Tag: 2 out of 4

Fucktoys was watched as part of the Seattle International Film Festival 2025! It had its showing on Friday, May 16th as part of the festival, and it was the Seattle Premiere of this film! You can see my interview with the director, Annapurna Sriram, here!

Trashtown is not the world you know, it is a sort of alternate universe, where the depraved and hidden aspects of society are allowed to flourish and everyone can live the life they want to live. Without getting judged and ridiculed in response. Sex, drugs, and a little rock and role. Prostitution, psychics, fetish life, showing off your body, all of this and more exist in Trashtown.

Which brings us to our hero on a new adventure, AP (Annapurna Sriram), who has felt down in her life. And according to her psychic, she has been CURSED. But it isn’t that big of a deal, a curse can be gotten rid of with a specific ritual, which would just cost her about $1,000. Hey, that’s a good deal to get rid of a curse. So AP, who already is a sex worker, decides to put her work into overtime to get the cash and get rid of the curse ASAP.

Along the way, she gets to meet Danni (Sadie Scott), an old friend, who is back in AP’s life, and they are going to help her get the money for the curse, and AP is going to help Danni get some work in the process.

Also featuring others like François Arnaud, Damian Young, Brandon Flynn, and Big Freedia.

When the drugs finally hit, your experiences may vary.

Fucktoys does a good amount right for what I would describe as a very experimental movie. First, it gives traditionally underused actors and actresses the ability to play roles they may have always wanted to play, but never an outlet to play them. It gives underrepresented groups more screen time, without making their underrepresented qualities their reason for the role. Everyone just plays a person! It is wonderful to see.

The film intentionally gives off a seedy 70’s indie exploitation film vibe, with the film used and the scenery. I honestly couldn’t tell you when it was set, as the technology use was not fore front. Did someone use a cell phone? Probably! I don’t remember. And it didn’t matter too much to the story, so the strange world created can also be independent of any time period. It can just be free love, man.

Despite the very unique vibes, and free spirited nature of the film, it does seem to still lack something else. No character fully stands out to me. Everyone just exists. The plot feels like a loose vehicle to show off the world, and that is it. For the main character it becomes a repeating loop of “let’s do this activity” and then something goes bad, so her attempts to get the $1000 keep faltering. So the story is light, and almost like a TV pilot just to introduce various concepts. I wish the story had some more intensity too it, but at the same time, the light hearted nature of Trashtown was also the point.

2 out of 4.

Drowned Land was watched as part of the Seattle International Film Festival 2025! It had its showing on Friday, May 16th as part of the festival, and it was the Seattle Premiere of this film! You an see my interview with the director, Colleen Thurston, here!

A Civil Action. Dark Waters. Films about lawyers going after corporations who have poisoned the water in communities and refuse to take action to fix it. Films where the little guy has to stand up to Mr. Moneybags, and well, it doesn’t go well. Sure, there is some success, but when compared to the extreme damage done to these communities, it gives a strong Pyrrhic victory vibes behind it.

So, what is the problem can be stopped at its source?

In Drowned Land, we head to Kiamichi River, where many natives in Oklahoma live, after being moved during the Trail of Tears. Not just Native Americans either, plenty of other folk use the valley and the river. But we have, like in those movies, a company who wants to come up and turn it into a hydroelectric dam, flooding parts, affecting the wildlife, and the residents both up and downstream in different amounts.

And this documentary is about the local residents coming together to put a stop to this. They don’t want it to be touched. They want to save it, and so they go to the hearing, with personal narratives, facts, science on their side, to see if they can prevent future tragedy from befalling upon their community.

And its not just about protecting beautiful sights, but hey, its a bonus. You know the beginning of The Hitchhikers Guide to the Galaxy, where Earth apparently didn’t make the hearing to save itself, so it went kabloom? Well, apparently those meetings are useful. Splice with scenes of community members talking about the river, and museum visits and more, we get to see snippets of the two day hearing, where community members brought their voices and expertise to say why the dam should not be built.

And of course, the most surprising part about this, is they were successful.

For now.

