Tag: Fionnula Flanagan

Four Mothers was watched as part of the Seattle International Film Festival 2025! It was the opening night film of the festival, on Thursday, May 15, and it was the Seattle Premiere of this film!

How many mothers is the right number of mothers to have? An average number has to be somewhere around 1 I imagine, but people sometimes have fewer, sometime they have more. But rarely do they have four. And thankfully, our lead doesn’t actually have four here either.

Edvard (James McArdle) is a romance novelist for the YA crowd. He is a gay man, and his books feature gay romance, but he thinks his writing is a bit better and more important than simple romance. Right now his book is set to come out in America, and it is getting strong buzz before it comes out. So he wants to really capitulate on the buzz and maybe earn him the success he always felt he deserved.

Unfortunately for Edvard, he also lives with his mother, Alma (Fionnula Flanagan), who doesn’t speak anymore and uses a tablet to speak instead. She is old, she is closed to death, and he is her caretaker. It does mean he has no social life and he is thinking about of leaving her in a home, just to give him some time to find that life success. But he is also a coward and doesn’t think he can do it.

Regardless, he is about to set up a US tour for his book when his two best friends, also gay and also caretaking their moms, decide to ditch their mothers on his door step so they can go to a big pride festival for a few days. And his therapist, older, in the same scenario, drops his mom off too. Oh look. Four moms! So now he has to juggle four older women, with different schedules and temperaments, while he is trying to do something great in his life at the same time. Hooray!

The other mothers are played by Dearbhla Molloy, Stella McCusker, and Paddy Glynn.

They are probably not watching porn here. I think we need more Irish films for sure. Such a small country, with a small population, but they got stories to say too, even if things get a little bit US centric with the plot line. (Damn United States, always butting in other countries stories…).

Anyways, I will say I liked this concept for a story. A struggling author of a niche topic, looking to get big, dealing with underrepresented groups could lead to a lot of things. And this is a caretaker story at the same time, and caretakers, despite being a pretty large group, are often underrepresented in media as well. Or, if they are represented it is usually more of a tragedy drama, than a comedy or uplifting drama. This falls into the latter category. And, because of that, I don’t think it is able to reach the lofty goals it aspires to be.

The stronger emotional moments I feel go away too quickly. For example, the father who is clearly not in the picture, and his story, is brought up and leads to conflict, but only in smaller amounts despite holding a lot of weight. The idea of a temporary home while he invoked on a 2-3 week US tour made a lot of sense, and the drama behind it felt…extra. It was a shame. The film didn’t seen to hint enough to find out why certain decisions were derisive, and I just felt bad for the main character most of the film.

The ending itself is exactly where someone would probably assume this movie landed. You know, knowing it is a comedy/drama instead of a tragedy/drama. So I wasn’t surprised when we arrived at the ending. But unfortunately the journey wasn’t fully worth it either.

All of that to say, I liked most of the main characters, including our main guy. I think the side stories of his life had a lot of heart behind them, and the acting from everyone was still top notch. But pleasant films aren’t always going to be the most exciting films.

2 out of 4.

Havenhurst came about on my radar because, like at least 50 reviews on this website, my flashdrive was left at home and I needed something.

But I will admit I liked the name. It could technically be considered a calming or warm sounding place, but at the same time, the opposite of all that. It brings up the idea of a haunted house, thanks to those double H’s. It could really draw up some fears of isolation or claustrophobia.

Then again, the main draws for me for this film were the short run time and the fact that I recognized a lead. I am but a simple sheep, at the end of the day.

Havenhurst harks homeless hotties and heinous harbingers of hazard. .

Jackie (Julie Benz) loooooves her alcohol. In fact, she is an alcoholic. But she is trying to get beyond that, going to those meetings and getting her life back on her feet. Thankfully, there are many opportunities for her.

One of them is Havenhurst, a hotel/apartment esque building that offers homes and rooms for those working on recovery. They can stay there as long as they need, unless they return to their vice, whatever it is. Then old Eleanor (Fionnula Flanagan) will evict them, no questions asked, and they are on their own to make mistakes, never again to return.

Well, Jackie had a friend there, Danielle (Danielle Harris), but she went missing. She might have been evicted and gone somewhere else, but she hasn’t seen her in so long she suspects maybe some foul play.

