Tag: Comedy

The thing I love most about Movie 43 is how easy it will be to review.

I mean, part of the point is not knowing much about the movie ahead of time before you see it. So I don’t have describe all the skits, just the main plot that tries to hold it all together.

Shit yeah! Oh, and so many tags. I am gonna tag the shit out of this movie.

I don’t have any obligation to tell you what Halle Berry is going to do with that Turkey Baster!

So here is the basic story, which is a piece of shit excuse to give you this movie. Sorry, that sounds negative. The point of this movie is a series of short skits all put together, that is all. Trying to put a plot behind them all? Probably won’t work well, but it technically gets to be the movie plot.

A crazy asshole (Dennis Quaid) is having a meeting with some big movie executive (Greg Kinnear). Why? You know fucking why, to sell a movie of course. Greg doesn’t like it, the movie is vulgar and bad, but when a gun is brought into the equation, maybe he will listen. Also featuring Will Sasso and Common.

What vulgar skits? We got Hugh Jackman and Kate Winslet on a blind date, where Hugh is basically perfect. Liev Schreiber and Naomi Watts are homeschooling their kid, Jeremy Allen White, and trying to give him the realest depressing experience ever.

Anna Faris wants Chris Pratt to poop on her. Kieran Culkin and Emma Stone are awkward.

Richard Gere doesn’t understand why people are sticking their dicks in the iBabe, nor does Jack McBrayer the scientist. Only person who gets it is Kate Bosworth.

There is a speed dating convention in the DC universe, with Justin Long, Jason Sudeikis, Uma Thurman, Bobby Cannavale, Kristen Bell, and Leslie Bibb all playing parts.

Jimmy Bennett is on a “Date” with Chloe Grace Moretz, who gets her period, and the older brother Christopher Mintz-Plasse freaks out. Seann Williams Scott is mad at his best friend Johnny Knoxville, but to make it up for him, he found a leprechaun (Gerard Butler).

Am I almost done? Fuck no!

Halle Berry and Stephen Merchant are on a blind date playing truth or dare! Terrence Howard says the same joke about black people and basketball over and over!

BUT JUST YOU WAIT. THERE IS ONE MORE SCENE. AFTER THE CREDITS.

I was surprised too. Because this scene didn’t have any previews in the trailers. So I will just say Elizabeth Banks and Josh Duhamel.

Just seeing all those links man. It makes me dizzy.

Maybe I talked about the skits too much, maybe I didn’t. But basically all I mentioned was information you can learn in the trailer, which is unfortunately a lot of it. Problem is, some of the better jokes I already knew were coming and it ruined it a bit for me. I knew about most of the Home School scene, but I still thought it was one of the better ones. Poop quest ended up being better than advertised as well. My favorite scene, however, was the Batman based speed dating, but that could just be because I am a comic nerd. Either way, Jason Sudeikis made that scene his bitch, and I want more of that.

The movie started pretty uncomfortably too, with the blind date scene. No one really laughed right away at the sight gag, but eventually they just threw it in our face enough that it became funny.

I understand the movies only purpose is to do outrageous things, without a plot, but I am upset about the main story line. I hated how it ended. Pretty much a cop out. Even more strange is that only the American version features Quaid and company. Apparently international versions star three unknown kids searching the internet for a fabled movie and finding these clips. Pretty dang weird.

Yeah, most of it is dumb ass jokes, but eventually you just have to give in or else you will have a bad time. Easier to accept the laughs than to ignore them.

Unfortunately, it is still a pretty shit film, in the grand scheme of things. So there you go! Maybe watch with the buds eventually, while drinking, when it is rentable. That would be a better idea.

Sometimes the UK scares me. But usually that is just when it comes to TV shows. It isn’t a normal like or hate relationship, it is more a like or “I don’t understand what the hell is going on, so I am just going to doodle while it happens until it is done, then never watch it again, because I am confused and I don’t understand what the hell is going on, so I am just going to doodle while it happens until it is done.”

It is really a 50/50 type of situation. Thus my initial fear of watching The Pirates! Band Of Misfits.

“Bitches don’t know about my swaaaaaaaaaaaaaag. And I mean swag in its real definition. I have a pile of gold in the hull.”

Set somewhere in the 1800s, Great Britain has taken over much of the world. But Queen Victoria (Imelda Staunton) doesn’t control the West Indies! Fucking Pirates are there!

