Tag: Comedy

Sharknado 2: The Second One — Because people think that the first Sharknado was a bad B Movie.

That isn’t true of course. It was just a bad movie, worse than a B movie, and it tried too hard to make itself be funny bad, and instead was just terrible.

But forwhatever reason, the internet decided to run with this as a joke it definitely needed, and it got way too popular for no reason.

So now we have Sharknado 2.

Reviews of this are pointless, because I am under the impression that anyone who was going to watch this movie, already did. I do in fact believe I am the last person to watch this movie.

And if not, uhhh, spoilers.

The last movie was set in LA and starred some people. This time, it is set in NYC and the idea of a Sharknado is an actual thing. Hell, even the book How to Survive a Sharknado and Other Unnatural Disasters: Fight Back When Monsters and Mother Nature Attack is in this movie, though written by one of the main characters from the last movie, April Wexler (Tara Reid).

April and Fin (Ian Ziering) are no longer together, but they are flying to NYC to visit family and friends, when, of course, a bunch of crazy weather shit happens. Huge storm, winter icy blast, and for whatever reason, a shit ton of Sharks, means NYC is about to get fucked up and a whole lotta people gonna die.

And that is all you really have to know. A lot of cameos of random people, but if I told you who, you’d know they would probably just end up dying.

The non cameo real roles include Vivica A. Fox, Mark McGrath, Kari Wuhrer, Courtney Baxter, Dante Palminteri, Judah Friedlander and Judd Hirsch.

Another maybe spoiler, but this one is cooler.

And there it is, a bad sequel to a bad movie. HOWEVER.

And it hurts me to say this. It hurts me so much.

Sharknado 2 > Sharknado. Sharknado felt like I was getting hit in the head with a shovel for an hour and a half. Shaknado 2 merely felt boring and you know what? I laughed occasionally.

The beginning of Sharknado 2 was just as bad as Sharknado, but it got a little bit better. Their jokes are bit funnier. Especially one Shark hopping scene, I down right smiled.

It is still just as cheesy, just as poorly conceived, but you know what. Just a tad bit better.

And thus, I do declare, that Sharknado 2 is not the worst movie of 2014.

1 out of 4.

Day after Christmas, and you know what that means… Boxing Day! The day I don’t pretend to understand but could easily look up. I think it involves even better shopping deals and when people presumably box up their trees for the trash or the attic.

Screw that though, let’s say it is about some secret day to worship some other saint. After all, Christmas is about Saint Nick. There are presumably a whole lot of Christmas days (12? 25?) that people just seem to accept but not question when they are. So now we can say Boxing Day is for St. Vincent.

Sure, some people may say this is one of my more ridiculous openings to a review, where I am clearly just being stupid. And to that, I say, okay.

Legally obligated to show this picture whenever talking about this movie on the internet.

Vincent (Bill Murray) is old, and thus, mean and grouchy. He lives in a run down place, all dirt, nothing growing but a tree in his front yard. So when neighbors move in and their moving company somehow manage to ruin his car, fence, and tree, he is a bit displeased. Not the best way for Maggie (Melissa McCarthy) and her son Olvier (Jaeden Lieberher).

Maggie is going through a divorce. So she has to spend a lot of her time at work making extra money, so she needs someone to watch Oliver sometimes. Vincent is nearby and willing, for a price, because Vincent has gambling debts and other costs that are just racking up. He even has a wife in a nursing home who doesn’t remember him, but he still makes sure she can live in luxury while he lives in filth.

See, Vincent is swell. Even with all the drinking and gambling and care free attitude. Oh, and the pregnant prostitute/stripper (Naomi Watts) that is in his life. Another vice, I guess. But when he is isn’t sexing or getting beat up by an old Terrence Howard, he can sometimes teach Oliver to fight. You know, the important skills.

Oh hey. Chris O’Dowd plays a Catholic Priest teacher, a role I feel like he keeps getting shoe horned into.

This is the best McCarthy movie since Go from 1999, which is saying a whole lot.

I have a pretty weird relationship with Bill Murray. He once gave me a wedgie and ran away yelling “No one will believe this!” the bastard. But also I don’t have the deep appreciation of all the 80’s/90’s comedies he starred in. I like him more in his cameo roles.

But his drama roles are usually pretty top notch. Even in the pretty disappointing The Monuments Man he had one of the better parts in a shower scene (uhh…). And in this role, it felt like Murray was actually acting and not just playing an old man. He had a different persona/character about him and he did it really well.

