Tag: Comedy

Here I thought I was done with animated kid movies for the year. Outside of The Penguins of Madagascar, I had every major release!

Nope. There was another film. The Hero Of Color City. Very limited release, but it decided to release the dvd before Christmas, so I figured I would give it a shot.

And just for more science, I watched it with a three year old who clearly is the target audience for this type of movie. Because if I am going to pay a dollar to see it, I might as well make sure someone has a good time.

A moment of silence for the man with no mouth.

This movie is set in a crayon box. Belonging to a boy! He was drawing some strange creatures but his mom made him stop. And he didn’t even get a chance to color them! Sketches, with no color! Sad times.

He also doesn’t clean up his crayons. They have to clean themselves up and return to their box. Because in their box is a portal to a crayon based world! Of course, every color has a personality trait associated with said color. Yellow (Christina Ricci) is a coward and is late to getting back to the box. So when the two sketches of the boy come to life and demand to be colored, she lets out a secret of where she is going and runs away!

Great. Now the sketches are in the color land, demanding to be colored, and threatening their way of life.

So now a small band of crayons are going to have to save the day. Including Yellow. She doesn’t want too but accidentally comes along. She joins Blue (Wayne Brady) who is so cool, Red (Rosie Perez) who is bad ass, Black (David Kaye) who is basically just Eeyore, Green (Jess Harnell) a nerd, and White, who I can’t find the voice person for, but just wants to be used really.

They also have voice talents from Owen Wilson, Sean Astin, Tom Lowell, and Jeremy Guskin who basically recreates Professor Frink from The Simpsons.

They are so jolly because they aren’t broken. They embody the YOLO.

Early on in this movie, it was clear that it was terrible. Of course each crayon is just an extreme stereotype. But while going through it, it was getting a bit better. And then the ending was downright terrible for so many reasons.

It featured extremely lazy conflict by the end. Aka, a character couldn’t explain their actions and put up no effort to really say the one or two sentences to make people understand. So their friends turned away and they were “powerless” to make them listen. But it was some of the worst attempts at talking that I have ever seen. Not only that, but once they realized how to stop the creatures from ruining their way of life, they were like, “Oh shit, it is because we judged them and didn’t try to talk to them to figure out what they wanted!”

Bull. Shit. Right when they get to the city and even before then they literally say all they want to do is get colored, and instead, the crayons who have one sole purpose in life, don’t realize this and don’t listen to them and almost get wiped from existence. Which makes sense really, because if a crayon won’t color, who gives a shit about that crayon.

This movie might have been a 2 if they could have done anything average with the ending, instead of a manure fest. It had some okay songs in it that the kid enjoyed and the story was beyond simple. But it was also very lazy.

Ding dong the mother fucking witch is dead. That is how I am starting to feel about this franchise. In college, I wanted to do a semester abroad in New Zealand because it is a beautiful country, but now I think I have seen enough of it.

Everyone knows the Lord of the Rings are incredible, so I won’t mention them. I was really excited with The Hobbit: An Unexpected Journey, it was a bit longer, more CGI, but hey, let’s return to Middle Earth.

I completely hated The Hobbit: The Desolation Of Smaug. It was far too long, and it was a completely filler movie. I mean. FUCK. It didn’t end with the Death of Smaug. The obvious end point at least. It was just a long tease that made me bored and tired.

So, here we are, at The Hobbit: The Battle of Five Armies. Two things of note come up with the last part. First off, I really hate the title. I booed so hard and long once they announced the title change. It was originally The Hobbit: There and Back Again, a title taken from the book of his journey. Great title. This one is as lame as The Desolation Of Smaug (given that Smaug doesn’t get desolated).

Two, this one is going to be a lot more exciting than the second film. That much is certain. It is pretty easy to do when you leave like one cool aspect into the second film and delay the rest for the ending. The third film gives the end of the dragon and the big battle, so it will be super awesome. But at what cost? A shitty second movie. Given the connectedness of these films, it is important to look at them individually and as parts of a whole. So I don’t know if I can really enjoy this movie as much knowing that it was essentially delayed a year because the movies were broken up from two films into three films.

