Tag: Comedy

I almost saw Frances Ha two months ago. For real. I was going to drive an hour to see it and do some other things in the capital city.

It was the only movie at the indie theater that I hadn’t already seen, or knew I was going to see shortly after. It was all going according to plan.

Then I ran out of money and said nope. Also, the prospect of watching the movie didn’t appeal to me. I knew it had Greta Gerwig, who is in like, every indie movie now. But it was also in black and white. Ehhh, black and white…

Frances Hi!

Frances (Gerwig) is a 27 year old woman living life in the NYC! Yah! She lives with her best friend, Sophie (Mickey Sumner). They are basically the same person in different bodies and hair colors. Good times are had by them all. Until Frances has to leave her boyfriend and also can no longer live with Sophie.

Shit.

This movie takes place roughly over a year. It is her trying to survive in NYC, without her confidant, as they drift farther, and closer, and farther apart. No one likes losing a friend. But she is getting less work at the dance company, and times are tough.

She ends up finding a room with two men, Lev (Adam Driver), who tried to sleep with her and every other woman, and Benji (Michael Zegen), who would describe Frances as undate-able. She lives temporarily with a fellow dancer Rachel (Grace Gummer, currently on season 2 of The Newsroom). She also will have to move back to California, live in another country, and live in the woods and her old university before she gets back on her always dancing feet. Maybe.

At the same time, Sophie is getting very serious with her boyfriend Patch (Patrick Heusinger) who may be a good guy. Not really sure. We see everything from Frances’ point of view.

Frances Ho?

Fun fact. Greta Gerwig cast her parents as her parents! Ahh! What fun!

Description for the movie was hard. A woman in NYC. But the plot moved really fucking fast. The movie itself is under 90 minutes, so it has a short time frame, but it feels even shorter than that. It flies by so fucking fast.

Why is it fast? The way the movie was cut. Many short scenes, all spliced together to show a passing of time. That’s right. It is basically a shit ton of montages. Without the sports. Whether it be awkward dates, or awkward dinners, everything is quickly paced, and still conveys the appropriate emotions to the viewer.

You will feel awkward, uncomfortable, and sad. Which is great.

It didn’t end up being super artsy. The art direction and black and white was some sort of love song to Woody Allen probably. More importantly, I think that most people who watch this will find their time well spent.

3 out of 4.

To answer the first question on everyone’s mind, yes I did dress up like a Smurf for the premiere of The Smurfs 2. It was smurftastic!

Initially, watching the trailer, I was enraged at the plot. In a nutshell, Gargamel (Hank Azaria) tried to create a couple of Smurfs, but they turned out grey and evil. He needs to know how to make them blue, to extract their essence and then become a powerful sorcerer. But they can only get the formula from Smurfette (Katy Perry), who they have to convince to be naughty and join their force.

NAUGHTY. NAUGHTY. NAUGHTY.Why does that upset me? Because I know that Smurfette was a Gargamel creation in the first place (Despite the first movie contradicting that statement). He wanted to create chaos in an all male Smurf society, by introducing a woman. That makes sense. So why did he have problems creating more Smurfs? Oh, because the movie changed things up a bit. More importantly, they explained it all and made it completely reasonable.

In this world, Smurfette was also originally gray, until Papa Smurf (Jonathan Winters) turned her true blue and into a happy go lucky Smurf. Yay! Now everything is okay! Only her and Papa Smurf know the formula, which is why they steal her back into the real world to beat it out of her…with kindness. It is also Smurfette’s birthday, and as the Smurfs tried to keep the party a secret, she assumed no one remembered and felt quite sad. Poor Smurfette.

Due to some miscalculations, the rescue team consists of Papa Smurf, Vanity Smurf (John Oliver), Grumpy Smurf (George Lopez), and Clumsy Smurf (Anton Yelchin).

Oh, but they aren’t alone. No, they have human friends from the first film! Patrick (Neil Patrick Harris) and Grace (Jayma Mays), their son, and Patrick’s step-dad, Victor (Brendan Gleeson).