McCarthy was also really well in this role. I didn’t hate her character in the slightest which was a nice change. I didn’t even recognize Watts at all.

The only issues I really have with this movie is how predictable the whole thing is. Nothing really deviates from an expected path and everything seems to fall into place.

So, it is a well acted and interesting movie? Just not as amazing I had hoped, but still pretty good and worth a watch or two.

3 out of 4.

1250.

Welcome to my 1250th review! This Milestone Review is actually a bit cooler than the last few. Something about a “250” is sexy. A quarter of a thousand. That means I am slightly closer to 1500!

Now I know what you are thinking. Freddy vs. Jason? That movie came out like, ten years ago? What in the actual fuck are you doing?

Well, my goal for a lot of these milestone reviews is to pick a specific sort of unique movie. A lot of the times they are well known movies that are critically panned and hated, which allows me to write to a specific audience and laugh at it with them. It also allows these “bad movies” to maybe get a fair shake, should they be great.

Unfortunately with my criteria, I feel like I basically got all the movies in my time frame. I mean, Twilight and all? After all the other movies, I kind of have to branch out more.

The reason I picked Freddy vs. Jason is because it was a pretty intense movie when it came out, putting together two horror icons who have been in pop culture for decades. And I never watched it! I only thought about it thanks to the review of the documentary Never Sleep Again: The Elm Street Legacy. I realized this would be perfect for my next milestone, and I hope it combines the best elements of the two franchise with plenty of death and laughs.

I guess this scene falls under a plot element that both franchises tend to include in their repertoire.

Freddy Krueger (Robert Englund) is a sad evil little nightmare. His power came from fear. He was getting back at the youth of a neighborhood that killed him, because he had it coming. Well, whatever the town did, they seem to have forgot about him. If they aren’t afraid, he has no power. If he has no power, he can’t invade their dreams. If he can’t invade their dreams, he is forgotten and will live an eternity alone.

So he finds Jason Voorhees (Ken Kirzinger). Resurrects him, pretends to be his mother (Paula Shaw), and tells him to head to Elm Street for some revenge killing. If Jason does it right, they will think it is Freddy, and he will be back to kill again!

Especially her. They should make her their main goal and focus mostly on her. Definitely definitely her.

Hey look at that. Freddy’s plans work perfectly. Right after some teen sex, Gibb (Katharine Isabelle) is taking a nice shower, and her boytoy gets stabbed a few times and folded in half in one of those bed things. Man, fucked up! Since he died in a bed and in a weird way, this gets some of the older folks talkin’. They think somehow, despite all their prep, Freddy has come back and is again, going after their kids.

The kids don’t know that yet though. They have been sheltered and hidden from the horrible past of this area. They do know that somehow, some people are getting murdered. And you know what, it isn’t just in their dreams.

Sometimes a weirdo in a hockey mask shows up.

And Jason sure does know how to make an entrance.

Shit, one dude was even in a nightmare with Freddy who was too weak at the time. He woke up and escaped, but then was just straight up murdered by Jason. Everywhere seems to be terrifying.

Outside of the vague nightmares, they wouldn’t really know about Freddy if it wasn’t for Will (Jason Ritter) and his buddy Mark (Brendan Fletcher). They were at the local Psychiatric Hospital. Aka, they were being terrorized by Freddy and the town put them there to keep it away from the untainted youth! They even had a non-FDA approved miracle drug that would suppress dreams. Huh, how handy.

Either way, Will used to date Lori (Monica Keena), our main heroine pictured above. No bad blood between them outside of the fact that she had no idea what happened. He says he saw her dad (Tom Butler) kill her mom. Oh, that’s awkward.

With two supernatural entities, everyone agrees that is the most fucked up part of this.

Wait a minute. Everyone right now has to realize that Jason and Freddy share a universe. So some of these guys have heard about Jason before, and they know that this Camp ClearWater is a haunted area that people don’t go to. They know the stories.

So who is the biggest threat? Should they focus on finding a way to get their dreams to stop, or finding a way to make Jason leave first? They figure they want to get their sleep on, so they should probably go to the Psych Hospital and get that miracle drug so they can sleep with ease.

But even more importantly is that Freddy is really fucking pissed off. Jason on numerous occasions keeps killing, but he doesn’t want that anymore. Jason has killed people in their sleep, right before Freddy can do the job. That isn’t cool man. That is totes uncool.

Yeah man. Why can’t you be chill, man?

