Tag: Comedy

When I first saw the pictures from the film Frank, it seemed eerily familiar and I didn’t know why. Most notably, in a fast moment in the film Filth, the main character was watching television and a scene showed a man wearing the iconic head. It freaked me out. Were the two films cross promoting? Was Frank a bigger movie than I could have ever known?

Well, no. Apparently Frank, although fictionalized in this movie, is based on a real person.

Frank Sidebottom was his name, and Chris Sievey was the man behind the mask. He was in some bands in Britain for a long time and Frank Sidebottom was his “Comic persona” and recognizable around the world. Which is probably why it looked familar. I didn’t know that I knew that it was a real thing. I must had just seen a person in the mask before, maybe haunting me in my youth. Who is to say.

It is inspired by several musicians, including Chris, but none of this on its own is a bio of these gentle rockers. No. This is its own entity.

And lo, his name is Frank.

Jon Burroughs (Domhnall Gleeson) would consider himself to be a sensitive man. He lives alone, works a job, has a twitter, and in general would consider himself a decent person. He tries to write music, can play guitar and keyboard, but it is all pretty shitty.

As luck would have it, he happens to be walking down the road when a naked man runs into the ocean trying to end himself. He is a keyboardist for a band. Their “manager” Don (Scoot McNairy) asks if he can play the keyboard, and since he can, he is totally in the band, The Soronprfbs, no practice needed.

He does okay on stage, but he is flabbergasted to find that their lead singer, Frank (Michael Fassbender) is wearing a giant head mask. What. Frank never takes it off. People don’t talk about it too. They just go with it.

Next thing Jon knows, he is in the band and they are on a retreat to a cabin to work on their next album and they won’t be leaving there until that thing is polished and done. He now has to live with the other band members (Maggie Gyllenhaal, Francois Civil, Carla Azar) and they are as eccentric as Frank, in different ways.

And you know. Frank has a fucking giant head on his head. That is important.

But then again, that bitch is wearing a cape.

At times, Frank was very realistic and charming. The cast seemed to have great chemistry with each other and everyone felt relatively unique. I laughed a few times and found parts very amusing.

But at the same time, I didn’t feel like I got enough out of it. The final third of the film felt very different from the first two thirds. That is because change starts to occur, but I just couldn’t get into it as much.

I will say I hated the music, but I think I was supposed too. (I have now used but 3 times in the last 4 sentences. Well, now 4 of the last 5) It was very experimental/indie/weird. Not pleasant sounds, but sounds nonetheless.

I think I just expected a lot more given someone like Fassbenders involvement. I wanted them to go harder on the psychological aspect of it all and hated when they ended up doing with the Jon character. However, I do like the head mask. I kind of want to have one. Is it too late to be Frank Sidebottom for Halloween?

Shit. I should have saved this movie for actual Christmas. Jeez. What is wrong with me? I blew it, clearly.

Happy Christmas is an indie movie, so of course it makes sense to come out on July 25th, which I guess is the “Christmas In July” day, but I don’t get that concept at all.

Either way, we are going to have a movie about Christmas now, damn it. I don’t care what holidays are nearby.

But I hope the baby is the main character. Like Santa. Santa is a baby right?

Jenny (Anna Kendrick) is just a girl, standing in front of her brother, asking for a home. She is having some troubles in her life, but she just needs a break from it all. Thankfully Kevin (Mark Webber) has room in his house for her to crash. His wife, Kelly (Melanie Lynskey) is a novelist, but right now she is taking a break to be a stay at home mom because they have a baby! Yay babies!

And yay Jenny in their house. That means automatic free babysitter. Kind of hard to accept free rent without helping out.

But just one night in, Jenny gets blackout drunk and embarrasses her good friend (Lena Dunham), requiring the help of her brother late at night to get her. Some reliable baby sitter, huh?

Well, these old coogies can’t seem to accept her young hip ways and she finds herself constantly disappointing them, despite trying her best. And hey! She wants to help Kelly get back on the writing thing.