Can this rag tag group of Smurfs find and convince Smurfette they love her before time runs out? Or will the Naughties, Vexy (Christina Ricci) and Hackus (J.B. Smoove) get to her first?

But let’s not forget about dat cat.I actually left out a lot of the minor plot points in this one. You’re welcome, that means the movie will be a bit more surprising if you head out to see it. Honestly, it might be worth it if you have a family.

You don’t have to see the first film to understand this film, you just need to know that they have some human friends. Pretty standard for a family film.

What can you get out of the Smurfs? A lot of smurfin’ puns. Smurf this, smurf that, puns everywhere. Hank Azaria continues to be a smurfing excellent Gargamel. The work he puts into the voice and that character is beyond phenomenal. It is smurfing nuts!

I laughed quite a bit at some of the jokes. The fact that the plot made sense in this universe only made it better. However, there were a few smurf problems.

Vanity Smurf? I wish they killed off some Smurfs. As one of the three main personalities on the trek, being narcissistic, he ALWAYS talks. Unfortunately, everything he says is the exact same vain pun, over and over again. It got smurfing real fast. At least Grumpy Smurf had an interesting plot line. Clumsy Smurf was ignored completely. They had the chance to branch out and give us some newer Smurfs to highlight, but they didn’t.

Really, if they make another Smurfs movie, I hope they keep them in their own world. If they want, bring NPH and the other humans to them this time. Their world has plenty of lore, magic, and fun to be a great setting. Most of all, it has more than a handful of Smurfs, so everyone can fight for the metaphorical spotlight.

 

2 out of 4.

I miss Twilight. Twilight made everything easy. I knew what I would do for my Milestone Reviews, and everyone would get why they received the extra attention. It made sense.

I worry a bit, just a little bit, you guys don’t see why these things are a big deal.

So for milestone #850, I knew I had to do Journey To The Center Of The Earth. This 2008 remake was an early use of the 3D craze that hadn’t yet fully formed in American cinema. In fact, it may have been in red/blue 3D, but I can’t confirm that.

But more importantly, I am a graduate student in Geophysics, if you missed that in other reviews. Or you know, you are someone reading this who actually doesn’t know me in person. So examining movies that I know will be very nonscientific is something that I just can’t resist! Especially those about the Earth.

And with that, let’s trash the fuck out of this movie.

Yep, that face is just asking for some movie fucking. This movie is not a remake of the book or movie. No, it takes place in a universe where those movies and books exist. Fucking Jules Verne meta up in here. But we will get back to that later.

Trevor Anderson (Brendan Fraser), is some sort of Volcanologist. Like a legit one, works at a university, (college?) teaches geology, and has a shitty lab to measure seismology. Only three sensors still work. He is continuing his brother’s work, but he hasn’t been seen in 10 years. Sucks to suck.

Even worse, his lab is going to get shut down and turned into someone else’s lab. Someone higher in the university, someone played by Seth Meyers! Oh no, life sucks!

This photo doesn’t fit anywhere. But hey, good clean family fun is upcoming.Speaking of his life sucking, he forgot his sister-in-law is bringing her kid over today. Fuuu. So messy. Sean (Josh Hutcherson) is there for ten days and about to be bored shitless. So Trevor looks for child toys to entertain Sean and finds an old box in his attic. What is in it? Why, Journey to the Center of the Earth of course!

But it is all covered with notes. Huh? Crazy. This must have been his brother’s. Strange strange. Apparently he thought the book was real and a guide to go under the Earth! Where crazy shit is, yo. That’d be surprising. Fuck it, let’s go to Iceland to check it out!

Still not at the part for cool pictures. So here is a big fucking plant. Iceland! They try to meet an old professor. Nope, he ain’t there no mo’. Just his Icelandic, hot daughter, Hannah Ásgeirsson (Anita Briem). Nice. Apparently her dad is gone too, he went with Max into a Volcano. Seems silly. Because it is silly.

Turns out they were “Vernians”, people who thought his books were real, all of them, not fiction. Huh. Okay. So that is enough reason for them to go check out a volcano.

