Tag: 3 out of 4

Ah-ha! The elusive Song of the Sea! I have found it at last.

I tried to get all five of the animated picture movies ahead of the Aademy Awards, but I only reached four. Damn foreign flicks. And the only reason I got to see it finally was because of its DVD release. I can’t feel the least bit special about this, outside of completing them all.c

I don’t think I have ever seen a movie from Ireland/Wales. So this is a big first one for me! Outside of the ones with the fancy footwork. This means I am a bit excited to see what I assume will be fancy footwork in animated form.

Unless the Leprechaun movies count. Then I have seen too many from Ireland/Wales. They should stop having movies at this point.

“You guys have Rapunzel? Fuck your Rapunzel. We got /this/ guy!”

This film, like any good animated film, starts with the death of a parent. Parents! Who needs ’em!

Ben (David Rawle) lives in a lighthouse, with his dog, Co, his father (Brendan Gleeson), and his mother (Lisa Hannigan). The mom is pregnant, and they want to finish the painting of the selkie, a Celtic myth.

PLOT TWIST. Pregnancy is a bit bad. Comes early. Mom dies. Saoirse (Lucy O’Connell) is born. And it is not pronounced the way it looks. Six years later, Saoirse still can’t talk. She just doesn’t like it. And after a few close calls with the ocean, their granny (Fionnula Flanagan) takes them back to the city to live away from the sea and their life and their dog.

Well, Ben says fuck that. He is going to run away and escape back to his dog and his life. Screw the city. And I guess his sister can come too, as long as she listens to him. Oh yeah, she also found a magical cloak that can turn her into a seal. Totes cool. And a magical conch shell. And like, fairies and owls and other crazy shit.

…

I am trying to say Saoirse is a selke.

Also featuring Colm O’Snodaigh, Liam Hourican, and Kevin Swierszcz, which is the hardest last name I’ve ever had to type. I am in no way confident it is spelled right.
in

Lord of the Dance prepared me zero for this shapechanging shenanigans.

Well, first of all, I am happy to announce that the pictures above do not do this film justice. This film is pretty. Prettier than a cat in a shark costume. Was it prettier than Big Hero 6, The Tale of Princess Kaguya, How To Train Your Dragon 2, or The Boxtrolls? Well, maybe one of them. I won’t say too. Because basically everything was pretty in their own unique way. And it has its charm and simplicity that goes along with it.

Also, the main characters were cute as well. Going on their adventure, solving problems. Sure, the girl is a selke, so she has a huge important role. But Ben does his fair share of problem solving along with Saoirse. They are pretty equal. And of course the Dog.

There is only like one song, but it is decently catchy. Wish there was more.

But if I had any problem with it, it seemed to move too slowly at times. If you could imagine a person telling a story, and that person keeps getting distracted and rambling every once in awhile? That is what it felt like watching this movie. Just every once in awhile. Kind of just hoped it would hurry up and move on. Not losing complete interest, just a little bit.

I can see why this one was nominated, but also, I definitely don’t think it was the best overall.

Drugs! Have I tackled any documentaries about drugs in any way on my website yet? Looks like I haven’t.

Me and drugs have an interesting relationship. Or at least a lack of one. I don’t understand them, have no desire to do them, yet also, don’t care if other people do them. I know the basic things. Like pot. Pot is definitely less dangerous than smoking and alcohol, and I support people’s right to do those things. I am the kind of guy who thinks people should be able to do whatever they want, for the most part, as long as it doesn’t endanger others.

The Culture High is about that, but at the same time, way way way more.

Like. Literally everything. The documentary is at 2 hours length, and it has so much dang information in it. It isn’t just about marijuana, and its health benefits or lack thereof. No, it is about the entire drug industry, pharmaceutical to the war on drugs. It is about for profit prisons and incarceration rates. It even touched on the Kids for Cash thing. It is about lobbying groups and bribing politicians to follow corporate interests. It is about how sweet the Internet is and how the government would rather it be controlled.

I mean. Shit. It is probably secretly about your mother as well.

It is apparently also about my fifth grade science project.

Did I mention this was about everything? Because holy shit, it got around and I really want to emphasize this point. I can’t even begin to talk about all the people they had talking. From news correspondents, to people who have earned PhDs, to Joe Rogan, to everyone in between.

Despite all the great info, most of which I have seen before in documentaries focused solely to one topic, it felt like the documentary overall seemed to lack focus because of it. The flow was off. I kind of forgot every once in awhile that this was about marijuana legality in America!