But seriously. Can she just not fuck up once? Maybe by Christmas? Or will she just be fucking the babysitter? (Joe Swanberg)

She ate all of those pretzel bites the night before. What. A. Night.

Quintessential indie film. Some comedic moments, a lot more dramatic ones, everything really close to reality, very few actors, and overall, just okay.

I mean, there are truly fantastic indie movies out there. This year we were able to get Obvious Child and Locke. After watching this film I was left wondering “Is that it?”

I guess with their lower budget they just want to tell a simple story, but a lot of times I am not left wanting more just because it was such a great story and I am super invested in the characters. It is more me wondering why any of it even mattered?

Oooh, a group of people learned to accept each other by the end. And there was awkward moments. (Awkward moments are key to indie movies).

As I already said, Happy Christmas was okay, but borderline on boring and disliked. So a low 2, if you will. You can tell my indifference, as I couldn’t even write 500 words about this one.

With Tusk, we have the first “crazy idea” from Kevin Smith‘s SModcast to be made into a movie.

Maybe inspired by The Human Centipede, maybe their own twisted version of a film, who is to say. Personally, if I was to make a Walrus inspired movie, I’d make it off of this very famous Betty Boop episode. But this is just the start for the Smith planned Canadian Horror trilogy. The next film to be Yoga Hosers, and then Moose Jaws, all set in the same universe. Not to be confused with Anti-Claus or Clerks III, very different projects.

Basically just saying that he is pretty busy and he put out Tusk remarkably fast despite all of the projects going on.

One would say Smith is masturbating his film credits now.

Wallace Bryton (Justin Long) has a Walrus like name and a walrus like mustache. I don’t know if that is relevant. He is a podcaster as part of the Not-See Party, where Wallace goes around the US and interviews weird people or internet famous people (aka weirder people) and his co-podcaster Teddy Craft (Haley Joel Osment) doesn’t! Apparently they are super famous at this podcasting. No idea where they got this idea for the movie though.

Wallace heads up to Manitoba to interview a kid who cut off his own leg on accident. Sure they made fun of him hardcore, but the kid wanted an interview, so he is going to give them an interview. But when circumstances go wrong up there, he has to find a new guy to interview and stat. Or else he came up to Manitoba for no reason. Yuck. I mean, he left his girlfriend (Genesis Rodriguez) behind too! So he sees an advertisement in a random bathroom, an old man with a lot of interesting stories to tell. He offers a room in his mansion just for someone to listen.

So sure. He could be interesting. He won’t stay in a room, just an interview. But surprise! Howard Howe (Michael Parks) drugs him and keeps him prisoner, lying about things that begin to happen to him and as to why he cannot leave. And I don’t know why I am making this suspenseful. He is going to try and turn Wallace into a fucking Walrus and turn his mind into an animals. Yeah. He will do it too. Just you watch.

Unless, of course, Guy Lapointe (Johnny Depp), a French Canadian Inspector who has been on Howe’s trail for years can help find him first.

Justin Long actually wanted to make a movie based on his Brandon character from Zack and Miri Make A Porno.

Most people know in a movie, as an actor, you never go full Walrus. Well, Tusk went full Walrus and more.

First off, hats off to Mr. Long. He didn’t half ass anything about his character. He gave a 110% and despite the ridiculousness of his role in this movie, he was super hardcore about it. Michael Parks was downright creepy and twisted. Genesis Rodriguez is not someone whose name I really would ever remember, but even she had at least one fantastic scene halfway through, giving her own monologue. JOHNNY FUCKING DEPP IS IN THIS MOVIE. And he was great. You will have a hard ass time recognize him or his voice. It literally may be his most well acted role in years.

And the walrus. Holy shit. The walrus was one of the most disturbing abominations against everything holy that I have ever laid my eyes on. And at the same time, it felt a bit believable. “Believable” being a strange word. It was both horrifying and comedic at the same time, but I think I just had to laugh not knowing what else to do with all of my emotions.

Tusk could have been a train wreck. It could have just been a long joke by a couple of potheads that no one would actually want to watch or see. But it was surprisingly unique and not a low budget shit fest. I am surprised. I really am.

