Gorgon Reviews

What is this Unbroken thing? It isn’t Unbreakable or Unstoppable or Unthinkable. It is Unbroken? What does that even mean? I didn’t even know there was a word to describe something as not-broken. I just assumed it was the general state unless otherwise noted as broken.

English is weird.

My first thought seeing the trailer was Oscar Bait. My second thought was, wait, haven’t I already seen this movie? It was also based on a true story, during WW2, prisoner of war who got abused by a Japanese man but never gave up and overcame great struggle? Yeah. That was The Railway Man. This is just the same movie but a bigger budget and more CGI right?

Oh. That one was British and this is American. That’s the difference.

Yep, just replace him with a lad instead of a boy and it’s the same scenes.

Unbroken is the “true story” of Louie Zamperini (Jack O’Connell), an Italian-American hero or something like that. As a kid he got picked on for his nationality, so he had to run away a lot. Well, he got fast at running, noticed by his better brother Pete (Alex Russell). Next thing you know, he is on the track team, breaking records, and hey, even going to run for the Olympics.

Then boom, World War II. Next thing you know, Olympics are canceled, and Louie now a good boy wants to join the war effort. He gets to fly in planes, and protect us from Japan!

Then his plane gets shot down and they crash land in the Pacific. Fuck. A couple dudes, some sharks, no food, and nothing that can save them. Just like the Life of Pi, basically. And of course, as the trailers tell you, they eventually get found after a long ass time. Just by Japanese soldiers. So it is off to prisoner work camps for them, far from home, to be abused and treated like animals!

Boo animals!

Also featuring Domhnall Gleeson, Garrett Hedlund, Jai Courtney, Finn Wittrock and of course Takamasa Ishihara!

Run like no one is watching.

Look, I know Angelina Jolie directed it. And I know parts of it were written by the Coen brothers. But man, there was some questionable choices throughout this film for me.

First of all, the what felt like terrible CGI when they had the plane scenes bugged me. The film had some overall filter on it that got on my nerves. Was a subtle annoyance.

But also it had a lot of good things. Jack O’Connell was pretty good, although his accent could have used work. I enjoyed the scene where everyone beat the crap out of him. The backstory pre-war was entertaining for me. Some emotional stuff in the middle.

However, I think overall I liked The Railway Man more, because that confrontation between the the prisoner and his torturer were intense and a great build up. It was a bit more boring, technically, but it felt a bit more real and a lot less cheesy. This one didn’t have a great build up, but instead just your typical worse and worse until they are in a terrible camp, not just a bad camp.

In particular, near the end when main character finds extra strength despite being a beaten prisoner so that he can lift up wood high? That might as well have had cheese falling out of everyone’s ears. It made me cringe and think it was some ridiculous American power fantasy. I didn’t find it inspirational, I found it laugh able. Because up to that point too, the movie felt enjoyable enough for a 3 maybe. Even with all that time spent on the boat.

But then they went full Oscar bait or something. And I just had to shake my head.

Foreign movies are so hard for me to finally get to watch, but there are sooo many of them that I have to see for the Oscars. Booo. And it isn’t even just things nominated for Best Foreign Film! We have things that are foreign nominated for best Animated Film (which I will review in the next week), and we have Two Days, One Night, of which had Marion Cotillard nominated for Best Actress.

Best Actress! My weakest category! And this was literally the last one I had to watch to get all of the acting categories down. So of course I made this a priority outside of all the foreign movies.

So I grabbed my tissue, and prepared for the worst. After all, foreign movie nominated for Oscar and straight drama? I assume someone is going to make me cry.

Even the ice cream looks depressing.

Sandra (Marion Cotillard) has an issue. She might be losing her job. She works at a plant that only has 17 employees. They make solar panels for whoever wants solar panels. Sweet gig I guess. But Sandra has been having some emotional and psychological issues lately. She had a nervous breakdown and took time away from her job, spending time at home with her kids and husband.

But the company employees have found out they totally don’t need her at the job. Everyone overall works roughly 3 hours more a week, but they still get the job done, and it isn’t a big deal that she isn’t there. They can do it with 16. So the higher ups put it to a vote for the remaining workers. They either vote to keep Sandra as a member of their company, or they vote to receive their yearly bonus. Yep, they put her against about 1,000 euros. That’s pretty hardcore.