This includes The Pirate Captain (Hugh Grant) the piratiest pirate that ever pirated. So much that he is going to inter Pirate of the Year, and win it for once! The only problem is, I lied. There are much better pirates out there. Including Black Bellamy (Jeremy Piven). Heck, The Pirate Captain hasn’t even gained any loot this last year. Just some ham. What is a pirate without loot?

So he starts a raidin’ and a plunderin’ but nothing seems to work. None of the rich boats are coming out to his area. When he goes for just one last boat, he is disappointed to find out that it is just Charles Darwin (David Tennant). According to him and his man-ape servant, the Pirate Captain’s parrot is actually a Do-do bird, long thought to have been extinct!

But apparently with these science shenanigans, there is a potential for real money. But they have to go to London first, a scary anti-pirate place. Hmm, I am sure it wont be a big issue, and no one will have to put their morals in check. Lets not forget his trusty crew, including The Pirate with a Scarf (Martin Freeman), The Pirate with Gout (Brendan Gleeson), The Pirate Who Likes Sunsets and Kittens (Ben Whitehead), The Albino Pirate (Russell Tovey) and The Surprisingly Curvaceous Pirate (Ashley Jensen).

Going back to my earlier fears, I have never seen a Wallace and Gromit movie. Wallace just looks way too British. So the only reason I went this way was because of scurvy jokes, boy did it deliver.

The writing for Pirates was beyond clever, full of jokes and other smaller pop culture references. Heck, it even had a soundtrack full of real modern songs, including most of Flight of the Conchords “I’m Not Crying“. Damn, son.

I also didn’t completely hate the form of stop motion like I thought I would, another definite plus. Not sure if this is going to win best Animated Picture, but it certainly was a damn good one for 2012. I mean, Ham Night. Ham Night guys.

Oh Candaa. The home and native land to many a hockey player. Shit, they invented the sport.

So it comes as no surprise to see that Score: A Hockey Musical eventually came to be. I mean fuck. It has two things I love. Musicals. And Hockey.

How can this love song to Canada be bad?

“I don’t know what to do with my hands.”

Well, his name is Farley Gordan (Noah Reid) and he is going to be the next Crosby. Just no one knows of him, because he has never played any sort of organized team play, just pond hockey with his friends. That is because his parents (Marc Jordan, Olivia Newton-John) are pretty strict liberalists. They have home schooled him his whole life, controlling all aspects, trying to raise him to be Gandhi.

But after a local minor league hockey team owner (Stephen McHattie) sees him play, he gets an offer to join the slightly big leagues! But anyone that knows the minor leagues knows that they are rough and dangerous. Farley is a frail kid, can he take a hit? Can he handle a fight? Can he score with professionals?

No. No he cant. He is a pacifist. The Moose (Dru Viergever), the teams goon cannot protect him. The coach (John Pyper-Ferguson) doesn’t want a sissy on his team, no matter how well he can score. Hell, even the ginger goalie (Chris Ratz) doesn’t approve.

Can Farley figure out how to survive in a fighting league? Can he earn respect? When will he realize his best friend Eve (Allie MacDonald) is more than a friend?!

JUST HOW MUCH TEAM DANCING AND SINGING CAN I EXPECT?

Score may be one of the worst movies made in 2010. However, it easily transcends into “so bad it is good” territory, in my mind. The actual movie is very tongue-in-cheek. It is a movie that is a cheesy musical, while being aware that it is a cheesy musical. Hell, multiple lines sound a bit Whedon-like from his previous works.

The singing isn’t the best either. Newton-John didn’t even sound good, and some of the lyrics will make you cringe, mostly by throwing in too many words to make the rhyme work. But there /is/ some good singing. Allie MacDonald is actually a great singer. They had her sing a bit of Sometimes When We Touch, almost to tease her actual great singing voice, making it an even bigger joke. Noah Reid isn’t a bad singer either. The problem lies with the actual lyrics. Most of the lyrics are just song/spoke, that in between, and it just doesn’t sound the best.

But this movie has some real gems in terms of songs.

The song Pacifism’s Defense, where Farley tries to argue he shouldn’t have to fight, versus his whole team who disagrees. We get awkward manly time, dancing in the locker room, and some interesting rhymes.

The radio version of the finale, Hockey, The Greatest Game In The Land is hilarious in its catchy-ness and how it switches from hockey to just Canada in general.

Every good musical needs a ballet, and this one has one in the form of an bench clearing brawl. “Jab Jab, Hook Hook, Kidney Punch”. Hell, it also has cameos from Walter Gretzky and Theo Fleury.