Zombie Romance. It is totally a thing now. After all, we got Life After Beth and Warm Bodies (Warm Bodies). That means a trend is brewing, only about 50-60 years after the Vampire Romance trend kicked off [Completely guessing on that number. Research is for losers].

So it should come as to no surprise that a movie called The Coed and the Zombie Stoner even exists. Before you ask, no, it is not technically a The Asylum movie. They bring us the C grade films like Asian School Girls and Sharknado. This is its own entity (but The Asylum is selling it on their website, so who knows their involvement).

This is clearly some sort of sex comedy horror B-Movie.

Science and books are fun!

Chrissy (Catherine Annette) has a problem. She is super smart and has a high GPA, but for whatever reason, to maintain her scholarship she had to be in a sorority. She doesn’t fit in with these girls, she doesn’t like to hang out with people, but they accepted her as long as she had a fraternity boyfriend.

Well, P.J. (Ben Whalen) dumped her because she talks too much and isn’t a skank. This means she might get kicked out of the sorority by Bambi (Jamie Noel), the queen bitch, if she doesn’t find a man in 24 hours. She could get one of the geeks, but they are gross. While working late in a lab one night, she is surprised to find Rigo (Grant O’Connell), a zombie! He is not decayed or old, but apparently he was a student back int he 80s. He accidentally took the professors zombie machine for a dorm shower, turning him into a zombie. Because he was such a pothead, the marijuana kept him young and strong. Somehow.

Well, he is really charming and not a bad guy at all, so she would rather date him to save her own career. Soon they become a power couple on campus which only creates jealousy from Bambi and PJ. So they vow to break them up any way they can, even if it leads to a zombie apocalypse.

Also starring Andrew Clements as her stoner brother (I really think it was brother) and Dora Pereli and Lena Young as other sorority girls because of the genre.

They got him in ZBE. Get it? GET IT?

Say what you will about the genre in question, there is a market for these types of films out there and they shouldn’t be ignored. That is a lie. Most of them should definitely be ignored. They feel like they have a $5 budget, have suggestive scenes and bad plots just to steal horny teenager’s money.

The Coed and the Stoner Zombie is not one of those movies. This one tries to make a good version of the sex comedy low budget genre and excells at the goals the genre puts out.

Did I laugh? A few times. Was the plot interesting? Well, it was certainly ridiculous, but I liked the twists and turns by the end despite the levels of ridiculousness. And yes, there were a lot of weed jokes, frat/sorority jokes, and naked people.

So yeah. It was okay. For the most part these types of movies are extremely boring and shitty and this one is able to rise (slightly) above them. Which is more than I ever expected.

I had the unfortunate bad luck to miss Chef when it first hit theaters in May this year. I was living in a place that didn’t get too many limited releases, and once I moved to a place with them, it had already left most theaters, or was still an hour away. So it took a lot longer than I would have liked, but at least I beat the DVD release. Aka, getting to see it when it was hitting the cheater theater cycle.

The reason I really wanted to see it is that in a summer with so many giant block busters, the trailer made this one seem a lot more realistic and honest. It also helps that it secretly had a lot of actors I enjoyed, many of which who had starred in big block busters.

Not to mention I heard it was a movie about cooking, where they actually featured a lot of cooking. Not calling out any names or anything.

Hey! A kid too! This would appeal to the Disney crowd! That and the heavy cursing!

This is a movie about Carl Casper (Jon Favreau) who has been cooking food longer than some people have been alive. Hell, I have been writing reviews longer than some people have been alive. If anyone is younger than this website and reading it, congrats, you are very advanced for your age. He has been working at the same restaurant for awhile too, under the owner Riva (Dustin Hoffman). They have butt heads a lot recently, Carl wanting to constantly change the menu and experiment and Riva thinking that people come in expecting a certain taste. Carl wants to change the menu because famed LA food critic Ramsey Michel (Oliver Platt) is coming in to give them a new rating.