So it comes to no surprise when the vote goes 14-2 against her. However, they say that the company man being at the vote and it not being secretive influenced it heavily. They convince them that Monday there has to be a re-vote, a secret ballot, without outside influences in the room. So Sandra has the weekend to find her co-workers, appeal to their better nature, and hope they will keep her around too.

Also with Fabrizio Rongione, Catherine Salee, Olivier Gourmet, and Shaun Weiss. And obviously more, but some people have smaller roles or only one scene.

Trying to save your job while being silently judged. That is probably worse than sad ice cream.

Great acting alert, great acting alert!

Fuck. Cotillard did so good. I haven’t seen her in most things, like a lot of people, but I was super impressed. She lost a lot of work and constantly felt like she was on the verge of another break down. She was also incredibly realistic. And a good person. Which made her easily relatable. Her heart break and her sadness was our heartbreak and our sadness. The film itself is such a simple concept yet entirely captivating. It helps that they present you with such a simple goal too. She just needs to convince 7 coworkers to vote for her on Monday. Simple as that.

She doesn’t want to be an inconvenience, she doesn’t want to guilt trip people too much. After all, other people have their own problems and families to look over and had plans for that money. They don’t deserve to lose their bonus, yet she also doesn’t deserve to lose her job. It is real, it is relevant, and it is has a lot of gripping human drama. Man. Those French/Belgian people really knew how to connect to me on levels I didn’t even expect before.

Fuck, I guess I should watch The Immigrant now?

A Most Violent Year is one of those films I tried really hard to say before I made my best of 2014 list, because I had heard a lot of good things about it.

And uhh. That is all I can say about this movie. I mean, I might have gotten it confused with A Most Wanted Man, which became incredibly average despite also hearing great things about it. Shit, I hope this doesn’t go super average.

Super average would describe most of my dinners. Non-violent super average dinners.

There are 365 days in a year and if you killed 365 people in a year, that would be pretty fucking impressive. Like, totally psychopathic or insane, but impressive. That is not at all what this movie is about.

It is about Abel Morales (Oscar Isaac), just your average business man. It is the early 1980’s and he is the owner of Standard Oil, a heating oil company in New York City. He has big plans for his business and is working on getting a new location for his plant, right on the river. This will give him access to all the oils, allowing him to get better prices and you know, make more money!

But his trucks are being robbed at gunpoint. People are hijacking his vehicles, taking the oil and costing him thousands each time. And he has no idea who is doing it. At the same time he is being hounded by his “friend” the District Attorney (David Oyelowo), investigating him and others for price fixing, tax evasion, and the normal business stuff. This bad press in the news, plus the dangerousness of being a driver is leading his business down a dark path. The bank doesn’t want to help him get his new place anymore! And…and…he might lose it all!

Plus his wife (Jessica Chastain) really wants him to go after the culprits hard. Maybe kill them all. But he doesn’t want to do that. That would be most violent.

So Abel has to go to his competitors one by one to find out who is fucking him over and threatening his family. All while his drivers (Elyes Gabel) start carrying guns in their cabs and his lawyer (Albert Brooks) has no idea on how to help him. Oy vey, what a year.

And he still has to come home to give foot rubs at the end of the day.

A Most Violent Year is a hard movie to describe. It is like a mob movie, but definitely doesn’t involve the mob to any large extent. The main character is hard to really wrap your head around. You know he is definitely not “clean” in the ongoings of the business, but as to what specifically he did in the past they never really see.

Given he is our protagonist, you just have to assume you should root for him and not against him, given the lack of history. He wants that place for his company? Then by golly, I hope he gets it!

I actually liked Jessica Chastain a lot in this movie, playing the shit out of the housewife role who totally can control her husband and know everything going on in his company. The kind of woman who has a plan for everything and knows how to get things done. Was very subtle and very nice.

It is also the kind of movie I think I can re visit. And by that, I wouldn’t mind a sequel. Just not a direct one. Maybe one set ten years later, in a much less violent year, to see how the choices made influenced their lives. I would totally watch that movie.