Because this was not the first time it was attempted, and won’t be the last time, unless they can get legislature protecting the area forever. Which is the next goal. But holy shit, they won? Even if just a small step towards staying free from this construction, that is such a massive uplifting feeling. I have seen a lot of protest documentaries about constructions on native lands, and trying to stop corporation take over. I feel like the corporation always wins, and we see why everything is corrupt.

If anything, this documentary should be shown just to see that it can be done, it just takes a village working together.

But besides that, I am sad to say, the parts between the hearing just failed to keep my interest as much. I am a political and legal junkie, I would have loved it if the whole thing was just that one aspect myself. The human interest stuff, I get it, but it felt a little bit more like padding than anything else.

2 out of 4.

Four Mothers was watched as part of the Seattle International Film Festival 2025! It was the opening night film of the festival, on Thursday, May 15, and it was the Seattle Premiere of this film!

How many mothers is the right number of mothers to have? An average number has to be somewhere around 1 I imagine, but people sometimes have fewer, sometime they have more. But rarely do they have four. And thankfully, our lead doesn’t actually have four here either.

Edvard (James McArdle) is a romance novelist for the YA crowd. He is a gay man, and his books feature gay romance, but he thinks his writing is a bit better and more important than simple romance. Right now his book is set to come out in America, and it is getting strong buzz before it comes out. So he wants to really capitulate on the buzz and maybe earn him the success he always felt he deserved.

Unfortunately for Edvard, he also lives with his mother, Alma (Fionnula Flanagan), who doesn’t speak anymore and uses a tablet to speak instead. She is old, she is closed to death, and he is her caretaker. It does mean he has no social life and he is thinking about of leaving her in a home, just to give him some time to find that life success. But he is also a coward and doesn’t think he can do it.

Regardless, he is about to set up a US tour for his book when his two best friends, also gay and also caretaking their moms, decide to ditch their mothers on his door step so they can go to a big pride festival for a few days. And his therapist, older, in the same scenario, drops his mom off too. Oh look. Four moms! So now he has to juggle four older women, with different schedules and temperaments, while he is trying to do something great in his life at the same time. Hooray!

The other mothers are played by Dearbhla Molloy, Stella McCusker, and Paddy Glynn.

They are probably not watching porn here. I think we need more Irish films for sure. Such a small country, with a small population, but they got stories to say too, even if things get a little bit US centric with the plot line. (Damn United States, always butting in other countries stories…).

Anyways, I will say I liked this concept for a story. A struggling author of a niche topic, looking to get big, dealing with underrepresented groups could lead to a lot of things. And this is a caretaker story at the same time, and caretakers, despite being a pretty large group, are often underrepresented in media as well. Or, if they are represented it is usually more of a tragedy drama, than a comedy or uplifting drama. This falls into the latter category. And, because of that, I don’t think it is able to reach the lofty goals it aspires to be.

The stronger emotional moments I feel go away too quickly. For example, the father who is clearly not in the picture, and his story, is brought up and leads to conflict, but only in smaller amounts despite holding a lot of weight. The idea of a temporary home while he invoked on a 2-3 week US tour made a lot of sense, and the drama behind it felt…extra. It was a shame. The film didn’t seen to hint enough to find out why certain decisions were derisive, and I just felt bad for the main character most of the film.

The ending itself is exactly where someone would probably assume this movie landed. You know, knowing it is a comedy/drama instead of a tragedy/drama. So I wasn’t surprised when we arrived at the ending. But unfortunately the journey wasn’t fully worth it either.

All of that to say, I liked most of the main characters, including our main guy. I think the side stories of his life had a lot of heart behind them, and the acting from everyone was still top notch. But pleasant films aren’t always going to be the most exciting films.

2 out of 4.

Butterflies (Perhoset) was watched as part of Cascadia International Women’s Film Festival 2025! It has its showing on Sunday, April 27th as part of the festival.

Working women never have it easy. Just ask Siiri (Aska Korttila), a working woman, and she doesn’t have it easy!

