Tag: 2 out of 4

Butterflies (Perhoset) was watched as part of Cascadia International Women’s Film Festival 2025! It has its showing on Sunday, April 27th as part of the festival.

Working women never have it easy. Just ask Siiri (Aska Korttila), a working woman, and she doesn’t have it easy!

Specifically she has a government job. No, not one she was voted in, like a politician. She works for one of them, Lena-Maj (Leea Klemola), as some high level of assistant. She has to help her get from place A to B, get her in contact with people, book their hotels, book their cars, handle her meeting notices and phone calls. It is a lot of work. There is even another assistant, who is much worse at the job, but he is cool so he gets away with it.

Regardless, Siiri is now in her home town where she doesn’t want to be, because that is the next stop in the tour. And thankfully, it is a quick one. But because her boss’s husband picks that time to let her know he wants a divorce, so Lena-Maj agrees to stay in the town for their little festival all weekend to try and have fun and avoid reality. And now, Siiri can’t escape her own!

Which means dealing with her father (Jani Volanen). She doesn’t like him. He is a screw up. And he knows it. But he just wants to help her, even if he cant help himself. And it turns out that the apple doesn’t fall that far from the tree.

Also starring Alex Anton.

The fields that grow her sorrows are bountiful.

The two leads in this film are uncomfortable people to watch. They rolled low on charisma and luck, and things don’t go their way. They are not the life of the party (despite the dad being a semi successful musician or something like that)? So if you are going to watch this movie, you are going to have to be willing to deal with that uncomfortableness.

I think the situations presented in this film were decent. I think they could have escalated a bit more, and often kept staying in rather…tame situations. It never made it to the next level. And worst of all, it didn’t feel like it was worth it at the end. It reminds me of a Blink-182 lyric, “Work sucks, I know”. But this is a movie where unfortunate things happen without a great level of payoff. “Life sucks, and then you die,” another song quote reference from The Fools.

A way to describe this could be a black comedy, but usually those movies go darker and potentially include death. So a black comedy without the extreme elements? With a bit of that “British” humor behind it.

It certainly achieves that result, but I wish it went to those greater levels.

2 out of 4.

American Dreamer was watched as a screener. It is now out on Digital!

When it comes to the American Dream, usually it involves money, family, a house, and fun. Probably even a green yard and space to frolic.

For Phil (Peter Dinklage), he is a college professor of Economics, so he has served his time well and went to school. He should be able to afford that American Dream everyone talks about? Hell no, he lives in a small apartment, with an old car, and dreams of owning a home, but the price of that has skyrocketed beyond ability. Everything is lost.

Thankfully, Phil does see an ad for a very large mansion like building, with a giant yard, and lake access. It has a hefty fee, out of his range, but there is a secondary, cheaper fee. He can buy it for half of the price listed, if the current owner can stay in it until her death, then he will own the whole thing. He just has to keep to his portion of the house and lawn until then.

Unfortunately for Phil, this dream opportunity can become a nightmare. He has to get rid of everything to afford his share, things keep going wrong, and the live-in woman, Astrid (Shirley MacLaine), might have actual children. This is going to create a will dispute and he might not even get any part of the house once she passes. Fuuuuuuuuuuuuuuuuuu.

Also starring Danny Pudi, Matt Dillon, Michelle Mylett, Kimberly Quinn, and Danny Glover.

I too get that look when I find myself living with an old lady. It happens so often!

This movie had a bigger slapstick nature than I thought. Sure the poster shows him looking beat up, but I still didn’t expect to see my man Dinklage slip out of a shower and fall ass up onto the floor.

It was a highlight to see the cameos throughout the film. I enjoyed Glover praying a private eye who was incredibly good at his job, and offended at the same time. Pudi as some sort of HR/Dean/something at the college felt like a good fit for him.

The movie had an interesting plot line for a story, but the main issue is how little the main plot seemed to really get going. I felt no real chemistry between our main character and his housemate. I didn’t feel much between them and the antagonizing daughter. The plot with the grad student just sort of fizzled out into nothing. And I never really understood why Dinklage’s character just gave up so much over his dream, and so quickly.