If you are just catching up, I am attempting to hit all the documentaries nominated for the Oscars. Something I have never really attempted before (and still haven’t done for any year). Last week I did Virunga, courtesy of Netflix.

Today I review Citizenfour, courtesy of the NSA. This is not to be confused with Citizen Koch, also from 2014, which was too muddled to make a good point.

No, this one is about a different man who has affected the world, Edward Snowden. More importantly, it is about him BEFORE and after he affected the world. If you can’t remember, Edward Snowden is the whistle blower who gave out tons of information of illegal activity that the NSA was doing, namely spying on its own citizens.

Whereas documentaries spy on people with their knowledge.

How did it get the information before? Well, Snowden realized this was a big deal, so he contacted Glenn Greenwald through encrypted means. He wanted to give him information. He also knew this information was so important, that they began filming the decision in Hong Kong, before the information officially became leaked.

So what does this documentary offer? Watching a man make one of the biggest life changing decisions of his life. You also get to see how much effort went in to protecting him and the journalists involved. How much time was spent being paranoid (for good reasons) and time to make sure their routes to the airport, to embassies, and all would not end with him getting put in jail.

It was pretty intense. And in fact, at times it felt a lot like a thriller. Which is pretty amazing for a documentary.

Like him or hate him (you SHOULD like him, by the way), Snowden was one of the biggest news stories over the last year, and did a lot to help world see what kind of fucked up things our government was doing.

Basically, he is basically a tech-Jesus. And this is the story of how it all went down, along with other information that you might not know about some of the shit the government did. Very informative, very intense.

I don’t think I am ready for this Jelly.

When I first heard about Jupiter Ascending, I was a bit worried. It seemed too far out there, with questionable stars, and a questionable plot. But hey, summer blockbuster, whatever.

JUST KIDDING. It got switched from June to July. But in June, it got pushed back to FEBRURARY 2015. Whoa! That is intense. Blockbusters don’t exist in February. Shitty terrible CGI movies exist in February. This one is going to have a lot of CGI! Ahh!

Apparently it was to finish special effects. They were behind schedule. Right. More likely they moved it back for some terrible reason, like, no faith that it would make money and they just wanted to hide it. Not to mention their awkward Sundance story, they have everything working against them.

The real reason they moved it back was to not ruin Redmayne‘s chance at an acting Oscar.

Jupiter Jones (Mila Kunis) always thought she was going to do something with her life. But now she is a grown woman, still living with her mom and extended family in Chicago, technically illegal aliens from Russia. She scrubs toilets and dreams of the big life.

And then, aliens from not Earth are trying to kill her! Oh shit!

Here’s what you need to know. There is some space royalty out there. And the mother, the main ruler just died so her kids have inherited a lot of the universe. The oldest, Balem (Eddie Redmayne), the middle female, Kalique (Tuppence Middleton), and the youngest, Titus (Douglas Booth). They are humans, they have been alive for thousands of years, and they look young as fuck.

But now Balem has “control” over Earth (and Jupiter, I guess). And he wants Jupiter Jones, specifically, dead. And maybe the rest of the earth. Jupiter has no idea what is going on, just that aliens are real, Caine (Channing Tatum) has weird ears and keeps saving her, and shit’s crazy.

Also featuring Sean Bean, lizard men soldiers, crazy visuals, pew pew pews, bees, and more pew pew pews.

And the coolest (technically still slow) form of transportation sense the hover board.

Jupiter Ascending was weird. And I really can’t tell if that is a good weird or a bad weird.

Easy enough of a solution, let’s get my pros and cons on.

Pros: There is a unique story behind everything. Some of the special effects are really polished and amazing. Sean Bean is in it. Channing Tatum isn’t terrible. Mila Kunis isn’t terrible. The lizard dudes out of no where are pretty well made and bamf. Roller skating/gravity boots. Bureaucracy. And it is definitely more polished than a shitty January/February CGI movie release.

Cons: The entire romance plot feels forced. Some of the special effects are piss poor and terrible. The sound quality in some scenes make a few actors hard to understand (Bean, Redmayne, occasional lizardman). Entire movie feels rushed, like it was actually supposed to be thirty minutes longer. Like some executive said “Fuck this rescue scene. We know they will save em. Let’s just get the plot going!”