I think I am allowed to be a little biased and peeved going into this film, as I believe the second movie was 160 minutes of my life wasted.

But this one has tiny men on rams! Yay rams!

Okay so. Battle of Five Armies. Before that, we got a Smaug (Benedict Cumberbatch) to kill. And then they do that. Moving onnn.

Humans are all pissed off because their water town is destroyed. They have lost everything, their wealth, their homes. They need a place to go. Making Bard (Luke Evans) their de facto leader, they decide that they kind of want to head to the near by Dwarven stronghold for safety. And to get some of that gold that was promised to them.

Speaking of people who want to go to the stronghold, the wood elves are dicking around too. Apparently there is some priceless treasure in there that they want back. And that is all. A bunch of the elves are played by these people (Lee Pace, Evangeline Lilly, Orlando Bloom). Hugo Weaving and Cate Blanchett are elves too, but they are in another part of the story. I don’t really understand what they are doing with Christopher Lee and Ian McKellen, so I won’t talk about it.

Oh yeah. Dwarves. Like Thorin (Richard Armitage). He is now a real King because he has a real Castle, but he is after his special stone and is kind of going mad. Mad enough to go to war with the humans and the wood elves. But also, the orcs that no one know are coming. And Bilbo (Martin Freeman) is kind of just hanging around.

There are also non Dwarven actors, like Ryan Gage and Stephen Fry. But also all those Dwarves? I still don’t feel like tagging most of them. Just Billy Connolly, Aidan Turner, and Dean O’Gorman. I think I am done talking about the plot. And actors.

BUT WHO IS THE FIFTH ARMY?

Orlando – “I heard you got a role in another franchise. Lucky. This one is finally owner.”
Luke – “Dude, no one is going to watch the Monster Avengers movies.”

Yeahhh, dead dragon and big army fights!

And some of that was really cool. Well, the dragon death felt kind of rushed and awkward. Like, somehow, the cartoon version of The Hobbit had a more intense dragon death scene than this movie. It kind of just happened, exactly as one would expect too. So that was actually disappointing. Just that it ended so quick and easy, they could have made the death way more awesome and also, you know…put it in the fucking second movie?

Now the army fight was pretty bamf. So that is good. Entertaining fight scenes, although it was hard to follow just how many humans were actually in the war and how the battle grounds were laid out. You just kind of had to go with it and accept it, although I doubt it was planned out. Martin Freeman still made a good Bilbo, so that was good. But of course, the focus wasn’t really on him this whole movie, despite the title. He gets super pushed to the side.

The love story is not as bad as the second one I guess, because of all the fighting going on during it.

And as I said above, I have no idea what the point of the necromancer story line was. Like, they resolved it I guess, but it was totally unexplained and felt incredibly pointless. It was really shitty.

Overall, that makes this movie just okay. Not the weakest of the series, maybe the best. Hard to say. None of these match the LOTR quality and I don’t think that was their goal. But I can’t help but feel the entire franchise was a let down. I haven’t bought any of them, because I know I want to wait for the cool extended package with all of them bundled. But also, will I actually watch any of these again? Probably not. I will probably watch the cartoon Hobbit more.

Heh. Heheheheh. They Came Together. That title. Oh man. Oh boy.

I’m done. I can’t even think of a good intro because of that.

However, I would feel like an asshat if I didn’t first mention that this movie had already been reviewed on my website. Yah! Here is a link! Because I totally have guest reviews on my website, not a lot, but they are there. And from them, of the seven, one I had reviewed already, one I reviewed soon after, and this one I reviewed way way later.

I think I am just stalling.

Like how I am avoiding cleaning up my leaves in my yard.

This movie is your classic romcom. And that is how they sell it. It is literally a spoof movie on romcoms, and they basically say that in the opening scene.

It is your classic boy meets girl. Joel (Paul Rudd) is a big corporate man working for a candy shop. Molly (Amy Poehler) is a klutz and owner of an independent candy shop. Oh my goodness, conflict!

