Gorgon Reviews

In honor of Jurassic World, I too am going to open my own theme park. I won’t fill it with dinosaurs though, I will fill it with greek legendary monsters. It makes sense, if you remember you are reading this review on Gorgon Reviews.

I don’t have the funds yet for it. I don’t have the feasibility either. I thought about CGI, but that doesn’t make sense in real life. Although if the entire park was an entire green screen overlaying the sidewalks and buildings and grass, I could buy the material in bulk.

After all, if they can successfully make a park with monsters despite a whole bunch of deaths right off the back twenty years ago, more power to them (and me). Afterall, Jurassic World is going to be a strict economic drama about the costs that go into large island parks, right? And about how everything is awesome?

About how everything is cool, when you’re part of a team?

Set 22 years after the first Jurassic Park or so, this movie takes place on the exact same island. Now the island is a bustling theme park! The idea was a success! Everyone gets dinosaurs and no one dies!

This version of the park still took some time to happen and it has only existed for 10 years or so. They occasionally release a new exhibit, which spikes up business and gets everyone about dinosaurs again. But kids today, with their Pac-man video games and MTV and hula hoops have attention spans that can be measured only in nanoseconds. And they aren’t afraid of dinosaurs anymore. They are basically like slightly more exotic elephants at this point.

So they went bigger. Better. They made up a dinosaur. Taking DNA from several big dinosaurs and filling in the gaps with some crazy shit, they made a big, intelligent dinosaur that is going to make everyone shit their pants and the investors dive in piles of gold coins. They just have to pass a few safety tests before the big day in a few weeks. And sure, wouldn’t you know it? We got ourselves a highly intelligent killing machine that is not just a mere animal, but almost a dino-god. And he is now loose on a regular park day with 20,000 guests.

Guests like, Gray (Ty Simpkins) and Zach (Nick Robinson), who are there for the weekend with their Aunt Claire (Bryce Dallas Howard), a big wig who helps run the park. We have Henry Wu (BD Wong) as our head scientist who made the creature, the only returning member from the first film. Our rich park owner who doesn’t care about profits (Irrfan Khan), some people who work in the control room (Jake Johnson, Lauren Lapkus), a bad baby sitter (Katie McGrath), the emotional mom of the kids (Judy Greer), a guy with nefarious intentions (Vincent D’Onofrio), and a raptor handler (Omar Sy), are also involved in some way or another!

Hmm. Am I missing anyone? Oh, I guess there is Owen (Chris Pratt), an ex military man who thinks dinosaurs are thinking, intelligent creatures who just want the respect they deserve.

The orca’s at Sea World, however, don’t deserve respect and don’t deserve great white shark food like this big guy.

Welcome to 2015, where everything is CGI and the point doesn’t matter. I am one who would say that Jurassic Park still holds up to this day, animatronics and all. CGI has the ability to get dated pretty quickly because it is constantly evolving and getting better, while animatronics have staying power. From a basic movie watching point of view, I think every single dinosaur was done with CGI. And it shows! The Pterodactyls were horrible. They were at least diverse looking, but every time they flew onto the screen, I cringed a bit. Sure the raptors and the T-Rexes and the bigger guy are much better CGI, I feel like something amazing was lost in the process.

Jurassic World is definitely scarier than the first film, as the threats are bigger and badder with a potential much higher body count. Given that Spielberg is directing it, somehow the kids are able to run through everything with more or less invisible shields protecting them, which is kind of annoying, because any tension in their scenes is a bit diluted. Speaking of tension, despite it being a rich and well funded island park, cell service goes out quite frequently, enough to make it quite annoying at times at how frequently they use it as a crutch. Cell service AND walkie talkies, for double trouble.

One annoying aspect to make it scarier is at one point, it was a bright and sunny early afternoon setting, but the very next scene suddenly made it middle of night. It didn’t need to skip ahead several hours, and made very little sense because most of that time must have been them waiting for it to get dark. But being dark served no purpose outside of making it scarier for the viewer, despite risking time continuity to do so.