So, thanks to the help of young Deputy Scott Stubbs (Lochlyn Munro), they are able to break into the ward! Their team is young stoner Freeman (Kyle Labine), Lori, Will, Lori’s black best friend (Kelly Rowland), and a nerd!! (Chris Marquette).

Well, Freddy decides to possess one of the kids, because now seems like a good idea. He uses the stoner, because he can get him high first.

Stoner Freeman ends up getting rid of all the drugs. Not only that, but he also is able to tranquilize Jason who is still chasing the kids everywhere they go!

That’s right. Now Freddy can fight Jason in the Dream World and finally take him down.

I know, I can’t believe the two iconic characters actually get to fight either.

Well, given it is home turf for Freddy, the nightmare realm, he really starts to fuck Jason over good. So many torture devices to show him the business. But guess what? Jason seems invincible. Nothing is hurting him.

That is because Jason isn’t afraid. It isn’t until Freddy realizes he has one fear, water, that he knows what to do. He takes Jason back to the time when he was young and he drowned at the lake.

Meanwhile, back in the real world. The kids have a plan. They are continually tranquilizing Jason to make sure he doesn’t kill them and driving him back to the camp where he normally lurks. They also tranquilized Lori to go into their dream battle.

They figure if they can bring both of the entities to the camp, Jason has a better chance of beating Freddy. If he wins, then they might leave them alone because he is home. If he loses, well, they still have a Freddy issue, but at least Jason is done.

Lori’s job is to make sure Jason doesn’t die in the dream and to bring Freddy back to the real world with them. Yay more violence!

In this scene, Kelly Rowland calls Freddy a faggot. Not really funny, just awkward 2003 moments.

Needless to say, their plan only kind of works. Eventually Freddy is in the real world too, but more of them keep dying in the process. But at least Freddy and Jason are fighting again. And maybe, just maybe they can escape if one of them wins.

I bet you want to know who wins. Well, neither win of course. They both attack each other with each other’s weapons. But Jason does decapitate Freddy! Just. Freddy still winks by the end of the movie.

That lets us get more sequels that refuse to exist, including the very rumored Freddy vs Jason vs Ash movie that would be very sexy. I don’t care how old Bruce Campbell is.

Oh and Garry Chalk is in this movie as main police chief guy. I couldn’t find a good time to talk about him.

More fight scenes than you can shake a machete at.

For review 1250, I think I picked a really good film. 1300, 1350, 1400, and 1450 might suck, but this one is a decent one and a good one to break my yearly limit for.

I actually found Freddy vs Jason to be very entertaining. It took the extremely campy and scary moments from the Nightmare franchise and combined them decently with the senseless stabby violence of Jason.

I am clearly more of a Freddy fan of the two, but I think both of them were represented in positive lights for their respected franchises. Neither side of this fictional battle should feel slighted by what occurred in this cross over.

And they didn’t even skip out on the fight scenes. They made sure the two main battles between the two were unique, long, interesting, and true to characters. It wasn’t just 2 minutes tacked on to the end. No, we got a lot of it and the build up felt natural.

Well fucking done, guys. Well fucking done.

3 out of 4.

Another day of Musical Week, another musical!

This is the third day of Musical Week and I am bringing you a British musical that came out this year as well, just no one ever heard of it. When I was first looking up musicals this year, I saw that this one came out in the summer and was pretty apathetic about it. But that was when I thought Jersey Boys was going to be the best musical of the year. Given the weaker field overall, I figured I would give Walking On Sunshine a second chance.

I had watched the trailer, sure. It was cheesy and terrible, exactly what the most famous musicals are supposed to be like, right? It is a jukebox musical, so I was happy I wouldn’t have to learn or judge new songs. The vague theme of this jukebox is just popular songs from the 1980s. Kind of boring. I feel like that is too big of a spread to choose from, so perfect songs for each moment should be easy.

But we shall see!

Especially if we are forced to by someone holding our head towards the screen.

This is your typical summer lovin’ type of film. Namely, Taylor (Hannah Arterton) and Raf (Giulio Berruti) have what feels like true love. But stuff happens, they cannot stay together.

Now, three years later Taylor is returning to Italy to visit with her best sister Maddie (Annabel Scholey). Surprise! Maddie is actually getting married in Italy, and not to her on again off again ex Doug (Greg Wise). Nope. Some mysterious Italian guy she has only known for five weeks.

I think you see where this is going.

The new fiance is Raf! Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh.

What a crazy random happenstance. Either way, she doesn’t want her sister to know, despite all her old friends knowing (Leona Lewis, Giulio Corso, Danny Kirrane).

