Tag: Comedy

My first thought when I heard of The Cabin in the Woods was of course, Evil Dead.

What? Evil Dead?

Yes. If you were awesome, you’d know why too. Not to like, immediately insult most of my readers or anything.

Why yes, yes that is Thor sitting on the chair.

Woo, trip to the woods! We got Curt (Chris Hemsworth) and his girlfriend Jules (Anna Hutchison) who just died her hair blonde! We also got a stoner, Marty (Fran Kranz, who you may remember from Dollhouse). On this weekend retreat, they really want to hook up their friend Dana (Kristen Connolly) with this new guy, who is also athletic, Holden (Jesse Williams).

Things are weird there though.

What else do we got? We got some scientists, kind of! Two head guys (Richard Jenkins, Bradley Whitford) talking confusing stuff about how the Netherlands and Sweden. They are being bugged by an assistant (Amy Acker) and have a new guard for their door (Brian White) who doesn’t want to be there.

And that is all you get, fuck you!

Well, they at least look like scientists. The validity of their science is another thing.

Pissed off at the shitty plot outline? Well good. Then you can go watch it and see what is up.

Never have I personally seen a more polarizing film amongst my friends, who all mostly got to see it before me it feels like. I didn’t see anyone say it was okay. It was purely a love or hate affair, which intrigued me. What does that usually mean? It means the film is either artsy, or weird. This one I would definitely describe on the weird side of cinema.

It just goes against the grain of what you expect, and rustles some of your jimmies doing so. Personally, I had a good time watching it. Wasn’t perfect. But super weird. So just give it a shot, and well, don’t get too upset when weird stuff happens.

I am pretty sure I heard about Hit and Run first from Dax Shepard and Kristen Bell. Do you know them? They have been a couple for a few years, since they met on When In Rome. Both very delightful people that make me laugh. Well they wanted to do a movie together, damn it, where they can be in love on screen too!

Fun, face punching, bloody love.

Annie (Bell) and Charles Bronson (Shepard) are living in the middle of no where California. They have been dating for a year, but they really do love each other so much. Heck, Annie has a PhD in Conflict Resolution. What? Yeah. But she is teaching dumb sociology because she can’t run her own program anywhere. Until now. Her boss (Kristin Chenoweth) has to make some cuts to the department, and she is too awesome for them. Luckily, she set her up with an interview at UCLA, to run her own program there and have a real job with real monies!

The only problem is the city. LA. Turns out Mr. Bronson is in the witness protection program, and yes, he is from LA. That is literally the worst possible city to have the job at.

But he doesn’t care. Screw it, he will drive her to the interview himself. It has been four years for him, it shouldn’t matter at this point. She knows he is in witness protection, so even if his secrets come up, she should accept it right? Nope. Not if he used to be the getaway driver for his bank robbing friends (Bradley Cooper, Joy Bryant, Ryan Hansen).

Unfortunately during this routine trip to LA for an interview, Annie’s ex boyfriend (Michael Rosenbaum) gets a bit jealous, always has been, and actually figures out his real identity through his cop brother (Jess Rowland) checking up his old car’s plates. So course he contacts his old buddies, who he ratted out and are now free (technicalities), causing a race to LA with lots of guns and crazy chase scenes. Not to mention the Marshall assigned to check in on Charles (Tom Arnold) going along for the ride as well.

Oh no, looks like the find them and have an uncomfortable sex talk scene!

Hooo boy. This movie ended up actually having a lot more car driving chase scenes than I thought. Nothing to the level of Fast and the Furious craziness, of course. No, those people use NAS and stuff. Just straight up old school racing is what it felt like, with a soundtrack to match. They were thankfully exciting.

I also need to give a lot of props to Tom Arnold, he hasn’t been doing as well on the humor, being mostly a spaz in all of his recent roles. Well, it is true for this one too, but it works really well for once.

I was annoyed every once in awhile, I thought Bell’s character didn’t make that much sense, based off of her background. I don’t think anyone would actually assume someone was lying to them by not telling them about their witness protection circumstances. Probably laws about that stuff! But I found it pretty funny, with some nice chase scenes. Some over the top, unbelievable characters too. The ending wasn’t my favorite, just felt a bit weird. But hey, most of it was awesome!