I am a bit surprised, however, at some of the characters who did die. One character I noted from above actually died after several bites, flying through the air, drowning, in such a grotesque fashion, you would have thought they were the most evil character ever. But of course, nothing was inherently bad with them.

Despite all of this, there were still quite a few entertaining scenes. I was delighted that Pratt’s character didn’t just feel like Star Lord or Indiana Jones, but a new and unique entity. There were also good moments for our people in the control panel.

Overall, this is probably the best movie in this franchise not called Jurassic Park, but given the quality of the other two films, it doesn’t actually say much.

It is hard to be a girl. People don’t let you drive late at night. Being some sort of freak, where people all sit and stare with their eyes. You know, being a girl, all pretty and petite. And people won’t let you have any rights.

And other lyrics from Just A Girl, where I get all my go to info on what it is like girl-ing.

Hot Girls Wanted is an interesting title because it can be read in many different ways. There is the “Oh shit, is that person trying to buy attractive women?” way. There is the obvious statement of “Of course hot girls are wanted, no shit sherlock.” And there is the “Wait, why did they say girls? That’s creepy.”

And I guess the answer for this documentary is basically yes to all of that.

One of the riskiest google searches for pics for this movie in recent history.

This movie is about the amateur porn business! Thanks to the internet, there is porn in every dirty nook and cranny and they need a lot of people to do it. Apparently the “amateur porn” stuff, or entry level porn for the women involved, is all over the USA, not just California anymore (thanks to laws they have regarding condoms). Especially in Miami! Girls can find a Craigslist ad to get into porn, head on down, stay in a house with other women trying to break it into the field, and live the life of luxury!

Unless…unless the porn business isn’t as glamorous as people imagine? That wouldn’t be the point of this documentary, would it?

Well, probably. This documentary premiered at Sundance this year and is probably only famous because Rashida Jones is a producer (along with like, 15 other people).

In actuality, the film more or less talks about 4-6 porn workers. I wouldn’t call them porn stars, because they aren’t industry leading names or anything. No, these are the ladies who found ads on craigslist and are doing a shoot here or there earning a couple hundred bucks to a thousand dollars a shoot, hoping one day to lead to stardom.

And then we learn a lot about pron archetypes that are about abuse and forced situations to make everyone uncomfortable watching, and then we see what the ladies are now doing with their lives after the fact.

If there was any one real interesting part, I would say the awkwardness of one girl telling her parents and the conversations surrounding it. Yeah, that is solid docu-tainment right there. My issues with the rest of the documentary is that overall it felt kind of pointless. It tried to argue against this type of stuff, I think, but they did it through 5-6 text on screen scenes randomly put in the documentary and that was it. No porn experts, no psychologists, nothing. Just the girls in the situation over presumably a few weeks.

So all in all, Hot Girls Wanted just felt very incomplete and a little bit boring. I guess it is an okay subject to show and talk about, I just wanted something more. Some sort of analysis. Some sort of better point.

It has been awhile since Night At The Museum: Secret of the Tomb came out, but I am finally now ready to talk about it. Why did I wait so long?

Well, I had never seen the first two movies, Night at the Museum and Night at the Museum: Battle of the Smithsonian. I have owned the two Night at the Museum movies, which came out out in 2006 and 2009, since 2012. I just haven’t “found the time” to see them. Never in the right mood.

A few things helped put me in that mood. One, Robin Williams died, very sad, I really needed to see more of his movies. Two, the kids were about to go home for the summer and we had a long Memorial day weekend where I didn’t have anything to show them. So it was easy to watch one, then the next a few days apart, and finally, FINALLY, the third and last movie.

Fair warning, I thought the first movie was kind of terrible, and the second one had its moments, but was overall okay.

But those movies lacked a dreamy knight in shining armor.

Years later, that museum is still popular! Larry Daley (Ben Stiller) is opening up more cheating night things. This time, constellations. Well, shit goes badly and he gets fired. Why? The magical tablet is acting all fucky. People are freaking out, getting meaner. Who knows what is going on?? Well, apparently the parents (Ben Kingsley, Anjali Jay) of Ahkmenrah do! Yes, but they are in a museum in London.

