes only. No, the real bad guys just came from an actual group of soldier like people just trying to get the Senator.

This film is also anything but subtle. Obviously they haven’t been doing a good job at it before, but it really doesn’t give a fuck this time around. We even get a board room scene of politicians trying to figure out how they will get back at the senator.

Here is a list of random weird things in the film: Election Day is apparently in May now, they show the results and call it somehow early in the morning when people just start voting, the movie seemingly glorifies gun violence while shaming the purge at the same time, an annoying amount of misplaced morality in the final act of the film.

But also, what the hell is this movie being set more than decade after Anarchy? What do they have to gain by forcing this story so much forward? I can only assume future Purge films are going to be awkward filler telling non related stories (which again, I am fine with), or even worse, tell us about a post-Purge America and just make this a slightly scary regular action flick. No idea their end game, but clearly they don’t either.

Election Year introduces some nice concepts. Like foreigners traveling to America just to kill and leave. And random acts of Purging. But it loses a lot of the horror touch and doesn’t know how to be subtle if their life depended on it. The movie is still an okay adventure for maybe a single viewing, but harping on morality without giving good reasons for it just kind of piss me off.

Just three years ago, The Conjuring was a big deal. It was my favorite horror film of the year, which is surprising because it was such a main stream film. For the most part, horror has been dominated with the unique indie horrors running around the last few years.

But that isn’t the only reason it was a big deal. It was also noted that it was rated R, not for gore, violence, nudity, language, or anything else. Just R for being too scary. Now, obviously, there are a lot of problems with the people who rate films. But that is still a rather unique reason to give something an R reason and hasn’t really been done much at all before or since then.

The Conjuring had a lot of hype behind it. So much hype that they didn’t just announce The Conjuring 2, but several spin-off movies, which is why we now have the shit fest that is Annabelle. It’s badness didn’t ruin the doll from the first film thankfully.

There is a lot of pressure on James Wan the director, because he can’t go and make a PG-13 sequel. Nor can he resort to gore just to force the R. He had to try and make something just scary enough without cheap methods to get his rating. And well, going into it, I only know that it received the R for “terror and horror violence.” Good job Wan. I hope I am shaking in my boots.

Good thing I have a nun fetish, or else this might have terrified me.

Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga) are a ghost exercisting (?) power couple, kicking ass and taking names. You know that, you saw the first film. They also helped all of that Amityville stuff, which you will see parts of early on in this film. During that, Lorraine gets a bad vision that shuts her down for awhile, but they still keep chugging along, albeit at a slower pace.

Across the pond, however, in the Enfield borough of London, England, a family is about to have a real bad time. The Hodgson family is a poor family, led by their mom (Frances O’Connor) who is raising four children on her own, because the father has walked out on them for another lady. Jeez. Her oldest are daughters, Margaret (Lauren Esposito) and Janet (Madison Wolfe), and then two sons, Johnny (Patrick McAuley) and Billy (Benjamin Haigh).

Things begin to go bump and clang in the night. Toys play with themselves. At first you assume poor stuttering billy will be the child in danger, but nope, it is Janet, who starts to sleep walk and yell at unseen demons, getting sick and quite violent. Oh shit, demons and a haunted house, again!

And the Warrens are the couple, reluctantly, who will help make things better. Man, it is really hard to kind of hype a haunted house / demon possession plot line. There are a lot of them after all.

The neighbos in London are played by Maria Doyle Kennedy and Simon Delaney. The local ghost expert is Simon McBurney, a different more skeptical ghost expert is Franka Potente (Hey, that’s Lola!), and Bob Adrian plays the main mean ghost guy!

And those pajamas were played by the same cloth that used to used to be a sail on a pirate ship!

James Wan is a really clever dude. He is consistently making better quality horror films than anyone else out there. I don’t even really like the Insidious films, but I recognize the passion and quality that went into them. I mean, he made the first Saw film! What a scary dude!

And he keeps the scares coming in this sequel. This is not like Annabelle. Fuck Annabelle. This is scary, this is well crafted, this has heart.

Horror films tend to start off of slow, a rare scare here and there, with moments in between scares to calm yourself down, usually before a hectic finale. Well, the scares are everywhere in this film. When I found myself in a time between scares to settle, it sometimes had scares of their own, keeping me on my toes. Hell, it had so many scares, I was even afraid to just hold onto my cup for a drink, thinking I’d shriek and spill it.