End of Watch (I hate that there is no ‘the’ there) is another of those movies that I felt bombarded by trailers for. Unfortunately they only made a single trailer for this movie, so I saw the same two minutes over and over again. But from that trailer, I was definitely curious about this movie. Filming style was different, might have been a buddy cop movie, but at the time with very serious overtones. I do love genre bending movies!

Oh man, look how happy they are! If only they knew…

Brian Taylor (Jake Gyllenhaal) and Mike Zavala (Michael Peña) are partners working the hard streets of South Central LA. They are great at their job, if not a bit reckless. Brian is slowly taking classes, working on a Pre-law degree, with high aspirations. Mike is happily married (Natalie Martinez) with a child on the way.  The beginning of the film opens with a chase scene and subsequent shootout, causing the two to be suspended for a month while they make sure it was a legitimate shooting.

But no worries! They make sure they follow the book, mostly. Brian is also taking an ‘art’ class, where he has to make a movie so he decides to document his life. Why not? Cops are exciting! So he has his normal hand held camera, and some ‘spy cameras’ on their shirts, along with other footage from police scanners to make up the majority of the film.

They are like most stereotypical cop units, there is a hardass equal who always gives them crap (David Harbour), a lieutenant who only cares about results (Frank Grillo), and some other friendly cops who actually appreciate what they do (America Ferrera, Cody Horn). Heck, even Brian has started to see someone, a smart girl who is more than just a booty call (Anna Kendrick).

But when the two start an investigation on a Hispanic gang shooting, they soon find themselves deeper and deeper in the dealings with the drug cartel, who have expanded their operations out of Mexico.  Discovering mass murders, cocaine, golden guns, cash, and human trafficking have put them as the number 1 priority for the cartel to deal with. What they just assumed was a normal shift will turn into a fight for survival to just make it to the end of (the) watch.

Yes, the same Cody Horn who helped ruin Magic Mike is a cop in this. Same disgruntled face.

I know my description of the plot made it seem like a pretty serious action movie, but surprisingly I would instead describe it as a “Comedy Drama Action Thriller” film. It is seriously all of the above. I laughed, quite often, I cried once, there was the obvious action, and I felt scared more than once.

The film isn’t a typical ‘found footage’ film. I believe the director originally wanted the whole thing to be in police camera / hidden camera footage, but there is plenty of actual camera work thrown in as well. So that means we have a movie that fits multiple genres, and doesn’t even keep its camera use constant, but yet it works really really well.

Frankly I thought the movie would be stupid, but I ended up loving every minute of it. Gyllenhaal and Peña had excellent chemistry together, and it shows that they spent months shadowing LA cops and hanging out for inspiration.  My only suggestion for watching this movie is to be prepared to have scenes change suddenly. It may go from hilarious banter to scary cop moments in an instant. This form of ‘genre shock’ is pretty rare, and now something I hope to see more often in movies after this. End of Watch is a definite must see.

I originally had no intention of watching All About Steve this weekend. In fact, I had no intention of watching it anytime soon. I never felt like I’d be in the right mood.

But unfortunately, the movie I watched Friday night was so fantastic, I thought it wrong to give it a Saturday review, since more reviews are read during the week and not weekend. So, might have had a post midnight freak out to find and watch another movie. Hooray!

With that picture, I still have no idea what this is even about.

Mary Horowitz (Sandra Bullock) is, in a word, eccentric. She is almost like a walking encyclopedia, she knows pretty much everything, but has basically no filter. She will just keep talking and talking, regardless of who is actually listening. She also writers the crosswords for the local newspaper, not much of a career, and lives at home with her parents. Her parents! Who have also set her up on a blind date with a cameraman, Steve (Bradley Cooper).

Originally interested, he quickly realizes (minutes later) she doesn’t stop talking and also is afraid of her strong commitment talk quickly ends the date but halfassedly invites her to come out. So of course she does, she thinks it is true love!

Steve has to work with an egotistical asshole Hartman (Thomas Haden Church) who really wants to be an anchor, and they also brought along a network guy (Ken Jeong) to make sure no shenanigans occur.

But when Mary actually finds him? He freaks out. She is like a stalker! And she causes problems! A really nice and in love stalker, who doesn’t know her own level of socially unacceptable behavior. She even meets some nice hippie friends (Katy Mixon, DJ Qualls) who help her, well, stalk Steve. She may even turn out to be a hero!