So the gang gets together, tablet in hand, to go to a new museum at night and find out how to fix the tablet. Pretty simple plot actually. His son, Nick (Skyler Gisondo), played by a new guy, is also going to come. For reasons. You know, get him back on track and shit.

Oh hey, and we also have Rebel Wilson playing the London night guard. And Dan Stevens, yes, that Dan Stevens, as Lancelot. Sure, he is a fictional character, apparently in a museum, but go with it, assholes.

And there are all the returning characters of course. We still have Teddy Roosevelt (Robin Williams), Octavius (Steve Coogan), Jedediah (Owen Wilson), Ahkmenrah (Rami Malek), Attila the Hun (Patrick Gallagher), Sacajawea (Mizuo Peck), and even Dr. McPhee (Ricky Gervais). Hell, we also have the old geezers back played by Dick Van Dyke, Bill Cobbs, and Mickey Rooney (who also is dead now).

Just a bunch of eccentric Americans and killers hanging out, riding a bus.

The overall problem with this franchise are the inconsistencies. And the inconsistencies are all shrouded behind a mysterious Egyptian tablet and magic, so that any of them can just be written off. But no, it is incredibly annoying.

For instance, why do some things come alive and others not? Statue and wax people? Fine. But in this movie there is a display of Pompeii, and it even explodes and has its own lava and everything. What? The things are supposed to be alive people or animals or creatures. They are just making things up as they go.

The tablet was losing its power and so people were slowly reverting back to their original forms. Apparently people who get transformed for the first time didn’t turn back slowly because it was their first night. They are apparently just making up rules on the fly because why not. In this movie, they say people act a lot weirder right when they transform and get used to the change eventually. This wasn’t true at all in the second movie, as we saw tons of people come alive and go straight into character and being fine with it.

A more structured, less clusterfuck, is all I ask.

Now this one has some interesting jokes and I laughed a few times. Despite the fact that the main new character was a fictional person who makes no sense to be a museum exhibit, Lancelot was killer. Rebel Wilson also did a good job. But the issue with the tablet was lame, as was the “threat” behind it all. It all seemed poorly done, where conflict continued to be created for the stupidest reasons.

After American Hustle, I just assumed every Christmas we would get a movie with Bradley Cooper and Jennifer Lawrence. They did it two years a row, and that means they have to do it forever?

Sure enough, looking at their IMDBs early in 2014, you would have seen Serena, coming out sometime end of 2014. Three for three, they were going for the Turkey!

But then something happened. It never came out. It got pushed to MARCH of 2015, basically the middle of nowhere. And it had an instant VOD release. Thinks weren’t looking good for this period drama set in North Carolina based on a book…

Real lumberjacks wear pink. Just ask Monty Python!

This movie, Serena, is a period drama (early 1930’s), set in North Carolina (Mountains) based on a book (also called Serena!).

George Pemberton (Cooper) is there, trying to start (or already has?) a big timber business. He is a lumberjack, okay? He is working on expanding his business to overseas, Brazil, get some of that rain forest money.

And then there is Serena (Lawrence). You may have heard about her. She is a blonde stand out, living amongst all the mountain folk. She doesn’t need no man to get her way, but she does, in George. Speaking of George, he has a child actually, with Rachel (Ana Ularu). Kind of awkward, but boys will be boys.

That is, until it is found out that Serena can NOT have kids. So the only person to carry on George’s legacy is some bastard kid. That’s not okay. When people get in Serena’s way, people get hurt. She is conniving and maybe even a little bit mad.

But what else is there to do in the North Carolina mountains?

Also featuring David Dencik, Rhys Ifans, Sean Harris, and Toby Jones.

And of course it ends with a big dance sequence like in Silver Linings Playbook. Right? Right?!

This has taken me about 10 hours of research after watching the movie, but I think I figured out why it was delayed and eventually only a limited release and VOD.

Serena is not very good.