This is the type of documentary that would be good for someone’s first ever documentary if they had no idea some of the shady shit that went down in America. But for me, it could have had a stronger focus. I technically don’t care if pot gets legalized or not. Like I already said, I am all for rights.

But my main con is that it just smells super damn terrible. Makes me almost vomit.

Febreeze yourself, please.

I don’t think you want to know what I do in the shadows. Usually it involves lurking, dodging sunlight, or cooling off.

Now that I think about that, two of those three descriptions are very vampire-like. Hey, what a perfect title. What We Do In The Shadows is, after all, about a few dudes sharing a flat in New Zealand.

And they are vampires.

And this is a true story. You know, because this story was definitely made, truly.

And they started the hippest band in New Zealand too!

Vampires! They sometimes need roommates. We have Viago (Taika Waititi) who set up this documentary, I guess. They all had to sign waivers to not eat the camera crew, but it should work out. He is only 317 years, so a bit of a late middle ages vampire. They have Deacon (Jonathan Brugh), 183 years old, a baby, and the most brash of these vampires and more of a pseudo ladies man. Let’s not forget Vladislav (Jemaine Clement), aged 862. He used to be a much bigger deal, but his age is getting to him and he is losing a lot more of his powers. He doesn’t impale people people as much.

And don’t forget about Petyr (Ben Fransham). He is about 8,000 years old. He has basically lost it, looks super un-human, very savage. He freaks everyone out but he has basically earned it.

And this is their life! They still drink human blood, they have some human groupies who help them do certain tasks, but they are incredibly behind times in terms of technology.

We learn of past loves, why they prefer virgins, their interactions with other supernaturals (zombies, werewolves, witches).

Also featuring Cori Gonzalez-Macuer, Stuart Rutherford, and Rhys Darby, because of course Rhys Darby.

“Oh. My. GODDDD! I LOOVVVEEEEE Rhys Darby!”

New Zealand and Flight of the Conchords. Although it looks like Bret McKenzie had nothing to do with this movie, it is easier to describe as vampires meet FotC. Because that type of awkward uncomfortable humor is very prevalent throughout the whole movie. This movie had a ridiculously low budget, I am sure most of the guys being friends working for next to nothing and splitting the profits. It is a great business model for them too, as with kickstarter and word of mouth, it has spread slowly throughout America for people to see.

Blah blah blah. You don’t care. Is it funny? Heck yes it is funny. I personally would have liked a lot more of Petyr, thought he was underused, but I guess you can’t tell an 8,000 year old vampire what to do.

I am also glad that with the different types of Vampires that Twilight didn’t make the cut. At first I thought I wanted it, but realized how quickly it would have just fallen into a a one trick pony to be referenced occasionally, and not had any real characterization or goals behind it.

Also, this movie has a lot of great quotes associated with it. I don’t remember a lot of them, but I do remember laughing.

Either way, if this movie comes to your area, give it a chance. You will probably have an enjoyable uncomfortable night.

I have written many times about how disappointing DreamWorks has been in the animation department. The TL;DR is that all of their movies are terrible, bad, or average, unless they involve Training Dragons or Fighting Pandas. They have two good series right now, but everything else has been pretty bunt or miss. I liked Shrek too, sure, but not really anything post Shrek in that series.

Going in to see Home, I was already biased. Mostly because DreamWorks made a short called Almost Home that wasn’t too exciting. It premiered last year, and was kind of shitty. They showed it before at least two of their movies too, so I had to see it a second time and go “Yep, still don’t like it.” So when I found out it was a tiny prologue to a movie coming out this year, I of course was not excited.

I definitely wasn’t excited when I found out about the voice casting. Well, one person was exciting. The rest seemed to be the now standard big names for big names sake in order to make money.

Seriously. This movie has almost nothing going for it ahead of time.

Can’t even give me a full mustache to be excited about.

The Boovs are known for only a few things: Their color changing based on mood, their tentacles, and their ability to run away. They are great runners. They run from any threat and go based on probability. If something has less than a 50% chance of a success, the run. Captain Smeck (Steve Martin) is their leader because he is the smartest and best at running away. He was even able to get them to run away from the Grok (Grog? I really don’t remember) alien race. But now they are running from this big bad enemy, and they think they have finally found a place to hide.

Earth!

So they put all the Humans in one big colony in Australia, leaving the rest of the planet for themselves! Unlikeable Oh (Jim Parsons) isn’t the same as all the Boov. He likes other things so he is weird and makes many mistakes. Including inviting the entire galaxy to his new apartment warming party. Including the evil alien race by accident. Whoops. So he is now on the run, having a big bad mistake.

