Tag: Comedy

Turbo is the latest example of a kids movie following a very standard formula. Let’s take some sort of entity and either a) give them an impossible dream (and reach it!), or b) give them some ridiculous flaw (and overcome it!). Like a bird who doesn’t know how to fly. Or a plane that is afraid of heights (and wants to race). Or an overweight comedian who wants to box. Or a snail who wants to race in the Indy 500. Oh wait, that one is Turbo!

Fuck. Let’s get this over with. Turbo (Ryan Reynolds) is a snail! He has big dreams. He wants to go fast, and is the fastest snail he knows. In fact, he just did the yard in 17 minutes, a new personal record. He dreams of entering the Indy 500, thanks to words of advice from his hero Guy Gagne (Bill Hader), who claims that no dream is too big. His brother Chet (Paul Giamatti) thinks his dream is stupid, rightfully so.

Well, eventually Turbo falls into a car engine and gets coated with NOS, transforming his DNA and giving him incredible speed! This also somehow turns him partially into a car, with headlights, radio, rear review lights and stuff. Not sure how that second part happened. Even more eventually, Chet and Turbo find themself caught by Tito (Michael Pena), a down on his luck Taco maker. He works for his older brother (Luis Guzman) and their business is not doing well. Why did Turbo decide to not run away as soon as they were captured? No idea. But he could have.

Luckily, Tito is all into snail racing. Turns out Turbo is stupid fast and he wants to use Turbo to get more business. A very noble cause. So they set off to enter him into the Indy 500, for exposure. Nowadays kids would just make a YouTube video and become famous that way.

Oh yeah, Turbo has his own snail crew to back him up now. There is Whiplash (Samuel L. Jackson), Smoove Move (Snoop Dogg), Burn (Maya Rudolph), Skidmark (Ben Schwartz), and White Shadow (Mike Bell). Of course Ken Jeong voices a tiny Asian nail technician.

This movie is about to get fucked. Seriously. No mercy. Cover your eyes if you don’t like violent imagery.Let’s start with some factual errors. Why? Because they matter to me. I am a Masters Geophysics Student, and the sloppiness bugged me. Basically I am going to be super critical.

Turbo made a big deal about getting a yard in 17 minutes. I know it was a yard, because they showed the measuring stick briefly. However, 36 inches in 17 minutes is really slow. Like, really really slow. That is why I went over to WolframAlpha to convert it. Seriously check the link.

WolframAlpha is so amazing it compared the velocity calculated to the the velocity of a garden snail automatically and it is about 33% the speed of the actual garden snail. Great, we have a snail that is statistically slower than most garden snails. Let’s say that factual error can be ignored, fine. Unfortunately, almost every other point in the movie (pre-genetic manipulation), Turbo and other snails are still shown with greater velocities than his trial. Unless it was important to the plot that is (see: the tomato/lawn mower scene).

Come on now, consistency.

[Editor’s note: Apparently IRL and F1 are different things, but similar vehicles. I just know them as “Not NASCAR”. Point still stands, basically.]
The ending bugged me a lot as well. As it is a car race, it involved a pile up of cars real close to the finish. At this point, Turbo and Guy go into a “foot race” type of situation for the finish like, similar to Talladega Nights.  But according to official Formula 1 racing rules (here and here specifically), none of it would count and the whole thing feels pointless.

Let’s get to the most important part of the movie. This plot is inherently stupid and bad. I didn’t read the full rules for the Formula 1 racing, so I can’t confirm if there is no rule that would disallow a snail. However, the concept behind it can only be described as cheating and a snail would never be allowed to race in such an event. They have very specific standards for the size of the vehicles, type of protection they need, everything you can possibly imagine. The snail’s dimensions do not match a car’s dimensions. For an extreme example, it’d be like using a Ferrari. Or like doping.

At one point during the race, the announcer screams that he can’t believe Turbo is passing a car from below. I am fine with his reaction, because Turbo is basically cheating. But the announcer is surprised instead that he could fit, even though Formula 1 cars have about 4.5 inches of room underneath them, while a garden snail is at most 1.5 inches tall.