Regardless, the movie has its interesting moments and decent enough twist to it. It is not a turd, or anything, it just could have use a lot more polish.

2 out of 4.

We Strangers was watched as part of the Seattle International Film Festival 2024! It had its showing on Friday, May 17th as part of the festival, and it was the Seattle premiere of this film!

Ray Martin (Kirby) has a shitty job, that frankly, she doesn’t love. She is a room/home/building cleaner. She works for a service, they provide the jobs and locations, she does the work, she gets paid. It is one of those things where she knows they obviously pay the company a lot and she only gets a fraction of the services, but at least she gets to mostly work alone and not interact with the clients.

After working on an office building that a new client bought, but needed it de-trashed, sees how she did, he wonders if he can hire her personally. Just some rich doctor guy, let her say a much higher value than she normally makes, and he said sure. He just needs his own house cleaned, and is willing to pay top dollar.

Now, during that clean? A neighbor sees her, questions her, and apparently talks to the client about it. Because now she wants a cleaner. The doctor weirdly pays for it, but hey, money is money. This leads her to suddenly more and more clients, who have their own intricacies and secrets that she is going to discover. Like, one of the clients believes in ghosts and mediums. Seems like a great time for Ray to mention she totally can do that as well, and make house calls. Talk to ghosts? For cash? Sure. Why not.

Also starring Hari Dhillon, Maria Dizzia, Paul Adelstein, Sarah Goldberg, and Tina Lifford.

Sometimes you just gotta stare off, to help find those ghost spirits. Yeah, fuck the rich. Spending lavish money on services, but treating the people in those services as lesser individuals. I think that is a big theme at SIFF this year. Fuck the rich.

Kirby does a great role as the lead. She isn’t overacting in any sense. She just seems like a normal person. It is the rich people with the eccentricities who are acting strange comparatively, even when Kirby is talking to spirits. The secrets between the rich folk are pretty obvious to discern, and not as extra as one would hope. You know, me, a movie goer, looking for drama.

Unfortunately for We Strangers, which I can say is well made enough, well acted enough, is just an okay variation of this story. No giant “fuck yous” as the end. Everything remains subtle. Everything stays chill. Just too chill for it to have higher than a 2 rating.

2 out of 4.

Resynator was watched as part of the Seattle International Film Festival 2024! It had its showing on Friday, May 17th as part of the festival, and it was the Seattle premiere of this film!

You can trip on my Synthesizer, electronic world for every boy and every girl.

The synthesizer is probably the best new instrument since…I don’t know? What was the last instrument invented after all the drums, brass, woodwinds, strings came out hundreds and hundreds of years ago? The accordion? Who knows. But the synthesizer helped transform music, and how to play music, and gave me a lot of danceable tracks and I appreciate it.

Now, for Alison Tavel, the director and theoretical subject of this documentary, she grew up hearing that her dad invented the synthesizer, and worked with all of these famous people. Her dad whom she never met, because he died when she was just ten weeks old in a car accident. She never knew what to believe, figured a lot of it was just weird lies, and never questioned it. But now that she is in her mid 20s, she wanted to know the truth, and unpacked his creation packed away in a box in their attic, the Resynator.

And this documentary is about that journey. The journey to find out what the Resynator was, why it isn’t famous, what could it do, does it still work, and what happened with her father. And you know, of course, learn a little bit more about herself along the way.

This is when she realized she shouldn’t have lost the user manual. As like any good documentary, Alison is going to find out some harsh things about her dad. Things her mom kept from her, because it wasn’t relevant. But things that were also great and accurate about things he did and accomplish.

And in the journey, she wants the good and the bad, she finds out what stories were tall truths and which ones were mostly correct. That’s how we get sections of this documentary with people like Peter Gabriel, who was said to have bought three Resynators, and he is able to confirm the accuracy of the story and be a nice win.

This is a feel good documentary overall, of a woman discovering herself, and coming to terms with things that were kept from her for good reason. And that is a fine idea for a documentary.