The book might be fine, great, grand, wonderful. I don’t care. The movie is a bore and it is awkward. First off, Cooper and Lawrence, despite their presumably best efforts, do not look like they fit at all with the rest of the actors in this film. Maybe they are too pretty, maybe just too famous, but it doesn’t work. I would also say they don’t act that great here, which is a shame, since we know what they can do.

The side characters all above were pretty good though! Which is a shame. Their collective good was not great enough to overshadow the lumps of coal that Cooper and Lawrence delivered on a platter, however.

Aside from that, the story is pretty much a bore. Some excitement happens. Maybe two exciting things. And a couple more moments that were meant to be exciting, but instead were met with yawns. By the end when I should care more about the fate of certain characters, I instead found myself checking how much time was left and when it would finally end.

This isn’t All About Steve bad, no, but at least All About Steve had some entertainment value.

As this is my intro, instead of talking about Inside Out (and how sad I was there was no 2014 installment), I will just talk about the intro to Inside Out, a short called Lava.

Lava is about love, volcanoes, and tectonic shifts with hot spots. HOT SPOTS.

Obviously some liberties are taken, but it tells a wonderful love story, to great ukulele music, featuring real Hawaiians, and it will win Best Animated Short this year. You are hearing it first. It is better than Frozen Fever. It is better than Feast and Paperman.

It united all of my emotions into the orgasm phase of existence.

Fine, fine, back to the movie. Inside Out is really about a girl named Riley (Kaitlyn Dias), growing up and trying to find her place in the world. She has a loving mother (Diane Lane) and father (Kyle MacLachlan), and enjoys the long winters in Minnesota where she can play the greatest sport ever made: Hockey. But all of that is about to come to a comical screeching halt, when suddenly they are moving to San Francisco for some “work reason” that is stressful and new and different.

To find out what is really going on inside Riley’s head, we have to go inside her head. Heyy brain stuff! That is where her emotions live! Right when she popped out of the womb and opened her eyes, she giggled and laughed, because Joy (Amy Poehler) was her only worker. It was almost instantly followed by gloomy as fuck Sadness (Phyllis Smith). As she got older, she gained more emotions, including Anger (Lewis Black), Fear (Bill Hader) and Disgust (Mindy Kaling).

Together, working in harmony, they can make a fully functional girl. An honest girl, with friends, and family, and hockey, and a goofy side, all making up her core memories. They also work on putting her memories into long term and bring back appropriate memories when appropriate.

But with a half cross country move to a smaller house, no friends, no frozen lakes for hockey, whats a girl to do? Well, apparently have her emotions go all crazy and bad things start happening to her right when she needs them to work together the most. Of course!

And where the heck is her old imaginary friend, Bing Bong (Richard Kind)? He is important, damn it!

“Bing Bong is dead now, sweetie, so eat your imitation Chinese food please.”

Did I mention how good Lava was? Five out of four stars. I want to buy a Blu-Ray with it on it, just so I can get a digital copy and watch it with ease wherever I go.

The good news is, Inside Out was also awesome! Given its subject matter, it should come to no surprise that my emotions were all over the place. Thankfully Anger didn’t really show up, but maybe I did have a little bit of Disgust and some Fear. But hey, the Sadness came into full fruition too. I cried three times during this screening. Once for Lava, twice for this movie. Using literal emotions, it did a fantastic job of controlling my own emotions to make it an overall wild ride.

The film starts out cute, gets happy, stays happy, then gets into the sadness/fear territory, but by the end, it returns you back to the cute/aww feels by the end. A perfect journey, basically. The voice actors did a wonderful job, Lewis Black and Mindy Kaling in particular felt perfect for their roles. And of course Phyllis Smith, a wonderful choice for Sadness, who I assume they also based her design around.

The “hero” of our story in young Riley is a nice change of pace. She is a normal girl and one that most people can probably relate to. Not to mention she plays Hockey, which I must again note plays a significant role in this film. Hockey is slowly creeping its way more and more into mainstream, and I thank Pixar for doing something different.