If you hadn’t figured out by now, Guy is the villain of this movie, but only because he wants to win the race too. Just like the other 30ish humans in the race, all doing it without cheating.

I laughed I think a total of two times. The laziness of the plot, the laziness of the details, and the laziness of the character development ruined this movie for me. To quote Eleanor Roosevelt. “America is all about speed. Hot, nasty, bad-ass speed.” Turbo would not have lived up to the former First Lady’s opinions on America or Racing.

 

1 out of 4.

Here are some facts about Adam Sandler!

Adam Sandler has never made a sequel to any of his movies before Grown Ups 2. He has been in one sequel before, Deuce Bigalow: European Gigolo, but he wasn’t in the first film, and he obviously didn’t make, direct, or star in it.

Who would have thought that Adam Sandler secretly had some standards? He only works with new(ish) ideas. That is unless his film makes a lot of money, like Grown Ups did.

Okay, that is really just one long fact about Adam Sandler. Sorry if you expected more.

The scene from the trailer where he says “Your car is filthy” is cut out. Disappointment. The movie takes place soon after Grown Ups, except now in a small town! Lenny (Sandler) has moved his family away from Los Angeles for a quieter and simpler life. Long story short, Grown Ups 2 is a day in his and his friends life.

Lenny’s wife (Salma Hayek) wants to discuss having a fourth kid. Marcus (David Spade) just realized he has a son who is visiting him today. Kurt (Chris Rock) wants to celebrate his 20th wedding anniversary, but his wife (Maya Rudolph) forgot. And uhh, Eric (Kevin James) really loves his mother and hides that fact from his wife (Maria Bello)? One of his kids might be dumb? His part doesn’t really have a plot.

There are other characters too. Like Nick Swardson, playing some sort of extremely drugged out bus rider. Or Taylor Lautner, leader of the frat boys, with assistance from Milo Ventimiglia.

Sorry agian, but I think that is the best plot description I can give of this film. Honestly, it feels like it is a skit movie. The plot is basically childish adults hanging out, so most of the scenes are really unrelated. It isn’t set up like a traditional skit movie, like the recent Movie 43, but it feels like it could be a long strange episode of Saturday Night Live. Or a live action Family Guy.

The amount of cameos in this movie only helps that stigma. Here is a big list! There is Colin Quinn, Tim Meadows, Steve Buscemi, Jon Lovitz, Shaquille O’Neal, Steve Austin, Dan Patrick, Aly Michalka, Andy Samberg, Will Forte, and even Paulina Gretzky, daughter of (of course) Wayne Gretzky.

Yet no Rob Schneider. Where the heck did he go from the first movie?

I say some shocking things in this review about Mr. Lautner. Read on to find out! D: D:There is a lot wrong from this movie. All the jokes are extremely low-brow, almost 100% poop and sex jokes. In fact, there were so many sex related jokes that I was surprised this movie was rated PG-13 still.

It just felt bad overall. Yes, I still found some of the scenes humorous, but because it was put together so badly and without any context, it just left a rank taste in my mouth. There might have been ten minutes worth of plot. Maybe.

The CGI was out of place in this movie too. The Moose didn’t look real, nor did the “tire rolling down the hill” scene. It almost felt like a cartoon, in that people were doing things that should have killed them, but they were completely fine afterwards.

The ending itself is lazy humor. I am describing it as slap stick to the extreme, as it ends with all the adults in a literal fist fight with a group of frat boys, and kicking there butt. I do mean all the adults, as in everyone linked to above. The ending of the movie is just a long brawl.

Speaking of the frat boys, Taylor Lautner was literally the best part of this movie, and he had a huge role as the main villain, with tons of dialogue. Yet he wasn’t even listed in the credits? What? Six different frat boys were credited, only two of which had real names, but not the main frat guy.

Just an example why this whole film was a mess. That and the unexplained disappearance of Rob Schneider.

 

1 out of 4.