A hero who really puts herself out there.

Whewww, this is definitely not what I was expecting. To give Sandra Bullock some credit, she has never acted like this in a movie before, to my knowledge. Technically I am not a Bullock expert, so I could be wrong. But wow was this portrayal something else.

I think the goal of the movie was to make the audience love her and help accept others who are different than you, but I think they did a poor job of showing it. A lot of the earlier funnier scenes in which people quickly give up on her and treat her like crap just made me feel sad, and never really laughed. I found her interesting as a character, but as a comedy they went just a weird way with it all.

I’d say watch it only if you want to see Bullock go way outside of her normal zone, but definitely not for an overall good movie or plot.

The Great Buck Howard is definitely one of the movies I bought just because of the cast list on the front, and not really knowing anything about it.

I can definitely say I have heard zero things about this movie ahead of time, which means I can ruin that moment for you if you watch it with this review. Hooray!

Kind of like ruining a mentalists act. The claps will fade :(.

Turns out, this movie is actually about Troy Gable (Colin Hanks). He doesn’t like his place in life. Law School just is not fun. It sucks. His dad (Tom Hanks, yep) forced him to pick this path though. So he says enough is enough, walks out of law school, and time to find his calling.

Maybe a writer? Sure, but it doesn’t pay. So he needs a job for bills while he thinks about writing. Why not the stage manager of the Great Buck Howard (John Malkovich), a mentalist who he has never heard of. Sure, he has apparently been on Johnny Carson 61 times, but that is old.

Now he just travels from small town to small town, with a loyal fan base who love his acts and cheesiness. Troy quickly learns what to do from Alan (Adam Scott), the soon to be former tour manager, who eventually quits and leaves in a rage. Okay, so apparently Buck is not really so great, but more of a dick. But its a job, and why not stick around?

Well, he gets to see a struggling mentalist make it through life, without missing a beat. Just takes it all out on Troy. He even has an amazing act, where he has audience members hide his “fee” for the night, while he and his staff is away, and without fail he can find it every time. If he cant, it gets donated back to the town.

Even the build up of his new trick, putting a record number of people to sleep at a time. The problem is, shit keeps going wrong. His press person is out of town, so he is stuck with a rookie girl (Emily Blunt), has crazy drivers (Steve Zahn), and a generally apathetic manager (Ricky Jay).

Here is a look as shit hits the fan. Pretty hard.

I was worried about this film, just because it was John Malkovich in a PG setting. But what the fuck was I thinking? This is John Malkovich! He does things awesomely, and you can’t help but watch.

His character of Buck Howard was definitely an interesting one to watch, and clearly the most important part of the movie, despite it being a journey of discovery for Colin Hanks’ character. He is based on the The Amazing Kreskin , who was known for finding his fee pretty much every time (but nine, oddly enough).

Did I mention Malkovich kicked ass as this character? The rest of the cast was pretty decent as well. Especially the outrageous locals at some of the shows. It is hard to describe why this film is so great, but the only word I can think of is charming, I guess. The cast works well together, and it is strangely interesting despite the subject matter. Give it a chance, and maybe you will love it.

Thinking back on it, I don’t know how much press The Five-Year Engagement ended up getting. I really only heard about it a few times, and actually never a preview. I think I heard it mentioned in the same sentence as Jeff, Who Lives at Home, just because of the actor share, and that is about it. So hey, why not just buy a movie I know nothing about, because who really wants to wait for Redbox?

Only three people in this picture are willing to wait for Redbox.

Tom (Jason Segel) and Violet (Emily Blunt) met like most couples, wearing costumes drunk on New Years Eve. But boy, did they hit it off! Tom being a sous chef at a San Francisco fancy seafood shop, and she is a PhD in Psychology student! Clearly meant to be. But after their engagement party, they put off planning their wedding for a bit, when some of their good friends get pregnant and married first (Chris Pratt, Alison Brie).

That’s not too bad. But when Violet gets accepted as a postdoc at the University of Michigan for a two year awesome program, it puts a weird spin on the relationship. Oh well, Tom can probably find a new restaurant job easily in Michigan! Right? Eh..