Well, when everything starts to not go as planned and Carl seems to get angry at everyone he needs a change of pace and stat. His ex wife (Sofia Vergara) keeps telling him he should start a food truck so he can be his own boss. He just has to borrow money from her ex husband before him (Robert Downey Jr.). Jeez. But hey, if he goes somewhere new, his old line cook Martin (John Leguizamo) promised to join him. And if the food truck can bring him closer to his son (Emjay Anthony), as the two have drifted over the years, then it is even better.

He just has to first figure out how to use the dang internet and that twitter thing, and figure out why everyone is so interested in his truck in the first place. Also a wild Scarlett Johansson and Bobby Cannavale appear, so they should be noted too.
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“What the fuck is the internet?“

Despite knowing a little bit about the movie, I still found this movie to be full of surprises. Some big names have pretty small roles in the movie and some of the character choices were surprising, even by the ending. But in the end, really, it is a movie about following your dreams, family, and food.

It actually took me a little bit to recognize Sofia Vergara in that her voice wasn’t completely exaggerated like it must be in Modern Family. Jon Favreau when he was wearing the bandanna looked like The Amazing Johnathan which was just weird. John Leguizamo I had to assume was actually Michael Pena because Leguizamo hasn’t been in anything great since…well, almost forever.

Speaking of food. This movie features a lot of food, a bit more varied early on pre-food truck, but darn it, they show a lot of food prep and more importantly people eating it. Which is important in this genre.

It was all decently funny and cute at the same time. There weren’t any hugely dramatic or crazy moments happening throughout, just an appropriate sequence events after the critic bundle early on. That was refreshing. A lot more comedies rely on outrageous antics to carry the plot, but this one keeps it relatively simple.

Overall, Chef is clearly the best cooking related movie of this year so far.

Yes! More movies in the supernatural rom com genre!

There hasn’t been a lot of these, I guess. Most of them are dramas more than comedies. Apparently that is where they think the money is at, teenage girls. But the comedy element? Outside of Warm Bodies (Warm Bodies), there haven’t been that many.

So sure, Life After Beth is giving us love and zombies again, a year later, but just like regular romantic comedies, as long as they are done in different and unique ways it shouldn’t be an issue.

You don’t need a beating heart to float on water!

Beth (Aubrey Plaza) is dead. You can’t change that. Freak accident. Her boyfriend at the time, Zach (Dane DeHaan) is taking it really badly. Yeah, sure, he lost the love of his life, but it ended badly too. They were fighting. He didn’t her what he really felt.

So yeah. That sucks. Trying to cope after a death is hard. He has even been hanging out with Beth’s parents (John C. Reilly, Molly Shannon) in the down time.

But then he sees Beth. Walking around. Seemingly normal.

What in the highest amounts of fucks? Was this some joke to get him out of their lives? A shitty way to break up with him?

Or, was she resurrected, like her parents believe? They don’t care. They were missing their little girl and are happy to have her back, regardless of any complications.

You know. Zombie things.

The parents of Zach are played by Cheryl Hines and Paul Reiser, he has a brother who is a cop played by Matthew Gray Gubler, and Anna Kendrick as an old friend and old fling.

Sometimes your flirt face is the same as your scare face.

While other supernatural movies may strive for extreme supernatural things going on, Life After Beth keeps it surprisingly realistic. Yes. Sure. Zombies happen. These zombies may have big strength, start to decay, don’t feel much pain, whatever. Normal zombie stereotypes.

But the emotions and reactions are surprisingly real feeling. The grief Zach feels over words not spoken. His reactions to her being alive, the many that occur. The parents, unsure of what to do about it. And ignoring the problems as things get worse and worse over time.

Life After Beth does a great job about moving on but in a unique way. Just because the dead are rising up and walking around doesn’t mean that life is over as we know it, right?

“Give me a random foreign movie!” I shouted at the Netflix, not fully understanding how technology worked.

Four hours later, when the program still did nothing, I decided to just search and find one on my own. And thus, a review of The Angels’ Share was born!

This one from Scotland. Sure, not really super foreign, in that they are technically speaking English, but I definitely had to turn on the subtitles to fully understand some of these characters.