And while on the run, he runs into Tip (Rihanna), short for Gratuity. Yeah. Apparently they were able to get every human except for one little (old? hard to tell) girl. She says middle school, but her voice screams 20 year old. She wants to find her mom (Jennifer Lopez), he just wants to escape and make things better.

So they work together! Traveling with a slushie based car hover craft and running away from everyone else, who also wants to run away. Especially when the big baddies come along too.

Jeez. What a mess they have made. Also there is Kyle (Matt Jones). Fuck you, Kyle.

Tip was named as such after her friends gave her a helpful hint on living life to the fullest.

Yeesh. So Rihanna didn’t fit that character at all. DreamWorks tends to have that issue though. The Croods was 100% awkward because of Voice Choices. So Rihanna made her girl sound way too old. Jim Parsons worked as our main character. It was pretty great. Jennifer Lopez was pointless as crap. She had very few lines, overall maybe three scenes technically. No reason to have a big name in such a pointless role. (Or, maybe that is the best place for a big role?). Martin did pretty good at his Captain, reminding me a bit of Sgt. Bilko, but more shitty of a character. And I am actually happy for Matt Jones, getting to be top listed as the only other character with any significant lines.

It is quite obvious why they brought in Rihanna though. She made a whole damn CD for this movie. Half the songs were song by her, J-Lo threw in one as well. And they all sounded kind of the same as a result. It became accidentally funny by the end, hearing the same different song, one after another.

And finally, I got really annoyed by some minor inconsistencies. They had some poor plot decisions to make the movie move forward, their reason for Tip not getting taken was silly, and then other small things like, taking all the pointless toilets away from the area, and then still having houses with toilets. Just minor, rookie movies at the end.

But guess what. This movie was actually still entertaining. It was funny on numerous occasions, and you really do grow to like Oh and Tip by the end. Odd voices aside, Tip is great in that she is a strong independent black woman who don’t need no Boov in her life, for the most part.

The animation was also spectacular at times. Dreamworks has always tended to make some pretty movies, and this one is no exception.

I am able to see through all the poor choices that this movie made in production and with the plot. The movie itself, as an experience, visually and character wise, is much better than the cover would make you seem. Yay for a movie changing my mind! Well done DreamWorks. Now I don’t feel so bad about having to wait so long to see Inside Out.

I wanted to see Top Five when it first came out to theaters, but I was busy that weekend, getting married and taking a vacation and all. Excuses, I know.

And with that, I have nothing left of an intro. I know nothing about this movie outside of who is in it and I am willing to be surprised.

Just a couple people on trains, goin’ places! Nothin’ to see here, move along!

Chris Rock is not playing Chris Rock, but Andre Allen. Totally different guy. This guy used to be a stand up comic, was super funny, then made a successful franchise of films about Hammy the bear, who was also a cop. People loved it. Hilarious.

Then he got off of drugs and alcohol. He didn’t feel as funny. He didn’t want to do those types of films anymore. He wants to make more serious pictures and branch out as an actor. Like his new film, where he is the star, about the Haitian revolution. It is coming out this weekend, and he is also getting married to reality TV star Erica Long (Gabrielle Union). Because of this, their wedding will also totally be live and aired on Bravo!

Yayyyy!…

His agent (Kevin Hart), who didn’t want him to do this movie, also set him up with a full day interview with The Times. The Times hates his movies, and their movie critic has been the meanest. But it isn’t that dude to interview him, it is Chelsea Brown (Rosario Dawson), who doesn’t want to do a full on fluff piece. She wants to find out real information, new things, she wants him to open up. He just wants people to accept him as a serious actor and person. Hah.

Also featuring Anders Holm, Cedric the Entertainer, Romany Malco and J.B. Smoove.

If I was a voice actor, I would try to imitate Chris Rock’s voice… I’d probably get fired.

As expected, this is a movie Chris Rock wrote and directed to speak from his heart. These are his thoughts and feelings on reality TV, the industry, drugs and alcohol, groupies, journalists and critics, you name it. It isn’t super about him of course, because Chris Rock isn’t known for some ridiculous comedy series where you only hear him and don’t see him. But you can really tell where he is coming from.

The best part of Top Five is the really real-ness of it all. It feels incredibly natural, as if it is actually just a few people or friends talking, depending on the scene. The scene where he went back to his old friend’s house and there was a tiny party is a great example of this.