The movie at this point becomes a series of incidents that continue to delay the planning of the wedding, with a few role reversals going on. Tom has a hard time fitting in in Michigan, way colder than he is ever used to. He doesn’t have many friends, just his sandwich shop boss (Brian Posehn) and Bill (Chris Parnell) who teaches him how to hunt and be a real woodsman. Violet immediately loves her new job, her boss (Rhys Ifans), and most of her workmates (including Mindy Kaling and Kevin Hart).

Sex, cheating, distrust, psychological experiments, and baby frights. Will the two even survive waiting five years to get married?

Not with that beard, holy crap Jason.

The first thing to notice in this film is that there is a lot of “TV Actors” making up most of the cast. Three of the four people on the cover are known for their shows more than anything else!

I decided that I needed to watch the unrated version of the movie, which is about 2 hours and 15 minutes, roughly 10 more minutes of movie, and I am not sure if that made all the difference. I think the movie definitely had its moments, I just didn’t think it needed to be as long as it was. I was losing interest by the end. I hope the theatrical one wasn’t superior, because overall I’d guesstimate my version was about twenty minutes too long. Five years is a long time, but if it takes too long, I found myself not even caring about whether or not they get married.

I will say that their romance felt a bit realer than movies normally show. They fought, they made up, they weren’t perfect for each other, but they tried to make it work. That was definitely an enjoyable aspect.

I don’t think the readers here are ready for this. I just don’t.

A Spanish movie, made by Americans, in America. Where we speak American, damn it!

First time I have put up the language tag without the “Foreign” tag. Because this is all USA baby. Just in Spanish.

Yeah, you were not ready for Casa De Mi Padre.

Gay cowboys eating beans around a campfire. Oscar gold.

Armando Ernesto (Will Ferrell) is the not so smart son of a rancher, and has lived at home his whole life. He has simple needs and pleasures, and loves spending times with his other ranch hand friends, Esteban (Efren Ramirez) and Manuel (Adrian Martinez). But his father, Miguel (Pedro Armendariz Jr.) is upset about something, but won’t tell his son about it, mostly because of his incompetence.

But thankfully, Raul (Deigo Luna) returns! Raul is the younger brother who left home some time ago and he looks rich and successful. Huh, wonder where it all came from? So does Armando. Miguel doesn’t care though, because his younger son is a smart man. Not to mention he brought Sonia (Genesis Rodriguez) and plans on wedding her the next day. Hooray, family growth!

Armando is super suspicious of all of this and of Sonia, she just looks like a money grabbing whore. But of course the suspicion leads to spying, and secret jealously and love. Come on Armando, don’t screw your brother like that. Even if he actually is dealing with drugs, and thus has the local cartel leader Onza (Gael Garcia Bernal) coming by to kill everyone, and also problems with the US DEA agents like Agent Parker (Nick Offerman).

Just by saying Nick Offerman, you should know exactly what kind of character he plays in this movie.

Alright readers, it is very possible I too was not ready for this movie. I just expected a normal comedy, set in Spanish though. I am fine with that. I don’t hate that. It’s weird, but could be good too. But what this ended up being is a larger parody/satire on the entire telenova experience, which is something I have definitely never experienced. Sure, I heard they were overly dramatic, basically soap operas amped up a bit.

Quite a few jokes probably relied on realizing the ridiculousness of it all, and this movie adding even more to that fact. But without knowing that? There will be few laughs. I noted that there was badly edited scenes, one in particular I loved was this fight scene involving coyotes and pumas, but the real humor will come in the smaller details. The scenes keeping the camera on the persons face just a little bit too long. Pretty much all the scenes just going on a little bit too long. Not to mention people getting offended quite easily.

Oh and the songs. There are two and there songs out of no where. Probably common place in Mexico, I don’t know. Hell, the Spanish might not have been real Spanish and I wouldn’t even know. So many layers of comedy I just couldn’t get, I think I have to watch this movie a second time to get a better grasp on it all. But for now, lets keep it neutral. Definitely a different film experience than you are used to from Will Ferrell.

If you went to the movie theaters this summer, you might have heard about Girl In Progress, because really that is the only time I heard anyone ever talk about it. I think I saw the preview for the movie maybe seven times in a single month. SEVEN TIMES. So as you can see, watching this movie as soon as possible was a priority, because damn it, I wanted to know what the trailer kept teasing at me.

Huh, I wonder if this picture is a metaphor.