“Yep, this is definitely a hole! Trust me, I know holes!” – TrevorFuck yes. Volcano. Abandoned caves. MINE TRACKS. Abandoned mines? Yes, abandoned mines. Mine cart racing. Yes. All this stuff. Eventually they find a shit ton of diamonds and jewels. Hurrah. But then they fall down a hole. A really long hole.

Seriously, he really knows a lot about holes. Aw shit, even though they fell for miles and miles, they didn’t die! Because water started to appear and that eased their fall? Who cares how fast they were falling. Water doesn’t hurt when you fall on it, not a bit!

But the good news is, the book was right. They found a completely different mini-earth where life is thriving and stuff exists at the center of Earth. Literally, at the center. Wait, they made it to the center? That is like, 4,000 miles down. How fucking far did they fall and not die?

Never fucking mind.

Just stare at the pretty looking mini planet or whatever the fuck is going on here. Well, they think it’s awesome, but they don’t want to die down here. Like assholes. So they want to escape and thankfully have a map like thing to get out. They just have to wait for an eruption and another giant tube. They will make a boat and ride the steam to the surface. Which is very, very doable. Why the fuck not?

They also have to sail across a giant underground ocean to get there, during a storm, with killer giant fish coming at them!

Just thinking about it all is getting me really wet.Well, in the ocean they lose the kid, he flies off. But thankfully they all somehow still meet up somewhere. WHILE GETTING CHASED BY A GIANT DINOSAUR WHAAT AHHHH! What the hell is it eating down there? We’ve only seen plants, fish and small birds. Da fuq?

They escape, but get to the tube too late. Oh no, water is gone. And no boat!

Thankfully a dinosaur skull can make a boat. And they can crack the wall to bring down a stream of water to the magma, to force them up before the volcano explodes to safety!

Safety? Fuck that.

Evolution worked almost identical to the earth thing. I guess. Just bigger everything else. And glow birds. They escape, life is good, and eventually we get another and another movie.

Yeah! More movies! But they won’t let Brendan Fraser be in them? That seems fucked up. Who let Josh Hutcherson stay?

The first few scenes in the movie made me realize I wasn’t going to have a good time. Trevor seemed pompous and elitist, with no reason to back it up. He gets lucky and thinks he is the hottest shit ever. He probably works at a community college, not a distinguished University.

Well, hey I don’t care for pompous people. He makes us look bad.

Okay, I am pompous too, but I feel like I deserve it. I run a successful movie review website!

If you have to watch any movie, watch the one from the 1950s. It is actually a lot better and not super fucking meta.

1 out of 4.

Jim Rash and Nat Faxon wrote The Descendants, and graced our screens with its presence in 2011. It was nominated for Best Picture and eventually won Best Adapted Screenplay. It basically made these writers pretty hot commodities.

That is why I was excited to see The Way, Way Back, their next film. No George Clooney this time, but they have plenty of other actors to fill his void.

Look, here are three now!

Summer can suck. Especially if you are Duncan (Liam James). Your parents are divorced, your dad just moved from NY to CA, and your mom (Toni Collette) is dating the biggest douche in the universe, Trent (Steve Carell). Unfortunately for Duncan, he has to head out to Trent’s summer beach house to pretend to give this new family idea a chance.

Did I mention Trent is a douche? He talks down to Duncan, constantly goes off with his friends (Rob Corddry, Amanda Peet) to get drunk or high or both. It is basically his personal summer vacation, where Duncan and his mom are afterthoughts.

But eventually, Duncan finds friendship in the local Water Park. Slacker manager Owen (Sam Rockwell) has decided to take pity on Duncan, give him a job and help him find a purpose in this long dreadful summer. With the help of Owen and the other workers (Maya Rudolph, Faxon, Rash), Duncan learns that there are non sucky things out there in life.

That is great, sure, but will this new found joy in life at all help him with his horrible home situation? Will it help him woo over the neighbor girl (AnnaSophia Robb), who has to deal with her constantly drunk mother (Allison Janney)?

Oh god. He is staring into my soul. What do I do!? Just act natural. Ho hum…AHHH!