But real life can mimic other things, and sure enough, this just feels like a story I have heard over and over again in terms of documentaries. Someone going off to discover the truth about a relative, who died when they were young, and not liking the overall picture they find. For some reason, they also put this on camera for us all to see. It is a very common type of documentary. And Resynator, with some cool information on a synthesizer machine that did not get to the mainstream as many thought it might, was interesting for sure. And unfortunately the rest is just more of the same.

This is all very strange to say for documentary since it isn’t fiction, but like I said, see enough of these things and you can see the commonalities. Oh well. Plenty of people will watch this documentary and probably love it! So if the topic sounds interesting, it certainly will deliver on that front.

2 out of 4.

Solitude was watched as part of the Seattle International Film Festival 2024! It had its showing on Sunday, May 12th as part of the festival, and it was the Seattle premiere of this film!

Gunnar (Þröstur Leó Gunnarsson) is an old man, who lives off on his own large land, with his horses and other animals. He likes it like that. He is self efficient. It is reliable. And he has turned down many offers to sell his land, because he just wants to stay there until he dies. Well, the government won’t wait for him, and because he didn’t negotiate, they bought his land from him anyways due to government legalese stuff. And his land was such a good place and need, he is getting $150 million, which is a lot for a dude that old, to do anything he wants in his life.

So he moves to the city, even though he never wanted to, in Reykjavík, and gets a quick apartment to exist in. Has its own furniture. Now what?

Well, the first person he meets is Ari (Hermann Samúelsson), a 10 year old kid and neighbor, who wants to sell him a newspaper. Literally this is his only human contact, and its frequent enough, so that when he is locked out of his house, he asks Gunnar if he can wait in his for his mom (Anna Gunndís Guðmundsdóttir) to return. Hell, he even becomes a babysitter, and a very nice friend to the family.

But Gunnar is just not used to people so much, he is not used to common social norms, and doesn’t know what actions are inappropriate. He just wants to help people. And when people think he is a nefarious old guy, then that is the only thing he can be to them.

Also starring Jóhann Jónsson and Jóel Sæmundsson.

He’s about to drop the hottest new track of 2024. I think the actor who played Gunner here was a pretty solid dude. He carried pain in his eyes, and felt like he was truly going through these experiences. I think the story is a good idea for one, a nice clashing of generations, and a desire for more innocence in the world. A desire for people to just be good to each other.

But the film didn’t do enough to get that ending. We had a small bit a conflict, and almost no closure, because that is life or whatever. I think there was a lot more drama that could have been explored, and this movie left too much on the table. And that should be a compliment. I wanted more of Gunner and his story about acclimating into city life at his old age, and we just get so little. The snippets we get are good. But why leave it at the simple story? Why leave it so incomplete.

I am not sure what else I can say here. It is overall just disappointment, compared to anything else. Because there is a lot of shit movies out there, and I just want those with potential to really deliver, and not waddle around. For example, the refugee plot line was great! It showed so much character, and had the potential for a lot more. But it was brushed aside so fast that we could barely even have a moment to focus on it with Gunner.

Oh well. If I am alone in this rating, maybe I will be the real solitude.

2 out of 4.

399: Queen of the Tetons was watched as part of the Seattle International Film Festival 2024! It had its showing on Sunday, May 12th as part of the festival, and it was the Seattle premiere of this film!

Bears Bears BEARS! Who doesn’t love a bear? Presumably someone who is not lost in the woods and surrounded by them. As long as the bear doesn’t have cocaine on its brain, you are threatening it, should be cool, right?

This documentary is about bears, but also a famous bear. 399 is her name. Given to her from whatever research study tagged her with that number at some point the past. She lives in Wyoming, and she is a GREAT mother bear. She has been popping out cubs for over a decade, and everyone knows about it. Why? Well, it turns out the greatest threat to a bear cubs life is…adult male bears. Because when they want to mate, if they see a lady bear with cubs, they will try to kill those kids. Because the lady bear has mother duties and doesn’t have time for sex. But, if her kids die. Then she will go to heat, and he can score. Life is really fucked up sometimes.