I say if you are going to watch this movie, don’t take it too seriously, watch it to make fun of, and it will be good. On its own, yes, it is poorly acted and sung. But if you Give It A Shot, it might just make you proud to be a hockey fan. Or the opposite of that.

And yes, that is Nelly Furtado as rambuncious homer fan of a minor league hockey team.

“What the fuck is this shit?”

That might be you, if you had a vulgar filthy mouth. But I heard someone say that when I first saw a trailer for A Haunted House. “Did they forget to name it Scary Movie 5?!”

Of course not, it isn’t the same franchise. Especially since Scary Movie 5 is coming out in April. I am sure you know that after Scary Movie 2, the Wayans brothers left the franchise (As the major writers/producers) and went on to do their own thing. That explains how bad the rest of them were, and five will probably be.

But that doesn’t mean they can’t do horror spoofs, even though this one is jut Marlon Wayans, damn it. Sucks to be Scary Movie though, since both of these are parodying Paranormal Activity.

“All of these parodies make me so angry!”

Malcolm (Wayans) is pumped. The woman of his dreams, Kisha (Essence Atkins) is about to move into his house. Life couldn’t be better. Until it immediately suck. Living with a woman isn’t as sexy as he hoped. Plus, she hates his maid, poor old Rosa (Marlene Forte).

But then weird things start to happen. Meaning her keys weren’t where she left them. OH NOESSSSSS. So they install nice cameras, from Dan the Security Man (David Koechner) and his assistant Bob (Dave Sheridan). They also happen to be ghost hunters.

Why the fuck am I still describing this? We know the plot, its a parody. Who is what though may matter. Nick Swardson plays a psychic, Cedric the Entertainer a priest, and Andrew Daly / Alanna Ubach play a couple who might be into some extra curriculars.

I labeled both pictures as Ahh Ahhhh. AHH is the movie acronym, and ahhhh describes each one. Hooray!

A Haunted House was exactly what I expected. As a bonus, it was also rated R. The first two Scary Movies were also rated R, and I didn’t hate them. But when the Wayans left and it went PG-13, I thought it was pointless drivel.

Does AHH have a lot of that too? Yeah maybe. But also a few amusing scenes. Sure, there are some art jokes, ome thug jokes, some joke about a gay man hitting on a straight man. But hey, these can be guilt pleasures. I generally did laugh out loud at certain scenes, and thought there was at least a couple of unexpected scenes. If you are going to watch this movie, you know exactly what you are going to get.

So yeah, fuck it, have an average rating. Welcome back Marlon!

FINALLY.

That is all I can really say about Silver Linings Playbook. From the first time I saw this trailer, I knew I wanted to see it, and I wanted it to see it hard. Why? I mean, shit, look at the Trailer damn it. It has everything I’d want in a movie. Laughter, probable good acting, trashing books, serious shit, and a Jennifer Lawrence jiggle.

Well, and the rest of her too, I guess.

Pat (Bradley Cooper) is a pretty normal guy. Exercises, interacts with his friends, and sometimes talks to a wall. Oh whats that? He is in a mental institution? Alright, that isn’t normal at all. But he seems to have it all together. The courts seem to agree (despite the doctor warnings), and he is released to his mother (Jacki Weaver) after eight months in to live with his family.

Pat sees this as the opportunity of a life time. He has been getting fit, taking good care of himself, and now he plans on reading a lot of books to impress Nicki. Who is Nicki? His (ex?) wife of course! Before “the incident” they were in love, and damn it, they will be back together soon. What’s a restraining order anyways? His dad (Robert De Niro) has his own history of anger, along with some minor OCD when it comes to luck/fate with the Philadelphia Eagles.

But while working on improving his mind and body for Nicki, his friend (John Ortiz) invites him to a fancy dinner with his wife (Julia Stiles), a good friend of Nicki! But why did they bring Tiffany (Jennifer Lawrence) to the dinner? She had her husband die, and is kind of slutty. Clearly she is the crazy one of the group, not Pat.

But is she crazy enough to help him get around the restraining order by delivering a letter to his love? Maybe! Only if he does something for her first. Also featuring Chris Tucker as a new friend of Pat’s from the institution.

Presenting for the first time ever, my Halloween costume for 2013.

I am almost certain I didn’t decide this before watching, but I loved this movie. Basically everything about it was top notch. The storyline, the acting from our leads and De Niro. Hell, Mr. Tucker, who only does a movie every 5-6 years now, once the highest paid actor in Hollywood, he was pretty great in his supporting role as well.