And now she has to keep it a secret until she can understand her feelings. And understand Raf’s feelings. And figure out what to do about this wedding mess without ruining her sisters life. Also Katy Brand.

But don’t forget about the singing and dancing.

Walking On Sunshine is everything a musical should be. Cheesy. With some love. Featuring non main characters as back ground dancers. But also, and most importantly in this case, the songs they decided to use in the musical sound unique and aren’t just carbon copies of the original.

Thank goodness.

For the most part, that is what I care about for jukebox musicals. It is one of my top twenty complaints for Glee, when they “sing a song” and it sounds identical to the radio version on the radio with no unique elements.

The story though is incredibly week in this musical. It is like a lot of romcoms or even other musicals. It felt like Mamma Mia! and Moulin Rouge! with other shitty elements rolled in. Also they have Leona Lewis in this movie, a real singer! And she doesn’t have any great singing parts or songs to her self or anything. What the hell is the point of that? I mean, this is a completely original musical, technically, so it is not like the only role she looked like had to be so minor and pointless. What a waste of talent.

It’d be like having Idina Menzel in a musical and not letting her sing. Oh wait.

So, shitty plot, waste of talent, but kept the songs at least somewhat unique and fun. Could have been better, could have been worse.

2 out of 4.

Welcome back to Musical Week!

The realest reason for Musical Week is that this December had two musicals coming out only a week apart, which meant I only had to find 3 more. Into The Woods was yesterday, and Annie is today!

When I first heard there was an Annie remake, I was mostly indifferent. I didn’t know if we needed a new one, but hey okay. But when I heard she wouldn’t be a tap dancing ginger, but a BLACK GIRL? I was still mostly indifferent. At least there was a change for the remake so that it wasn’t just rehashed material. It would allow them to do a more modern version, not one set in the way back early times.

But then I saw the first trailer. I knew something was weird and different and off from it. And it is an unfortunate change. But one I will clickbait tactic and wait to talk about at the end of the review.

And it isn’t just that when I do this dance, I always look like I have to take a pouty poop.

Little Orphan Annie (Quvenshane Wallis). No, wait, fuck that. She is just a foster kid, not an orphan. She has parents, she just doesn’t know who they are or when they will be back for her. She just knows that maybe, one day, she will see them on a Friday night at a local Italian restaurant eating cannolis.

But while being chased one day by some jerks, she falls in the street and almost gets run over! But thankfully, a man is there to pick her up and chastise her. That man is Will Stacks (Jamie Foxx), the owner of a NYC based phone company that is hugely successful, so he is totally rich, and he is also running for mayor! He isn’t doing that great though. He is super behind. Well, footage goes out of him saving Little Foster Girl Annie on the internets, which gives him a bump up. His campaign manager (Bobby Cannavale) convinces him that if he temporarily takes Annie in and make him seem more charitable.

Annie is a free going individual who understands this is just for publicity, and she is cool with that. Getting to live in a rich house for a few weeks? Hells yeah. She doesn’t want him for a dad anyways, she wants her real parents, who will totally come eventually. Maybe tomorrow even. Or the tomorrow after that.

What could go wrong? Also featuring Rose Byrne, Cameron Diaz, David Zayas, Adewale Akinnuoye-Agbaje, and Stephanie Kurtzuba.

No, trust me, I counted them. Definitely 76 trombones.

Let’s talk about…pop music. Some of it is good, a lot can be bad, even more of it is catchy. That is what this version of Annie is, for the most part. Just pop music broadway. And that is my major complaint. The songs don’t feel as natural as musicals usually strive for. It didn’t have that extra bellow or personality behind the notes that made me care about the lyrics and not just nod my head to a tune. Kids in general like all kinds of music, so a different sound to all of the sounds doesn’t feel warranted.

This is the second thing I have seen Wallis in, the first being Beasts Of Southern Wild, which I kind of hated. She is fine as Annie. She really is. She has charisma and she is charming and she carries that strong independent feeling with her the whole movie.

Everyone else? Ehhh. Byrne did decent. Diaz only annoyed me.

And Foxx. Come on, Foxx. I know you can sing. I remember Gold Digger quite vividly. Was your role in that song fake? I am starting to believe it. You had passion in your lines and feeling in your voice. Every song with Jaime Foxx is terrible. His voice is ridiculously soft for most of them, so I felt like I had to strain to hear him and there is just nothing of substance behind any of them. I kind of felt he was just talking his lines. Maybe they accidentally put in the mumble take? They are just down right terrible.