Joel has a long term girlfriend (Cobie Smulders) who doesn’t love him like he does. Molly has an ex-husband and a kid.

Joel has a best friend (Jason Mantzoukas) who introduces him to a girl from work. Molly also has a best friend (Melanie Lynskey) who also wants to do that same thing!

Joel has a group of best friends who help him decide relationship advice. Molly has a black coworker friend (Teyonah Parris) who helps her keep it real.

Joel also has to deal with his younger brother (Max Greenfield) who is busy following his dreams and not making a living. Molly has other options, like a banker (Ed Helms) who wants to get closer to her.

I think you get the gist. It has a lot more people in it too! Like Christopher Meloni, Bill Hader, Ellie Kemper, Michael Ian Black, Kenan Thompson, Jack McBrayer, and Ken Marino.

I don’t have a joke here. I just like the picture a lot. 🙁

I felt ridiculous writing this, because in all honesty, it was a ridiculous movie. I actually put off watching it for so long, because I thought I wouldn’t like it, or it would be as average as a romantic realistic indie movie. And hey, it was weird and unique! So that was good.

It is hard to find a nice spoof movie nowadays. And I think They Came Together gave one of the better attempts at it. I did laugh at quite a few of the absurdities, and found it pretty funny. But, by the end, I thought aspects of it were going too strong and the joke was losing its luster. A bit. You know? Maybe too much of a good thing. Hell, I even had a good time explaining some of the jokes to others, but I didn’t think this is a movie I could really watch again and enjoy it as much of the first time. I think it will quickly stale out.

This is all conjecture. I might love it forever. But if anything, these reviews are first impressions and my impressions can often change through time. I usually don’t like changing a review later, because who would notice and ehhh, apathy. This time I am pretty sure that I would only enjoy this movie once though. And that is why it is just an okay film in that regard. Without staying power, I don’t want to buy it. If I don’t want to buy it, then is it really that great?

Let’s face it. Trailers for the most part suck. Every once in awhile you get a Walter Mitty trailer, but those usually end up only being a first edition trailer, and later trailers ruin everything. Too much plot, too many spoilers, all of the cool shit, they can leave nothing exciting for the viewers when they finally see it on the big screen or awkwardly on their sofa on an iPad a year later.

The Boxtrolls is a big exception to that rule. I only remember two trailers for The Boxtrolls, this trailer and this second one. The former gives us a look of the many models and work that went into the movie behind the scenes, while giving us a song and showing some scenes but not ruining the plot. The second, just a song and scenes, no plot.

And I loved them both so much. After I saw the first one, I really really wanted to see this movie and assumed it would be one of the best animated films of the year. The second trailer only helped secure that notion in my head. And it was brought to us by Coraline / ParaNorman team (the latter, I guess, I didn’t really love, shh).

So, I was totes excited to see this movie, especially because I really didn’t know any damn thing about it. Ahhh, bliss.

I guess I also knew that it starred some of my cousins from up north. You know. Those cousins.

Here. Let me ruin my experience by telling you a little bit about the movie. Just a little bit.

In the town of Cheesebridge, we have humans, and we have Boxtrolls. Boxtrolls are troll like creatures, who wear boxes as armor/clothing. Their name is based on what is on their box. They like to build and tinker, stealing trash from the humans. The humans are lead by those who wear white hats, the elite, those who love the cheese.

Archibald Snatcher (Ben Kingsley) wants to be a white hat, he only has a red hat. Who cares if he is allergic to cheese. He wants dat prestige, and will do anything to get it. Even if it means starting a fear mongering campaign against the Boxtrolls, declaring he will capture and kill them all, ridding the town of the pests, and saving the day, earning the white hat.

Yeah. You go Archibald! Unless he is lying, like saying a box was killed by them, when instead, the Boxtrolls saved the boy and raised him on their own. We shall call him Eggs (Isaac Hempstead Wright), because that is his box name. Raised by Fish (Dee Bradley Baker) and Shoe (Steve Blum), Eggs doesn’t really know if he is a human or a Boxtroll when he gets older and starts feeling things down there. If he is a human, he is a Boxtroll of a human, and if he is a Boxtroll, then he is a human of a Boxtroll. That reference might be too vague for some of you. I don’t care.