And when I say this is well crafted, I can’t believe the camera work for what is a mainstream horror film. The first time we see the house, the camera pans around with the family going about their day, zooming in and around rooms, around furniture, up the stairs, everyone feels like a big open house where tons of mischief can take place. The scenes are so well set up it is a delight on the eyes, even when there is something ghastly on the screen. The best scene was between Wilson and the demon, all one nice long shot, with a single focus and a lot of creepy atmosphere.

I was also excited that the polished look of the film didn’t take away from the fright. If something looks too produced, it can take someone out of the film. And in a lot of horrors, they make it look grainier, or extra dark, or whatever. But this movie wants you to see everything and it adds so much to the overall experience.

And sure, yeah, there are jump scares. But these are high quality jump scares. Jump scares you can see coming and have appropriate build up and aren’t completely random just for the cheap thrill. And audio based jump scares as well. The sounds? They will make you squirm.

Despite my rating, it isn’t perfect. I thought a few lines were cringe worthy, and Farmiga wasn’t on her A-Game. Which is a shame, given how excellent she is in Bates Motel.

I think the only reason I wasn’t scared going to sleep after watching this movie, is because I have had a shitty sleep week and couldn’t help but pass out despite glaring at the shadows in my room.

For the most part, I try to avoid reading a book if I know it is going to turn into a movie. Or even worse, just try to read a book right before watching the movie. I can’t stand it, I will go into the movie with biases, and the movie won’t be able to surprise me.

I don’t know if I would have been able to cry during The Fault In Our Stars had I read the book! And those were some good tears.

But I read Pride and Prejudice and Zombies. I think I read it in 2010, before I started writing reviews, with the actual book coming out in 2009. I read the entire book the whole way though, and then quickly got rid of it. I paid full price for it and gave it away for free. It was dreadful trash and I couldn’t stand it. I only finished it because I assumed it had to get better, there had to be reason for the success.

The book was about 80% original Pride and Prejudice and about 20% the author changing some scenes and throwing in zombie fights. Every time the author switched it was so jarring, going from well written to complete trash. All it made me do was appreciate Pride and Prejudice more and vow to not read any of the other mashups that would exist, no matter how popular.

Needless to say, I am going into this movie incredibly biased. And also I am in general surprised that it took 7 years for this film to get made.

Well, you know what they say. You cannot spell Slaughter without Laughter.

Oh that zany 19th century England. Full of lords, ladies, romance, guns, and zombies.

What is a patriarch (Charles Dance) and matriarch (Sally Phillips) gotta do when they have five daughters, all of viable marriage age, needing husbands to take care of them?

Their oldest daughter is Jane (Bella Heathcote), but everyone knows their best daughter is Elizabeth (Lily James), despite her strong wills. The other three daughters, Lydia (Ellie Bamber), Mary (Millie Brady), and Kitty (Suki Waterhouse), are around but not super important.

Jane falling for one Mr. Bingley (Douglas Booth) is important though, as he falls for her as well. Now the parents can meddle and force a marriage. When they meet Bingley, they also meet Colonel Darcy (Sam Riley), whom is seen as a pompous and arrogant person, but also wealthy as fuck. And you know, he can kill a zombie like no other it is said.

Can headstrong Liz learn to love another, more than her love of zombie killing? Can headstrong Liz keep her head strong enough to avoid zombie bites? Find out…well, in this movie.

Also starring Jack Huston as Wickham, Lena Headey as Lady Catherine de Bourgh, Emma Greenwell as Carolien Bingley, and Matt Smith as Parson Collins.

Kicks to the chest also can be quite deadly, apparently.

Fuck. Just fuck. I feel like this movie was actually worse than I imagined. I imagined it would have bad acting, sure. I imagined it would shit on something I find enjoyable, yeah. I imagined the CGI wouldn’t be top notch and a lot of corners would be cut when it comes to fight choreography, of course. But on top of everything, I also didn’t think it would be Boring. As. Fuck.

Say what I will about Abraham Lincoln Vampire Hunter (and of course I did), but at least there was an inherent entertainment level there. At least I could sit in the theater and laugh at some of the more ridiculous scenes. But with watching this film on DVD, I found myself constantly wanting to pause to get a drink, go to the bathroom, spin in my chair. I wish my laptop worked so I could have laid down in my comfortable bed and fallen asleep to the movie, instead of actually watching all 90ish minutes.