I’d argue that there are two really “big” coming of age indie movies competing for top dog status this summer. The bigger of the two is The Way, Way Back, as it was written by the same guys who brought us The Descendants a couple years ago. The lesser known movie is The Kings of Summer, written by Chris Galletta, who is writing his first movie.

If you are surprised that we have a first time movie writer, stop it. They are called indie films for a reason.

Indie films tend to include forest dance scenes and drum solos, right? Being in high school can suck. Why? Well, your life is changing, you feel like an adult, but you still live with your parents. You just might lash out against your parents. Like Joe (Nick Robinson). His mom died a long time ago, and his dad (Nick Offerman) is now dating. He is also a bastard and has become very strict in his single parent raising. His sister (Alison Brie) has already moved on, but he is stuck with him for at least three years more.

Patrick (Gabriel Brasso, from The Big C) has a different problem. His parents (Marc Evan Jackson, Megan Mullally) are over bearing. Not in any mean way, just nice. Way too nice. Really fucking nice. Also they are ridiculous, it is just hard to feel alive under their care.

Eventually, Joe has the idea to build a house in the woods. Not just some lame tree house either. A real house, with two stories, multiple rooms, and they can live there, by their own rules, live like MEN. You know, hunt their own food, boil their own water, the whole nine yards. Biaggio (Moises Arias) is there too, neither of them really know him, but they are afraid to tell him to leave.

We have a few kids, building a house in the woods, and attempting to live on their own. They of course will also discover a bit about themselves, their family, and maybe what it means to be a man. Potentially with the help of Kelly (Erin Moriarty), a fellow high school buddy. We also have Mary Lynn Rajskub (most well known as Heartfire from season 4 of Arrested Development) and Thomas Middleditch as the head cops on the missing kids case.

The race to grow the best pedo-stashe is on. Coming of age films tend to be hit or miss with me. They are popular for both indie and mainstream movies, so to have a great one nowadays, you really have to offer up something new. Not just another misunderstood kid with big dreams.

The Kings of Summer takes the running away story, and well, runs away with it. For the first time movie writer, his dialogue was pretty top notch. Full of memorable quotes, I found myself looking for a piece of paper in the theater just to write some of the absurdly funny things I heard.

Witty comedy doesn’t make a complete film however, so the plot has to also stand on its own. I was afraid I would be dealing with a lot of teens who thought they were god’s gift to suburbia, the standard definition of first world problems. Thankfully, I found myself agreeing with Patrick and Joe, at least a little bit, and thought leaving home made sense for both characters.

It wasn’t perfect though. No, I would have changed the ending a lot. It was a bit too cliche at that point, which made it feel off from the rest of the movie. I am also pissed off by the romance element in the film, although it is more at the naivety of youth, and not for being actually bad. In other words, it hurt me square in the feels.

But despite that, The Kings Of Summer is wickedly funny and unique. For sure, it is worthy of at least one viewing, if not two in your summer line up.

3 out of 4.

Despicable Me 2 might make the most money out of any CGI movie this summer, so it is kind of a big deal. But does it deserve that money?

The kid vote does not count, damn it. Despicable Me 2 starts us off soon after the first film. Gru (Steve Carell) is no longer a big bad villain because he has three kid to take care of, and he has had a change of heart. In fact, he has turned his whole secret laboratory into a secret jelly making factory, complete with free minion workers. With overheads that low, he can really make a splash in the market.

Unfortunately, the change in operation has left Dr. Nefario (Russell Brand) with no joy in his life, so he leaves Gru to pursue other opportunities. Speaking of pursuing other opportunities, Gru gets kidnapped by the Anti-Villain League. Silas Ramsbottom (Steve Coogan) wants Gru to lead an investigation on a disappearing arctic base that is researching chemicals that can cause ordinary creatures to become terrible beasts.

He would also get a new partner on the case, young and bubbly Lucy Wilde (Kristen Wiig). Oh yeah, she totally has the hots for him, too. This movie is mostly about Gru as a single dad and afraid to date. This provides many scenes of him avoiding the neighbors and awkwardly flirting with Lucy. Sure, maybe the world is threatened if this formula gets in the wrong hands, but love is also important.