When ever Jennifer Lawrence popped out of the bushes to surprise Cooper, I could only think of Navi, but in the nicest way possible.

The movie also did a fine job of riding the line between comedy/drama and going into a romantic comedy. First, it kept the comedy up the whole movie, and the dramatic parts were also throughout. Some Comedy/Dramas like to split the movie in half, not this one. Closer and closer to the end, it was able to get an ending that was great, without being entirely cliche. That means only about 40% cliche, for those counting at home.

This movie has officially restored my faith in Bradley Cooper, that was nearly diminished after All About Steve and The Words.

Alright movie theaters, I am going to need you to calm the hell down. I want to watch some of my own dvds damn it, but its hard to do that when I see 4 new movies a week in theaters. Taking up all the review spots! So sometimes, I just have to put my foot down and say no. I am watching American Dreamz damn it. Err, it came out in 2006? Shit, I thought it was newer. My bad. But I am still writing this dang review!

Hmm, Hugh Grant looks kind of like an evil genius here.

The President of the United States, President Staton (Dennis Quaid, definitely not a Bush parody), is having a nervous breakdown. He just got reelected, but now he is reading the newspapers, first time in years, and people don’t like him or his war! What! He just refuses to leave the White House or do anything, hanging out in his pajamas. But he does like the TV show American Dreamz. What is that? A singing competition, where a group of singers move on round after round, and the winner gets a contract! (Definitely not a parody of any other American show).

Speaking of American Dreamz, they are in a pissy. They are the top rated show, but they want even MORE ratings. The showrunner/main judge, Martin Tweed (Hugh Grant) demands that they get something unique, not more of the same. An egotistical southern girl who sings decently, Sally (Mandy Moore)? That is boring. But if she has a boyfriend in the military (Chris Klein), that makes it a bit better. Maybe get a middle eastern guy too, like Omer (Sam Golzari). Who cares if the singing is shit, diversity like that can build ratings!

Know what else can build ratings? Convincing the president to be a guest judge on the season finale of the show. The president loves the show, maybe it can be enough to knock him out of his funk and be liked again? Hopefully no terrorist attack will ruin the occasion either. >.>

Also featuring Willem Dafoe, Seth Meyers and John Cho.

Will most of America find themselves Omar-sexual?

The problems with Satires is that if you don’t understand the satire, you won’t get it and probably hate it. But if you do get the satire, you will find yourself nodding in agreement and enjoying it, but you are already converted, so to speak. No one gains any new information really, so if it is satire to send a political message, you aren’t actually convincing any one of anything. Your side agrees, the other side doesn’t get it. Then that is it.

American Dreamz is a very silly film, and it isn’t subtle in the slightest what it is going for. It has some comedic potential, but I personally found a lot of it to be bland.

The ending, was both shocking and amazing. I didn’t see it coming, and was also over the top ridiculous.

No one really shined in the movie, and I can’t ever see myself wanting to see it again.

Normally I do my movie prep right before I see a movie, not months. But hey, turns out I never watched Monsters Inc., and some other variant of the movie is coming out this summer. But it was in 3D!…Which kind of makes this a new release…which means I can review it. Kind of like how I did a review for Cars, despite having no good reason for that one.

THREE DIMENSIONS THOUGH. WHY NOT.

Imagine this face popping out at you.

Monsters Inc. is the dark and twisted tale, of transdimensional travel and the energy crisis. Thanks to the onslaught of violent video games, tv shows, and the moral fabric of society falling, kids have become emotionless zombies that can no longer react to fear as a stimuli. This has a big effect on the Monster society, another dimension away from the human world.

They have not only perfected transdimensional travel between the worlds, but they can go to any home in which a closet exists, and have each one labeled and organized to go wherever they want. They have also figured out how to refine the screams of children into portable energy. But as I already stated, the screams are lowering. Sure, some monsters, Sully (John Goodman) and Randall (Steve Buscemi) are approaching record breaking numbers, but it is probably due to the apathy of the other workers realizing their jobs are at risk and their world as they know it is crashing around them.

Mike (Billy Crystal), Sully’s partner is too engulfed in the race to notice the crisis, and to smitten with a receptionist Celia (Jennifer Tilly) to realize the changes.