Also featuring Nick Frost, Richard Ayoade and Tracy Morgan as Archibald henchmen, Simon Pegg as an inventor, Jared Harris as the head White Hat, and Elle Fanning as a girl who has a punch in the face look the entire movie.

She is made of clay, she can totally help the way her face looks.

Early on in the film, The Boxtrolls had me a little bit uninterested. Sure, the stop motion was really rockin’ hard, but I thought the plot wasn’t moving fast enough and didn’t really enjoy any of the characters. But it surely got better, and somehow the animation even got better. This is by far the best animated film I have ever seen with stop motion, and I am sure it is not just because when I saw Coraline, my 3D glasses sucked. I really need to rewatch Coraline.

Either way, even in one tiny chase scene at a ball, I was wowed at how amazing it all looked knowing what they had to do to make it look amazing. Speaking of the attention to detail, I loved the existential crises that the henchmen were having about good vs evil and how they seemed to acknowledge they were in a movie at times. Had my laughing pretty hard.

The story got better and it ended with a tremendous bang. I wish this was an original story and not based on some book so I could give it even more praise for coming up with these tale out of nowhere. Those guys are good, with the stop motion and clay. I hope they keep giving us high quality work such as this.

I don’t think this is the animated flick of the year, I think at least 3 are better, but it is surely up there and you cannot go wrong with watching this in theater or at home. Very entertaining and a movie I could watch many times and not get sick of it. Yay! I don’t feel betrayed by the trailer!

Jason Friedberg and Aaron Seltzer.

Know them. Hate them. Do whatever you want. I am happy to say I have only reviewed one of the movies they have directed on this website, Vampires Suck. No, not just directed, but written too. Most of the bad terrible “Movie” films of the last few years have been them.

And now, I am willingly of sound mind going to watch another. The Starving Games. Let’s say I did it honor of Mockingjay Part 1 coming out a week ago, and a reminder that things could always be worse.

This was an already dated reference when this movie came out.

Basic movie parody right here. Have you seen The Hunger Games? Well, that is really all you need to get this one.

But this one stars Kantmiss Evershot (Maiara Walsh), and that name alone makes me want to stop the movie immediately. She likes Dale (Brant Daugherty), but Peter Malarky (Cody Christian) likes her. And then she has to go to the Hunger Games.

And man, I really cannot talk about this movie really. It is the same plot as The Hunger Games, but worse in every aspect. Well, except it does feature a ton less shaky camera action, so I guess it has that going for it.

Diedrich Bader plays Present Snowballs (this guy was literally in Atlas Shrugged Part II, not that the later is high quality film or anything), Dean J. West as the games runner guy, Lauren Bowles as Effoff, Ross Wyngaarden as Marco, the best fighter, and Chris Marroy as not Stanley Tucci.

At this point, Avatar was already a four year old joke/reference.

Watching these movies is really a will power battle on how long you can go before turning it off, falling asleep, or wandering around your house cleaning because “holyshitanythingisbetterthanthismovie!”

I paid attention to the whole thing, because by golly, you guys trust me. For whatever reason, all of these types of movies have been cheap to make and make lots of money. But not this one, it made like, no money! It bombed! It might mean that these things are finally ready to be done! Maybe! I hope?

Nah. It will never go away. Like Two and a Half Men or Jenny McCarthy.

The references go beyond Hunger Games of course. But does any of it matter? No. This is the type of film that makes me wonder if becoming an existentialist is a good idea. But then I would know the only reason these films existed was due to my own self, and not someone else’s fault.

Yes this movie is worse than Scary Movie 5, yes it is unfunny, and yes, Netflix should feel bad for having it on its servers.

I am not going to get into the same old tirade of how I randomly picked this movie on a whim on Netflix. Mostly because I just gave you all that information in one sentence. Boom. Roasted.

No. Instead I want to talk about how surprising it is that I never heard about this movie Stretch, given its mostly big list of famous actors. This shouldn’t be some straight to DVD shitflick you find in the nonexistent $3 Wal-Mart DVD bins.