Benjamin Bratt leads his vocals for El Macho / the mysterious Salsa Dancing restaurant owner who looks like El Macho, Ken Jeong as a mysteriously short wig salesman, and Kristen Schaal as a mysteriously well endowed blind date for Gru.

Spoiler, he does not choose the well endowed blind date by the end. Illumination Entertainment made the original Despicable Me in 2010, and is what they are most known for. That is because before Despicable Me 2, they have only made two other films, The Lorax and Hop, both ridiculous flops (and a bit terrible). So it makes sense they are already doing a sequel, and are releasing a spin-off titled just Minions in December 2014. What doesn’t make sense is how they have the rights to so many Dr. Seuss based movies down the pipe line, when they did so badly with their first chance.

Speaking of the Minions, did you love them from the first movie? They were arguably the best part of the first film, and quite cute. They have made sure that they advertise the fuck out of these minions for the sequel and eventual spinoff.

Basically, everywhere I look, there is a Minion based toy, gizmo, commercial, because “Hey, they are cute!” They recognize the best part, gave us a movie with potential for rich new characters, but then threw minions at our faces until we had to get new 3D Glasses. There is an overabundance of minions in this movie. They are in every scene, part of every plot point, and potentially in this movie more than Gru. It turns the entire movie into mostly slapstick based humor instead of witty jokes, which doesn’t help rewatchability or entertainment.

Basically I believe the main character is pushed out of the spotlight, similar to how Cars 2 was handled. At no point in the movie is he even considered despicable. In fact, he is rather admired and chased by women, loved by his family, and just a good guy. The plot is really straightforward, and you will figure out the main bad guy well before the reveal. The bad chemical itself was inconsistent with how it works, where it could have been fixed with a sentence of dialogue.

Long story short, Despicable Me 2 is not really about Gru trying to save the world from a threat (although he does that as well) it is more about Gru the single dad finding love. With minions. So many minions.

 

1 out of 4.

Sync up your William Tell Overture Finale folks, it’s The Lone Ranger time.

Although I never listened to the original radio series, or watched the TV series, or other movies, The Lone Ranger himself is pretty ingrained in American Pop Culture. A hero to the old American West, and a franchise that Jerry Bruckheimer has decided to take under his wing. After all, if it proves to be a success, he could release a new Ranger movie every three years, similar to his current Pirates of the Caribbean trek. Just think of how much money Johnny Depp will make from both franchises, too.

If explosions were dollar bills…

In Colby, Texas, the great American Railroad is coming through, bringing prosperity and happiness to the small town. Their goal is to connect the East with the West. John Reid (Armie Hammer), a district attorney from the big cities, is returning to his hometown to reconnect with his brother and brother’s wife, Rebecca (Ruth Wislon).

What poor John did not know, is that also on that train was famed bandit cannibal Butch Cavendish (William Fichtner), who is finally going to be hanged for his crime. There is also this Indian named Tonto (Johnny Depp), but he is a bit more mysterious. After a train robbery, Butch is back on the run, and it is up to John Reid, his brother, and a gang of lawmen to bring him back for justice.

Until something goes wrong. Terribly, deadly wrong. Somehow, John is saved, and Tonto explains to him that he is a spirit walker, who cannot be killed according to his beliefs. Tonto also wants to bring Butch to justice, so they team up to right wrongs and save the day! Speaking of trains, Tom Wilkinson plays Cole, the railroad tycoon, and Helena Bonham Carter a bordello mistress. Fun fact, this is the first time Carter and Depp have been in a film together that was not directed by Tim Burton.

It is also the first time Depp has worked with this horse.

After watching The Lone Ranger, I really just want to listen to famous, old classical music. Major props to Hans Zimmer for rocking out another great movie soundtrack, something I don’t bring up a lot in my reviews.

I will start with the negatives first. This movie is 149 minutes long. What! A lot of the film is set up, in order to introduce us to the character before he dons the mask, a little bit about Tonto, and a whole lot about his brother and his old town. It is necessary, I guess, but it could have easily been shortened. The film uses the method of unreliable narrator, as a much older Tonto is telling the story on how he first met John. The idea itself is a neat one (and allows for more crazy situations) but the method of delivery just feels hokey to me.