Last but not least, this movie is for everybody. There are plenty of jokes and fun parts for the kids, but also of course a lot of higher concepts for the adults out there. When dealing with the brain, you should be prepared to use yours, for at least a little bit.

There is no Deus here, no, we just got the Ex Machina.

In case you didn’t know, Deus Ex Machina (god from the machine) is a plot device where some outside force just kind of appears, fixes the issue, and leaves. It is usually a badly written plot device, Greece/Roman plays are full of these types of things where literally the gods came down and did some stuff.

And just to reiterate, this movie is the phrase without the god part. So just “From the Machine”. A movie about robots.

Maybe even robots kind of just appearing, fixing the issue, and leaving. That’d be swell.

I don’t think I can bore up this intro anymore so I should just get right to it!

Put on your thinking face and get to movie watching.

To err is human. To compute is robot.

Humans and robots don’t really interact nowadays on any level that isn’t a slave/owner relationship. Right now, robots have it rough.

Related, Caleb (Domhnall Gleeson) totally just won a prize. He is a coder for Bluebook, the Google of this movie, and he has won a week to spend with their reclusive CEO on his giant resort island thing. Nathan (Oscar Isaac), the CEO, has turned his home into a secret underground facility, to test out new technologies and prepare for the next big technical revolution and he is very secretive.

Nathan wants Caleb to perform the Turing test on something he is working on. In the test, a human asks a robot questions, without knowing whether they are talking to a human or a robot. And if the human cannot determine what it is, the robot/AI passes the test! But err, knowing you are doing that kind of ruins the point you would think. Hell, being introduce to Ava (Alicia Vikander), and seeing her in a robot body also probably puts a hamper on the basics for the test.

Maybe. JUST MAYBE. There is more going on in this facility that Nathan isn’t telling Caleb. Maybe things are more than just the Turing test. Maybe! Who knows? That Asian maid, Kyoko (Sonoya Mizuno) who doesn’t know English and is the only other person in the whole facility? Yeah, probably. Bet she has seen some shit.

If you thought the elevator scene from Captain America was bad ass, wait til you see this action fest!

I think Ex Machina is the type of movie you just want to watch with someone else. There are a lot of themes present, and since I watch the majority of my movies alone, the only people I can talk about those themes with are you guys.

But then I’d be a silly spoil sport.

Instead, let me instead make sure you realize this is a sci-fi drama. That means we are going to have a lot of talking and not a lot of action, and I wouldn’t want you to go into this thinking otherwise (like a dumb ass).

The discussions and the twists that went into the film were pretty enjoyable. I went in assuming I would be able to see everything coming a mile away and I think that most of my predictions did not end up coming true. So it is great to see it not go down the obvious path.

The three main actors involved all did an excellent job. It is now expected of Isaac to provide quality, but Gleeson is still not super tested and Vikander of course is out of nowhere (in comparison). The story the film tells can be interpreted in several different ways, depending on who is watching the film, which will provide excellent discussions.

At the end, I felt as though it was still a bit too slow and not as grandiose as I had expected. That is of course my fault, not the films. Ex Machina is a wonderful addition to the Sci-Fi genre and one loves of that and drama should definitely seek out.

You could say that the Russians are kind of good at hockey.

Not Canada good, but really high up there. In fact, during the Cold War, their national hockey team was the pride of their country. It helped that they had a literal national school to foster players into the team, to practice all the time and become the very best. Like no one ever was. And to beat them in 1980 was our greatest test. Freedom was our cause.

Okay, no more pokemon references.

Either way, they were a dominant team and often seen as a villain of the hockey world, mostly due to the fact that we leave in America and they were communists and communists were/are bad.

But what history fails to teach over and over again is that on the other side, there are also people. People who are playing for their country, for their families, for the joy of the game. And in the Red Army documentary, we get to hear from those players their stories and how everything went down.

Here are the original Russian Five and boy, are they FABULOUUUUUS!