I think it is notable to mention when you fall asleep in a film, which usually happens only in theaters for me. But I know I would have passed out for a lot of this movie if I was watching it while feeling any bit comfortable.

Everything about it is magnified so much, because of how interesting the story becomes. I get annoyed at the bad fight scenes. Annoyed at the acting. Sam Riley as Mr. Darcy? They picked a guy, who decided to give a raspy voice performance and absolutely no sex appeal in a role that is still very much technically in the romance genre? Riley is not my Darcy. The cast for most of the parts in this film is just the final nail in the coffin.

But let’s end this on a fun fact. Emma Greenwell plays one of the three younger sisters. I already forgot who. But she also was in the movie Love & Friendship, also out this year, and also based on a Jane Austen novella. How cute.

2015 (which feels like a long time ago), had a few horror comedies all released in the span. You know, October-ish.

There was Cooties, the only one I ended up watching, that didn’t blend its horror and comedy well enough to warrant a rewatch ever.

There was Scouts Guide to the Zombie Apocalypse, which I didn’t see, still haven’t seen, so I am not sure why I brought it up.

And Freaks of Nature, which didn’t even get a theatrical release as far as I can tell. And of course, I decided to watch it before Scouts Guide, because it has my second favorite character from Sky High.

This movie unfortunately doesn’t have Bruce Campbell.
I unfortunately say that about most movies I see.

The town of Dillford is a strange place. Here, and maybe elsewhere in the United States, humans, vampires, and zombies live in peaceful coexistence. Sure, there are things that bother people, and you have bigots, but for the most part they can live and not kill each other.

That is until the aliens come. Because a fourth entity can only mean trouble. Everyone begins to fear the other side, and soon, all out chaos erupts in the town, with friends fighting friends and no one knowing what the aliens are up to. It is up to three teenagers to save the day. Who I will talk about so I can tag a lot of actors.

Dag (Nicholas Braun) is our human hero, and a bit of a lame dude. He is super in to Lorelei (Vanessa Hudgens), but she just uses him to store weed in his house. His parents (Bob Odenkirk, Joan Cusack), think he smokes as well (like them!) but no, he doesn’t.

He used to be good friends with Ned (Josh Fadem), a smart guy. Ned is pissed off at his family (Ian Roberts, Rachael Harris, Chris Zylka), who are into sports and meat and hate smart kids. So eventually he decides to say fuck it, and let a zombie bite him. Less pressure that way.

And then there is Petra (Mackenzie Davis), a girl who was called a slut despite never really having sex. And she thinks she is about to have sex with a Edward Cullen looking dude (Ed Westwick), but he actually wants to make her a vampire. And well, screw it you know. He wants to be with her forever. Well, let’s just say he is a dick.

Also featuring Denis Leary, Mae Whitman, Keegan-Michael Key, Patton Oswalt, Pat Healy, and Werner Herzog.

Gotta get those website clicks somehow.

For a straight to DVD, probably low budget, comedy horror, I found myself laughing way more than I expected. It was never scary, because horror just means “has vampires and zombies in it” sometimes. And that is okay. Clearly this is a movie not meant to be taken seriously and provide a good time.

And damn it, it does. While also giving me the necessary high school angst that is necessary for movies set in that age group. Sex scandals, bullies, sports, drugs, and teachers being dicks. We get all of that plus zombies and vampires! And sure, an alien or two.

There isn’t actually a whole lot to say about this film as a whole besides it being a good time. Our leads are okay, in particular I am becoming a decent fan with Mackenzie Davis. I’ve seen her now in two movies with a lead, the other being That Awkward Moment, and enjoyed the crap out of her characters. Her side characters have been fine too. Out of everyone in this cast, I hope she breaks out soon.

Braun, you are a funny dude too, but keep to the smaller movies. You thrive in them.

I want more silly movies like that. Let’s make a sequel folks. But you know, more horror tropes.

Fairy tales have been getting a bad rap for the last…I dunno, 60 years? Basically once Disney started to get their paws on them, everything became tamer and lamer. (Hey! That rhymes!)