Thankfully, the positives far outweigh the negatives. Hammer and Depp have great chemistry. Tonto is not just a secondary character but an equally important one. They have the appropriate throw backs to the original series while also doing their own thing.

But the best part of the movie is by far the climactic train ending. The final chase is incredibly long, but so meticulously planned and detailed that it was hard to stop smiling the entire time. The director had many gorgeous shots of the landscape, like a classic western, including setting parts of it in the Monument Valley as a different type of throwback.

The movie will also give you plenty of screen time with Armie Hammer, who is currently rumored to be the new Ant-Man or Dr. Strange, upcoming heroes/movies Phase 3 of the Marvel Universe.

Although this film has had many negative reviews, I’d say give it a chance. Especially if you have three hours (movie and preview) to waste on these hot summer nights.

 

3 out of 4.

The Miami Heat recently won their second consecutive NBA championship. A lot of people don’t like them, but that has nothing to do with this movie.

The Heat (Trailer) is a female buddy cop movie, following the style of most buddy cop movies before it. Two completely different people, having to work together for some bureaucratic reason. Everybody laugh. Roll on snare drum. Curtains.

Oh yeah, they also definitely won’t get along for most of the film.

FBI Special Agent Sarah Ashburn (Sandra Bullock) has closed more cases than any other agent in the last few years. So when news comes out that her boss (Demian Bichir) is getting promoted, she realizes that his spot is now up for grabs. Too bad she is arrogant and selfish, so much that no one else wants to work on her. Being a boss is more than being smart.

So she is sent up to Boston, to find out the secret identity of this really big drug dealer dude. In Boston, Detective Shannon Mullins (Melissa McCarthy) had just apprehended a small time drug dealer (Spoken Reasons), but she doesn’t realize that he is just a pawn in the chain. She also doesn’t care, because Ashburn is a [not nice woman]. Chain of command is stupid if people are going to be mean about it.

Eventually the two realize they have to work together if they are going to get anywhere, or else the bad guys win. Marlon Wayans has a small role as another FBI agent, Michael McDonald as a bad guy, and Michael Rapaport as a brother of Mullins. Basically only “M-named” actors.

Bullock is packed with guns in this movie. I don’t mean those things that fire bullets either.

Surprisingly, Sandra Bullock and Melissa McCarthy had pretty good chemistry together even though one is a veteran actress, the other a relative newcomer to the scene. Melissa McCarthy has actually had roles in movies since 1999 (the cult hit Go), she just didn’t get really noticed until her roles in Bridesmaids and Mike & Molly. I recognize her comedy talent, I just personally think her improv isn’t as good as others might.

For example, watch the trailer. Roughly 1 minute in, she has a tiny rant to a guard in a prison, something clearly improvised and it is supposed to sound menacing/threatening, but it actually makes no sense. There is nothing humorous about it once you actually analyze it. I have only had the time to analyze it, because The Heat has only had one trailer since they started showing it roughly in November.

Thankfully the version that was in the movie was a bit better, but there were a few more examples of improv from her that just missed the mark completely.

On its own it was a decent buddy cop movie. Each successive new one just tries to outdo the last one with a new gimmick. Unfortunately this one’s “gimmick” is that they are women, which is a terrible thing to say out loud but it is true. The Heat at least earns its R-rating thanks to the words that come out of McCarthy’s mouth. The good news for those who absolutely loved the movie is that the sequel has already been announced. While it has its funny moments, I think it doesn’t stand out on its own to really differentiate it from any other buddy cop movie.

 

2 out of 4.

Happy America Day, for Americans! I had my review of White House Down yesterday, because sometimes there are better things movies to do for a day such as this.

God. Bless. America.

Maybe the movie was chosen on the title alone. Maybe the movie has nothing to do with extreme patriotism, and it is going for irony? We will just have to wait and see.

Well, it certainly looks American so far.