Comedy/Drama movies are actually quite hard to pull off successfully. After all, even the strictest of dramas tend to have some minor elements in comedy, and vice versa. But most movies labeled in this category are clearly still one genre over the other, or even worse, weak in both areas to try and find a balance. One of the best examples I could list of a real comedy/drama would be 50/50, a film that made me both laugh and cry.

Nat Faxon and Jim Rash wrote a decent comedy/drama with The Descendants, very enjoyable, but it could have been more dramatic. For The Way, Way Back, they decided to amp up their game, and created a much better film. Not going to lie, I cried three times during it. I can’t say I relate specifically to the scenes in this film, but thanks to an excellent build up with terrific acting from everyone on the cast, the emotions quickly took over.

Steve Carell had to play the biggest jerk in the world, and he pulled it off well. It was quite surprising. Sam Rockwell and Allison Janney carried the comedy for me, while at the same time their characters felt real. Everyone felt real. I love real, even though real characters lead to uncomfortable moments.

Major props as well to Liam James. I can’t say I recognized him in anything before, however he pulled off the awkward/lonely teenager role really well. But hey, apparently he was Young Shawn in the Psych flashbacks, so that is kind of cool.

 

4 out of 4.

I often find that when all you do is talk about movies, people tend to suggest them. Of course I will watch a movie if someone suggests it to me, but with Ruby Sparks something even stranger happened. TWO people recommended this movie to me, potentially within a few weeks apart. Well, of course I have to see it now.

I also realized why I didn’t watch it right away. Sparks? That title is too close to the title Sparkle. I hated that movie.

I could write a better movie than Sparkle for sure. It would be about some sort of mythical creature that Sparkled under strange circumstances. I am sure that’s an original concept.

Calvin (Paul Dano) is a genius. Alright, he doesn’t like that word. But he dropped out of high school once he wrote what many consider to be the next great American novel, and he quickly rose to fame and success. But now, almost ten years later, he is in his late 20s and he still has one novel under his belt. He has released a few short stories and novellas, but nothing of any real length or magnitude.

Some genius indeed. It must all be getting to his head. In fact, he has to see a psychiatrist now just to sort through his feelings of loneliness.

But then one magical night, he has a dream. A dream of a girl, with red hair, and a quirky attitude. She is perfect to him. So he writes about his dreams and turns it into its own new story. Yes, this is the one, his next great novel! Who cares if his brother (Chris Messina) thinks the story is dumb.

Calvin really is a genius. His brain is so powerful, that one morning he woke up and found the literal girl of his dreams in his kitchen. Ruby Sparks (Zoe Kazan). In the flesh. Based on everything he wrote about. How can that be? People can’t just be created! Or can they? Truly only a genius (or geniuses, in some cases) could create a person without even trying. It gets weirder when he realizes it is not in his head. It gets creepier when he realizes that whatever he types comes true. Yeah, you know what I’m talking about.

Annette Bening and Antonio Banderas play his mom and step-dad, while Steve Coogan has a small role as “other older writer dude.”

Anyone else find it funny how Ruby is always wearing red? And how she and Superman are never in the same room?

Yeah, so I really fucking love strange quirky movies like this. Pretty easy to learn that given my rating record. Watching this movie made me want to watch Stranger Than Fiction right after it. Another well acted quirky movie about the truth being determined by what someone rights. Who knew there was a whole drama about this!?

I found myself flailing while I watched this movie. My mind raced ahead of itself, so once I was given new information, I always assumed the worse. Having complete and utter power over someone? That can lead to many dark dark places, and I assumed each one would be touched upon. Thankfully, each one wasn’t touched upon, because I didn’t feel like crying that night. But the scene where the power finally got to the head? Shit scared me, and it did it in away without having to go the hard R rating that most of us are probably imagining. Which is great, when I rewatch this movie, I can not flip out as much and STILL enjoy the process they go through.

Besides, this type of stuff is every (male?) fantasy. Since Frankenstein, the idea of creating a person has always been intriguing. So why not?

I think this film is excellent on all cylinders, and exactly the type of thing I’d watch again and again.

4 out of 4.

When it was released, Red received pretty decent reviews from critics but didn’t do amazing at the box office. It made up for it in DVD/Blu-Ray sales though, gaining a small cult following, which is why they green-lit the sequel, surprisingly named Red 2.