Get it? Kilts! Foreign movies! A-ha-ha!

Community service seems to be the punishment of choice in Scotland. I can say that, because the beginning of the story introduces us to several different people all receiving several hundred hours of community service for various crimes they have committed and none of them get jail time! Including our…uhh, main character Robbie (Paul Brannigan). Except Robbie maybe should have deserved jail time, for beating up a complete stranger. But his wife Leonie (Siobhan Reilly) is about to give birth, and somehow they argued that his life is undergoing changes and he should be there for the newborn.

Well, Robbie is caught up in a family feud / gang war type of situation. He grew up in a violent world and cannot escape it. Hell, Leonie’s family beat him up when he went to visit his new son, just because of all the trouble he had caused.

But some people give him hope. Like Harry (John Henshaw) their volunteer foreman guy, who helps him out, and tries to reward the crew with good work done, like taking them to a distillery. They soon find out Robbie has a nose for different beverages and a good judge of taste and quality. A very useless talent mostly.

However, maybe alcohol can be the answer to all of his problems? Maybe he can get a real job in the industry? Well, that won’t help too much, because he also has to get out of the area or else he will always be caught up in this violence?

So what is Robbie to do? He needs money fast. So when news of a very rare cask is going up for action, will he succumb to the high monetary gain should he steal it, in order to start his life anew? Or will he, you know, not. Also starring Jasmin Riggins, Gary Maitland, and William Ruane as his community service companions.

Ah, so bottles are under their kilts. Now it all makes sense.

Seriously, how can these people understand each other? Some characters are just so Scottish. Reminded me of Brad Pitt‘s character on Snatch, nationalities aside.

I will say that after watching it, I am a bit disappointed by the level of comedy in this comedy/drama. My hopes were raised pretty high because the first scene had me almost cackling. But then the humor after it was few and far between. It gave me false expectations so early in the movie, I was left with a sour taste in my mouth.

The entire middle felt pretty slow. The ending was interesting however, but not a lot happened at that point.

So, overall, disappointed with the comedy, but the drama had some interesting moments. Because it is Scottish and there is anger, there are some pretty sweet curses thrown about, reminding Americans that our curses are shit in comparison.

I guess it is okay. Not really something I’d watch again after a viewing, but it was a decent way to past the time. Maybe next time I yell at Netflix, it will find me a movie faster.

I chose to watch Step Up: All In before The Hundred Foot Journey. Let that sink in. This is no longer true. I wrote this intro 2.5 weeks ago but then circumstances made it so I couldn’t see this movie for weeks. And I will be damned if I am going to change my intro.

That is because for the most part, I can enjoy a good dance movie. If the music is “Fresh” and the moves are “Dope”, I can be entertained. Especially if it feels a bit original and doesn’t fill it with too much badly acted drama. Hell, I had a whole week or two last year where I watched a bunch of dance movies I missed throughout the last few years, the obscure and straight to DVDs ones.

Step Up: All In is the first dance movie I will have seen since Battlefield America which was so bad and creepy it caused me to nope out of the genre completely. Which is a shame, because I still haven’t seen You Got Served (which I will now save for a Milestone Review).

A literal boxing ring, in case the dance off metaphor wasn’t strong enough for you.

Now that we have left the travesty that was Step Up: Revolution behind in Miami, we can focus on Los Angeles. Wait. Wait a minute. Is that Sean (Ryan Guzman)? Lead star of Step Up: Revolution? What the fuck? And wait, who is that, Eddy (Misha Gabriel Hamilton)? His best friend from the movie? Holy shit, the entire “The Mob”, their dance crew is here. What the fuck. Is this a direct sequel for real? No. This is something more.

The Mob is pissed off at LA, everyone except Sean. They are all broke and poor and returning home. Sean, also broke and poor, doesn’t care, he knows he can survive out here, so he says bad things to his friends and they leave. Sean finds Moose (Adam G. Sevani, who was in every Step Up movie but the first one), gets a job, and hears about this new competition called The Vortex. Lead by pop star Alexxa Brava (Izabella Miko), the best crews around the world will submit videos of them dancing. And then the top blah will go to a competition in Las Vegas, where the grand prize is a 3 year contract to perform there! Woo!