The drive for more scares engulfs Randall and Sully, so much that they end up doing whatever they can to get ahead of the other. Randall, the lesser scarer of the two being born with a smaller frame, has to rely on his intellect to give him an edge, much like the common ancestors of our past began to make tools to fight off the mammoths. He is smart enough to realize that the human kids are not actually poisonous to touch, but that was instead a message spread around just to increase work performance in these tough times. If you are scared of them, you will be more willing to try and scare them as much as possible.

Randall actually invents a machine to extract and force screams from not only children, but any source, monsters, whatever. Presumably beta testing is over, and now he has one test subject less, a girl who is named Boo. Boo is immune to fear in the traditional sense, referring to monsters as kitties. If his machine can work on her, it can work on anyone, and Monstropolis can continue to be prosperous.

But Sully, for whatever reason, is afraid of change. He made his record, and he doesn’t believe in that new form of science. Maybe because he hasn’t tested it himself. Either way, despite not knowing the full story, he decides to do everything in his power to get Boo back to her room, because that will protect her somehow.

It isn’t until he discovers and alternative form of energy from the children, through laughter, does he begin to accept change. It is stronger than the average scream, but is it easier to get laughs through the same manual labor process versus machine work? Does he really only care about the laugh method because he found it out first? Or maybe he is going around his boss, Mr. Waternoose (James Coburn), just to take over his job by the end?

Is Monsters Inc. really a story about how unions are a good thing, and that innovation through technological advancements leads to loss of jobs, in order to be more efficient?

For whatever reason, she reminded me of Katy Perry.

So why not talk about Monsters University? Seems like an odd direction to take the franchise. A prequel, 10 years before Inc. This will be a movie about how all the characters we know learned about each other and developed friendships. I am expecting it to be 100% Monster, 0% Human. After all, humans will still be poisonous or whatever. I think it would have a bit more interesting have a real sequel, what that would be about, I have no idea.

I think the over all plot was a fine one, minus a lot of instances where I didn’t understand the character actions. Such as taking Boo from the Sushi shop, when they could have left here there, ran away and been done with the problem. Or the door factory chase scene.

The 3D was good and felt natural. Since the movie was made in 2D, it was just there for rounding, not having shit fly at you, which was nice. Billy Crystal made his character his bitch, like normal. The rest of the voice work was relatively okay.

Over all, I don’t see the hyper I originally heard from the movie. Way better than Cars though.

The last of the movies to come out on Christmas for me to review, Django Unchained is unlike really any other.

It isn’t random holiday fluff, and it isn’t based off of previous work/book/musical. Sure, there was the movie series Django. But those stories aren’t at all related, all it is is a name share.

But outside of that, you know its a Tarantino movie, so you know, there will be blood.

Along with stylish threads, and stylish walks.

Django (Jamie Foxx) is a slave. A slave walking through Texas. He had a history, hell, he had a wife, Broomhilda (Kerry Washington). Too bad she got sold to another plantation owner, who knows where.

But as luck would have it, a man has freed him from his bondage. Dr. King Schultz (Christoph Waltz), a bounty hunter and former dentist. He is looking for a group of brothers who have gone on the run, changed their name, and he knows that Django knows what they look at.

So of course he will help him out! Killing white people for money, what could be better? Obviously. Not to mention if he helps him out, he can get cash, and find out where his wife is. Because we have all seen the preview, we know she is with Calvin Candie (Leonardo DiCaprio), and under the watchful eye of her owner and head slave Stephen (Samuel L. Jackson).

And in this movie, the hammer is an actual hammer, and not his penis.

I think I can say, universally, that Django Unchained basically is firing on all cylinders. It was a classic Tarantino movie, despite being his first western. It had it all. Dramatic tension, thanks to a few scenes between DiCaprio/Waltz, comedy, action, and a lot of gunfights.

This is now the third movie I have seen Waltz in and I love his character so much. The high level charisma and witty dialogue will make the long movie length fly by in an instant. Foxx, despite the main character, does a lot less of the talking, which makes sense given his position and role he has to play.

Despite not showing up until the second half of the movie, once DiCaprio and Jackson hit the scene, they make their presence known and make it count. There is a specific scene in question where DiCaprio accidentally cuts himself by breaking a glass, but doesn’t break character making it all the more intense.

Really, this movie is just a great movie. The “controversy” over word choice isn’t a controversy at all, it is just Spike Lee being a jack ass.

In addition to that, you not only see breasteses, but also a penis. Pretty sure though that a stunt cock was needed.