Well, Stretch was supposed to come out in March of this year, full on theatrical release, trailers, everything. But Universal Pictures decided to fuck that release date and kind of not want to do it anymore. So the director was able to look for other people to release it and nothing happened. So it wen’t back to Universal who decided to release it in “creative ways”. So early October it hit iTunes and Amazon, mid October it hit VOD services, and then onto Netflix, where of course, I first stumbled upon it, in order to give you this review.

I am not putting a gun to your head to see it, I just wanted to review it, jeez.

Let’s talk about Stretch (Patrick Wilson). He is a limo driver and yes that is his official name. Stretch wants to be an actor, why else would he live in LA? But life is going bad, and he blames it all on Candace (Brooklyn Decker) for breaking his heart after a year of dating. They met on a car crash, sure, he was still a limo driver then. Apparently she wanted more. He just wanted to gamble and do cocaine. But he is better now. He is going to turn his life around. Or else!

Because he also still owes gambling debts, and the piper is calling. He needs $6,000 by tonight, but life doesn’t just ever really hand him opportunities. He can’t even get acting gigs, after all.

Maybe if he just does his job really really really well, like Karl (Ed Helms) did. The best limo driver ever. Maybe he can get some high powered actors who will tip like crazy?

Well, luck is about to be on his side. An eccentric rich person! He just has to comply with all his demands, while his entire life is crumbling around him. Joy.

But who plays the eccentric rich person? Who?! Well, maybe it is one of these people: James Badge Dale, David Hasselhoff, Randy Couture, Chris Pine, Jason Mantzoukas, Norman Reedus, or Ray Liotta. Or maybe it is a woman, like Jessica Alba. Women can be eccentric to you know!

(Yes, all of those people are in this movie).

We will never be able to see a COCK like this on the big screen.

Holy poop in a limo (not a spoiler). Stretch was far more entertaining and interesting than I gave it credit for. I mean, straight to Netflix movie? Who gives a crap! Stretch is full of intense scenes, funny moments, darkly funny moments, and kind of action heavy. A lot went into this movie and I found it really hard to look away.

And the best part is, because it is so widely available right off the bat, I can recommend it to people. Stretch might finally be my next Flypaper. Flypaper was a completely unknown movie, with some people I recognized in it, that I figured would suck. And hey, I liked it a lot. It is my favorite reason for watching probably bad movies. It is all about finding those that rise above their cover and actually present something worthwhile to watch, hopefully multiple times.

Maybe it is a bit disconcerting that I can now only think of two titles that really fit the build, but eh, fuck you for thinking about numbers that I brought up.

Stretch was highly entertaining and way more unique despite what may seem from its premise. Patrick Wilson carried the movie through his narration and humorous acting. Sure, parts of the ending you can see come from miles away, and that leads to some weaker moments. But I think this limo ride is totally worth it.

Canada.

It has to be Canada’s fault. That is what you would think when you hear of the term Zombeavers. Clearly a country who worships the proud and noble animal would make a horror/comedy based on them turning into the undead feasting for brains.

But nope. You’d be wrong. This movie is all America, baby. And it isn’t even set in Canada. Just a nice cabin in the woods by a lake. A classic tale if any.

Whatever the reasoning behind this film, I do appreciate the way the two words line up. Bloody brilliant.

Pun about beavers and feet stumps.

Three ladies, driving to a vacation in a cabin in the woods. How any real horror movie starts.

It was supposed to involve boyfriends, but apparently Sam (Hutch Dano) cheated on Jenn (Lexi Atkins). So they now want to make Jenn feel better, so Zoe (Cortney Palm) and Mary (Rachel Melvin) have to leave their men at home.

Of course, the place has no cell reception, and maybe some creepy individuals. Like a local hunter, Smyth (Rex Linn), who tells them to cover up their bodies more. Whatadick.

And it should be noted, I guess, that some apathetic delivery drivers lost a canister of radioactive material near the lake. Went down the stream right to the beaver dam.