Life is raining down shit on Frank (Joel Murray). He is divorced, his kid doesn’t want to visit him, he works entirely with mouth breathers, he has brain cancer, and there is nothing intelligent on TV. I wrote about those things in order from least important to most important. But seriously. TV is the worse. All singing competitions making fun of special needs people. People like Steven Clark (Aris Alvarado) who will be the unfortunate talk of the movie for being a bad singer.

We got reality shows, “news shows” that belittle their guests and are just mean. But lets not forget bratty teenage girls. The. Fucking. Worst. Like what his daughter will probably be.

These bitches all just deserve to die. Especially before Frank.

So Frank goes and kills a teenage girl.

He does this in front of Roxy (Tara Lynne Barr), another sixteen year old girl, who thinks it is basically the best thing ever. But he shouldn’t stop there. No. They need to rid the world of everyone who is lame. Like people who say rockstar. Or give high fives. He just dislikes people who are mean. They are the real ones who need to get shot.

Like mother fuckers who talk in the movie theaters. The worst of the worst.

Or people who profit billions by making fun of bad singers on television and just being unlikable assholes. Yeah. Let’s make that the main goal.

Mission Accomplished.

If anything, I can say that God Bless America is definitely an experience unlike one you have ever…experienced before. From start to finish, I was both surprised and taken aback at the lengths that the Frank and Roxy went through to just deliver a little bit of justice.

Sure. You could argue that this movie was made just as a long long rant by the writer/director. Frank goes on many monologues about what is wrong with society, and they go to great lengths to show you all the worst aspects of TV and put you on par with the character. People might get annoyed, but I found myself captivated by the dialogue.

The violence is also pretty great. Sure, most of them are just people getting shot with guns, but some are done in quite creative ways.

There are negatives, sure. The ending was a bit more anticlimatic, in terms of how it was filmed, not the result. It just seemed a lot less epic than I would have thought (which could be on purpose). I might be a bit disappointed that not enough people died in their spree either. But I am just a violent American, so that doesn’t matter.

Either way. Go America, go Independence, go this movie.

3 out of 4.

Some people enjoy eating competitions, fireworks, and BBQs for their Fourth of July celebrations. Not me. As a heavy movie consumer, I tend to spend a lot of time watching patriotic movies. You know which ones I am talking about. The kind that cause you to get out of your chair and start chanting U-S-A at the top of your lungs, or maybe even run down your street with an American flag (usually reserved for the Olympics). I am talking about the big heavy hitters, like Top Gun, Rocky IV, The Mighty Ducks II, Red Dawn, and of course Independence Day.

Which is why I’m glad we have new movies coming out around the same time as the festivities, that only want to help us express that pride we have deep down inside ourselves. What is more patriotic than a movie involving an attack on the White House, by Americans, for Americans? My fellow Americans, I give you, White House Down (Trailer).

(PA-PA-PA-PA-PA-PA-PA-PA-PA-PA-PA-PA)
“I’M SORRY, I CAN’T HEAR YOU OVER MY FREEDOM BULLETS!” – Tatum

The movie takes place in a time when America is dealing with a lot of conflict in the Middle East. AKA, modern day America. President James Sawyer (Jamie Foxx) wants to be a great man and known forever in history. He has decided to pull all of the troops out of the Middle East and also offer up a peace treaty for around twenty countries in that area. It is a pretty bold move that has a lot of people angry, including the vice president who will quit if it goes through.

John Cale (Channing Tatum) might not think too highly of the new order either, after all, he served three tours in Iraq/Afghanistan himself. But now he is back to living in DC, working as a body guard for the Speaker of the House (Richard Jenkins). His dream is to work for the secret service, the highest honor in the land, especially since his daughter Emily (Joey King) is obsessed with politics, and he wants to get back on her good graces.

But while on a tour at the White house (lead by Nicolas Wright), a bomb explodes on the Capital building, putting most of DC on lock down. Too bad a group of mercenaries have all infiltrated the White House to take the president prisoner. Why you might ask? Plenty of reasons, just pick one. Surely it isn’t just for money though. Either way, it is time for John Cale to prove himself capable of being a member of the Presidential Guard, or else there might not be a country to save.