But you know what bugs me the most? The finale, when they re-did Tomorrow? Despite how terrible I thought the music was in the movie and thus how bad the movie was, it still made me tear up. Just a little bit. Great lyrics can do that. Balloons help.

So who is to blame for this? Will Smith and Jay-Z. They are producers, must be their fault.

1 out of 4.

Yay yay musicals! If you are a long time reader, you know I really like musicals. Which is why I am finally having a musical theme week. Yay Musical Week!

Into The Woods decided to be a musical coming out on Christmas Day. The last time that happened was two years prior for Les Miserables which I absolutely loved. It was also my first real attempt at watching it, outside of listening to a few songs ahead of time. I loved the shit out of Les Mis.

But going into Into The Woods, I knew a lot more about it ahead of time. I saw a performance of it from college actors, which I guess is above community theater and high school actors, but still not great professional people. And you know what? I down right hated it. It took a lot of familiar stories, intertwined them, gave us their endings, and that was the halfway point. The second half was all new material, it felt super awkward, it got darker and more metaphysical, and it dragged on an on. So yes, I thought it was too long. I thought there was only four or so unique sounding songs, everything else kind of melded together and by the end, it was as if everyone got a long slow ballad, one right after the other.

I guess you can say I was not at all looking forward to this movie. But hey, the fact that it was only a little bit more than two hours definitely helped ease it in.

One of the biggest changes is that the cow was played by a real cow. Boooo.

Classic fairy tales go into the dark woods, because the woods were the scariest parts of Germany. This was Pre-Nazis, post Lutherans, I think. So it makes sense.

Like who? Well, Red Riding Hood (Lilla Crawford) needs to bring food to her grandmothers house, in the woods. Jack (Daniel Huttlestone) was told by his mom (Tracey Ullman) to sell their milkless cow in a nearby village, on the other side of the woods. Cinderella (Anna Kendrick) wants to go to the three day ball on the other side of the woods, but she has to get past her step family (Lucy Punch, Christine Baranski, some other chick).

And there is also the Baker (James Corden) and his wife (Emily Blunt) who cannot bare children. Turns out, a neighboring witch (Meryl Streep) put a curse on them. So now they have to go into the woods to get ingredients over the next few nights to fix that with a potion!

And surprisingly, that is most of the plot you need to know. We’ve got princes (Chris Pine, Billy Magnussen), girls with long hair (Mackenzie Mauzy), and wolves (Johnny Depp)! Shit, I bet the woods even have more secrets than the Library of Alexandria.

The biggest secret is what is real name of the baker’s wife? Can she not have an identity outside of her relationship?

So for those big fans of the musical, there were changes made of course. This is a PG movie because Disney is involved, you aren’t going to see everything you saw in the musical. Like most of Rapunzel’s story line. The second Agony song. No sex is had in this movie. And the sexy times are subdued.

But the only thing I really was sad to see missing was the Agony song reprise, because like the college school production, it was my favorite part. In the movie, it is probably even better as the two princes ham it up and I was laughing hard the entire time.

I do feel like the beginning of the was extremely quick and just kind of threw you into all of the plots far too fast. (Some of these complaints would be complaints with the actual broadway version. I am not reviewing how close they are, just how I feel watching the movie). So that was awkward. I thought I saw some sound editing mistakes, which is one of the hardest parts about a musical to make sure to get right. I also have a problem with the ending, that seems to just whimper and finish instead of an awesome musical bang.

But throughout the film it is definitely entertaining. My favorite would be Blunt (who had an excellent year). I didn’t know she had such singing chops, but she played a great character. I have heard Corden sing before, and it was okay. He was better in this movie than his other recent roles. I was also surprised with the singing voice of Chris Pine, so much that I don’t trust it. And Lilla Crawford, a little girl, had a surprisingly powerful voice as well.

Overall though, Into The Woods is a decently good time. Still has its bleak and sad moments and it may be one of the best musicals of the year, but this year was a bit weaker in that genre. At this point, I would say I enjoyed Muppets Most Wanted more, and probably Begin Again had better music. Despite that, the music has now been stuck in my head for several days, so I will most certainly get a soundtrack as soon as I can and listen to half of it over and over again.

3 out of 4.

Here I thought I was done with animated kid movies for the year. Outside of The Penguins of Madagascar, I had every major release!

Nope. There was another film. The Hero Of Color City. Very limited release, but it decided to release the dvd before Christmas, so I figured I would give it a shot.