And then there is Eddie Redmayne. Every time he was on screen, my head was tilted just trying to get it. Everything about him is just so weird. His character has an awkawrd soft/whisper voice for most of the film, outside of the three or four times he yells completely out of nowhere. Also tons of quick cuts.

Ugh. But also the story was interesting and I cared about what happened.

There are a lot of things wrong with Jupiter Ascending. Acting decisions, editing, cuts, kind of lame ending. But also some really great action scenes, cool visuals, and interesting universe.

Fuck.

I am definitely really late getting to see Dear White People. Hell, I didn’t even know what kind of movie it was going in to it. I literally thought this was a documentary.

Well, despite being a real movie and not a documentary, it took me too long to see it because clearly this movie was made for me. As a white person, having this title means that it is like a letter to me and other white people. That’s good. Gives me something to relate to right off the back.

Basically, this is almost the exact opposite of For Colored Girls.

If they think that review is terrible, they should see my review for Jane Eyre!

Dear White People takes place at an IVY league school that is undergoing some change. There are specific houses that individuals can live in and some have developed themes. Some are party houses, some are for business type folks, and then there is the Armstrong/Parker house, predominantly black.

The administration (Peter Syvertsen) wants to make houses a random process and mess up these themes to induce diversity throughout their mostly white campus. Sam White (Tessa Thompson) believes it is just an attempt to quell the social rustlings of the black students, making it harder for them to organize and protest. Sam also runs a radio show called Dear White People, calling out race issues along with appropriate music, and wrote her own book. She is pretty good at race issues.

She surprisingly wins the election for House Head against her ex Troy Fairbanks (Brandon P Bell), son of the dean (Dennis Haysbert). The elitist type.

Our other main characters are Lionel Higgins (Tyler James Williams), a gay black man journalist/writer who doesn’t feel like he belongs to any group, Coco Conners (Teyonah Parris), a student video blogger who is willing to create drama to rise to the starlight, and Kurt Fletcher (Kyle Gallner), son of the President who feels untouchable and organizes the hip-hop/blackface party.

Also featuring Brittany Curran, Marque Richardson, Malcolm Barrett, and Justin Dobies.

I found him. I found the white person!

Dear White People is an increasingly rarer satire comedy drama. Although the film is clearly fictionalized, it is inspired by actual parties around the united states and actual discrimination that people go through. It presents a lot of good arguments, including lots of social science theory at almost every opportunity. It also showcases clear examples of how the world works in the film.

But also, also, it makes it very clear this is a complicated issue with no clear solution. The entire world is not just black and white (heh). Every person is different with different experiences and what they think and say in public might not reflect their actual feelings. Sometimes people do what they are expected to do.

As for the acting, Tessa Thompson does a great job carrying this movie. She was very believable in her role and is clearly knowledgeable on the talking points. The other lead, Tyler James Williams? Well shit, his fro was so distracting I couldn’t even recognize him as the best part of the short lived Go On. His journey in this movie is the most interesting, followed closely behind Tessa’s, but more importantly is that they are both different and very realistic.

The only thing I could really want more out of this movie is even more issues brought up, or even more perspectives thrown into the mix. But hey, they might need material for a sequel.

Besides wanting to watch every movie ever, I have other goals too. Like you know, movies nominated for Oscars. Wild wasn’t given best picture nominations, but it did get honors for Best Actress and Supporting Actress! Yay, woman power!

The reason it took me so long to see it is because the pre-screening was during my honeymoon. Not much you can do about that!

I had to hit this one in theaters before it left though, before we get an even bigger onslaught of shitty January movies.

“I’m not sure which way to go, but let’s just pick the left path?”

This movie is set back in the mid 1990’s, which really just means that there are no real cell phones. A true story based on a book by the person who did the events, so we know we probably can’t trust it. It is about Cheryl Strayed (Reese Witherspoon), who wants to hike the Pacific Crest Trail, or the PCT as the locals call it. If we call it the PCT too, they will know we are cool and in.

I don’t know a lot about West Coast things, but the trail itself is over 2,500 mi long and mountainous. But Cheryl wants to hike it and hike it all. ALONE. As a woman! Bananas!

Why? Well, she needs to clear her mind and she thinks this is the best way to do it. She has had some shit happen in her life, and the whole point of this movie is to find out what!