The main notable difference between the two is that this one doesn’t have Morgan Freeman. For shame.

Although, as you can see from the picture, it has a lot of John Malkovich being very very John Malkovichy.

The movie begins with Frank (Bruce Willis) and Sarah (Mary-Louise Parker) trying to build a home together. Frank is retired (and still extremely dangerous) but he wants to put his past behind him. Too bad Marvin (John Malkovich) comes prancing in, warning him that he thinks someone is trying to kill them.

Well, it turns out there actually are people trying to kill them! Reports have surfaced that they are nuclear terrorists, who are trying to take out Russia. In fact, the CIA are trying to take them in, including their main man Jack Horton (Neal McDonough, who looks like the white Robert Ri’chard), who has hired the world’s best assassin Han Cho Bai (Byung-hun Lee). The MI6 are sending their old friend Victoria (Helen Mirren), and Russia has Frank’s former fling, Katja (Catherine Zeta-Jones). Sarah doesn’t like Katja.

So Frank, Sarah, and Marvin have to work together and find Dr. Bailey (Anthony Hopkins), a brilliant war scientist who has been kept in the loony bin for over thirty years. Together, they hope to clear their name, and possibly stop a nuclear bomb from taking out a huge populatio of the world.

I decided to not talk about John Malkovich with my second image.

I don’t think you need to see Red in order to understand Red 2. All you have to know is that Frank and Sarah met in the first film, and everyone else has a huge history with everyone else. If you had to only pick one to watch, go with the original.

Red 2 isn’t bad per say, but it just doesn’t seem to care too much. Sure, it is entertaining, and funny at times, but not a lot happens overall. They are framed fugitives being hunted by the top governments around the world, yet they still have time to walk around Paris and go shopping. It just seemed odd and ruined the flow of the movie for me. The ending chase scene ended up being really predictable as well.

Red 2, just like R.I.P.D. had its enjoyable moments and was entertaining, just not something I would ever recommend to see more than once. I think Red 2 is not really based on the graphic novel like the first movie. Instead it is based on whatever the writer felt like. I usually don’t care how close a movie is to its source material, but I think in this case, they really didn’t know what to do with their characters. Because of that, it just felt like a mess.

John Malkovich is brilliant as always, and a bit more insane than normal. Malkovich is the main reason to see Red 2, and the only real reason.

2 out of 4.

Don’t worry readers, I am not about to spend a whole review explaining why R.I.P.D. (Trailer) just looks like a rehash of Men In Black. From the grumbles I heard in theaters during the trailer, I realized everyone had already figured it out on their own.

Technically R.I.P.D. is based off of a graphic novel of the same name, but it didn’t publish until after the first two MIB movies came out. Regardless, it seems like Universal itself doesn’t care about this movie with limited promotion and refusing early showings for critics. Generally when critics can’t get early showings things are going badly.

That facial hair from Bridges is not the something bad though. Nick (Ryan Reynolds) is a member of the Boston PD, and finds himself dead unexpectedly during a raid. Man, dying sure does suck. He gets pulled up to what he thinks is heaven and runs into…a Proctor (Mary-Louise Parker). What? Were you expecting Jesus? She offers him a choice. He can either go straight to Judgement and find out his fate for eternity, or join the Rest In Peace Department, serve for 100 years, and get a recommendation before Judgement.

Given Nick’s somewhat corrupt cop nature, he chooses to join the force. The R.I.P.D. are sent down to Earth to round up those who have died and refuse to pass on, as they slowly corrupt everything around them. Roy (Jeff Bridges) is a lawman from the 1800s, and reluctantly takes Nick under his wing.

Too bad the deadoes are also working on building an artifact to bring all the dead entities back to earth, and end the world. Good thing Nick just died and can try and stop it!

Kevin Bacon plays Nick’s old partner, Stephanie Szostak is Nick’s wife, and James Hong and Marisa Miller play Nick and Roy’s avatars while they are on earth. A joke that most certainly gets old really fast.