Specifically she has a government job. No, not one she was voted in, like a politician. She works for one of them, Lena-Maj (Leea Klemola), as some high level of assistant. She has to help her get from place A to B, get her in contact with people, book their hotels, book their cars, handle her meeting notices and phone calls. It is a lot of work. There is even another assistant, who is much worse at the job, but he is cool so he gets away with it.

Regardless, Siiri is now in her home town where she doesn’t want to be, because that is the next stop in the tour. And thankfully, it is a quick one. But because her boss’s husband picks that time to let her know he wants a divorce, so Lena-Maj agrees to stay in the town for their little festival all weekend to try and have fun and avoid reality. And now, Siiri can’t escape her own!

Which means dealing with her father (Jani Volanen). She doesn’t like him. He is a screw up. And he knows it. But he just wants to help her, even if he cant help himself. And it turns out that the apple doesn’t fall that far from the tree.

Also starring Alex Anton.

The fields that grow her sorrows are bountiful.

The two leads in this film are uncomfortable people to watch. They rolled low on charisma and luck, and things don’t go their way. They are not the life of the party (despite the dad being a semi successful musician or something like that)? So if you are going to watch this movie, you are going to have to be willing to deal with that uncomfortableness.

I think the situations presented in this film were decent. I think they could have escalated a bit more, and often kept staying in rather…tame situations. It never made it to the next level. And worst of all, it didn’t feel like it was worth it at the end. It reminds me of a Blink-182 lyric, “Work sucks, I know”. But this is a movie where unfortunate things happen without a great level of payoff. “Life sucks, and then you die,” another song quote reference from The Fools.

A way to describe this could be a black comedy, but usually those movies go darker and potentially include death. So a black comedy without the extreme elements? With a bit of that “British” humor behind it.

It certainly achieves that result, but I wish it went to those greater levels.

2 out of 4.

American Dreamer was watched as a screener. It is now out on Digital!

When it comes to the American Dream, usually it involves money, family, a house, and fun. Probably even a green yard and space to frolic.

For Phil (Peter Dinklage), he is a college professor of Economics, so he has served his time well and went to school. He should be able to afford that American Dream everyone talks about? Hell no, he lives in a small apartment, with an old car, and dreams of owning a home, but the price of that has skyrocketed beyond ability. Everything is lost.

Thankfully, Phil does see an ad for a very large mansion like building, with a giant yard, and lake access. It has a hefty fee, out of his range, but there is a secondary, cheaper fee. He can buy it for half of the price listed, if the current owner can stay in it until her death, then he will own the whole thing. He just has to keep to his portion of the house and lawn until then.

Unfortunately for Phil, this dream opportunity can become a nightmare. He has to get rid of everything to afford his share, things keep going wrong, and the live-in woman, Astrid (Shirley MacLaine), might have actual children. This is going to create a will dispute and he might not even get any part of the house once she passes. Fuuuuuuuuuuuuuuuuuu.

Also starring Danny Pudi, Matt Dillon, Michelle Mylett, Kimberly Quinn, and Danny Glover.

I too get that look when I find myself living with an old lady. It happens so often!

This movie had a bigger slapstick nature than I thought. Sure the poster shows him looking beat up, but I still didn’t expect to see my man Dinklage slip out of a shower and fall ass up onto the floor.

It was a highlight to see the cameos throughout the film. I enjoyed Glover praying a private eye who was incredibly good at his job, and offended at the same time. Pudi as some sort of HR/Dean/something at the college felt like a good fit for him.

The movie had an interesting plot line for a story, but the main issue is how little the main plot seemed to really get going. I felt no real chemistry between our main character and his housemate. I didn’t feel much between them and the antagonizing daughter. The plot with the grad student just sort of fizzled out into nothing. And I never really understood why Dinklage’s character just gave up so much over his dream, and so quickly.

Regardless, the movie has its interesting moments and decent enough twist to it. It is not a turd, or anything, it just could have use a lot more polish.

2 out of 4.

We Strangers was watched as part of the Seattle International Film Festival 2024! It had its showing on Friday, May 17th as part of the festival, and it was the Seattle premiere of this film!