But even more importantly, the film is also funny at times. I have probably always been a fan of Chris Rock’s work, whether it is his voice or delivery, I don’t know, but I would watch him in basically anything. Because of the realistic feel, Rock obviously fits the character pretty well and it doesn’t take too many leaps and bounds to consider these characters in their role. Shit, it really helps later in the bachelor party scene when we have other famous comedians just playing themselves.

At the same time, I am just a little bit disappointed with the ending. I wanted more. I know why it ended where it did, but I didn’t want my brain to have to do any of the work, I just wanted to be spoon fed.

Which, in a way, is the type of thing this movie was definitely against. Layers!

Due to the way my website works, I am now missing a lot more movies when they are in theaters. I have to decide every week what I want to watch, as I only let myself go to one pre-screening per week except for special circumstances. So some movies fall by the wayside. What did I see instead of John Wick? I don’t even remember. I know I didn’t see Nightcrawler to see Birdman, which was technically the right choice, but Nightcrawler ended up being pretty sexy on its own right.

But everyone already has over-hyped this movie for me. Is it cool to like Keanu again? Sweet! Because I actually liked his last two projects, Man of Tai Chi and 47 Ronin. But if everyone likes this one, then I might love it. Yay Keanu! Yay good publicity! Yay generic as fuck sounding action movies!

How bad ass could his character be, needing to use a sight and all?

John “Leave Me Alone” Wick (Keanu Reeves) has a mysterious past, like most movie characters that are new properties that aren’t based on real live people. But we know he used to be happy. He had a wife. A lover. A soul mate. But now she is gone. No foul play or anything, just a normal bitchy disease that took her life. They knew it was coming. It still hurts though.

And then John gets a package in the mail. A puppy. A fucking puppy?! Yes, a fucking puppy. This puppy, Daisy, was actually arranged to be sent to him from his now dead wife. She wanted to leave him something to help him cope and what better way to cope than A FUCKING PUPPY NAMED DAISY. Seriously guys.

Well, thanks to a small altercation, he ends up pissing up some Russian street thugs. Namely, Iosef (Alfie Allen) really liked his car and wanted to buy it. John tells him no and responds in Russian angering him. So they follow him home, break into his house, KILL HIS NEW PUPPY FROM HIS DEAD WIFE and steal his car. What in the fuck, Russia? What in the fuck?

Unfortunately for the Russians, literally everyone kind of recognizes his car in the car shops, including Iosef’s dad, Viggo Tarasov (Michael Nyqvist). Why? Oh, because John Fucking Wick used to be a hitman for them. Their own Boogieman, who could kill anyone or anything that they wanted. But he retired and got out of the business to be with his woman, promising never to kill again basically.

But then, you know. Dude’s Daisy is dead. So a revenge flick like any other, Wick has to take down the whole organization to feel at peace. Or will it really help?

Also featuring Willem Dafoe, Dean Winters, Adrianne Palicki, John Leguizamo, Ian McShane, and Lance Reddick.

“Iosef, Iosef, rhymes with …fuck, I dunno”

Action packed AND I actually feel sympathy for the main character. This is a great change in my mindset. I am used to getting shitty action movies with un-sympathetic anti-heroes, or just tough guys who have bullets bouncing off their chest, or just action movies without a plot. BUT THIS HAS PLOT AND ACTION. I was freaking out. Because the plot was pretty good, despite being something one could break down into “guy gets revenge on the mob” type of flick. I felt some fear for his life.

On TOP of that (more caps is better right?), the action was also interesting to watch. Some work went into the choreography. Work definitely went into the cinematography. Someone cared behind the helm of this movie and didn’t want just another forgettable movie. My mind is blown. When I first saw a picture for the movie, it was so generic and boring. Well, there might have been a turtle neck, which would have been the only odd thing (outside of Archer).

Keanu was a great man to carry this film. I don’t know if it is due to his own really sad life, or the sad Keanu meme, but his angst was apparent the whole movie. It looked like he carried the weight of the world on his manly shoulders.

John Wick is easily a nice recommendable action movie from 2014. I know it sounds like I am describing a 4 out of 4 movies, but I feel like The Raid 2‘s existence kind of makes it hard for me to elevate any other action movie up to its level. I bet John Wick had faults or things I disliked, I just can’t remember them right now. Shhh.

Sooo, slavery.

Wait no, not slavery. Just baby trafficking. Woo!