I can say her ex husband is played by Thomas Sadoski, which gives some hints, and Laura Dern as her mother.

“No, in retrospect, I think the right is the best path.”

This movie could almost be classified as a thriller! That is a joke obviously, but there were some scary and intense moments along her height. Not wild boars, or bears, or poisonous flowers, but people. People are the scariest of entity, and again, I felt scared when she felt scared due to her being a woman alone. Now, I am not saying I completely understand the very real fear people can have about getting raped or taking advantage of, I just thought they did a good job of showcasing that fear.

And now I feel uncomfortable.

Reese did pretty good in this movie. Way better than her role in The Good Lie. Glad to see her in the spotlight again because I honestly couldn’t remember the last movie I saw her in before those last two. Lara Dern did a pretty good job too, and her role is definitely the definition of a supporting actress. I just don’t think it was one too special by the end of the day.

A decent movie telling an okay story. Well acted and it keeps it interesting through its flash backs. I definitely was surprised by a few things.

I have a good feeling a lot of you have not heard of the movie Project Almanac. But maybe, just maybe, some of you have heard of the movie Welcome To Yesterday.

Welcome To Yesterday was going to be released the end of February, 2014. I remember that month, because my local theater continued to be inept with their new releases. Despite three-ish movies coming out each week, we kept only getting like one of them. It made me mad. I was actually interested in watching Welcome To Yesterday.

So I figured I would wait to see it on DVD then forgot about it. I did think about it again finally a few weeks ago, and then I saw Project Almanac. Sure enough, it was the same exact movie, just with a different title and delayed about 11 months. What in tarnation! Just give me my shitty Michael Bay produced teen time travel movie, damn it.

Unless its release date accidentally time traveled to the future. Then it makes sense.

Technically high school kids could be smart. Like David (Jonny Weston Of Chasing Mavericks fame, ugh). He invented some tech, trying to get into MIT.

He gets in! But they don’t give him any in scholarship, just $5000. He needs like, $40000 more at least. But his family isn’t making a lot of money anymore after their dad died when he was 7. They might have to sell the house.

Unless David could find a new project to work on and quick to win a different scholarship. His dad was also smart, so maybe he has some blue prints. With his sister (Virginia Gardner), they find a video camera of his 7th birthday party. But David sees himself in the mirror in that video. But like, his current 17 year older self, not kid version.

What was his dad working on?! (Time machine stuff). Oh shit. Can it be real? (Yes!). Can they do it? (Probably!). Will there be repercussions? (Come on).

Also featuring Sofia Black-D’Elia as out of his league love interest, Allen Evangelista as other smart (younger?) friend, and Sam Lerner as dumber friend.

The sisters role is made to hold the camera and occasionally show cleavage on camera.

I really want to know why this film was delayed for 11 months. End of Feb 2014 wasn’t a strong area for film, so there is no reason to leave for competition. After watching the movie, I went back and watched the original trailer for Welcome To Yesterday, and all of the scenes in the trailer were in the movie. All of the characters the same, even the same major plot points.

I have no fucking clue what is different and it makes me feel like I am taking crazy pills. Apparently Michael Bay wanted to tinker with it? And he took that long? Jeez man. If anything I thought you were a quicker guy. I won’t even believe it had anything to do with your other two produced movies coming out last summer. Psha.

Anyways. This is a time travel movie. The hand camera does not detract from that fact, it is completely fine, get over it haters. The acting is okay, typical of what high school kids in that situation might react. I am happy that two of them are pretty smart too, because yay brains.

However, because it is a time travel movie, it can get really messy, and I think the end gets completely fuddled. The time travel physics that they brought in somehow get broken, and from that it makes not a lot of sense by the end. Booo. It also attempts some of the morally shitty areas that make the movie super uncomfortable and rapey, something which About Time did a good job of avoiding.

Movie could have been shorter too, definitely. The concert scene dragged on and on and on. Although there were some quite amusing moments too in their shenanigans. But hey, decent job.

It is a hard goal, but I figure I should also check out the best documentary nominees. I was really hoping that I would have seen a few of them before they were nominated, but apparently the ones I thought looked interesting weren’t good enough.