For the most part, the stories told are told by Slava Fetisov, famed young defensemen for the Red Army, who later became the captain of the National team, outscoring most of the forwards and leading them to a couple of gold cup medals. He has also had a bit of a tragic life trying to get OUT of the Soviet Union, where coaches and government officials promised he could go to the NHL and you know, changing their minds.

The plight of their hockey players mirrors the plight of a lot of their citizens in the last 10-20 years of the Cold War before Russia became Russia again.

And it felt kind of awesome hearing their side of the story. The other half of the coin is usually fascinating, and frankly one sided history is boring.

I was a bit confused at first that they had multiple different interviews with Fetisov, so he was wearing different outfits and not having glasses, made me think it was a different player a few times.

But more importantly, the film also touched on the Russian Five 2.0, which played for the Red Wings, the best organization in all of professional sports. It got me pumped about the team despite their playoff loss, and also didn’t get me all sad about the car crash following the cup victory. They didn’t mention it at all!

Go hockey, hockey, the greatest game in the land.

Whenever I read the title of this movie, I imagine the adds for The Dump furniture store. And I put it in the voice of Duffman from the Simpsons.

Hopefully you just did that too.

The DUFF might be the final January movie of the year for me to watch. Sure it came out end of February, but you can tell by looking at the poster that it wanted to come out in January, but too much suck existed in that month so it got pushed back.

Who would delay us from watching this cheaply made porno movie for so long?

Bianca Piper (Mae Whitman) is a DUFF, but she doesn’t know that and doesn’t even know the acronym. It stands for Designated Ugly Fat Friend, which every group of girls and guys has. You don’t have to be literally fat or super ugly, you just have to be less than all the other friends. This way your group of hotter thinner friends have a sort of gateway to them. If you are DUFF, you are easy to talk to and can give information about your better friends, for hook up purposes or whatever. Steven Lynch sang a song about them before they had a fun acronym.

Either way, Bianca has Casey (Bianca A. Santos) who is good at computers, hot, and good at sports and Jess (Skyler Samuels) who is into yoga, smart, and journalism. Well, they are all into journalism. Although they are totally real friends, they are also so totally DUFFing her.

She learns about the term from her next door neighbor, Wes (Robbie Amell), who is now totes max hunk but still talks together since they have been friends for so long. So once she finds out, she bails on her friends and decides to change things. She is going to be awesome on her own. She is going to unDUFF herself. But she doesn’t know how. So she works with Wes. He will help her get better and be able to talk to Toby (Nick Eversman), and she will help him pass Chemistry (so he can get scholarships, go to college, shit like that).

But wait! There is also Queen Bitch, Madison Morgan (Bella Thorne), who wants to be a future reality star and is working on being a youtube star first. She wants to ruin things and muck things up. That seems like an important plot point.

What is not important are the parents and teachers. Allison Janney is Bianca’s single mom, who is now a self help guru about getting over divorce! Chris Wylde and Ken Jeong play teachers and Romany Malco the principal.

The DUFF, in all reality, is a made for TV movie that for some reason someone put in theaters. There is nothing exceptional about it in any way. It is a comedy, but it doesn’t make you laugh. It is a high school movie, but it doesn’t offer anything new. Here is the IMDB description:

A high school senior instigates a social pecking order revolution after finding out that she has been labeled the DUFF

Social pecking order revolution? That means she is going to turn the school on its heels, probably with her sweet journalism skills, to make the DUFFs the cool kids? What? No where close? It is literally her just trying to make herself seem cooler to talk to a boy? Oh. Okay. Well that is kind of…two thirds of every high school story. Fuck.

I mean, the social pecking order revolution story line would have been just some angry kids wish fulfillment fantasy in real life, but at least it would have attempted to do something not normally done outside of Revenge of the Nerds. Instead this was just…boring if I had to say anything. And it had a couple of people involved I actually know of. I liked Mae in The Perks of Being a Wallflower and Parenthood. She just doesn’t do much of anything in this movie.

Fuck. Yes. Entourage.

When the TV Show ended four years ago with its shorter season there were rumors aplenty that the gang would all come back for a movie. We thought it would happen sooner than four years, but hey, whatever.