Wait no, this is bad. Kids for Cash!? What an attention grabbing title! And no, it isn’t about parents having babies just to get those tax benefits or child support.

This is far more serious. This takes place in Pennsylvania, not cold and desolate Ireland. It involves a couple of judges who received monetary kickbacks from a children’s private correctional facility. Yep, people in power putting kids in juvie, and getting cash from the company. Pretty damn scummy.

And to be fair, this is only the most famous and well known case, which was relatively recent. It is argued that things like this have been occurring for some time. It doesn’t help that our country has elected judges in the first place, as John Oliver recently brought up.

Specifically, Judge Ciavarella sent HUNDREDS of youth to this place. Sometimes for minor offenses that most wouldn’t ever assume would go to any trial. They would be normal things a school would handle. But Columbine/Zero Tolerance policies take and ignore any pretenses and treat everyone the same: terribly.

Which is why parents treated the judge terribly in retrospect.

Who’s that lady? (Whooooo’s that laddddy?) Well, she went viral yelling at him on live TV or something. Check out the video. Her son committed suicide partially due to his time in Juvie for an un-important offense.

But here is the best part of the documentary. It is unbiased as fuck. Guess who they have as an interviewee. Guess. Come on.

That’s right. Motherfuckin’ Judge Ciavarella. They interview him at his house, during the trial, and get his side of all the events before the sentencing occurred. They don’t immediately contradict him or call him names or anything stupid, either. They give a real honest to goodness attempt to be impartial and let him explain everything.

Do we buy it? No. He is clearly a dumb ass who knew he was doing wrong. But he was that kind of dumb ass before he got paid for it too.

Kids For Cash is most likely just the top of the unlawful judge iceberg. We have for profit prisons and judges who accept donations/bribes from lawyers. Nothing is sacred, the law is scary, and I am staying indoors.

I am not just reviewing Beyond The Lights because it was nominated for Best Original Song in the Oscars. No, I wanted to see it even before that!

However, yes, I am having the review out this week because of that fact.

I wanted to see it because I heard good things despite a somewhat Lifetime movie looking trailer. I wanted to see it because it was a mainly black cast and it had nothing to do with Kevin Hart or Tyler Perry. Some of their movies are terrible, sure, but at least they are actually increasing the amount of color that our TVs can show. So it is always exciting to see someone else do something to break the trend or lack of trend.

Oh hey, wait. It is British? Never mind. This means nothing now.

It can’t even help our current opinions about law enforcement!

Just kidding. Despite starring British people, it is actually American overall. Go back to flying our flags proudly, folks.

Since Noni (Gugu Mbatha-Raw) was a little girl, her mother (Minnie Driver) has been focused on her career as a singer. She was entered into talent contests and her mother would not let her settle for second place. Her mother raiser her alone and always wanted her child to succeed.

Now, many many years later, Noni is about to win a Billboard award with a collaboration with Kid Culprit (Machine Gun Kelly). It is very impressive, since she hasn’t even released her own album. She has just been on three of his tracks and they have all been super popular. Yes. Now is the time for her to break out and get one of the best selling records of all time.

But Noni doesn’t feel happy. Maybe she hates her relationship with Kid. Maybe she hates selling her body for success. Maybe she hates her mother deciding every part of her life. Maybe she just feels fake. Either way, she decides to end her life. She is saved last minute by the current cop watching her room, Kaz (Nate Parker), who calms her down and makes her feel like an individual.

And won’t you look at that. A relationship might come from it too. Sure it starts in an awkward place. He kind of saved her life. There is some awkwardness that might make people question its long lasting-ness. Especially since Kaz himself is only going to be a cop for a little bit. He wants to run for office, a political kind of guy. Being with a pop star might make people question his seriousness.

I am sure none of that will come up though. Also featuring Danny Glover, who is still too old for this shit, as a cop.

When your mom encourages an outfit like this, you know you might actually be a doll.

And then I enjoyed a movie about a pop star struggling with the music industry and feeling like a real person. Of course I did. Put it that way, it sounds brilliant. Sure, first world problems a bit, but everyone should understand the need to feel loved and important.

The romance in this picture feels very realistic and that is actually refreshing given the last few “romance” movies I have seen. They have problems, they have outside forces telling them one thing or another, and they have their own issues to work through, but they try things out and give it their best shot.

Both Mbatha-Raw and Parker give great performances. Driver is a straight up bitch, but it all fit for her character. Hell, I might not have completely hated her by the end either.

Overall, a good romance/drama. And uhh, the songs are decent too. I guess. (It won’t win).