But we all know that fairy tales used to have a darker past. Not everything was happily ever after. Fuck, some of the most famous ones were done by the Grimm brothers. It is in their name!

Now some of the darkness is coming back. We got the very strange Hansel & Gretel: Witch Hunters, and Into The Woods is now gaining national exposure with a (dumbed down) film version.

They are still dealing with fairy tales we have heard over and over again. What about the less famous ones? They have to be out there, and I want to be surprised. Tale of Tales is an Italian made film, but in English, that decides to showcase three stories you haven’t heard before.

And calling them dark doesn’t even begin to scratch the surface.

Three nearby kingdoms live in harmony, all with their own issues. But first, a queen (Salma Hayek) needs a son. Her King (John C. Reilly) cannot help her with her desires, but a necromancer (Franco Pistoni) knows what to do. A water dragon must be slayed, his heart prepared by a virgin, and once the queen eats it, she will instantly have a child.

Complications occur, sacrifices might be made, but damn it, she finally has a kid (Christian Lees). Except he has a virtual twin, as the virgin also finds herself pregnant with child (Jonah Lees), and the brotherly bonds end up being a bit greater than the mother son bonds.

Nearby, a king (Toby Jones) ends up becoming interested in a flea that he finds on his body. The flea becomes a pet to him, growing larger and larger, taking up more of his time. He has a wonderful daughter (Bebe Cave), but she is ignored for his other passions. And even though he tries to protect her from leaving the kingdom and getting married, his own distractions will lead to peril.

And finally, another king (Vincent Cassel) is unmarried and a sex fiend, bedding everyone in the kingdom. But there is one woman he is not able to see, just heard her voice. He must have her, not knowing it is an old lady (Hayley Carmichael), living with another old lady (Shirley Henderson), who decide to play with his emotions.

Dragon hearts?! I didn’t know Dennis Quaid was in this movie!

At first, Tale of Tales seemed to be a story that took a lot of work, but failed to maintain high levels of interest. That was only about 5-10 minutes of the film though. After that, I found it hard to look away. Despite its 130 minute run time, I almost wanted it to go on forever.

The director of this picture had an amazing level of detail. From costumes, to music, to lighting, to cinematography. The only celebrities in this picture play the Kings and Queens, but even Toby Jones is questionable in terms of his celebrity status. Despite being recognizable, they don’t distract from the wonderful story that is told.

And like fairy tales, they have their common themes, they have their morals, except the film doesn’t spell it out for you like you are a child. You are expected to pay attention, figure out who is wrong and if anyone is actually right in any of the stories. If there is one thing I was disappointed in with the film, it is that the three stories weren’t more connected to each other. The stories all play out slowly throughout the film, it isn’t one complete story then the next. But I was hoping characters in each would appear throughout, but they are only connected at the very beginning and end.

Tale of Tales is also brutal. I listed Horror as one of the tags, because of the sense of dread several pats of the story induce. People will die. Graphic things occur and there is nothing we can do to stop them.

It is also a film that is so wonderfully put together, I hope the director is later inspired to give me even more tales in the future. I would watch this movie again and again. But maybe not four times. That’d be too many.

The Boy? Didn’t I already review this one? About the kid who lived with his dad at a motel stop in the mountains who then was all evil and stuff?

Oh, right right right, that was an indie horror movie, so very few people saw it. So it doesn’t matter that two films came out so close together with the same exact name, because the second one was in a lot of theaters and is thus now more well known. The first The Boy I heard wanted to do sequels too. That could be even more potentially confusing if those sequels become popular.

The good news is that the actual movies have virtually nothing in common.

It’s okay when they beat their kids in this film. It is just a doll!

Greta (Lauren Cohan) needs to get away from her life, so she accepts a job as a nanny in Merrie Old England. She has some stuff she wants to just get away from, and moving to another country for a few months might do the job.

When she gets to the place, she finds it to basically be a mansion and surprised that the tenants are an old couple (Diana Hardcastle, Jim Norton). Like really old. So the fact that they have a kid that needs a nanny seems surprising.

Of course, more surprising is that this kid is actually a porcelain doll. But they say he is unique and have a list of strict rules despite his non-aliveness. And also they are totally leaving like, right away for a vacation. If she has more questions, they have a delivery man, Malcolm (Rupert Evans), who is around from time to time. But as long as she sticks to the rules then everything should be fine.