Ray Martin (Kirby) has a shitty job, that frankly, she doesn’t love. She is a room/home/building cleaner. She works for a service, they provide the jobs and locations, she does the work, she gets paid. It is one of those things where she knows they obviously pay the company a lot and she only gets a fraction of the services, but at least she gets to mostly work alone and not interact with the clients.

After working on an office building that a new client bought, but needed it de-trashed, sees how she did, he wonders if he can hire her personally. Just some rich doctor guy, let her say a much higher value than she normally makes, and he said sure. He just needs his own house cleaned, and is willing to pay top dollar.

Now, during that clean? A neighbor sees her, questions her, and apparently talks to the client about it. Because now she wants a cleaner. The doctor weirdly pays for it, but hey, money is money. This leads her to suddenly more and more clients, who have their own intricacies and secrets that she is going to discover. Like, one of the clients believes in ghosts and mediums. Seems like a great time for Ray to mention she totally can do that as well, and make house calls. Talk to ghosts? For cash? Sure. Why not.

Also starring Hari Dhillon, Maria Dizzia, Paul Adelstein, Sarah Goldberg, and Tina Lifford.

Sometimes you just gotta stare off, to help find those ghost spirits. Yeah, fuck the rich. Spending lavish money on services, but treating the people in those services as lesser individuals. I think that is a big theme at SIFF this year. Fuck the rich.

Kirby does a great role as the lead. She isn’t overacting in any sense. She just seems like a normal person. It is the rich people with the eccentricities who are acting strange comparatively, even when Kirby is talking to spirits. The secrets between the rich folk are pretty obvious to discern, and not as extra as one would hope. You know, me, a movie goer, looking for drama.

Unfortunately for We Strangers, which I can say is well made enough, well acted enough, is just an okay variation of this story. No giant “fuck yous” as the end. Everything remains subtle. Everything stays chill. Just too chill for it to have higher than a 2 rating.

2 out of 4.

Resynator was watched as part of the Seattle International Film Festival 2024! It had its showing on Friday, May 17th as part of the festival, and it was the Seattle premiere of this film!

You can trip on my Synthesizer, electronic world for every boy and every girl.

The synthesizer is probably the best new instrument since…I don’t know? What was the last instrument invented after all the drums, brass, woodwinds, strings came out hundreds and hundreds of years ago? The accordion? Who knows. But the synthesizer helped transform music, and how to play music, and gave me a lot of danceable tracks and I appreciate it.

Now, for Alison Tavel, the director and theoretical subject of this documentary, she grew up hearing that her dad invented the synthesizer, and worked with all of these famous people. Her dad whom she never met, because he died when she was just ten weeks old in a car accident. She never knew what to believe, figured a lot of it was just weird lies, and never questioned it. But now that she is in her mid 20s, she wanted to know the truth, and unpacked his creation packed away in a box in their attic, the Resynator.

And this documentary is about that journey. The journey to find out what the Resynator was, why it isn’t famous, what could it do, does it still work, and what happened with her father. And you know, of course, learn a little bit more about herself along the way.

This is when she realized she shouldn’t have lost the user manual. As like any good documentary, Alison is going to find out some harsh things about her dad. Things her mom kept from her, because it wasn’t relevant. But things that were also great and accurate about things he did and accomplish.

And in the journey, she wants the good and the bad, she finds out what stories were tall truths and which ones were mostly correct. That’s how we get sections of this documentary with people like Peter Gabriel, who was said to have bought three Resynators, and he is able to confirm the accuracy of the story and be a nice win.

This is a feel good documentary overall, of a woman discovering herself, and coming to terms with things that were kept from her for good reason. And that is a fine idea for a documentary.

But real life can mimic other things, and sure enough, this just feels like a story I have heard over and over again in terms of documentaries. Someone going off to discover the truth about a relative, who died when they were young, and not liking the overall picture they find. For some reason, they also put this on camera for us all to see. It is a very common type of documentary. And Resynator, with some cool information on a synthesizer machine that did not get to the mainstream as many thought it might, was interesting for sure. And unfortunately the rest is just more of the same.