By all accounts, I don’t think I will be able to see any other movies up for Best Foreign Film before the Academy Awards. Sad face.

I only had Ida before thanks to Netflix. Now I have Leviathan. And it won a Golden Globe, so it has something going for it.

That and a sweet sweet name. The country it comes from is okay.

Wanna know how I know this movie is Russian?

Leviathan is a story about land dispute. Because if anything, Russia doesn’t have enough land, causing the citizens to fight over it.

Kolya (Aleksey Serebryakov) is a down on his luck guy. He is good as a mechanic, his “Friends” in the community use him for favors, but it is too small of a town to really make a living there. But he has been there for a long time, has a sweet house with a lot of land on the coast.

His wife (Elena Lyadova) seems pretty distant, and his only child, a son from another woman (Sergey Pokhodaev) is kind of a dick and an average student.

But the mayor (Roman Madyanov) of the town is trying to take his land. Quite successfully! Using some legal loopholes, he is getting it for quick. Kolya is trying to fight it through the law, and through appeals, but he is losing over and over again. It seems like everyone is out to get Kolya and they all just want to use him.

And well, that is kind of true. Basically.

Also with Vladimir Vdovichenkov as a hot shot lawyer from Moscow coming to save his buddy.

Wanna know why I know this movie is called Leviathan?
(I actually have no idea.)

Leviathan is one of those movies that has a boring ass plot description, but one that ends up being far more interesting than it has any right to be.

Again, it is about a dude fighting a legal battle to just keep his home. But only kind of about that. It is about that and people treating him like shit and shit keep hitting him in the face. Literally!

No, not literally.

But still. A lot of fucked up things happen by the end, but even better is that it all makes sense by the end too. The plot points all wrap up! We aren’t left wondering anything! Yay complete films!

I mean. It has its boring. But it definitely tells a pretty good story while doing so. Glad it just wasn’t another super boring foreign film.

A Most Violent Year is one of those films I tried really hard to say before I made my best of 2014 list, because I had heard a lot of good things about it.

And uhh. That is all I can say about this movie. I mean, I might have gotten it confused with A Most Wanted Man, which became incredibly average despite also hearing great things about it. Shit, I hope this doesn’t go super average.

Super average would describe most of my dinners. Non-violent super average dinners.

There are 365 days in a year and if you killed 365 people in a year, that would be pretty fucking impressive. Like, totally psychopathic or insane, but impressive. That is not at all what this movie is about.

It is about Abel Morales (Oscar Isaac), just your average business man. It is the early 1980’s and he is the owner of Standard Oil, a heating oil company in New York City. He has big plans for his business and is working on getting a new location for his plant, right on the river. This will give him access to all the oils, allowing him to get better prices and you know, make more money!

But his trucks are being robbed at gunpoint. People are hijacking his vehicles, taking the oil and costing him thousands each time. And he has no idea who is doing it. At the same time he is being hounded by his “friend” the District Attorney (David Oyelowo), investigating him and others for price fixing, tax evasion, and the normal business stuff. This bad press in the news, plus the dangerousness of being a driver is leading his business down a dark path. The bank doesn’t want to help him get his new place anymore! And…and…he might lose it all!

Plus his wife (Jessica Chastain) really wants him to go after the culprits hard. Maybe kill them all. But he doesn’t want to do that. That would be most violent.

So Abel has to go to his competitors one by one to find out who is fucking him over and threatening his family. All while his drivers (Elyes Gabel) start carrying guns in their cabs and his lawyer (Albert Brooks) has no idea on how to help him. Oy vey, what a year.

And he still has to come home to give foot rubs at the end of the day.

A Most Violent Year is a hard movie to describe. It is like a mob movie, but definitely doesn’t involve the mob to any large extent. The main character is hard to really wrap your head around. You know he is definitely not “clean” in the ongoings of the business, but as to what specifically he did in the past they never really see.

Given he is our protagonist, you just have to assume you should root for him and not against him, given the lack of history. He wants that place for his company? Then by golly, I hope he gets it!

I actually liked Jessica Chastain a lot in this movie, playing the shit out of the housewife role who totally can control her husband and know everything going on in his company. The kind of woman who has a plan for everything and knows how to get things done. Was very subtle and very nice.

It is also the kind of movie I think I can re visit. And by that, I wouldn’t mind a sequel. Just not a direct one. Maybe one set ten years later, in a much less violent year, to see how the choices made influenced their lives. I would totally watch that movie.