This joke might have gotten pretty old real quick. R.I.P.D. is not as bad as the trailers will have you believe. Sure, it has a lot to work on, and it could have been a lot better, but still, it isn’t complete trash. Critics just tend to give lower ratings to movies that they don’t get to see for free.

As for our leading man Ryan Reynolds, I thought he was really weak in this movie. Sure, his character just died, and he has a lot of angst, but I didn’t believe any of it in this movie. He was supposed to be pissed off the entire movie, but he just seemed passive aggressive and pouty.

Jeff Bridges was over the top in this movie, but it really did work. It was strange at first, having his era specific dialogue mixed in with the modern dialogue of everyone else. Once you got over that fact, basically everything he said was gold. I will give props to Mary-Louise Parker as well, who didn’t really have a lot to work with for her role yet still made it her own. She was in two different movies released this week (Red 2), and thankfully her characters were completely different.

The movie felt really short, and the ending was wrapped up pretty nicely with a bow, by ignoring pretty huge plot points. If you have monstrous beings running around Boston, blocking off whole intersections, with giant vacuum like holes appearing in the sky and taking out infrastructure, you are going to have hundreds of thousands of dead. After the initial appearance of bad guys, the streets became miraculously clear and no humans seemed to die. Great!

R.I.P.D. caused me to laugh on numerous occasions, but in general, the plot and acting from Reynolds felt really weak. It is at best a little bit entertaining, but not something I’d ever watch again.

2 out of 4.

Turbo is the latest example of a kids movie following a very standard formula. Let’s take some sort of entity and either a) give them an impossible dream (and reach it!), or b) give them some ridiculous flaw (and overcome it!). Like a bird who doesn’t know how to fly. Or a plane that is afraid of heights (and wants to race). Or an overweight comedian who wants to box. Or a snail who wants to race in the Indy 500. Oh wait, that one is Turbo!

Fuck. Let’s get this over with. Turbo (Ryan Reynolds) is a snail! He has big dreams. He wants to go fast, and is the fastest snail he knows. In fact, he just did the yard in 17 minutes, a new personal record. He dreams of entering the Indy 500, thanks to words of advice from his hero Guy Gagne (Bill Hader), who claims that no dream is too big. His brother Chet (Paul Giamatti) thinks his dream is stupid, rightfully so.

Well, eventually Turbo falls into a car engine and gets coated with NOS, transforming his DNA and giving him incredible speed! This also somehow turns him partially into a car, with headlights, radio, rear review lights and stuff. Not sure how that second part happened. Even more eventually, Chet and Turbo find themself caught by Tito (Michael Pena), a down on his luck Taco maker. He works for his older brother (Luis Guzman) and their business is not doing well. Why did Turbo decide to not run away as soon as they were captured? No idea. But he could have.

Luckily, Tito is all into snail racing. Turns out Turbo is stupid fast and he wants to use Turbo to get more business. A very noble cause. So they set off to enter him into the Indy 500, for exposure. Nowadays kids would just make a YouTube video and become famous that way.

Oh yeah, Turbo has his own snail crew to back him up now. There is Whiplash (Samuel L. Jackson), Smoove Move (Snoop Dogg), Burn (Maya Rudolph), Skidmark (Ben Schwartz), and White Shadow (Mike Bell). Of course Ken Jeong voices a tiny Asian nail technician.

This movie is about to get fucked. Seriously. No mercy. Cover your eyes if you don’t like violent imagery.Let’s start with some factual errors. Why? Because they matter to me. I am a Masters Geophysics Student, and the sloppiness bugged me. Basically I am going to be super critical.

Turbo made a big deal about getting a yard in 17 minutes. I know it was a yard, because they showed the measuring stick briefly. However, 36 inches in 17 minutes is really slow. Like, really really slow. That is why I went over to WolframAlpha to convert it. Seriously check the link.

WolframAlpha is so amazing it compared the velocity calculated to the the velocity of a garden snail automatically and it is about 33% the speed of the actual garden snail. Great, we have a snail that is statistically slower than most garden snails. Let’s say that factual error can be ignored, fine. Unfortunately, almost every other point in the movie (pre-genetic manipulation), Turbo and other snails are still shown with greater velocities than his trial. Unless it was important to the plot that is (see: the tomato/lawn mower scene).