Did the TV Show need more? Honestly, I don’t remember. The show is extremely easy to binge watch due to both season length and show length. I remember doing the first four seasons in only 2-3 days when I decided to start the show. I remember actually very little about the show in terms of where any of the characters are at the end. I remember Matt Damon was there, and Toto too!

Well, let’s just say that if this movie ends up being any amount of good, I will have to rewatch the show.

This is their last hurrah to make me think Piven can actually act again.

The boys are back, as this movie takes place literally 9 or so days after the end of the TV show. So hope you remember what is going on.

Vince (Adrian Grenier) is already divorced, Johnny Drama’s (Kevin Dillon) show is cancelled, Turtle (Jerry Ferrara) made some ungodly amounts of money from his tequila business, and E (Kevin Connolly) is still…an agent or whatever.

But not everything is the same. Ari Gold (Jeremy Piven) did what everyone expected of him. He came out of retirement and took the job. And he has a new movie for Vince. The only issue is, Vince wants his next project to be something special. He wants a part in it for his brother of course. But he also wants to direct it.

So now, months later, Vince is directing and starring in a very expensive futuristic movie. It is Ari’s first potential groundbreaking moment as a head of a company. It is Drama’s chance at an…Oscar? Only way anything good happens is if they can actually finish the dang thing with budget and time constraints. But you know the gang. They got this, just like they got Medellin.

But it isn’t just about them. We have new comers! Like Billy Bob Thornton playing a Texan financier of movies and his young asshole son played by Haley Joel Osment. And and we have Ronda Rousey and Emily Ratajkowski, both playing themselves. So this is probably an improvement for Ronda’s past roles.

Of course we have a slew of returning cast members. Rhys Coiro, Alan Dale, Emmanuelle Chriqui, Perrey Reeves, Debi Mazar, and of course, Rex Lee. And more! But half the fun is finding out, isn’t it?

First Tusk, now this? Call the Facial Hair Police, we got a repeat offender!

The Entourage movie feels like it is an extension of the TV show. Same level of quality, same style of jokes, same characters. If I had to describe it differently, because you asked, I would say it is like a 4 episode mini season, smashed together so you don’t have to wait 3 weeks to watch it all. And frankly, that can be considered a good and a bad. Because if it doesn’t feel like a movie, why make it a movie? Why not actually just give us a new season? Because it is already a pretty raunchy HBO show, it isn’t like there is more they can do in a movie that they couldn’t do in the TV show. I doubt the budget was that different for this movie either.

So, why the movie? I don’t know. Probably because why not.

All of the characters are the same, including the mostly useless Turtle, whose arc in this film is pretty significant. No, this is about the other 3 members of the Entourage and Ari Gold. And also about how amusing Haley Joel Osment is playing a Texan with an accent and an attitude. He made me giggle like a school girl.

Basically, I would say this movie is worth it just so you can get even more Ari Gold time, clearly one of the greatest television characters ever made. And maybe a little bit of Johnny Drama redemption.

Overall, this has been a lot of words about something you already figured out. If you liked the TV show, you are going to like the movie and probably like that too. If you watched the TV show and didn’t like it, you probably won’t like the movie. And if you never watched the TV show, you have no reason to watch the movie.

Anyways. Fuck. I think I have to go rewatch the show now.

Get out of the way, motherfuckers. We got a GEOLOGY MOVIE to talk about. YEAHHH.

Sure, as a professional (in the case that I make fat stacks of cash), geo-scientists, I could use these movies to bemoan the lack of good science in film and to talk about everything that they got wrong. But in reality, Geologists don’t give a fuck and love the shitty geoscience movies. (Honestly, this could be true for most scientists, but I am not them so I don’t know). We haven’t had a decent CGI science fest in awhile though, mostly stuck with crappy intentionally bad movies which aren’t as fun.

BUT EARTHQUAKES ARE CLEARLY MUCH COOLER. So in San Andreas we should get shit breaking apart, people freaking out, presumably parts of California drifting off to sea. I can only hope. This is a geo-nightmare! One I am fully ready to embrace.