And just for more science, I watched it with a three year old who clearly is the target audience for this type of movie. Because if I am going to pay a dollar to see it, I might as well make sure someone has a good time.

A moment of silence for the man with no mouth.

This movie is set in a crayon box. Belonging to a boy! He was drawing some strange creatures but his mom made him stop. And he didn’t even get a chance to color them! Sketches, with no color! Sad times.

He also doesn’t clean up his crayons. They have to clean themselves up and return to their box. Because in their box is a portal to a crayon based world! Of course, every color has a personality trait associated with said color. Yellow (Christina Ricci) is a coward and is late to getting back to the box. So when the two sketches of the boy come to life and demand to be colored, she lets out a secret of where she is going and runs away!

Great. Now the sketches are in the color land, demanding to be colored, and threatening their way of life.

So now a small band of crayons are going to have to save the day. Including Yellow. She doesn’t want too but accidentally comes along. She joins Blue (Wayne Brady) who is so cool, Red (Rosie Perez) who is bad ass, Black (David Kaye) who is basically just Eeyore, Green (Jess Harnell) a nerd, and White, who I can’t find the voice person for, but just wants to be used really.

They also have voice talents from Owen Wilson, Sean Astin, Tom Lowell, and Jeremy Guskin who basically recreates Professor Frink from The Simpsons.

They are so jolly because they aren’t broken. They embody the YOLO.

Early on in this movie, it was clear that it was terrible. Of course each crayon is just an extreme stereotype. But while going through it, it was getting a bit better. And then the ending was downright terrible for so many reasons.

It featured extremely lazy conflict by the end. Aka, a character couldn’t explain their actions and put up no effort to really say the one or two sentences to make people understand. So their friends turned away and they were “powerless” to make them listen. But it was some of the worst attempts at talking that I have ever seen. Not only that, but once they realized how to stop the creatures from ruining their way of life, they were like, “Oh shit, it is because we judged them and didn’t try to talk to them to figure out what they wanted!”

Bull. Shit. Right when they get to the city and even before then they literally say all they want to do is get colored, and instead, the crayons who have one sole purpose in life, don’t realize this and don’t listen to them and almost get wiped from existence. Which makes sense really, because if a crayon won’t color, who gives a shit about that crayon.

This movie might have been a 2 if they could have done anything average with the ending, instead of a manure fest. It had some okay songs in it that the kid enjoyed and the story was beyond simple. But it was also very lazy.

1 out of 4.

Ding dong the mother fucking witch is dead. That is how I am starting to feel about this franchise. In college, I wanted to do a semester abroad in New Zealand because it is a beautiful country, but now I think I have seen enough of it.

Everyone knows the Lord of the Rings are incredible, so I won’t mention them. I was really excited with The Hobbit: An Unexpected Journey, it was a bit longer, more CGI, but hey, let’s return to Middle Earth.

I completely hated The Hobbit: The Desolation Of Smaug. It was far too long, and it was a completely filler movie. I mean. FUCK. It didn’t end with the Death of Smaug. The obvious end point at least. It was just a long tease that made me bored and tired.

So, here we are, at The Hobbit: The Battle of Five Armies. Two things of note come up with the last part. First off, I really hate the title. I booed so hard and long once they announced the title change. It was originally The Hobbit: There and Back Again, a title taken from the book of his journey. Great title. This one is as lame as The Desolation Of Smaug (given that Smaug doesn’t get desolated).

Two, this one is going to be a lot more exciting than the second film. That much is certain. It is pretty easy to do when you leave like one cool aspect into the second film and delay the rest for the ending. The third film gives the end of the dragon and the big battle, so it will be super awesome. But at what cost? A shitty second movie. Given the connectedness of these films, it is important to look at them individually and as parts of a whole. So I don’t know if I can really enjoy this movie as much knowing that it was essentially delayed a year because the movies were broken up from two films into three films.

I think I am allowed to be a little biased and peeved going into this film, as I believe the second movie was 160 minutes of my life wasted.

But this one has tiny men on rams! Yay rams!

Okay so. Battle of Five Armies. Before that, we got a Smaug (Benedict Cumberbatch) to kill. And then they do that. Moving onnn.

Humans are all pissed off because their water town is destroyed. They have lost everything, their wealth, their homes. They need a place to go. Making Bard (Luke Evans) their de facto leader, they decide that they kind of want to head to the near by Dwarven stronghold for safety. And to get some of that gold that was promised to them.