We also have Maggie Gylenhaal as a head secret service agent, James Woods as the Head of the Presidential Detail, Jimmi Simpson as a big bad hacker, and Jason Clarke as a mad mad mercenary.

Yep. Everyone in this picture will kill someone by the movies end. For America.

I am not allowed to review White House Down without mentioning Olympus Has Fallen, which I loved. It had great action, it was tense, but it still had its weak moments. Olympus Has Fallen was a much more serious film, whereas White House Down is going for Action/Comedy and is much closer to being a Die Hard variant. It isn’t rated  but even the smallest details seem to be throw backs to Die Hard. Just look at Tatum himself. His garb mimics Bruce Willis in the first film, with the white tank top and ruffled hair as seen here.

Roland Emmerich is used to bigger disaster films, so I am surprised he was able to contain the destruction to basically only two buildings. Despite the small scale, I found myself at the edge of my seat as Tatum and Foxx were running around the White House trying to be action stars. Foxx’s character wasn’t as much of a bad ass, as he is the President, but he has a few moments.

But here is what I didn’t like. The run time is over two hours, far too long for this kind of movie. I think the main problem lies in the pre-explosion intro, which dragged on and on, trying to set up everyone’s story. None of the twists are really too surprising, as it fits a very common formula. I didn’t see the last twist coming, only because a twist there felt nonsensical. The final twist was also a bit rushed and a bit anti-climatic.

Regardless, I am willing to state that both White House invasion films from 2013 are probably worthy of a watch, at least once. This one has a limo chase seen on the presidential lawn, while Olympus Has Fallen has a limo fall into an icy river of death. The difference in limo usage probably highlights the main differences in the films. I wouldn’t describe this as a “dumber” version of OHF like other critics, but it definitely takes itself less seriously.

I am looking forward to 2014 when I get to see two versions of Hercules. (Hint: You can already tell which one will be better).

 

3 out of 4.

I guess I should make one thing clear right off the back. At the time of watching My Little Pony: Equestria Girls, I have never seen anything related to the TV Series before. So I am going into this movie completely blind, knowing full well there will be jokes and references I don’t get.

Now, I have since gone back to watch the TV show for a few episodes. You know, for “research.” I am not saying I am a “Brony” but the show has merits on its own.

It also has strange colored women. But if it worked in Doug, it can work here, damn it.

The story begins with Princess Twilight Sparkle (Tara Strong) heading to the Crystal Empire for the Princess Summit. All of her friends are invited too: Rarity (Tabitha St. Germain), Applejack and Rainbow Dash (Ashleigh Ball), Fluttershy and Pinkie Pie (Andrea Libman), and her dragon companion Spike (Cathy Weseluck). It is a pretty big deal and will be a pretty big party!

Twilight Sparkle still feels weird wearing her magical crown though, not used to the power and responsibility that comes with it. However, in the middle of the night, a thief breaks into her room and replaces her magical crown with a replica! Oh no! Sunset Shimmer (Rebecca Shoichet), a bitter former student of the Queen, has stolen the crown (an Element of Harmony) and put it through a magical portal to a strange new world.

Twilight Sparkle is going to have to go chase after Sunset Shimmer to retrieve the crown, before the portal closes in three days, and she must go alone. When she goes, she is transformed into a strange new life form: a teenage girl in high school! Sunset Shimmer rules the school with an iron fist (hoof?), too. The school is  also made up of people who have very similar personalities to her pony friends back home, but they are all enemies here!

Can Twilight Sparkle restore the friendship that used to exist in this school? Can she get retrieve the crown before the portal closes, trapping her in the human world for a long time? Will the fact that “Friendship is Magic” come up at all in this movie?

Friendship Orgy Circle!

Audience wise, I was surprised that college and middle aged people actually outnumbered teenage and younger girls. Go figure, the “Brony” crowd is real and showing up in theaters, increasing ticket sales. In fact, they were a rather rambunctious group, constantly cheering and clapping at small cameos and tiny jokes. It actually made the experience better.