Ansiedad (Cierra Ramirez) is just a girl, who kind of hates her position in life. She at least gets to go to a private school, but her mom Grace (Eva Mendes) is having problems paying for it. Grace works a few jobs, including house cleaning for a Dr. Harford (Matthew Modine) and waitressing at a local crab shop. Their relationship is pretty strained, because Ansiedad feels her mom spends all her time working or sleeping with married men (Yep, the doctor) and not enough time just being a good mom.

But (and we are about to get super meta here), when she starts to learn about a genre of novels that tell of coming of age stories, she makes it her desire to have her own “coming of age” story, so she can become and adult and fix her situation in a flash. With her only real friend (Raini Rodriguez) they develop a list of tasks that most occur in order to have the appropriate experience. Everything is on that list, from first awkward kiss to virginity loss, to changing her lifestyle from nerd to badass (including intentionally losing her old friends), to hopefully moving out of her home and escaping to NYC!

While at the same time, Grace’s life is getting more stressful, as she is put in charge of the restaurant while her boss is at a festival. On top of that, Dr. Harford is willing to elope and take their family far away from the area. Sounds sweet, but can easily backfire. But all of these stresses make it harder to see the changes her daughter is going through, until her teacher (Patricia Arquette) is able to point them out.

Additionally, a middle aged hispanic individual nicknamed Mission Impossible (Eugenio Derbez) is a part of both of their lives, and might be willing to fix there situation at any cost.

The real star of the movie. Anyone else think he looks like a Hispanic Matt Berry?

So what happens when you get a coming of age movie, about a girl attempting to create her own coming of age story? Well, it could either go amazingly well, or amazingly bad as far as I can tell, and I think this film falls on the latter. I wouldn’t describe any of the main cast performances as bad, but it actually just felt like they didn’t care.

That Eugenio? He was excellent. A lot of it might have just been in his facial expressions, but he is really the only person who made me enjoy the film. Although the film itself is about character growth, it felt fake or forced the growth that occurred. Arguably, a forced growth in a movie about forced growth could also be intentional, but I doubt the creativity of the director in this case.

For a hilarious read, I suggest the outline on wikipedia of the plot. If anything, it makes my writing look awesome, so clearly checking it out only leads to positives!

Finally. Finally I can say I am the last Diary of a Wimpy Kid movie…or am I?

This version, Dog Days, takes place after seventh grade, but during the summer before 8th. Shit, that means if there is only middle school for these books (guess), then they can still do another one next year.

Four movies in four years, kind of ballsy. Or maybe it is just easy for this type of ‘epic novel’.

Summer? Time to get fucked up and ride some rides.

So yeah, get stoked, time to meet up with Greg (Zachary Gordon) again! But now that school is out, he has one goal, to play video games. Lamely enough, he is playing some dumb wizard game, and apparently thinks it will take all summer to beat it. Well, maybe he sucks at life.

But his dad (Steve Zahn) is not a fan. Summer is good weather so he must be outside! Physical fit stuff, oh well. And he better not piss off his dad this summer, because he just learned about some prep/obedience/military? school that starts in the 8th grade. You know, which Greg is about to be in. So of course Greg fails to get his game on after the first day, and pisses off his dad. Oh well, according to the mom (Rachael Harris), it is partially the dad’s fault. He needs to spend time with his son!

But they have nothing in common. Camping, reinactments, fishing, blah. Thankfully, Greg lies again and says he has a summer job at the local country club. But really he is just going there as Rowley’s (Robert Capron), trying to impress Holly (Peyton List), by lying to her a bunch. She meant to give him her phone number, but never finished writing it. Unfortunately, throughout the summer Greg is too much of a pansy to bring that up and get the missing digits to actually get his girl.

Chirag (Karan Brar) is still an Indian kid stereotype, Patti (Laine MacNeil) is still mean, and Fregley (Grayson Russell) is still unpopular.

Rodrick (Devon Bostick), despite what happened in the last film, is kind of a dick again, and uses his brother to get into the country club.

Can Greg not screw up everything he touches, and get a good relationship going with his dad?

I can’t tell. They look pretty much the same, so they must be awesome.

Remember what the sequel did with the first? It made it better, and also feel more realistic. You think both Greg and the brother grew with that movie, and it felt kind of awesome. Well I think that is what they meant to do with this version. But instead of the boy and older brother relationship, it would go to the boy and his father relationship.