So Sean gets a new crew together, featuring Andie (Briana Evigan, from Step Up 2: The Streets), and a shit load of other people and they enter! But oh no, the rival crew that made fun of them earlier is also there, lead by Jasper (Stephen Stevo Jones) and shit, The Mob made it too.

I guess the real question is, can we really root for Sean who is going to be a dick to literally everyone in this movie, justified or not? Alyson Stoner reprises her role from the first and third movie. There a lot of other people in it, so I will just list them til I get bored.

Stephen Boss, David Shreibman, Mari Koda (Who has been in all the Moose movies), Christopher Scott, Luis Rosado, Facundo Lombard, Chadd Smith, Martin Lombard, Cyrus Spencer.

They fight fire with fire but not really how the saying meant it.

I recognize for the most part that dance movies have basically become a way to showcase the last winners of America’s Best Dance Crew and other similar TV shows. But that main one ended in 2012! Where do they get their talent from now?!

Oh. They get them from their past movies and re use them. What a concept!

First, I am glad to see so much of their effort was into actually trying to make the movies connected, versus a lame cameo here and there. Like most of the time, all the movies outside of the first film are connected. There is the small connection to the first film, but that’s all it is, small.

My problems lie heavily with the plot. The main character is a douche for 85% of the movie. And just because he sees the error by the end, I still don’t have a desire to cheer for him or his team, especially knowing how his character acted in the last film. They broke up almost everyone’s relationship (except for Moose) just to make new ones with this. Who cares if the last movie was mostly about gaining one of those relationships.

And the ending. Oh goodness. Guess what, a team was cheating. So what do they do about it? Cheat harder. Yep, that’s what I meant fighting fire with fire. They don’t rise above it and overcome it normally. No, they just cheat more. Ugh. I can’t even.

Some of the dancing was cool. I didn’t think the final “good guy” dance was actually that much better. Just felt like they were just throwing everything at a wall to see what sticks. Was a clusterfuck of annoyances.

There are better dance movies out there than this one. But at least…one or two characters are cool from this.

Let’s Be Cops. A movie that has been advertised for almost six months before coming out, despite for all intents and purposes, looking like a shitty cop comedy.

I mean. You saw the trailer. It just pumps loud rap music at you with scenes that aren’t really funny and situations that are so unbelievable that you glare. Well, maybe I am just talking from my experience.

But from the looks of it, it just looks like a collection of people from TV shows trying to get into a big movie. I also missed three different screenings before finally going to the fourth available one because of how little I cared.

This is clearly just a recreation of a scene from Tommy Boy.

Justin (Damon Wayans Jr.) has a dream job, a video game maker in L.A. And by that, he works at a company but no one cares about his opinion or his game, especially not his boss (Jonathan Lajoie), and he kind of gets shit on. Non literally. He lives with his best friend, Ryan (Jake Johnson), who played college football but didn’t go pro due to an injury. He has been living off of money he made from a commercial for a few years, no prospects. Life sucks for them.

It sucks even more when they go to a reunion party and everyone there is successful and they are losers. They also showed up wearing cop outfits thinking it was a costume party. But hey, it turns out regular people believe them to be actual cops, since their outfits are authentic. They get to boss people around and have fun. Shit, even the ladies like them.

Well, Ryan gets really into this idea. He is the bigger loser. He gets the used cop car. Lights. Super illegal. Justin hates the idea. He has a job. Doesn’t like it. But likes the perks of the cute girl Josie (Nina Dobrev) at the diner they frequent finally paying attention to him.

But things quickly get out of hand when they end up pissing off a local mob crime dude, Mossi (James D’Arcy), who thinks a few actual street cops are trying to clean up the turf. They can’t handle this shit. They don’t even have real guns!

Also there are roles for Rob Riggle, Keegan-Michael Key, Andy Garcia, Natasha Leggero and Joshua Ormond as Little Joey.