Bears don’t like strangers though. Or people. Or traffic. So they will avoid things like roads. But 399 realize that she can go next to the roads with traffic, and people, and male bears will leave her and her cubs alone. She can protect her cubs, by just being by people. Wild. So she does that. And has for years.

So 399 has become the most famous Grizzly bear in the area, and has hundreds of fans, who hang out and take pictures of her and her children, post hibernation, eating running playing and learning. And this has been true for a long, long time. However, when hanging out with people, and cars. There comes its own danger. And when cars and people gather and grow, to see the bear, that can put a lot of things in harms way, and be bad for the bears overall.

RAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHH BEEEEEEEAAAAAAARS!

Now, what this documentary, eventually, is about is the want and need to keep Grizzly Bears on the protected species list. Because there is growing movements in these states to give them an official bear hunting season. And no one is going to argue that bears shouldn’t have their population maintained, but most groups want to wait for these two distinct groups to start spreading their genes out more, which has not yet occurred. The other issue is: Once bears get a hunting season, then the famous bears that like people and become well known, are going to be the ones who have to pay the price.

Imagine a famous bear for 18 years or so, and then someone just comes along and legally shoots her. When people have their whole career and focus on that bear and nature photography and bringing along conservation practices. That would be a kick in the gut, or, maybe a shot.

Now I am a big fan of not killing bears until their population levels are much higher. But I can’t do anything about those states who vote on this. I don’t think the documentary spent nearly enough time on this topic, since it seemed like the main goal. Instead, we get a lot of time on 399, sweet bear shots and videos, and interviewing some of her bigger fans. Which is fine. But I wasn’t a fangirl before, and don’t think I will suddenly rush off and join the bear cult now. (Too far away, give me a local bear cult and we will see…).

Although I do think I need to point out, that one rancher interviewed, who wanted to be able to defend his property from bear attacks by killing them, decided to say it in a way that is reprehensibly racist towards asylum seekers coming to America. It was wildly inappropriate, and you can tell it is something he says all the time, without realizing how dehumanizing he is being at all. And so of course I cannot ever be on a side with someone like that.

In conclusion. 399 bear is great. Documentary is just fine. Even better if you want to see bears running around.

2 out of 4.

Sirocco and the Kingdom of Winds was watched as part of the Seattle International Film Festival 2024! It had its showing on Sunday, May 12th as part of the festival, and it was the Seattle premiere of this film!

Long winded titles about wind are long winded. What is this, some modern fantasy book series?

Well, yes, in the movie it is.

You see, Juliette and Carmen are sisters, and they are at a babysitters house, and bored! Well, Juliette is bored. And their babysitter is taking a quick nap, even if it is Juliette’s birthday. Also, this person has wrote the fantasy series Sirocco and the Kingdom of Winds. Eventually, some toy creation pops out, and makes a magical portal, that of course Juliette decides to jump into, forcing her older sister to follow.

And hey look, they are now weird cat people! And they are in the world of the books. Thankfully it isn’t scary, it is cool.

Until these goblin creatures find them, capture them, and break the toy so they cannot portal home. Oh, and then they also get separated. The older sister to be married off to the head goblin’s son, and the younger kid to be a maid to a visiting singer, Selma. The good news is, Selma is awesome, and powerful, and wants to help the girls. But the real person to help with the toy is going to have to Sirocco, and he is scary and controls big giant storms.

These goblin people look like they like to party though…

I was excited to show my kids their first FRENCH cartoon, and they still did get to see it. But unfortunately, it was dubbed. Oh no! Still a French cartoon, but the people who did the English voices aren’t noted anywhere, so I couldn’t tag them.

As for the movie, it is basically a Studio Ghibli’esque film. A giant focus on the child characters, and their feelings and facial expressions. Some danger, but nothing we think will actually win over at any point. A world of whimsy and strange shapes and structures. It hits all the marks, just is less anime and more whatever this style of French is called. I think if you like Ghibli films a lot, you would love this one.