Come on now, consistency.

[Editor’s note: Apparently IRL and F1 are different things, but similar vehicles. I just know them as “Not NASCAR”. Point still stands, basically.]
The ending bugged me a lot as well. As it is a car race, it involved a pile up of cars real close to the finish. At this point, Turbo and Guy go into a “foot race” type of situation for the finish like, similar to Talladega Nights.  But according to official Formula 1 racing rules (here and here specifically), none of it would count and the whole thing feels pointless.

Let’s get to the most important part of the movie. This plot is inherently stupid and bad. I didn’t read the full rules for the Formula 1 racing, so I can’t confirm if there is no rule that would disallow a snail. However, the concept behind it can only be described as cheating and a snail would never be allowed to race in such an event. They have very specific standards for the size of the vehicles, type of protection they need, everything you can possibly imagine. The snail’s dimensions do not match a car’s dimensions. For an extreme example, it’d be like using a Ferrari. Or like doping.

At one point during the race, the announcer screams that he can’t believe Turbo is passing a car from below. I am fine with his reaction, because Turbo is basically cheating. But the announcer is surprised instead that he could fit, even though Formula 1 cars have about 4.5 inches of room underneath them, while a garden snail is at most 1.5 inches tall.

If you hadn’t figured out by now, Guy is the villain of this movie, but only because he wants to win the race too. Just like the other 30ish humans in the race, all doing it without cheating.

I laughed I think a total of two times. The laziness of the plot, the laziness of the details, and the laziness of the character development ruined this movie for me. To quote Eleanor Roosevelt. “America is all about speed. Hot, nasty, bad-ass speed.” Turbo would not have lived up to the former First Lady’s opinions on America or Racing.

 

1 out of 4.

Here are some facts about Adam Sandler!

Adam Sandler has never made a sequel to any of his movies before Grown Ups 2. He has been in one sequel before, Deuce Bigalow: European Gigolo, but he wasn’t in the first film, and he obviously didn’t make, direct, or star in it.

Who would have thought that Adam Sandler secretly had some standards? He only works with new(ish) ideas. That is unless his film makes a lot of money, like Grown Ups did.

Okay, that is really just one long fact about Adam Sandler. Sorry if you expected more.

The scene from the trailer where he says “Your car is filthy” is cut out. Disappointment. The movie takes place soon after Grown Ups, except now in a small town! Lenny (Sandler) has moved his family away from Los Angeles for a quieter and simpler life. Long story short, Grown Ups 2 is a day in his and his friends life.

Lenny’s wife (Salma Hayek) wants to discuss having a fourth kid. Marcus (David Spade) just realized he has a son who is visiting him today. Kurt (Chris Rock) wants to celebrate his 20th wedding anniversary, but his wife (Maya Rudolph) forgot. And uhh, Eric (Kevin James) really loves his mother and hides that fact from his wife (Maria Bello)? One of his kids might be dumb? His part doesn’t really have a plot.

There are other characters too. Like Nick Swardson, playing some sort of extremely drugged out bus rider. Or Taylor Lautner, leader of the frat boys, with assistance from Milo Ventimiglia.

Sorry agian, but I think that is the best plot description I can give of this film. Honestly, it feels like it is a skit movie. The plot is basically childish adults hanging out, so most of the scenes are really unrelated. It isn’t set up like a traditional skit movie, like the recent Movie 43, but it feels like it could be a long strange episode of Saturday Night Live. Or a live action Family Guy.

The amount of cameos in this movie only helps that stigma. Here is a big list! There is Colin Quinn, Tim Meadows, Steve Buscemi, Jon Lovitz, Shaquille O’Neal, Steve Austin, Dan Patrick, Aly Michalka, Andy Samberg, Will Forte, and even Paulina Gretzky, daughter of (of course) Wayne Gretzky.

Yet no Rob Schneider. Where the heck did he go from the first movie?