Speaking of people who want to go to the stronghold, the wood elves are dicking around too. Apparently there is some priceless treasure in there that they want back. And that is all. A bunch of the elves are played by these people (Lee Pace, Evangeline Lilly, Orlando Bloom). Hugo Weaving and Cate Blanchett are elves too, but they are in another part of the story. I don’t really understand what they are doing with Christopher Lee and Ian McKellen, so I won’t talk about it.

Oh yeah. Dwarves. Like Thorin (Richard Armitage). He is now a real King because he has a real Castle, but he is after his special stone and is kind of going mad. Mad enough to go to war with the humans and the wood elves. But also, the orcs that no one know are coming. And Bilbo (Martin Freeman) is kind of just hanging around.

There are also non Dwarven actors, like Ryan Gage and Stephen Fry. But also all those Dwarves? I still don’t feel like tagging most of them. Just Billy Connolly, Aidan Turner, and Dean O’Gorman. I think I am done talking about the plot. And actors.

BUT WHO IS THE FIFTH ARMY?

Orlando – “I heard you got a role in another franchise. Lucky. This one is finally owner.”
Luke – “Dude, no one is going to watch the Monster Avengers movies.”

Yeahhh, dead dragon and big army fights!

And some of that was really cool. Well, the dragon death felt kind of rushed and awkward. Like, somehow, the cartoon version of The Hobbit had a more intense dragon death scene than this movie. It kind of just happened, exactly as one would expect too. So that was actually disappointing. Just that it ended so quick and easy, they could have made the death way more awesome and also, you know…put it in the fucking second movie?

Now the army fight was pretty bamf. So that is good. Entertaining fight scenes, although it was hard to follow just how many humans were actually in the war and how the battle grounds were laid out. You just kind of had to go with it and accept it, although I doubt it was planned out. Martin Freeman still made a good Bilbo, so that was good. But of course, the focus wasn’t really on him this whole movie, despite the title. He gets super pushed to the side.

The love story is not as bad as the second one I guess, because of all the fighting going on during it.

And as I said above, I have no idea what the point of the necromancer story line was. Like, they resolved it I guess, but it was totally unexplained and felt incredibly pointless. It was really shitty.

Overall, that makes this movie just okay. Not the weakest of the series, maybe the best. Hard to say. None of these match the LOTR quality and I don’t think that was their goal. But I can’t help but feel the entire franchise was a let down. I haven’t bought any of them, because I know I want to wait for the cool extended package with all of them bundled. But also, will I actually watch any of these again? Probably not. I will probably watch the cartoon Hobbit more.

2 out of 4.

Heh. Heheheheh. They Came Together. That title. Oh man. Oh boy.

I’m done. I can’t even think of a good intro because of that.

However, I would feel like an asshat if I didn’t first mention that this movie had already been reviewed on my website. Yah! Here is a link! Because I totally have guest reviews on my website, not a lot, but they are there. And from them, of the seven, one I had reviewed already, one I reviewed soon after, and this one I reviewed way way later.

I think I am just stalling.

Like how I am avoiding cleaning up my leaves in my yard.

This movie is your classic romcom. And that is how they sell it. It is literally a spoof movie on romcoms, and they basically say that in the opening scene.

It is your classic boy meets girl. Joel (Paul Rudd) is a big corporate man working for a candy shop. Molly (Amy Poehler) is a klutz and owner of an independent candy shop. Oh my goodness, conflict!

Joel has a long term girlfriend (Cobie Smulders) who doesn’t love him like he does. Molly has an ex-husband and a kid.

Joel has a best friend (Jason Mantzoukas) who introduces him to a girl from work. Molly also has a best friend (Melanie Lynskey) who also wants to do that same thing!

Joel has a group of best friends who help him decide relationship advice. Molly has a black coworker friend (Teyonah Parris) who helps her keep it real.

Joel also has to deal with his younger brother (Max Greenfield) who is busy following his dreams and not making a living. Molly has other options, like a banker (Ed Helms) who wants to get closer to her.

I think you get the gist. It has a lot more people in it too! Like Christopher Meloni, Bill Hader, Ellie Kemper, Michael Ian Black, Kenan Thompson, Jack McBrayer, and Ken Marino.

I don’t have a joke here. I just like the picture a lot. 🙁

I felt ridiculous writing this, because in all honesty, it was a ridiculous movie. I actually put off watching it for so long, because I thought I wouldn’t like it, or it would be as average as a romantic realistic indie movie. And hey, it was weird and unique! So that was good.