And don’t worry, they aren’t just strange mutated killer beavers either. They are literally undead with all the characteristics that an undead zombie beaver would and should have.

Also with Peter Gilroy and Jake Weary, as the other boyfriends.

Pun about beavers and women.

Now, this movie is a tribute to B-Movies done right. Not shitty for shitty sake. But interesting and unique with arguably a dumb plot. That is what we want in our low budget weird horrors, damn it.

The beginning and end had me laughing more than I figured, but other than that, most of the comedy just game from snide remarks from characters and the ridiculousness look of the zombeavers. Hand puppets or something, not bad terrible CGI. Added some more uniqueness to it.

It was obviously not the best film of the genre, and wasn’t terrible unique in terms of plot. Basically just zombie film, but with beavers. But it still had some very unique scenes and ways the characters interacted with the threat that made it feel a bit more interesting.

I am super stoked that they made them zombies and just not mutated beavers, by the way. It provided a way more entertaining ending than just killer beavers.

And also, we have to give the film some props for such unique advertising.

For whatever reason, I know a lot of people who were upset when Disney bought Marvel Studios. They thought it was the end of the good stuff. They thought only bad could come. They said the same thing when they bought Lucasfilm.

I, however, was excited. They weren’t going to mess around with a good thing too much, they didn’t want to spend billions to not make billions more back! But I was even more excited about the potential of a full on, super good CGI Marvel/Disney flick. Yeah. Something with the cutting edge in technology, giving me full on super hero battles, with flash colors and everything the comics promised, and really that live action movies still can’t fully give. So when I found out it was Big Hero 6? Well, I obviously had to look up what the hell that was.

Big Hero 6 is a much smaller property that has a small following. It is most well known for having, at times, Sunfire and Silver Samurai from X-Men in it, but we know that Fox has those rights, so they had to work around it. Disney also wanted to be able to tell a new story and not feel super tied down to any mythos, so messing with a smaller property would work well with that. And hey, if they didn’t have the Big Hero 6 leader in it, they’d probably have to change a lot anyways.

And thus, this animated movie exists, presumably nothing like the (old) comics, and I knowing nothing about it couldn’t have been happier.

Yay surprises and happiness and sunshine flowers!

This story is about Hiro Hamada (Ryan Potter) and his trouble with ladies. That’s not true, he doesn’t have troubles, he just doesn’t care. He doesn’t care about ANYTHING really, outside of robots and robot fighting. You see, Hiro is only 14, but he already graduated high school. Bright kid. Has a bright older brother too, Tadashi (Daniel Henney), but he is in college doing boring stuff. Hiro just wants to illegally bot fight and make money that way.

But once he finds out that Tadashi is actually in a really fucking cool robotics program, with really cool people? Yeah, that is when he thinks college might be a good thing, and not just living at home with his Aunt (Maya Rudolph) in San Fransokyo (which you should be able to figure out what two cities were combined for this).

Well, Hiro is able to design super sexy nanobot technology to get himself admission to the school! But when disaster strikes and he loses his invention, he is sad again. Not even his new college friends can help: Go Go Tomago (Jamie Chung), Honey Lemon (Genesis Rodriguez), Wasabi (Damon Wayans Jr.) and Fred (T.J. Miller).

But when he finds out his invention was stolen and is being used for nefarious purposes, well, he cannot just sit idly by. He has to fight back. And he has to use Baymax (Scott Adsit), the soft robot helper and turn him into a fighting machine! And maybe he can fight back too. And his friends. Yes… Maybe they can be…super heroes.

Also featuring James Cromwell as Professor Robert Callaghan and Alan Tudyk as the seedy business man Alistair Krei.

Shake that sexy butt.

Color? Yes. Fantastic animation? Yes yes. Likeable characters? Yesx3. A plot about science and why knowledge is good and how science can change the world? Hells to the yes.

Watching Big Hero 6, the best way to describe it was having a blast. This Disney film is notable for not having a lot of songs, which might be their goal. They went Tangled, then Wreck-It Ralph, then Frozen, and now Big Hero 6. A lot more “macho” themed movie, if you go by outdated gender stereotypes, so there is no room for silly songs. Just action, humor, and sexy sexy graphics.