I say some shocking things in this review about Mr. Lautner. Read on to find out! D: D:There is a lot wrong from this movie. All the jokes are extremely low-brow, almost 100% poop and sex jokes. In fact, there were so many sex related jokes that I was surprised this movie was rated PG-13 still.

It just felt bad overall. Yes, I still found some of the scenes humorous, but because it was put together so badly and without any context, it just left a rank taste in my mouth. There might have been ten minutes worth of plot. Maybe.

The CGI was out of place in this movie too. The Moose didn’t look real, nor did the “tire rolling down the hill” scene. It almost felt like a cartoon, in that people were doing things that should have killed them, but they were completely fine afterwards.

The ending itself is lazy humor. I am describing it as slap stick to the extreme, as it ends with all the adults in a literal fist fight with a group of frat boys, and kicking there butt. I do mean all the adults, as in everyone linked to above. The ending of the movie is just a long brawl.

Speaking of the frat boys, Taylor Lautner was literally the best part of this movie, and he had a huge role as the main villain, with tons of dialogue. Yet he wasn’t even listed in the credits? What? Six different frat boys were credited, only two of which had real names, but not the main frat guy.

Just an example why this whole film was a mess. That and the unexplained disappearance of Rob Schneider.

 

1 out of 4.

I’d argue that there are two really “big” coming of age indie movies competing for top dog status this summer. The bigger of the two is The Way, Way Back, as it was written by the same guys who brought us The Descendants a couple years ago. The lesser known movie is The Kings of Summer, written by Chris Galletta, who is writing his first movie.

If you are surprised that we have a first time movie writer, stop it. They are called indie films for a reason.

Indie films tend to include forest dance scenes and drum solos, right? Being in high school can suck. Why? Well, your life is changing, you feel like an adult, but you still live with your parents. You just might lash out against your parents. Like Joe (Nick Robinson). His mom died a long time ago, and his dad (Nick Offerman) is now dating. He is also a bastard and has become very strict in his single parent raising. His sister (Alison Brie) has already moved on, but he is stuck with him for at least three years more.

Patrick (Gabriel Brasso, from The Big C) has a different problem. His parents (Marc Evan Jackson, Megan Mullally) are over bearing. Not in any mean way, just nice. Way too nice. Really fucking nice. Also they are ridiculous, it is just hard to feel alive under their care.

Eventually, Joe has the idea to build a house in the woods. Not just some lame tree house either. A real house, with two stories, multiple rooms, and they can live there, by their own rules, live like MEN. You know, hunt their own food, boil their own water, the whole nine yards. Biaggio (Moises Arias) is there too, neither of them really know him, but they are afraid to tell him to leave.

We have a few kids, building a house in the woods, and attempting to live on their own. They of course will also discover a bit about themselves, their family, and maybe what it means to be a man. Potentially with the help of Kelly (Erin Moriarty), a fellow high school buddy. We also have Mary Lynn Rajskub (most well known as Heartfire from season 4 of Arrested Development) and Thomas Middleditch as the head cops on the missing kids case.

The race to grow the best pedo-stashe is on. Coming of age films tend to be hit or miss with me. They are popular for both indie and mainstream movies, so to have a great one nowadays, you really have to offer up something new. Not just another misunderstood kid with big dreams.

The Kings of Summer takes the running away story, and well, runs away with it. For the first time movie writer, his dialogue was pretty top notch. Full of memorable quotes, I found myself looking for a piece of paper in the theater just to write some of the absurdly funny things I heard.

Witty comedy doesn’t make a complete film however, so the plot has to also stand on its own. I was afraid I would be dealing with a lot of teens who thought they were god’s gift to suburbia, the standard definition of first world problems. Thankfully, I found myself agreeing with Patrick and Joe, at least a little bit, and thought leaving home made sense for both characters.

It wasn’t perfect though. No, I would have changed the ending a lot. It was a bit too cliche at that point, which made it feel off from the rest of the movie. I am also pissed off by the romance element in the film, although it is more at the naivety of youth, and not for being actually bad. In other words, it hurt me square in the feels.

But despite that, The Kings Of Summer is wickedly funny and unique. For sure, it is worthy of at least one viewing, if not two in your summer line up.

3 out of 4.