It is hard to find a nice spoof movie nowadays. And I think They Came Together gave one of the better attempts at it. I did laugh at quite a few of the absurdities, and found it pretty funny. But, by the end, I thought aspects of it were going too strong and the joke was losing its luster. A bit. You know? Maybe too much of a good thing. Hell, I even had a good time explaining some of the jokes to others, but I didn’t think this is a movie I could really watch again and enjoy it as much of the first time. I think it will quickly stale out.

This is all conjecture. I might love it forever. But if anything, these reviews are first impressions and my impressions can often change through time. I usually don’t like changing a review later, because who would notice and ehhh, apathy. This time I am pretty sure that I would only enjoy this movie once though. And that is why it is just an okay film in that regard. Without staying power, I don’t want to buy it. If I don’t want to buy it, then is it really that great?

2 out of 4.

Let’s face it. Trailers for the most part suck. Every once in awhile you get a Walter Mitty trailer, but those usually end up only being a first edition trailer, and later trailers ruin everything. Too much plot, too many spoilers, all of the cool shit, they can leave nothing exciting for the viewers when they finally see it on the big screen or awkwardly on their sofa on an iPad a year later.

The Boxtrolls is a big exception to that rule. I only remember two trailers for The Boxtrolls, this trailer and this second one. The former gives us a look of the many models and work that went into the movie behind the scenes, while giving us a song and showing some scenes but not ruining the plot. The second, just a song and scenes, no plot.

And I loved them both so much. After I saw the first one, I really really wanted to see this movie and assumed it would be one of the best animated films of the year. The second trailer only helped secure that notion in my head. And it was brought to us by Coraline / ParaNorman team (the latter, I guess, I didn’t really love, shh).

So, I was totes excited to see this movie, especially because I really didn’t know any damn thing about it. Ahhh, bliss.

I guess I also knew that it starred some of my cousins from up north. You know. Those cousins.

Here. Let me ruin my experience by telling you a little bit about the movie. Just a little bit.

In the town of Cheesebridge, we have humans, and we have Boxtrolls. Boxtrolls are troll like creatures, who wear boxes as armor/clothing. Their name is based on what is on their box. They like to build and tinker, stealing trash from the humans. The humans are lead by those who wear white hats, the elite, those who love the cheese.

Archibald Snatcher (Ben Kingsley) wants to be a white hat, he only has a red hat. Who cares if he is allergic to cheese. He wants dat prestige, and will do anything to get it. Even if it means starting a fear mongering campaign against the Boxtrolls, declaring he will capture and kill them all, ridding the town of the pests, and saving the day, earning the white hat.

Yeah. You go Archibald! Unless he is lying, like saying a box was killed by them, when instead, the Boxtrolls saved the boy and raised him on their own. We shall call him Eggs (Isaac Hempstead Wright), because that is his box name. Raised by Fish (Dee Bradley Baker) and Shoe (Steve Blum), Eggs doesn’t really know if he is a human or a Boxtroll when he gets older and starts feeling things down there. If he is a human, he is a Boxtroll of a human, and if he is a Boxtroll, then he is a human of a Boxtroll. That reference might be too vague for some of you. I don’t care.

Also featuring Nick Frost, Richard Ayoade and Tracy Morgan as Archibald henchmen, Simon Pegg as an inventor, Jared Harris as the head White Hat, and Elle Fanning as a girl who has a punch in the face look the entire movie.

She is made of clay, she can totally help the way her face looks.

Early on in the film, The Boxtrolls had me a little bit uninterested. Sure, the stop motion was really rockin’ hard, but I thought the plot wasn’t moving fast enough and didn’t really enjoy any of the characters. But it surely got better, and somehow the animation even got better. This is by far the best animated film I have ever seen with stop motion, and I am sure it is not just because when I saw Coraline, my 3D glasses sucked. I really need to rewatch Coraline.

Either way, even in one tiny chase scene at a ball, I was wowed at how amazing it all looked knowing what they had to do to make it look amazing. Speaking of the attention to detail, I loved the existential crises that the henchmen were having about good vs evil and how they seemed to acknowledge they were in a movie at times. Had my laughing pretty hard.

The story got better and it ended with a tremendous bang. I wish this was an original story and not based on some book so I could give it even more praise for coming up with these tale out of nowhere. Those guys are good, with the stop motion and clay. I hope they keep giving us high quality work such as this.

I don’t think this is the animated flick of the year, I think at least 3 are better, but it is surely up there and you cannot go wrong with watching this in theater or at home. Very entertaining and a movie I could watch many times and not get sick of it. Yay! I don’t feel betrayed by the trailer!

3 out of 4.