Both of my kids enjoyed it a lot, including my youngest who made it very clear that she didn’t think she would like when I showed her the trailer, but she dug it a lot.

For the adults? Well, the story is relatively basic. And it is fine. But it is not something groundbreaking in any level. A tiny, cute story, that is relatively short. A nice break from the hardcore films of death and destruction out there.

2 out of 4.

Bonjour Switzerland was watched as part of the Seattle International Film Festival 2024! It had its showing on Saturday, May 11th as part of the festival, and it was the Seattle premiere of this film!

Hello, Switzerland! Yes, I know a little French, be impressed.

To set the stage for this film, you need to know about Switzerland. And you know what? I am going to quote Wikipedia here. “Switzerland has four national languages: mainly German (spoken natively by 62.8% of the population in 2016); French (22.9%) spoken natively in the west; and Italian (8.2%) spoken natively in the south. The fourth national language, Romansh (0.5%), is a Romance language spoken locally in the southeastern trilingual canton of Grisons.”

Four languages is a lot, but not really for Europe. A big German population, by a lot. Well, in this film, there is a referendum being brought up to change Switzerland from FOUR languages, to just ONE language. And it has gained some steam, but most people think it is absolutely silly. They like how unique everything is. And the way the law is on the ballot, they have to pick if they want it to take effect or not, and if they want it to pass, which language should be the one remaining?

Well, shockingly it passes. And due to apathy and other reasons, it looks like FRENCH is the winning language. This pisses off most people. As now many folks have to learn French, more than expected. And our main character, a cop (Beat Schlatter), is struggling to learn, and he will need to, to do his job.

He actually gets a big job, to go down to Ticino, an area of Switzerland that is mostly Italian speaking, because they are rising up and talking of separating from their country. Forming their own tiny nation, and will fight and attack to get it going. Oh boy. Politics, amirite?

Also starring Vincent Kucholl, Catherine Pagani, Silvia Jost, and Leonardo Nigro.

I don’t know if this is a Switzerland specific joke or not. But, tiny car and many people is still funny. Okay, first off, let me tell you about what I learned about the title as it is in Switzerland. It is called “Bon Schuur Ticino”. So, first off, Ticino is that one area with the Italians. They can be specific to them in the title, since they would know that, while us filthy Americans do not. But Bon Schuur? That is nonsense technically. It is how a German speaking Swiss would likely pronounce Bonjour. So a German speaking Swiss, speaking French, poorly. That is pretty clever, and something I never would have gotten on my own (thank you Swiss friend who saw this and laughed about it).

Now, onto the story. It is quite a very silly one. We have terrorism, and deceit. We have bombs going off and people getting kidnapped. We have old people potentially getting arrested or fined for just wanting to do their own thing. That’s right, we have a satire.

And like any satire, you have to know everything they are satire-ing, to get the full picture. That can be hard to get with a foreign flick whose own politics and social norms are so unlike your own. I am assuming there is a LOT of this movie that I just didn’t get and would have found it to be a lot more funny if I did. But alas, that is the problem with culture sometimes. As I am not a Swiss Scholar, I couldn’t even get the joke in its title.

Overall I can say it is an interesting and amusing movie. There are parts that still made me laugh, but a lot of parts that just fell flat, and I can only think to blame it on the fact mentioned above.

2 out of 4.

The Idea of You was watched early as a screener! It is releasing on Friday, May 2nd on Prime Video.

Solène (Anne Hathaway) is your regular 40something lady. You know, owning her own art gallery, to sell artwork, and divorced. Her husband (Reid Scott) cheated on her and was very wealthy. He cared about his career, not his family, and younger women. Really sucks.

But Solène still has a good relationship with her daughter Izzy (Ella Rubin). And on a chance encounter at Coachella (that the ex bailed on), she meets Hayes (Nicholas Galitzine), one of the singers in a boy band called August Moon.