I don’t wanna sound queer or nothin’, but…

Three major movies came out on Christmas Day in theaters, but they all cannot be winners. Parental Guidance reminds us of that fact. Normally reserved for movies with a little bit more umph, Parental Guidance is the other side of movies, the family friendly bunch. Apparently, families sometimes go out to see movies on Christmas. Guess there is only so much bonding time you can allow between the presents and food eating before you snap.

“Alright fuck it, you kids put away your new toys! Time to watch a movie!”

I honestly think I wrote the intro to this review in my sleep. Does it make any sense?

Artie Decker (Billy Crystal) talks a lot, and for a good reason. He is a baseball announcer, has been most of his life, just for minor league teams. Just one day, one day, maybe he will work for the San Francisco Giants. But not if he goes and get fired for not being tech savvy enough. Whoops. His wife (Bette Midler) tries to be supportive, but eh, life sucks.

Speaking of life sucks, their only daughter Alice (Marisa Tomei) has three kids of her own, an overachieving oldest daughter, Harper (Bailee Madison), a younger son Turner (Joshua Rush) with a stutter, and a little boy Barker (Kyle Harrison Breitkopf) who ha imaginary friends and is overly hyper. But her husband (Tom Everett Scott) is a smart one, and he made a smart house after many many years. He is even winning an award, gets to go to some place in California for it. A nice vacation for the two of them, but all these kids and responsibilities…

Oh no, the only people are available are her parents! Their old fashioned life style can’t possibly interact with the new way of raising children, all sugar free, never saying negative things, letting them eat and dress themselves, technology enabled, never losing, and full of derp.

Frankly, I think she deserves this for wearing such an awkward looting sweater dress.

I think I tried hard to not have a bias going into this movie, but the movie sure did its best to strengthen the bias. I should note that Billy Crystal didn’t suck in this movie, after all, he is Billy Fucking Crystal. His character provided laughs and made the film a bit better than horse shit. I think that is what the director was counting on though.

The problem is that every time some good moments almost seemed to go together to make it a decent scene or moment, the film pace changed to crash it into a head palm moment. Not in the “Oh great, now the kids are back and annoying” or anything. Just certain decisions were pretty damn annoying.

Best non Billy Crystal part? Gedde Watanabe was in the movie. Here is one of his great scenes from UHF.

Judd Apatow wants to make a realistic comedy movie about life. How do I know that? Because that is generally what he always does. This time, he is getting older, so he needs a movie about that as well. This Is 40 is the kind of sequel to Knocked Up, featuring the supporting characters from that movie as they both turn 40 in the same week. You know, because 40 is allegedly old age and time to start dying.

Strangely enough, I can’t tell if the mid life crisis mentality is a real life thing, or if it is just a movie creation. Shit, could movies be lying to me about what being older is like?

JUST WHAT IS 40 ANYWAYS!?

Apparently cake. Cake is 40.

Pete (Paul Rudd) and Debbie (Leslie Mann) are both turning 40 this week, so shit might be hitting the fan. They have two kids, one going through puberty (Maude Apatow) and the other in young annoying phase (Iris Apatow).

But hey, Pete runs a record label kind of. They are poor, sure, and don’t sign any new big people, but they have regular small fan base. Chris O’Dowd and Lena Dunham work for him, but really, it is shit and they are losing lots of money. It doesn’t help that he is also letting his dad (Albert Brooks) borrow a lot of money, as he also has recently had more kids, whaaat.

Debbie isn’t flying high either. She has a small boutique, with two workers (Megan Fox, Charlyne Yi), but she is missing a lot of money from her inventory as well. She is also trying to stay in shape, change her life around, with the help of a life coach (Jason Segel).

Can the two get their life back on track, learn to trust each other again, and you know, not die alone and unhappy like the rest of people in movies?

When you Google This Is 40, half of the images will just be Megan Fox in a bra. Why aren’t there more of Rudd with the starfish, damn it?

Hey, do you tend to love Judd Apatow movies and its cast and Paul Rudd? Then go see the movie, simple as that, you will anyways. Rudd does play the same character, but he kind of had to, since its a sort of sequel. There are amusing moments in this movie, there are awkward ones, but there are also scenes that go on pretty long. Pretty sure this movie is over 2 hours, which means more time to make you feel bad or good about your own life.

But I think this film could have been a lot better. Maybe, just maybe, a small cameo with Rogen/Heigl from the first movie? But no, we get none of them. Really big miss there in my eyes.

Other than that, this movie is exactly as you think it would be. Apatow has made enough movies to have a certain style and humor in them, and I would say it definitely falls in line with the rest of them.