The hotel seems to change over time, some of its hallways, and she hears screams occasionally. Thankfully she has a foster kid sidekick (Belle Shouse) and a cop friend (Josh Stamberg) to occasionally have them listen to her theories.

Also featuring Toby Huss, Douglas Tait, Dendrie Taylor, and Jennifer Blanc-Biehn.

“Oh no a bad guy, get him little girl!”

Havenhurst opens with a death of a character. Sometimes horror films take awhile to get scary, Havenhurst said no, death first, then plot, then more death. The death just felt silly though, without context, putting me in a mood ripe for making fun of the film. It doesn’t help that this film attempts to maintain some levels of mystery so that the viewer can sort of play along with our hero, except that right away we know that yeah, there is some murders afoot, so she isn’t crazy.

And a film has an uphill battle if it wants to maintain some suspense while also basically letting the viewer know a whole lot more than the characters. Usually mysteries are from the point of view of the protagonist with a few teasing moments.

I am annoyed at how un-seriously I took this film. Because when it revealed a bit more information (in a pretty silly way), I loved the idea they presented. Again, it was presented in a bad way, in more ways than one, but the connection to American lore was top notch.

Havenhurst has below average plot, acting, thrills, and more. Thankfully it is short and we can all move on from this film.

1 out of 4.

Ah-ha! The elusive Song of the Sea! I have found it at last.

I tried to get all five of the animated picture movies ahead of the Aademy Awards, but I only reached four. Damn foreign flicks. And the only reason I got to see it finally was because of its DVD release. I can’t feel the least bit special about this, outside of completing them all.c

I don’t think I have ever seen a movie from Ireland/Wales. So this is a big first one for me! Outside of the ones with the fancy footwork. This means I am a bit excited to see what I assume will be fancy footwork in animated form.

Unless the Leprechaun movies count. Then I have seen too many from Ireland/Wales. They should stop having movies at this point.

“You guys have Rapunzel? Fuck your Rapunzel. We got /this/ guy!”

This film, like any good animated film, starts with the death of a parent. Parents! Who needs ’em!

Ben (David Rawle) lives in a lighthouse, with his dog, Co, his father (Brendan Gleeson), and his mother (Lisa Hannigan). The mom is pregnant, and they want to finish the painting of the selkie, a Celtic myth.

PLOT TWIST. Pregnancy is a bit bad. Comes early. Mom dies. Saoirse (Lucy O’Connell) is born. And it is not pronounced the way it looks. Six years later, Saoirse still can’t talk. She just doesn’t like it. And after a few close calls with the ocean, their granny (Fionnula Flanagan) takes them back to the city to live away from the sea and their life and their dog.

Well, Ben says fuck that. He is going to run away and escape back to his dog and his life. Screw the city. And I guess his sister can come too, as long as she listens to him. Oh yeah, she also found a magical cloak that can turn her into a seal. Totes cool. And a magical conch shell. And like, fairies and owls and other crazy shit.

…

I am trying to say Saoirse is a selke.

Also featuring Colm O’Snodaigh, Liam Hourican, and Kevin Swierszcz, which is the hardest last name I’ve ever had to type. I am in no way confident it is spelled right.
in

Lord of the Dance prepared me zero for this shapechanging shenanigans.

Well, first of all, I am happy to announce that the pictures above do not do this film justice. This film is pretty. Prettier than a cat in a shark costume. Was it prettier than Big Hero 6, The Tale of Princess Kaguya, How To Train Your Dragon 2, or The Boxtrolls? Well, maybe one of them. I won’t say too. Because basically everything was pretty in their own unique way. And it has its charm and simplicity that goes along with it.

Also, the main characters were cute as well. Going on their adventure, solving problems. Sure, the girl is a selke, so she has a huge important role. But Ben does his fair share of problem solving along with Saoirse. They are pretty equal. And of course the Dog.

There is only like one song, but it is decently catchy. Wish there was more.

But if I had any problem with it, it seemed to move too slowly at times. If you could imagine a person telling a story, and that person keeps getting distracted and rambling every once in awhile? That is what it felt like watching this movie. Just every once in awhile. Kind of just hoped it would hurry up and move on. Not losing complete interest, just a little bit.

I can see why this one was nominated, but also, I definitely don’t think it was the best overall.

3 out of 4.