And you know the doll starts moving around and doing things. Also things go missing. Also Greta gets scared.

Featuring James Russell and Ben Robson as well.

Please don’t make love to the doll. I don’t care what the rules say!

I actually went into The Boy knowing nothing at all. No idea it was about a doll that might be alive. I just assumed a creepy little boy being driven by Satan, like most films about kids. But then hey, a doll. Sure. Doll films haven’t had a good track record recently. After all, did you watch Annabelle? I know you didn’t.

The Boy somehow manages to be a horror film that doesn’t want to do a lot of scary scenes. Outside of the last 20 minutes, it feels like a strange drama. We get the doll being in different places! And items getting moved around. And doors getting locked. But never when our leads are watching him, so it is just odd and never scary.

The ending does a nice job of explaining all of the events of the film, but it doesn’t mean the explanation is worth the first hour or so. It is dull and a bit boring. I am glad that it makes sense, it just isn’t an exciting explanation. It unfortunately doesn’t fully explain why everything happened in the film, which is my biggest question after watching it. Instead we get an open ending to a story that should easily have finished already.

The Boy isn’t great, it is barely a horror, and you instead should watch basically anything else.

Horror anthologies are all of the rage. I probably said that in my last review of a horror anthology, V/H/S: Viral, in October of 2014. Since then there hasn’t really been any horror anthologies. They died really quick.

There was another film called Southbound, but I missed it, so I will just have to wait for the DVD release or around Halloween. Whenever I remember it exists. Other than Southbound, the latest film to match this category is of course Holidays.

Holidays!? Yes, Holidays. A horror anthology with a common theme of several different holidays. Eight to be exact, with a bunch of random directors. That is a low enough number for me to talk about each one quickly!

So many holidays, you probably can’t even guess what this one is about!

For Valentine’s day, we have a little girl (Madeleine Coghlan), who gets teased by a different girl (Savannah Kennick) because she is a bitch. Our first girl also has a crush on her swimming coach (Rick Peters), who just wants her to be happy and not get picked on.

In St. Patrick’s Day, our Irish teacher (Ruth Bradley), wants to make a new girl (Isolt McCaffrey) smile, so that girl puts a curse on her to give birth to a snake.

For Easter, a little girl (Ava Acres) confuses the Bunny with Jesus, but is also told that no one has ever seen the Easter Bunny before for a pretty scary reason.

In Mother’s Day, we learn about a woman (Sophie Traub) who always gets pregnant after sex, regardless of birth control or condom usage. She is 100% fertile and it is ruining her life, so she goes to a middle of nowhere to people who claim that they can help her, when in reality, they want to just force her to stay.

On the other side for Father’s Day, we have a girl (Jocelin Donahue) who thought her dad (Michael Gross) was dead and gone since she was 11, but when she finds a voice recorder with a message on it, she has to go and investigate.

For Halloween (directed by Kevin Smith), we see a dude (Harley Morenstein) operating a small time cam girl operation, where the girls (Ashley Greene, Olivia Roush, Harley Quinn Smith) decide to get even and put him through the same abuse. You know, just worse.

On Christmas, a guy (Seth Green) goes to great lengths to get the latest VR tech for his son, but when the virtual reality starts to show his inner secrets, he and his wife (Clare Grant) have to cope with them.

Finally, on New Year’s Eve, a man (Andrew Bowen) has been killing a woman on each holiday that he has met while online dating, and now he will complete his collection (Lorenza Izzo). He hopes.

What is love? Baby don’t hurt me.

I spent most of my alloted time just going over 1-2 sentence synopsis’ of each short. I figured I could do that with only eight segments, but I may have been wrong.

Like almost every single horror anthology before it, Holidays is definitely hit or miss. The entire thing is less than two hours so overall it is probably worth a late night viewing.

In particular, I liked the Valentine’s Day, Father’s Day and Halloween shorts the most. New Year’s Eve told a decent story as well.

Christmas felt too short, St. Patrick’s Day was mostly weird, and Easter was also incredibly weird (but mostly just short).

Mother’s Day might have been the longest short story, I didn’t really keep track. It had an interesting premise, but I thought it dulled too much in the middle, despite the also pretty good ending.

Now I am ready for the Horror Anthologies to die. I think they are running out of ideas on how to package them together.