I really should have seen Virunga, because it was a Netflix documentary and has been made available for awhile. My bad. Either way, I can totally get these documentaries done ahead of time, I think.

Virunga! It is about the Congo! The only stuff I know about the Congo are from the movie, Congo, and apparently it grossly misrepresents what is going on over there.

Kind of. Because there is a big military presence ever. And there are definitely gorillas, which is really the point of this documentary in the first place.

Well, the love between a man and his gorilla.

Virunga is a national park in Congo. The gorilla there only lives there and is being hunted. They want to protect them and the land from being messed up like the rest of the Congo. But also, we have an oil company there who wants to determine if there is oil under the large lake and in the area. They aren’t allowed to drill there or extract anything, but they just want to “see”.

Apparently they might be doing more than that, too. Secret meetings, bribes, and mercenaries and fighters. Oh boy.

Virunga at points plays out like an action movie, as they had people recording the events happening right before people would get attacked or fights would break out. It was definitely a bit scary and intense. I was also really impressed by all the moving parts. A lot of different sources of information, from park rangers, to journalists, to everyone in between. They really branched out with their work.

I think what is best about this documentary is that it is set in the NOW. This type of stuff is happening, here are recent events, and we should be outraged about it. I would be, but I can’t muster it up. But I know I should be which is even more important. Great source of information coming from many different angles, and not very biased. Nice.

Fineeee. I will fucking write this review.

Sometimes it is hard to just get the passion or desire to write a review, even if it has been sitting blank on your draft board for weeks. Weeks! Sometimes the only decision you have made is the rating and pictures but no idea what to talk about or how short or long it will be.

But here we are. Taken 3. The film Liam Neeson said he wouldn’t do, I think, then they offered him like $20 million dollars, so here we are. Taken 3. The follow up to Taken 2, that was terrible, given the unique feel and interesting film that was Taken.

Okay sure, Taken might be bad now too. But it isn’t bad as Taken 2. And when good movies go bad and then get another bad sequel? It feels like the Men In Black series, but thankfully this one didn’t wait a decade for an even older action star.

If he gets any older he won’t be able to hold a gun straight.

Instead of being located half way around the world, Taken 3 is set in LA, California. You know, where they live. Bryan Mills (Neeson) is still divorced from his wife (Famke Janssen), and still has an awkward relationship with his daughter.

His daughter Kim (Maggie Grace), who is college or high school right now. She definitely lives on her own or with her boyfriend. And she is pregnant. But it is almost her birthday so Bryan wants to surprise her with alcohol. Jokes on you, Bryan!

Anyways, ex-wife is having relationship problems with her husband (Dougray Scott), kind of wants Bryan back, so does Bryan. Next thing he knows, she is dead in his bed and the police are chasing after him for murder!

Something involving Russians (Sam Spruell), deals gone bad, blackmail, and money. No idea. This guy wasn’t in any other Taken movies, so it is even more unrelated than the other two. Also starring Forest Whitaker as a detective to be on the case, and find the “truth”.

The truth, like why is Bryan Mills smuggling a Panda out of China?

As you all know, I have begun a tirade against Luc Besson, and this movie is no different. Fuck everything he touches. I have never been so angry at a single person’s years of work, but there it is.

This might be the only Besson movie that doesn’t have a lot of events taking place in Europe. Instead we have a guy running around LA, getting chased by cops, destroying public property, killing “bad guys”, and doing a whole lot of crimes, just to clear his name. When he can JUST as easily have not run from the cops, and solved the whole thing much quicker.

We got a terrible plot, with terrible plot twists, and a whole lot LESS action than previous movies. At least before he was killing people who were bad guys doing bad things. Most of this movie is him avoiding the cops and fucking with them.

I think maybe three times he survived some sort of car crash. One time the car went off a cliff and exploded, out of nowhere, it was ridiculous. That is like a bad 80’s action movie. I mentioned confusion as to where his daughter went to school, because everything seemed to imply college, but when we got there it was clearly a fucking high school. Lockers and all.

And then it ends with the stupidest plane / runway scene I have ever seen. Completely ridiculous. More ridiculous than the ten minute runway in Fast Six.

I am glad this came out the first week of January, because films must be all uphill from here.