My Little Pony: Equestria Girls is only 70 minutes long and it is made up almost entirely of high school prom based cliches. But I still found myself laughing out loud several times throughout. There are at least four original songs as well, of course about friendship and working together, basically the cheesiest things ever. Yet they still entertain. They reminded me of this famous song from the first season of “The Powerpuff Girls.”

Unfortunately, this movie was probably just made to sell dolls and figurines. The rumors are that they will create a second show, one set in the human world with the girls if this one does well, creating even more merchandising for kids. Yes, every movie is made for profit, but no one likes an over saturation of one product.

The movie offers a great message for kids, especially with how they dealt with Sunset Shimmer. Often times, in kids movies, the villain will be completely one dimensional and just pure evil. This film at least breaks the mold from that.

My Little Pony: Equestria Girls can be watched if you haven’t seen the TV series, you just won’t get a lot of the smaller references thrown in. You just have to be able to find it in theaters, most only having one show time a week. It is good for families, and not incredibly boring, just probably an extreme cash grab. Still a better movie than The Croods. Brony up!

2 out of 4.

I will say this right up front: I was not looking forward to Monsters University at all. First off, I thought the first film, Monsters Inc. was only okay. More importantly, I think doing prequels is generally very lazy writing. Monsters Inc. gave us not only a lot of character development, but also entire society development. Doing a prequel basically says fuck you, we are going to ignore all of that change and go back to the original ideas from our movie instead.

This is also Pixar‘s first attempt at a “college” movie, and what better way to parody all of the college movie stereotypes by using monsters?

I am starting to think that purple dude on the left is just a manifestation of the other guys mustache. Monsters University takes place when our heroes are freshmen in college at (you guessed it), Monsters University. There is more than one college in the area, don’t worry, the boring sounding one is just the one they both picked. Mike (Billy Crystal) wanted to go there his whole life to train to become a Scarer, while Sully (John Goodman) was basically bred to be a  Scarer like his famous father.

Basically, Sully gets to be the jock that has everything handed to him, but he doesn’t take it seriously, so he does really bad on all the tests. Mike is not scary at all, but he studies enough, so he knows everything to do in every situation! Classic nerd. Either way, both of them get into hot water when their constant bickering gets them kicked out of the Scarer program. Dean Hardscrabble (Helen Mirren) isn’t fucking around. She is also terrifying by the way.

This forces our heroes to join the “lame frat” on campus, having to turn a group of losers into the scariest monsters in school, in order to get back on their career track to be the best Scarer team Monstropolis has ever seen. A lot of famous people voice random monsters in this movie too. Steve Buscemi returns to his role from the previous film, but we also have new comers with Charlie Day and Aubrey Plaza.

Seriously, check this bitch out. Dragon wings to fly and centipede body for cackling down a hall. Utterly terrifying. Originally I was going to ignore the first film for this review, to try and go in watching it as neutral as possible, but it turns out, I actually liked Monsters University more than Monsters Inc. Maybe it is the subject matter (College, yay!), or maybe it is actually just a better structured film overall.

Obviously we know that somehow our heroes will end up coming out on top by the end of the film, because “Monsters Inc.” has already happened, and they are clearly Scarers. What we don’t know, is just how twisted and strange that journey actually ended up being. I was shocked at the clever ways the story developed, while also maintaining a parody vibe in relation to other famous college movies.

What did bug me was the ending. It felt like it dragged on near the end, so I found myself getting a little bit fidgety, hoping it would get to the point. It wasn’t as bad as the ending to The Lord Of The Rings: The Return of the King, but it still took its time at the finish line.

I also think they did a poor job of showing that there are other majors and departments in the university outside of fields related to Scaring. After all, in Monstropolis, Scaring is just one job profession, and they still have scientists, mathematicians, historians, and all of that, but the only classes that ended up getting shown related to Scaring. Sure, they had a dancing major, but outside of a casual mention, they could have shown a quick clip of a class. They even mentioned scaring in their school song. Now imagine a university doing that with just one department, like Physics. Pretty messed up yo.

3 out of 4.