This is all very strange to say for documentary since it isn’t fiction, but like I said, see enough of these things and you can see the commonalities. Oh well. Plenty of people will watch this documentary and probably love it! So if the topic sounds interesting, it certainly will deliver on that front.

2 out of 4.

Solitude was watched as part of the Seattle International Film Festival 2024! It had its showing on Sunday, May 12th as part of the festival, and it was the Seattle premiere of this film!

Gunnar (Þröstur Leó Gunnarsson) is an old man, who lives off on his own large land, with his horses and other animals. He likes it like that. He is self efficient. It is reliable. And he has turned down many offers to sell his land, because he just wants to stay there until he dies. Well, the government won’t wait for him, and because he didn’t negotiate, they bought his land from him anyways due to government legalese stuff. And his land was such a good place and need, he is getting $150 million, which is a lot for a dude that old, to do anything he wants in his life.

So he moves to the city, even though he never wanted to, in Reykjavík, and gets a quick apartment to exist in. Has its own furniture. Now what?

Well, the first person he meets is Ari (Hermann Samúelsson), a 10 year old kid and neighbor, who wants to sell him a newspaper. Literally this is his only human contact, and its frequent enough, so that when he is locked out of his house, he asks Gunnar if he can wait in his for his mom (Anna Gunndís Guðmundsdóttir) to return. Hell, he even becomes a babysitter, and a very nice friend to the family.

But Gunnar is just not used to people so much, he is not used to common social norms, and doesn’t know what actions are inappropriate. He just wants to help people. And when people think he is a nefarious old guy, then that is the only thing he can be to them.

Also starring Jóhann Jónsson and Jóel Sæmundsson.

He’s about to drop the hottest new track of 2024. I think the actor who played Gunner here was a pretty solid dude. He carried pain in his eyes, and felt like he was truly going through these experiences. I think the story is a good idea for one, a nice clashing of generations, and a desire for more innocence in the world. A desire for people to just be good to each other.

But the film didn’t do enough to get that ending. We had a small bit a conflict, and almost no closure, because that is life or whatever. I think there was a lot more drama that could have been explored, and this movie left too much on the table. And that should be a compliment. I wanted more of Gunner and his story about acclimating into city life at his old age, and we just get so little. The snippets we get are good. But why leave it at the simple story? Why leave it so incomplete.

I am not sure what else I can say here. It is overall just disappointment, compared to anything else. Because there is a lot of shit movies out there, and I just want those with potential to really deliver, and not waddle around. For example, the refugee plot line was great! It showed so much character, and had the potential for a lot more. But it was brushed aside so fast that we could barely even have a moment to focus on it with Gunner.

Oh well. If I am alone in this rating, maybe I will be the real solitude.

2 out of 4.

399: Queen of the Tetons was watched as part of the Seattle International Film Festival 2024! It had its showing on Sunday, May 12th as part of the festival, and it was the Seattle premiere of this film!

Bears Bears BEARS! Who doesn’t love a bear? Presumably someone who is not lost in the woods and surrounded by them. As long as the bear doesn’t have cocaine on its brain, you are threatening it, should be cool, right?

This documentary is about bears, but also a famous bear. 399 is her name. Given to her from whatever research study tagged her with that number at some point the past. She lives in Wyoming, and she is a GREAT mother bear. She has been popping out cubs for over a decade, and everyone knows about it. Why? Well, it turns out the greatest threat to a bear cubs life is…adult male bears. Because when they want to mate, if they see a lady bear with cubs, they will try to kill those kids. Because the lady bear has mother duties and doesn’t have time for sex. But, if her kids die. Then she will go to heat, and he can score. Life is really fucked up sometimes.

Bears don’t like strangers though. Or people. Or traffic. So they will avoid things like roads. But 399 realize that she can go next to the roads with traffic, and people, and male bears will leave her and her cubs alone. She can protect her cubs, by just being by people. Wild. So she does that. And has for years.