And if you came in here expecting a GTA movie, then get the fuck out of here right now.

We don’t have time for any more wise cracks.

In California, if your life is in danger, there is only one man you want to save your life. Ray (Dwayne Johnson) and his helicopter crew met and flew together in Afghanistan and now work for the LA Fire Department and rescue people everywhere all the time like the polished rocks they are.

But not everything is smooth in his life. No, cracks are forming in his personal life. His wife, Emma (Carla Gugino) wants a divorce. Their lives haven’t been the same since they lost a daughter in a drowning accident. At least they still have one more, their family bubble not completely eroded, in Blake (Alexandra Daddario). Emma is about to move in with Daniel (Ioan Gruffudd) who has a much more solid foundation. A famous architecht, rich.

But fuck all that. Earthquakes. The team at CalTech, lead by of course seismologist Dr. Lawrence (Paul Giamatti) and Dr. Kim Park (Will Yun Lee) have been testing out a hypothesis that will allow them to predict earthquakes. Thankfully in Nevada there has been a series of miniquakes to hopefully test their theory out and hey, it works! Just in time, or not just in time, because it looks like all of their recent work stress is about to be tested when the earth’s stress gets released. All along the San Anreas fault. Through small towns, close to LA and right smack dab through San Francisco .

Also featuring a few British folks from up the river. Namely, Hugo Johnstone-Burt as an engineer looking for a job, Art Parkinson his younger brother, and KYLIE MINOGUE as a small role that totally wouldn’t normally be noted but it is Kylie Minogue people.

Hide! Kylie doesn’t like it when you call her roles small!

It has been awhile since there has been an earthquake movie released. The last two I can remember are Aftershock and Aftershock. And when I compare all three, I would put this a step below Aftershock, but one step above Aftershock.

That’s right. I liked a disaster movie. And I will only briefly talk about the science.

From my knowledge, the whole magnetic pulse to predict earthquakes thing is a solid hypothesis running around the community and relatively new. So that is fine. I think they made up a big fault that doesn’t exist as part of the main San Andreas fault having it go through Nevada, but honestly, I don’t know. But my biggest complaint science wise is the Tsunami. Part of the climax involves a tsunami post all the big earthquakes hitting the city. Buuuuuut, that seems silly. Do giant ass earthquakes cause giant ass Tsunamis? Sure! But not at the same place the earthquake hit. See, the giant displacement event would cause the water to shift away from the epicenter, not towards. A giant ass tsunami would totally head towards Asia/Australia, but it didn’t make sense for it to hit San Francisco.

Back to the earthquakes! I cried. I legit cried near the end of this movie. Because overall, this is a story about a man trying to save his family. A man who tries to save everyone but couldn’t save his daughter those years ago. A man who is a rock in real life, facing a force that literally breaks rocks.

I was surprised at the amount of action this movie provided. They went high with their Earhtquake and aftershock count and had the damage affect at least 3 cities separately, plus tsunami, so there was tons of near death (and death?!) scenarios. Shit, the body count on this movie is so incredibly high. Millions and millions of people die thanks to tall buildings falling over and streets ripping apart. It’d be a bloodbath if it was just rated R and we could show all the bodies in the flood.

There was also disappointment when douche looking Ioan Gruffudd ended up being exactly that, a douche. I was really hoping he would be a good guy, despite being the “new rich man” in their lives, and make it a bit more complicated of a love dynamic. But alas, if it looks like a douche…

San Andreas has everything I’d want in a disaster movie. Some extremely ridiculous scenes of survival. Some crazy deaths. Trillions of dollars of damage done to infrastructure. Ample cleavage because you have to have that in movies about geology for pun reasons. Not completely terrible CGI. Some actual factual science. Some extreme cringe worthy dialogue (including the most obvious ending dialogue to end the movie. Much cliche). And of course, last but not least, Paul Giamatti’s face representing my literal profession.

Buy it now from Amazon now on Blu-Ray or DVD.