Solène doesn’t know anything about the band, except that Izzy used to be a bigger fan (and was a fan of a different member). Hayes likes that Solène doesn’t fangirl over her and is just a strong, and yes, much older woman. And eventually, they start to see each other, travel, date, and live the life of celebrities in secrets.

But Solène doesn’t really believe what is happening to her. And can’t really trust a younger celebrity either. Plus, once the media gets news of the story, Solène is not ready to really experience fame in this way.

Also featuring Annie Mumolo, Perry Mattfeld, Jordan Aaron Hall, and Mathilda Gianopoulos.

Maybe they won’t be recognized in their sunglasses.

Romcoms, some people love them, some people hate them, some people think they are okay. That is probably everyone in those three groups.

I like the idea of romantic comedies, but I rarely like the execution of them. Something will anger me, piss me off, and I will throw it all away. Much like Hathaway’s character in this film. Look, movies need conflict and all of that sure, but it is amazing how much I hated her character at times. Her refusal to be slightly selfish and accept any amount of happiness. I hated her ex husband too, but that was the point.

Because honestly? There is a lot of cute in this movie. I have already seen Galitzine as a singing prince, so seeing him in a boy band was fine. I liked the two leads together, and the silliness of how they met, how they dated, and everything they did together. I think the chemistry is there, and the problems are abundant. I just didn’t like the off period. The first one? It made sense. Anne’s character was tripping and not committing. I agree.

The second time? Sort of ruined the ending for me too. I didn’t love the ending. And the endings are important in RomComs! (They are important in all films – Editor) And they are what make you leave the theater, or in this case, your computer with Amazon Prime on it, all giggly and happy. It just wasn’t my favorite ending, and left me more disappointed. Disappointed given how much I was interested in this weird quirky story.

I like the idea of pop stars dating regular nobodies. We should normalize that, and normalize terrorizing the paparazzi.

2 out of 4.

Road House was watched early from a screener. It is being released on March 22th, 2024.

Who is Dalton (Jake Gyllenhaal) ? Good question. When we are introduced to him, he is about to fight in some sort of ring match for a pot of cash, but the guy he was going to fight saw his face, and ran out of there. Easiest win ever.

And at this event, he meets Frankie (Jessica Williams), who runs a bar in the middle of nowhere Florida, called Road House. Two words. She needs a really good bouncer. They are fine with their place being a little bit of rough housing, but apparently some nasty people are getting there and causing some ruckus. And they want things to get on the up and up again. They need to drive away the ruffians, so they can go and just do their jobs and have fun.

So she offers Dalton, a shit ton of money, to be there for around a month, to train up her people and help out.

But sure enough, DARK FORCES ARE GATHERING – okay, that is too serious. Some people want to destroy the Road House, more or less, and Dalton didn’t know what he signed up for. But they also don’t know about Dalton’s past either.

Also starring Conor McGregor, Beau Knapp, Billy Magnussen, Daniela Melchior, Franklin Romero Jr., Hannah Love Lanier, B.K. Cannon, Joaquim de Almeida, Lukas Gage, Travis Van Winkle,  Chad Guerrero, and Post Malone.

Whenever Jakey stares at me, I feel it all over. 

ROAD HOUSE! The original was an interesting movie overall. It had some stars, some fights, and a very dumb ending, if I do say so myself.

The good news is, this remake also has some stars, some fights, and a very dumb ending.

Now, that is being a little bit harsh. But I just wish there was more Road House in Road House. We got Jake on a boat and in the town. We get a lot of bad guy scenes in other random places. We even get hospitals. And honestly, the 2nd half I feel like I am barely in the Road House. Longer set based action scenes on different boats, and chase scenes, so we can eventually get the bigger fights we want. You know, Gyllenhaal and McGregor.

Are those fights intense? You betcha. But the 2nd half of this film just devolves into standard action movie and I lose so much interest. I don’t care about the crime in the threats. I want the drunk fights at the bar and the bigger story should just be happening there. And like, you know, better plot. Yeah, I would have loved that too.

As a remake, this one should be satisfying to those who like old Road House. It has its own highs and lows and most people will likely find this entertaining enough!

2 out of 4.