Don’t get me wrong, it definitely happened, but the execution felt wrong. Just felt wrong the entire time. The threat of boarding school, and Greg’s inability to not be a dick. Like, he made progress in the last movie, but it is almost as if they were just kidding and no progress was made at all. His brother was kind of a dick to him (not as complete, but still not very nice). Just felt like they robbed the characters of their development.

Literally nothing really goes as planned in this movie, and to me it seemed like that most of Greg’s actions were caused by an inability to think, even though they generally portray him as a bit smarter of a character. But nope, bad choice after bad choice, and still, despite learning lessons in previous films, wanting to be cool and treating his friends like crap.

Way to go Greg, you really are starting to suck. Other minor announces, like Patti yelling out the score during tennis, and scoring it wrong (but seemingly correct? She was calling shit a point that wasn’t close to being a point). Also, Greg’s inability to get the last two digits of Holly’s number, all because he couldn’t just say, “Yo Bitch, finish that message”. Especially if he was right by her, and other people were talking that involved neither of them, he couldn’t figure out how to talk on his own I guess. Just made me pissed off.

I say a lot I try to make sure that movies based on books are given their own subjective look, without bringing the book into it. After all, they are different mediums. I need to judge the movie just on its movieness.

But The Lorax? That shit is classic. Here is an audio version for the lazy who have never heard of it. I think a movie version is definitely doable, but it will be weirder, and probably pretty short. Depending on what they set it in.

And just hopefully not extremely up in your ass on the environmental issues. That’s all I want. Lots of rhyming, damn it. Also, lots of Lorax!

Well, these things arent the Lorax. Poor start so far.

The movie begins with Ted (Zac Efron) a very non Lorax human having big dreams in Thneedville, a completely “artificial city”. Everything is metal, plastic, or synthetic in some way. No trees or plants, that is all fake too. But no worries, they love their lifestyle and capitalism. They even love the fact that they by air, from O’Hare (Rob Riggle) for whatever reason.

But Ted is in love. With a girl! A strange girl who dreams of the world outside the walled city that they cannot leave. Audrey (Taylor Swift) wants a real life tree so badly, she even said she’d marry a boy if he gave her one. Simple needs! Despite the wishes of his mom (Jenny Slate) and grandma (Betty White), he escapes the city walls and goes to the barren landscape! And obviously, as I just described it, it kind of sucks. No trees anywhere.

There is a creepy house though, hopefully that is where the Onceler (Ed Helms) lived, a rumor of a man who is said to have tree seeds in his possession. And does he? Who knows, because he wants to talk to Ted first and tell him his tale, about how he met the Lorax (Danny DeVito) when he first came to the fields to start up a business and become a success.

Then you know, we get a really long version of the Lorax story, with lots of singing and dancing, and animation explosions, and lengthening. After the seed is received, where the book normally ends, the movie then continues to explain what he does with the seed and his attempts at taking down the O’Hare foundation in Thneedville.

Aw, there is the Lorax. Super caauyuute.

Interestingly enough, the first scene actually got me hooked into the movie. The first song titled after the city was actually catchy and interesting, minus the weird parts about extreme capitalism and being a zombie. But yeah! I was excited. But then it went more and more downhill.

After that I didn’t really like a single song, which is a shame. Especially the last one, Let It Grow, that stuff got weird. But after Ted meets the Onceler (who yes, you get to see in the flashbacks. Just hands would be weird in a movie), the story of him going out into the fields, finding the lorax, and then eventually destroying the ecosystem takes WAY TOO LONG. It is ridiculously long. And pointless. Especially since the destruction part doesn’t take a long time, just the part after 1 tree to get to oh man cut it all down.

The morals associated with the Lorax novel are basically simple. Hey, don’t over do it. That is about it. The movie kind of takes that message, amplifies it to show even further extremes (Thneedville) and smacks you over the face with it again and again. I didn’t like that, it was far stronger than it should have been. The ending, after the return to the city with the seed, was just a long chase scene that felt pretty annoying too. I didn’t hate the O’Hare character, minus the fact that he didn’t make much sense, but the way they chose to portray him (not his portrayal?) was annoying to me. Just his general look. I thought “Oh jeez, thanks storyboard artists. Couldn’t have made him more normal sized? Fuck your proportions”.

There were some good moments, but man, I do think this would have been better at 40 minutes max and less acid trips.