This was just a really great both super hero movie and animated family film. That is a hard one to pull off. A lot of great humor and it has a lot of similarities (based on my research) with the comics, but unique enough to make it its own thing. The only issue with it being in the animated field and a Disney flick, is I know that if we are going to get it a sequel, we have at least a four year wait. Can’t have one of these guys every two years, as it will make them compete with themselves for Best Animated Picture, and they don’t want that.

And can we get another shout out to science? Yay science! Some of the tech was inspired by real life advances too, making this futuristic tale also a bit modern.

It is too close to Halloween now, but I expect fully by next year that we will see a lot of Hiro and Baymax duos out and about. Not more than Elsa, but a fair number still.

I really wanted to do some clever parody of Spoonman to start this review, but those lyrics kind of suck. Didn’t give me a lot to work with, outside of obviously changing Spoonman to Birdman.

But let’s talk about this great title. Birdman or (The Unexpected Virtue Of Ignorance) is the full title and so we should say it every time in public as such. Such a provocative title on its own right, and given that some of the people in here play strange fake versions of themselves, it gets even crazier.

And the movie itself is very pseudo-meta. In the quickest description, it is about a man going through a midlife crisis, who used to play a very famous super hero, but stopped and hasn’t had great work since then. That person is looking for a comeback into the public fame and risking it all to succeed. Michael Keaton of course used to play Batman, and after Multiplicity, well, who cares? And now he is in a very similar situation. Awesome. I am stoked.

And Norton plays a great actor who others can’t stand and is hard to work with. Hey!

To reiterate, Riggan (Keaton) used to be a hot commodity. He played BIRDMAN, the best super hero, people loved him. But then he stopped. He didn’t want to do it anymore.

Now look at him, middle aged, divorced, and putting on a play. A play?? Yes. On Broadway, an adaption of a a short story that he is writing, directing, and starring in. Why? Hard to say, could be the crisis, could be because he likes the author, could be anything. But it is happening and soon. But at the same time, his life is falling apart. His relationship with his daughter (Emma Stone) is strained. He is putting all of his wealth into this production. His lead performers are either bad or egotistical. He might have gotten someone pregnant. He has to deal with critics with a vendetta. And bad things just seem to keep happening!

Did I mention mid-life crisis? Because Riggan is also having trouble, when he is alone, perceiving his own reality. He almost sees reality in a different light than everyone else. They just couldn’t understand.

Also featuring Zach Galifianakis as his lawyer, Naomi Watts, Andrea Riseborough, and Edward Norton as his actors, and Amy Ryan as his ex-wife.

Also starring that guy, played by some Harvey or something like that.

One of the coolest things a director can do is have a few “really long shots” in their film, where the camera never leaves the scene, where there are not cuts, just a lot of dialogue and a lot of acting. The Master had an intense one of those, Before Midnight had a few, Tarantino does it a lot. It is awesome and shows a lot of great acting during these sorts of scenes.

I don’t know a lot about the director, Alejandro González Iñárritu, except that I have reviewed only one of his films, Biutiful, but I am convinced that this man is a genius. The ENTIRE FILM is made up of incredibly long scenes. I’d say the camera must have only cut away under ten times the whole film, which is about two hours long. That is incredible.

And just so we are clear, this is not a movie with only a handful of locations where the camera is just watching a few people talking for 10-15 minutes at a time. No. People walk and people move from room to room of this tiny Broadway theater, from main stage to dressing room, to balcony, to the streets below. So the entire film is so meticulously planned that the whole thing is like a Rube Goldberg machine. Actors have to come into rooms at the right time, also props, sight gags, everything has to fit in correctly. Given that this is a comedy, timing is key for half of the laughs, so it was an incredible feat. It is almost as if they tried to convey this movie as if it was a play, where real acting had to occur.