Don’t give me that disgusted look just because there is a kid in this movie. There are dozens of them!

As expected, a lot of the humor in this film is crude and I didn’t find a lot of it funny. But then, every once in awhile, something made me chuckle. Generally they came from Damon Wayans Jr., who has been making me laugh for years. He just has those dance moves, you know?

The moments that I actually found amusing were apparently enough to warrant the film into okay status. On top of that, James D’Arcy made a pretty interesting mob boss. Classic eye scar and all.

It still had quite a few annoying plot points, especially near the end, that cause characters to react only in ways to save our stars / make the movie move forward, instead of what their character would actually do. Like, you know, shoot someone.

Whatever happens, this movie definitely doesn’t deserve a sequel. So I do hope it fails enough financially for them to not even think about it. Watch on Netflix eventually, maybe.

One hundred feet is not a big deal, in most cases. One case where it is a super big deal is if that is the number and units of the pile in your living room. That’d be pretty gross.

Another time when it would be a hard distance to cross is if racism was involved. Which is one the The Hundred-Foot Journey seems to be about. Classic European Racism, cooking, and good old fashioned stereotypes.

Does it get any better than this?

Look! A big Indian family cramped in a van! Hilarious!

Papa (Om Puri) and his family used to have a nice restaurant in India. It was very popular and his wife taught one his sons, Hassan (Manish Dayal), all the secrets to spicing food right and how to cook. Unfortunately, I used the past tense and they lost the restaurant in some…voting riot thing? They also loss the mom and somehow out of this got a fat stack of cash to start a new life somewhere. Leaving Mumbai, they go to England but it sucks there. So instead they go to the main part of Europe, driving around, looking for good vegetables and a community to get a new house and start a new restaurant.

Well, their breaks kind of freak out near a small town, and that is where Papa is inspired. There is an abandoned building, complete with inner courtyard, perfect for Indian food. It is just right across the street from a One Michelin Star restaurant, led by Madame Mallory (Helen Mirren). These small town French people are not used to Indian food or culture, so it seems like a terrible idea, but the Papa insists to spend his money his way.

So they do that. It causes competition. The restaurants rage war. Some racism may occur. Dirty tactics are used. But Hassan just wants to fight. And f–, err, and befriend Marguerite (Charlotte Le Bon), one of the sous chefs across the street. But even eventually Mallory won’t be able to deny Hassan’s talents, offering to teach him even more skills, so that one day he might even conquer the world.

Other family members of Hassan’s are played by Amit Shah, Farzana Dua Elahe, Aria Pandya, and Dillon Mitra. We also have Clement Sibony and Michel Blanc to add real french people to the mix.

This reminds me of that one scene in Ghost. You know the one. Yep.

The Hundred-Foot Journey aims to be a feel good movie about cooking and overcoming obstacles! However, everything feels so rushed (And thus, undetailed) that it plot of the movie seems to almost change every 20-30 minutes, leading to a lack of focus. That is my analysis in a nut shell.

Basically it starts off as the feuding between restaurants. Mirren sees the error of the ways and then they become all nice nice the rest of the film. Then it becomes Hassan learning from the nice restaurant and helping add his own styles to the cooking scene and helping them do good. Then he moves on from that as well and experiences life away from family and friends, doing even more innovative cooking on much grander scales.

Not a lot of that aspect is shown in the trailer. Basic plot description is too feuding restaurants. Despite being two hours, that and every other part feels rushed. In fact, after opening night of the Indian restaurant, they literally never show them having customers again. I guess they didn’t have issues or worries, even when they lost their main chef? Apparently they were doing okay and that didn’t matter anymore.

I also really hated the ending. It seemed to contradict what the first half of the movie was about. Clearly it was about not judging people/groups/foods by their cover and giving things a shot. That all methods of cooking are unique and special and worthy. Yet the end felt like it went against that message. It was really weird. I hated it and by achieving their own self morals, it just seemed fake and plastic at the end.

Also, for a movie about cooking, there is an awful lot of this movie without showing cool food dishes. An inspirational tale that doesn’t know what it wants to really inspire.