So 399 has become the most famous Grizzly bear in the area, and has hundreds of fans, who hang out and take pictures of her and her children, post hibernation, eating running playing and learning. And this has been true for a long, long time. However, when hanging out with people, and cars. There comes its own danger. And when cars and people gather and grow, to see the bear, that can put a lot of things in harms way, and be bad for the bears overall.

RAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHH BEEEEEEEAAAAAAARS!

Now, what this documentary, eventually, is about is the want and need to keep Grizzly Bears on the protected species list. Because there is growing movements in these states to give them an official bear hunting season. And no one is going to argue that bears shouldn’t have their population maintained, but most groups want to wait for these two distinct groups to start spreading their genes out more, which has not yet occurred. The other issue is: Once bears get a hunting season, then the famous bears that like people and become well known, are going to be the ones who have to pay the price.

Imagine a famous bear for 18 years or so, and then someone just comes along and legally shoots her. When people have their whole career and focus on that bear and nature photography and bringing along conservation practices. That would be a kick in the gut, or, maybe a shot.

Now I am a big fan of not killing bears until their population levels are much higher. But I can’t do anything about those states who vote on this. I don’t think the documentary spent nearly enough time on this topic, since it seemed like the main goal. Instead, we get a lot of time on 399, sweet bear shots and videos, and interviewing some of her bigger fans. Which is fine. But I wasn’t a fangirl before, and don’t think I will suddenly rush off and join the bear cult now. (Too far away, give me a local bear cult and we will see…).

Although I do think I need to point out, that one rancher interviewed, who wanted to be able to defend his property from bear attacks by killing them, decided to say it in a way that is reprehensibly racist towards asylum seekers coming to America. It was wildly inappropriate, and you can tell it is something he says all the time, without realizing how dehumanizing he is being at all. And so of course I cannot ever be on a side with someone like that.

In conclusion. 399 bear is great. Documentary is just fine. Even better if you want to see bears running around.

2 out of 4.

Sirocco and the Kingdom of Winds was watched as part of the Seattle International Film Festival 2024! It had its showing on Sunday, May 12th as part of the festival, and it was the Seattle premiere of this film!

Long winded titles about wind are long winded. What is this, some modern fantasy book series?

Well, yes, in the movie it is.

You see, Juliette and Carmen are sisters, and they are at a babysitters house, and bored! Well, Juliette is bored. And their babysitter is taking a quick nap, even if it is Juliette’s birthday. Also, this person has wrote the fantasy series Sirocco and the Kingdom of Winds. Eventually, some toy creation pops out, and makes a magical portal, that of course Juliette decides to jump into, forcing her older sister to follow.

And hey look, they are now weird cat people! And they are in the world of the books. Thankfully it isn’t scary, it is cool.

Until these goblin creatures find them, capture them, and break the toy so they cannot portal home. Oh, and then they also get separated. The older sister to be married off to the head goblin’s son, and the younger kid to be a maid to a visiting singer, Selma. The good news is, Selma is awesome, and powerful, and wants to help the girls. But the real person to help with the toy is going to have to Sirocco, and he is scary and controls big giant storms.

These goblin people look like they like to party though…

I was excited to show my kids their first FRENCH cartoon, and they still did get to see it. But unfortunately, it was dubbed. Oh no! Still a French cartoon, but the people who did the English voices aren’t noted anywhere, so I couldn’t tag them.

As for the movie, it is basically a Studio Ghibli’esque film. A giant focus on the child characters, and their feelings and facial expressions. Some danger, but nothing we think will actually win over at any point. A world of whimsy and strange shapes and structures. It hits all the marks, just is less anime and more whatever this style of French is called. I think if you like Ghibli films a lot, you would love this one.

Both of my kids enjoyed it a lot, including my youngest who made it very clear that she didn’t think she would like when I showed her the trailer, but she dug it a lot.

For the adults? Well, the story is relatively basic. And it is fine. But it is not something groundbreaking in any level. A tiny, cute story, that is relatively short. A nice break from the hardcore films of death and destruction out there.

2 out of 4.