Speaking of real acting, there were so much incredible talent in this film, but Keaton and Stone knock it out of the park. Obviously Keaton will get most of the fame, and rightfully so, most likely earning a Best Acting nomination nod for his work here. But I want to make sure that people know that Stone was also fantastic and had a monologue or two to convey intense emotions through.

The film had a great plot, it kept me guessing, and shit, even the soundtrack of “mostly just drums” worked really fucking well. Go see Birdman or (The Unexpected Virtue Of Ignorance) and then maybe go see it again.

When I first saw a trailer for The Book Of Life, I was taken aback with the animation styling. And the story line. And everything about it. Well, everything but one thing.

Guillermo del Toro‘s name was attached to the picture. Really? I like del Toro, so I found that surprising because it didn’t seem like something that he heavily influenced. Outside of the Mexican influence, it just didn’t seem like his work. But I decided to give it a benefit of the doubt. There is reasoning behind the animation style, there is some cultural significance to the whole picture, and damn it. It might be excellent.

If you didn’t know, this movie has something to do with the Day of the Dead, which takes place from Halloween to Nov 2. In particular, they call Nov 2 the Day of the Dead, as that is the day that they celebrate the gravestones of their family members and party in their remembrance, the central theme to the story.

The non central theme hopefully is searching for this mythical Book of Life that gives everyone super powers. I hope.

Oh shit, those kids found it! Run! Chaos everywhere! Ahh!

Mexico in this case is the center of the universe, not only that, but the center of Mexico is a place that looks like a guitar surrounded by water, in San Angel. That is where a lot of shenanigans take place, given its central location. I guess I should explain the afterlife. Get ready for some facts. Everyone knows that once people die, their spirits go to a really sexy place where they party all day and all night and live with their families and friends! La Muerte (Kate del Castillo) rules the Land of the Remembered and it is totally fetch. But there is another afterlife place. The Land of the Forgotten, ruled by Xibalba (Ron Perlman). That is not a fun place. You see, if people in the Land of the Forgotten ever forget about someone that has died, the spirit gets moved to the Land of the Forgotten for the rest of eternity. Not a fun time at all. 🙁 🙁 🙁

Xibalba of course doesn’t like his job and wants to rule the cool place, so they make bets and wages all the time over the lives of humans to determine who rules what.

So they see these three kids running around. Manolo (Diego Luga) with his guitar and sensitivity, Joaquin (Channing Tatum) who likes to sword fight and wants to be a soldier, and of course, sweet sweet Maria (Zoe Saldana) the object of their affection and daughter of the general.

Bets! They place them. Xibalba picks Joaquin to eventually marry Maria, and La Muerte picks Manolo. If Xibalba wins, he gets to rule the Land of the Remembered, but if La Muete wins, Xibalba has to stop interfering with the lives of humans. Oh golly.

The fate of so much on such a little arrangement. And who is to say the girl will marry either boy? Pfft. Gods.

Also featuring the voice acting talent of Christina Applegate, Ice Cube, Carlos Alazraqui, Danny Trejo, and Hector Elizondo.

Not to be weird, but that is the sexiest hair I have seen on a CGI wooden puppet ever.

Turns out, del Toro didn’t have a lot to do with this movie. Sure, he was involved on some level as a producer, but he wasn’t even the executive producer. He probably provided some nice funding and helped design the Land of the Remembered, because it was vibrant and unique, but not sure what else he might have done.

A lot of music in this movie, and about half of it (or more) were actual songs but with a lot more mariachi feel to them. We got Creep and I Will Wait and much more. I think there is also unique music, but I just might not be hip enough on the music scene to get the references.

I think this is a hard movies for kids to follow. A lot is going on, a lot of characters are good and just misunderstood. After all, Xibalba isn’t a bad guy, just looks bad. Joaquin isn’t a bad guy either. The only bad guy is a bandito who doesn’t show up til the end, and I will say, he had very entertaining fight scenes.

The movie has a lot of spirit and energy, but I just found it hard to really relate to anyone. Or the story itself. It just ended up on the “okay” spectrum, which was disappointing, as I figured this one would be one of the best films of the year. Maybe I made a mistake in picking The Book Of Life over The Boxtrolls. I hope not!